So you've got a script that involves a bit of close mic work and some really brash and loud dialogue. How should you tame those nasty peaks but at the same time maintain a good level for the softer bits without compression?

Plus we dive into the mailbag, and things get very silly...

The Pro Audio Suite has kindly been supplied with gear from RØDE microphones. We would like to thank them for their involvement with our show, and their generosity. You can see the complete list of their gear here.

@rodemic @rodemics Rode on Linkedin https://www.linkedin.com/company/rode-microphones/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn hopefully help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here.. https://www.patreon.com/proaudiosuite

If you haven't filled out our survey on what you'd like to hear on the show, you can do it here:

https://www.surveymonkey.com/r/ZWT5BTD

Join our Facebook page here:

https://www.facebook.com/proaudiopodcast

And the FB Group here:

https://www.facebook.com/groups/357898255543203

For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website

https://www.theproaudiosuite.com/

"When the going gets weird, the weird turn professional."

― Hunter S Thompson