What Movie Should We Do Next?

We get drunk and high, rate Whiplash, and argue about why so many people mistake cruelty for genius. We break down how the movie frames abuse as a path to greatness and why the “suffer for your art” mindset still messes up schools, work, and creative life. 
• Jackie Chan Adventures nostalgia and voice actor rabbit hole 
• Three-part review format and what we’re drinking and taking 
• Whiplash plot recap through a former band kid’s lens 
• Acting, cinematography, score, story, and rewatchability ratings 
• J.K. Simmons as a believable manipulator and why that matters 
• Predictable beats, trauma bonding, and the myth of necessary suffering 
• How hierarchies reward cruelty and teach people to imitate it 
• Why the ending reads as triumph instead of tragedy 
• Rewriting the movie by inserting ourselves and forcing accountability 
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What Movie Should We Do Next?

We rate 28 Years Later: The Bone Temple with our three-part system, then chase the few moments where the movie hints at something bigger than blood and spectacle. The conversation runs from acting, cinematography, and diegetic music to cult coercion, warped perception, and why “safety” can be a trap in an isolated world. 
• rating Bone Temple across acting, cinematography, soundtrack, story, and rewatchability at 3.5/5
• comparing Bone Temple to 28 Years Later and the earlier 28 films 
• Samson’s shift from terror to sympathy through performance and camera language 
• why the visuals feel competent but less daring 
• how diegetic music and the record collection shape tone 
• cult structure, radicalization, and coerced choices posing as free will 
• isolation, trauma, and perception as the real horror engine 
• what conditional safety looks like in groups and relationships 
Remember, catch us wherever podcasts are sold. 

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What Movie Should We Do Next?

We put The Mummy Returns back on the stand for its anniversary and judge it by what’s on the screen today, not what we remember loving as kids. We land on a 2.5 out of 5 and end up arguing that nostalgia is real, but it can’t patch a messy sequel.
• our three-part rating method and what we’re smoking and drinking
• why the first Mummy feels tighter and warmer
• acting vs dialogue and why chemistry can’t save everything
• cinematography and blocking when CGI takes over
• the Scorpion King sequence and why it looks unrendered
• score repetition and losing the musical punch
• plot complaints like retcons flashbacks and chosen-one destiny
• rewatchability as comfort viewing even when it’s bad
• our rewrite ideas and the movie we’d rather see

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What Movie Should We Do Next?

We review Undertone, a horror movie built around a remote podcast and a daughter caring for her dying mother, and we keep circling the same feeling: huge potential with too little payoff. We score the acting, cinematography, sound, plot, and rewatchability, then land on a unified 2.5 out of 5 after debating what the film sets up and what it refuses to deliver. 
• our quick synopsis of Undertone and why the premise hits close to home for podcasters 
• acting problems across on-screen and voice performances 
• cinematography choices like Dutch angles and why they feel unmotivated 
• sound design highlights including silence and headphone transitions 
• the “fun and games” the movie teases but never plays 
• vibes-based storytelling versus plot-based horror and why the ending frustrates us 
• themes we notice around isolation, caregiving, addiction, and consequence 
• how we would change our behavior if we were the haunted podcasters 
Make sure to check out our podcast, we come out every week wherever podcasts are sold.

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What Movie Should We Do Next?

Three hosts pick apart The Bride with sharp takes on feminist rage, authorship, and whether lavish style can carry a stitched-together plot. We rate acting, visuals, soundtrack, and rewatchability, and debate who this film truly serves.

• reframing the Bride of Frankenstein through autonomy and identity
• neo-noir cinematography that outshines the script
• performances from Jessie Buckley and Christian Bale under a surreal tone
• soundtrack swings, including Monster Mash, that split the room
• detective subplot versus love story balance breaking the spine
• authorship and white feminism questions around wealth and voice
• audience fit and why some viewers felt seen while others bounced
• final scores averaging to a mid-tier recommendation

“you listen to this, you can’t unlisten to it—fucking follow us places… help us out, send us around, do the things”

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What Movie Should We Do Next?

We rate Bologna a bleak four out of five and unpack why stellar performances can coexist with near-zero rewatchability. The film’s black comedy bends into class, power, and the costs of choosing violence when systems refuse to change.

• tight trio of leads driving tension
• swelling score against stark, wide shots
• plot twists that test empathy and logic
• class allegory of isolation and trespass
• physical violence versus systemic harm
• symbolism of bees, fossils, and fallout
• debate on moral ends and ruined means
• final verdict: impressive, heavy, not cozy

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What Movie Should We Do Next?

We rate and debate a new Wuthering Heights adaptation, digging into where it stuns on screen and where the story blinks. We push past the outrage cycle to ask what an adaptation owes the source and what happens when a film hints at heavy themes but refuses to land them.

• why tension reads as “lewd” when it’s repression
• key deviations from Brontë’s plot and tone
• revenge vs romance and what got softened
• depiction of sexual violence and missing context
• desire, kink, and early exposure shaped by the internet
• strong lead chemistry and smart close-ups
• uneven soundtrack with a few standout tracks
• the outrage machine steering first impressions
• communication as the theme the film avoids
• final ratings and a playful “fake movie” reveal

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What Movie Should We Do Next?

We rate Sam Raimi’s “Send Help” four stars and dig into how an island strips the gloss off corporate ambition, turning tropes into a sharp critique of power, merit, and survival. McAdams owns the screen, the camera bites, and the final stare puts the audience on trial.

• acting that turns humiliation into resolve
• Raimi signatures in kinetic, queasy camera work
• familiar desert‑island tropes used as satire
• the rock reveal reframing agency and ethics
• competence versus entitlement as core conflict
• the last shot reading as judgment, not wink
• theater crowd energy enhancing tension
• why “women are crazy” is the wrong lens
• our insert‑ourselves what‑ifs for dark humor
• final verdict: a tight, rewatchable four stars

Go see this movie if it's still in theaters near you

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What Movie Should We Do Next?

Three hosts get high, sip whiskey, and sort out why a stylish, 60s-set Fantastic Four feels both gorgeous and strangely soft. We rate the acting, roast the CGI baby, praise Galactus and Silver Surfer, and debate whether retrofuturism is a comforting lie or a clever setup for future conflict.

• 60s-set retrofuturism as aesthetic and thesis
• Galactus and Silver Surfer visuals landing with weight
• Performances: Kirby shines, Pascal contained, Reed underused
• Score motif memorable but overplayed
• Desire for inventive “team powers” problem-solving
• Comparison with Superman’s hopeful grit vs naïve optimism
• All art as propaganda; family and compliance messaging
• Hopes for X‑Men to introduce social friction and stakes
• Final ratings and rewatchability judgments
• Teasers for Dolby screenings, Tron and Avatar trailers

“Go see this movie. See it in Dolby. It fucking rocked me in Dolby.”

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What Movie Should We Do Next?

We rate Rian Johnson’s Wake Up Dead Man, argue what makes a fair-play whodunit, and wrestle with how religion and charisma shape control, community, and consequence. Between jokes and toasts, we land on 3.5 out of 5 and ask for bolder risks next time.

• scoring the film by cinematography, acting, score, story, rewatchability
• standout shots that map power and space in the church
• ensemble performances and tonal hamminess on purpose
• pacing drag and the line between twisty and fair-play solvable
• faith, cult dynamics, and the soft-pedaled cost of belief
• media risk, IP fatigue, and why new voices matter
• playful “insert ourselves into the plot” alternate scenes

“Always wear your seatbelts”

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