History From The Back Pages

On this week's History From The Back Pages episode, our host reviews the 2019 action film Triple Frontier: the movie stars Ben Affleck⁠⁠, Oscar Isaac,⁠⁠ Charlie Hunnam, ⁠⁠Garrett Hedlund⁠⁠ , and Pedro Pascal.⁠ The film's plot deals with five retired Delta Force members who go on one last mission to Colombia. They aim to infiltrate drug lord Gabriel Martin Loera's outpost in the forest to obtain millions from his compound.

In this week's History From The Back Pages episode, Collin reviews the horror movie. There's Something Wrong with the Children.

In this week's History From The Back Pages episode, Collin reviews The Open House, his least favorite movie of all time, which says a lot based on how many films he has watched and reviewed.

In this week's History From The Back Pages episode, Collin reviews the 2023 horror film based on Stephen King's 1973 short story The Boogeyman, directed by Rob Savage and starring Sophie Thatcher, Chris Messina, and Vivien Lyra Blair.

In this week's History From The Back Pages episode, Collin reviews the 2010 horror movie The Reeds. The Reeds is about six English friends traveling from London to visit a middle-of-nowhere pub. And along the way, they go through reeds which turns into a deadly nightmare.

In this week's History From The Back Pages episode, Collin reviews the horror movie Temple (2017), directed by Michael Barrett in his directorial debut. The film stars Logan Huffman as Chris, Natalia Warner as Kate, and Brandon Sklenar as James.

In this week's History From The Back Pages episode, Collin reviews the made for tv film The Cottage, starring the talented David Arquette and other bad actors. Unfortunately, the Cottage was a horrible film, and our host regrets watching the movie: awful acting, abysmal writing, bad directing, and unbelievably idiotic plot points.

In this week's History From The Back Pages episode, Collin reviews the B-level horror movie Bats, directed by Louis Morneau, starring Lou Diamond Phillips, Dina Meyer, Bob Gunton, and Leon. The film's villain does an excellent job of perfecting the villainous tropes of the slow clap and the evil laugh and claiming to be all-powerful.