
Sign up to save your podcasts
Or


With the disappointing storyline of Wonder Woman 1984, HBOMax still needs to find the tipping point. “A blockbuster movie isn’t just recognized with box office numbers. You know it’s a blockbuster when you want to see it over and over.” (Keith Rauch).The long tail model for OTT platforms need the evergreen content or they will always struggle.
Warner Bros brings in experienced marketer of Josh Goldstine to helm as President of Worldwide Marketing, taking over the post once occupied by Blair Rich. This is another move by studios in the attempt to accomplish a unified offering for marketing on to the ever expanding platform. At the same time, Ricky Strauss from Disney is departing after a genius tenure for the studio. Strauss leaves a legacy of Disney+, Marvel and Star Wars success. “If you’re a fan of Marvel films, you’re a fan of Ricky Strauss’ Marketing. “ (Tim Thompson)
Politics and Hollywood entertainment have become insparatable bedfellows over the last few decades, so it shouldn’t be a surprise that Ben Shapiro and Jeremy Boreing should want be players. Following the premise that Politics is downstream of the culture, Real Daily Wire is starting an entertainment division dedicated to broadening the conversation to include conservative values. “As I’ve said for years, Hollywood works behind gates and lives behind gates and it would be good to have a larger presentation of values without the heavy-handed power of the media monopoly. ” (Keith Rauch)
The first film scheduled for release will be #runhidefightmovie on January 14th.
We welcome back Robin Geisen this week to review the past year and the big impact on the Industry.
The Mouse Rocks The House: Wall Street Hearts Disney’s Investor Day
Warner Media breaks the slow pace of Hollywood decision-making and makes a bold move to distribute 2021 films slate directly to HBO Max. This may be an indicator that studios are not confident that exhibitors can get the turnout needed for studios to take a risk on them.
This episode was recorded on November 21st, 2020.
No one is really talking about the cinema experience, except Universal. Bold moves in distribution and possibly setting a foothold in the future of Theatrical Distribution, Universal makes a deal with Cinemark Theaters, similar to their deal with AMC, and defines terms for studio/theater collaboration.
We discuss the latest changes to Disney’s org and ask the question about studio loyalty over the pursuit of subscribers.
We welcome Cameron Dillavou, Head of Global Brand Marketing, to discuss Prime Video’s focus on the platform, content creation, and meeting the consumer with their needs.
Sony announces the realignment of their TV and Motion Pictures marketing/distribution into a single hub. Even though Disney isn’t saying that directly, it is clearly an outcome of their recent shake-up with a centralized distribution strategy. Marketing executives and vendors will be part of the shuffle in the next few months.
Quibi is gone and Netflix has missed its numbers during a pandemic shut down when all people are at home consuming content. Where are the viewers focusing their attention?
Hollywood Breaks is an insiders’ view of what’s shaping the content-making world. Development partners Tim Thompson and Keith Rauch host this weekly show discussing current events with an eye towards seizing opportunity in the changing landscape.
From the publisher's feed