We both quaran-streamed I See You and Tiger Tail, and Dan also watched The Boy for some reason. Then it’s time to get curious with David Fincher’s awards bait puzzler about Benjamin Button.

Dan and Josh streamed the fun Banana Split and the bonkers Vivarium, then it’s time to make a mixtape with the 2000 John Cusack comedy High Fidelity.

So many movies this week! We talk Swallow, The Party, and Lady in a Cage before we dive into several films by Paul Thomas Anderson including Hard Eight, The Master, and our feature of the week There Will Be Blood.

We’ve been streaming! We review Blow The Man Down, Overlord, Super 8, and Candyman, Josh gives his long overdue thoughts on Doctor Sleep, then it’s time to see how James L. Brooks’ 1997 hit As Good As It Gets holds up. Is it… as good as we remember?

Coming to you from the two states with the highest cases of COVID-19, it’s Holds Up! This week we’re talking The Hunt, Greed, and The Way Back, then it’s time to revisit Sam Mendes’ 2002 gangster awards bait Road to Perdition.

Josh saw Pixar’s Onward and we discuss its awkward attempt at representation, we both saw The Invisible Man and have spoiler-heavy thoughts, then Dan catches us up with his thoughts on Portrait of a Lady On Fire.

So Dan has Coronavirus. Also, movies! Downhill, The Photograph, Emma., and Sam Mendes’ utterly peculiar 2009 comedy Away We Go.

After reviews of Portrait of a Lady On Fire, Sonic the Hedgehog, Gretel and Hansel, and Birds of Prey, Dan and Josh revisit Steven Spielberg’s strange 2001 epic A.I.

We both saw Clemency, Dan didn’t love The Turning, and Josh kind of hated The Rhythm Section. Then the premise of the podcast makes a glorious return as we conduct a lukewarm discussion about Steven Spielberg’s 2002 conman biopic Catch Me If You Can.

Dan and Josh saw the same new movie! They didn’t really care for it! Dan also hated Dolittle and Josh checked out Weathering With You.