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John and Bethany dig in to Russel Crowe and Ryan Gosling’s take on a buddy cop movie. The Nice Guys is good, but it’s got some stuff it could’ve done better! But not the chemistry or the killer bees: that’s on lock.

CORRECTION: Angourie Rice isn’t in American Vandal. She’s in Spider-Man: Homecoming and Far From Home, and John just got his blonde teenagers in American high school media confused.

Pablo Larrain gets pomo in 2016's Neruda, with performances from Luis Gnecco that can't stop John from talking, and not just because he's drinking wine from the setting.

Sometimes, a 90ish minute comedy doesn’t need to be much more than it is. But that doesn’t mean we can’t wish Rose Byrne did even more. John and Bethany get into the 2014 Seth Rogen/Zac Efron prank war, Neighbors.

John continues the tradition of crying about good new Disney movies, but in a more subdued way during the episode. Much like in Moana, there’s quite a bit of singing in this one.

John and Bethany go globe hopping with Tom Cruise and Henry Cavill to talk all about Mission Impossible: Fallout. Chases, stunts, explosions, masks, Wolf Blitzer cameos…it’s all here.

Did this lose luster after high school? Yeah, I think it really did! John and Bethany talk a 1999 Shakespeare adaptation with a truly stacked cast.

Sail with John, Bethany, and special guest Chris to The Far Side of the World, to see what Paul Bettany was up to before he became everybody’s red android husband. Russell Crowe is there too, and maybe they’re married?

Grab your fries, chips, and mash, because we’re talking about everyone’s favorite Martian, Matt Damon. In their fourth Space Disaster episode, John and Bethany get into why this movie doesn’t completely stick the landing, but doesn’t blow up after liftoff either.

It’s another overexcited talkfest when John and Bethany take on what may be the greatest action movie ever made, George Miller’s Mad Max: Fury Road. Tom Hardy and Charlize Theron devastate with barely a word, practical effects go boom, and Nicolas Hoult rides forever, shiny and chrome.

This one is long and excited, and barely scratches the surface of the defining trilogy of the 2000s, The Lord of the Rings. John DOES cry in this one, of course, and Bethany is surprisingly open to just another very long journey into fantasy and fandom.