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Lady A has been in the music industry for decades. In recent months, she has been in the national spotlight in the United States for reasons other than her music. After the band Lady Antebellum shortened their name to “Lady A” in the wake of the death of George Floyd to dissociate themselves from the “Antebellum South” and the racism bound up with that phrase, the band and Lady A entered into lawsuits over the use of the name. In December, she released the track “My Name is All I got.”
This episode is not about names, but about histories, experiences, power, and the question: How does institutionalized racism shape the music industry?
On this episode of Open to Debate, David Moscrop talks with Lady A, a blues, soul, funk, and gospel singer who has released five solo albums, the latest of which is Lady A: Live in New Orleans. We also hear from John Oliver III, Lady A’s Seattle based producer.
By Canada 20203.2
1111 ratings
Lady A has been in the music industry for decades. In recent months, she has been in the national spotlight in the United States for reasons other than her music. After the band Lady Antebellum shortened their name to “Lady A” in the wake of the death of George Floyd to dissociate themselves from the “Antebellum South” and the racism bound up with that phrase, the band and Lady A entered into lawsuits over the use of the name. In December, she released the track “My Name is All I got.”
This episode is not about names, but about histories, experiences, power, and the question: How does institutionalized racism shape the music industry?
On this episode of Open to Debate, David Moscrop talks with Lady A, a blues, soul, funk, and gospel singer who has released five solo albums, the latest of which is Lady A: Live in New Orleans. We also hear from John Oliver III, Lady A’s Seattle based producer.

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