Hozier BioSnap a weekly updated Biography.

If you caught Hozier live in the past few days you witnessed one of music’s most magnetic artists in a blisteringly busy stretch. On October 7, he drew nearly 20,000 fans in Phoenix for his Unreal Unearth tour stop, working the Talking Stick Resort Amphitheatre into a soul-stirring congregation. According to azcentral, he delivered a sweeping 22-song set mixing old crowd favorites like Take Me to Church with new material from his third album, Unreal Unearth. The tour, which coincides with his companion Unheard EP, has been heartily reviewed by outlets like Rolling Stone and Esquire for its conceptually adventurous blend of Dante’s Inferno inspiration and modern political edge. The Phoenix show was especially notable for the emotionally charged rendition of Too Sweet, his recent chart-topper from the Unheard EP, and a crowd sing-along on Take Me to Church. Hozier himself shared that “the reaction to Too Sweet has come as a complete surprise,” expressing gratitude for his fans’ enthusiasm for these nearly lost tracks.

A few days later, on October 10, he headlined Austin City Limits’ second weekend on the T-Mobile stage. Space City Frequency described it as his last U.S. show of this tour leg and marked it with signature flair—urging festivalgoers to use their voices for peace and security, and ending with Nina Cried Power and a stirring Take Me to Church. Throughout the ACL set, Hozier layered in striking visuals on themes from capitalism critiques to wealth disparity, drawing headlines from the Baylor Lariat for using his stage time to project social statistics during Eat Your Young and for anchoring the night as the festival’s “grand finale.”

On the business side, Greystones Guide reports that Hozier has been making moves to broaden his entertainment business, reportedly taking his entertainment firm unlimited—a sign that he’s thinking far beyond the touring circuit with possible expansion into production or publishing. Though no official statement outlines the firm’s strategy, speculation in local media underscores his growing influence offstage as well.

Social media, especially Threads, continues to buzz about his relevance every time he appears—fans highlighting both his seismic debut and ongoing critical success. His next show is slated for October 14 in Mexico City at Palacio de los Deportes, before additional Latin American and 2026 tour dates expected. No new music releases or major controversies have emerged this week, and public sentiment remains overwhelmingly positive. In sum, Hozier’s October has been about live performance prowess, thoughtful activism, and growing business ambition—proof he is a modern artist determined to shape both sound and society.

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Hozier BioSnap a weekly updated Biography.

Hozier has captivated audiences across the United States over the past few days with the ongoing *Unreal Unearth Tour*, headlining major venues and leaving both critics and fans buzzing. On October 7, he turned the Talking Stick Resort Amphitheatre in Phoenix into what Phoenix New Times called a place of "worship for social justice," performing for a crowd of 20,000 with emotional renditions of signature hits like "Take Me to Church" and recent chart-topper "Too Sweet." Local reports painted a vivid picture of his presence — long dark hair, signature suit in punishing heat, and a masterful blend of humility and stage command. Beyond the spectacle, Hozier’s setlist offered a journey through his evolving catalogue, blending the viral energy of his debut with the rich, conceptual storytelling of *Unreal Unearth*, an album inspired by Dante’s Inferno that Billboard and Rolling Stone continue to praise nearly two years after its release.

A highlight in Phoenix saw political visuals projected during songs like "Eat Your Young," tallying global statistics on homelessness and military spending, with Hozier quietly draping a lesbian pride flag beside the drums, embodying the intersection of art and activism. In the closing sequence, he led a stripped-down, moving performance of "Cherry Wine" in the center of the crowd, before returning to the stage for “Nina Cried Power” and an impassioned call for peace and civil rights. According to setlist.fm and azcentral fan accounts, every show remains unpredictable in spirit, with extended introductions for his band and heartfelt thanks for his crew.

Just days after Phoenix, Hozier appeared as a headliner at the Austin City Limits Music Festival on October 10, according to the Austin American-Statesman and Express-News, where he again commanded festival crowds, urging fans to look after each other amid the Texas heat and performing a set laced with both old favorites and new, socially conscious anthems. The tour rolls into Mexico City next on October 14, with additional dates rumoured for 2026.

On social media, fan engagement is at a high, especially around songs from his *Unheard* EP, which Hozier described on Instagram as tracks “that very nearly made it to the album,” now cherished by fans for their intimacy and depth. No major business announcements or controversy have surfaced, and Hozier’s public persona is dominated by his honest artistry, deeply engaged performances, and subtle but unmistakable activism. The overall consensus from media — and one fan’s viral post — is that attending Hozier live right now feels like witnessing a transformational artist at his peak.

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Hozier BioSnap a weekly updated Biography.

Hozier has made major headlines in the past few days with his powerful return to the Austin City Limits Music Festival on October 3, 2025, where his set was hailed as both a musical and cultural highlight of the opening weekend. Taking over the T-Mobile Stage, he moved seamlessly between emotionally charged anthems and pointed social commentary. According to The Austin Chronicle, he delivered classics from his three albums—Work Song, Eat Your Young, and of course Take Me to Church—with equally weighty interludes reflecting on democracy, human rights, and compassion. Hozier notably introduced Nina Cried Power by invoking the work of past and present activists, urging the crowd to cherish rights won by earlier generations and continue the fight for justice.

His most talked-about remarks focused on peace, dignity, and solidarity amid the ongoing conflict in Palestine. Triton Times highlighted the sincerity and urgency with which he addressed antisemitism, Islamophobia, and various forms of discrimination, drawing poignant parallels to Irish history. He called for universal compassion, linking the current crisis in the Middle East to past struggles for Irish statehood and independence, and expressed hope for security, peace, and statehood for Palestinians. This blend of activism and artistry, as covered by Tixel and discussed widely on social media and Reddit, continues to set Hozier apart from most mainstream headliners.

ACL crowds responded with adulation, though some festivalgoers expressed on Reddit that they wished for a more varied headliner roster, suggesting Hozier’s stature in American festivals is now so solidified he risks becoming part of the establishment he often gently critiques.

Beyond the festival circuit, Hozier rolls onward with his globe-spanning Unreal Unearth Tour. Live Nation features him headlining at venues like the T-Mobile Arena in Las Vegas on October 5, 2025, and Talking Stick Resort Amphitheatre in Phoenix just hours from now, with more than thirty additional North American and international dates slated over the next half year. Shazam and various ticket outlets note that in the past twelve months, Hozier has performed to tens of thousands across nearly eight countries, reinforcing both his relentless schedule and enduring global appeal.

On social media, fans have made his recent ACL performance a viral sensation, with YouTube highlights and TikTok clips spreading his message to millions. While no major new album or surprise single release has surfaced this week, the public consensus is clear: Hozier remains a stirring force in both art and activism, and the long-term significance of his presence at ACL 2025 seems assured for his biographical legacy.

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Hozier BioSnap a weekly updated Biography.

Hozier has been making notable headlines these past few days, with the most biographically significant development being his featured headlining performance at the 2025 Ohana Festival in Dana Point, California. This festival, founded by Eddie Vedder and known for its blend of music and activism, drew attention for its impressive lineup that saw Hozier sharing headliner status with Green Day and Eddie Vedder. According to Glide Magazine, Hozier’s set stood out for its powerful blend of folk, blues, rock, and soul, with signature moments like serenading the crowd with Cherry Wine in an intimate, unamplified segment amid the audience and closing his show with the anthemic Take Me to Church, which ignited thunderous applause. Photos and reviews highlighted an enthusiastic fan response, particularly noting the artist’s emotional connection to both his music and the scenic, ocean-side venue. Hozier himself referenced his Irish coastal roots, expressing appreciation for the ocean air and drawing a personal connection to the festival’s location. His performance was described as both dramatic and intimate, underscoring his reputation for live shows that are both musically compelling and heartfelt.

As the festival wound down September 28th, immediate press coverage was positive, with a focus on Hozier’s ability to generate fervor and emotional resonance. Ohana’s continued emphasis on environmental and social activism adds another meaningful layer to his public image, as participation in such an event links the artist with ongoing causes around conservation, oceans, and community action championed by the festival’s Storytellers Stage.

Just after Ohana, Hozier’s tour schedule has kept him prominently in the news and on social media. According to Hypebot, Hozier played Austin’s Zilker Park for the Austin City Limits Music Festival on October 3, with additional tour stops that include a sold-out show in Las Vegas at T-Mobile Arena, a highly anticipated concert in Phoenix for the Unreal Unearth Tour at Talking Stick Resort Amphitheatre on October 7, a return set at Austin City Limits on October 10, and then wrapping up this short leg with a major date in Mexico City’s Palacio de los Deportes on October 14. Local buzz in Austin and Phoenix has centered around his reputation for lush stage visuals and emotional performances, features amplified in fan reviews and shared widely across social.

There have been no major controversies, business moves, or explicit rumors swirling around Hozier during these days. The social media chatter is overwhelmingly positive, focused on his emotional festival moments, heartfelt stage presence, and anticipation for his upcoming shows. As of this week, Hozier is in the spotlight primarily for the interplay between electrifying live performance, visible support for social causes, and the continued draw of his tour—each reinforcing his long-term significance as both musician and voice for conscience-driven artistry.

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Hozier BioSnap a weekly updated Biography.

Hozier is closing out September 2025 with headline-making moves on all fronts and the music world is buzzing. In the latest major development, Mumford and Sons and Hozier have just announced a new collaborative single titled Rubber Band Man scheduled for release on October 24. Coverage by Hot Press and Binghamton Drive specifies this is not a cover of The Spinners classic but a brand-new acoustic-driven track with both acts co-writing and sharing vocals. Instagram teasers show Hozier and Marcus Mumford in the studio, and Marcus can be heard excitedly calling the final take dope. This is their first official studio collaboration though they have shared stages previously at Bonnaroo in 2015 and more recently Austin City Limits in 2023. Given both acts' dedicated fanbases and the global reach of their past hits, anticipation for Rubber Band Man is sky-high and it is already making waves amongst music journalists and on social media where fans are analyzing snippets and speculating about chart impact.

Live, Hozier continues to be a massive draw. He headlined the Ohana Festival in Dana Point on September 27, alongside Green Day and Eddie Vedder, with performance video already trending on YouTube. Press including Wave 104 spotlight Hozier as a co-headliner at this Vedder-curated festival, praising his soaring vocals and lyrical storytelling which, as always, moved the crowd and ignited a flurry of glowing reviews on X and Instagram. Another notable appearance was at Bridgeport Connecticut’s Soundside Festival on the same day, building buzz and effectively dominating alt-rock festival news for the weekend.

In terms of broad public presence, retrospective coverage of Take Me to Church is back in rotation, with Kiss 95.1 running an in-depth feature on the song’s enduring global influence, its protest origins, and the powerful role visual storytelling played in launching Hozier from attic songwriter to a Grammy-nominated international artist. This context pops up frequently on social media, especially as younger audiences rediscover the song through TikTok and streaming platforms where the track is already seeing renewed chart action.

No significant controversies or negative developments have surfaced. There is, however, ongoing fan buzz and speculative posts regarding new music beyond announced projects, fueled by Hozier’s recent hints in interviews about writing while on tour. According to an AOL interview, he remains optimistic about using downtime to create, suggesting further releases could arrive in 2026.

The headline here is clear Mumford and Sons and Hozier unite for a star-studded single dropping October 24 with festival triumphs and revived chart action continuing to cement Hozier’s status as one of his generation’s most essential artists.

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Hozier BioSnap a weekly updated Biography.

Hozier has had a characteristically eventful week marked by significant festival headlining, a major arena show, and renewed discussion around the lasting impact of his signature hit, all while maintaining a steady presence across both music media and fan-driven online chatter. According to Live for Live Music, Hozier delivered a commanding headlining performance on September 13 at Asbury Park’s SeaHearNow Festival, where his soulful vocals and incisive lyricism captivated thousands during an hour and a half set on the beach. The set reinforced his place as one of few current acts able to blend folk, gospel, and protest influences while commanding a main-stage summer festival slot. The festival’s wrap-ups emphasized how Hozier’s blend of the spiritual and sensual has carved him a unique lane, notoriety burnished further as social media reshared highlights and crowd videos from Surf Stage.

Just a few nights later, Hozier brought his current tour to New Orleans, playing the Smoothie King Center on September 23. Shazam’s event tracker called out the show, reflecting his transition from indie breakthrough to arena-level artist. Social media activity ramped up as attendees posted setlists, photos, and videos, with fans on multiple platforms noting his live performance energy and the set’s balance of new tracks with iconic favorites like Take Me to Church.

Meanwhile, KCRW’s influential Morning Becomes Eclectic playlist featured Hozier on September 24 and included his recent material alongside the now classic Take Me to Church, underlining his ongoing relevance in the indie and alternative music scenes. Across the music blogosphere, there’s been an uptick in think pieces revisiting the social, political, and artistic legacy of Take Me to Church, spurred by a new feature from Kiss951 published on September 26. The article traces Hozier’s journey from Irish attic recordings to global stages, highlighting how his viral debut, with its powerful critique of religious injustice and bold LGBTQ+ affirmation, has only grown in resonance. The story also notes the song’s continued use in protest contexts and its sustained streaming dominance, now at over three billion plays.

No new business ventures, endorsements, or official announcements were reported this week, and at the time of this search, there is no evidence of new music releases or social controversy. While rumors about potential new music have circulated in speculative fan forums, there is no confirmation from Hozier or his label. The week’s coverage has instead spotlighted his ability to draw massive crowds, the continued discussion of his political and social impact, and the staying power of his anthems—especially in an era where few artists can claim such cultural continuity.

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Hozier BioSnap a weekly updated Biography.

Hozier has had a massively eventful week packed with concerts, festival headlines, and noteworthy commentary resonating far beyond the music world. Performing as part of his Unreal Unearth Tour, Hozier electrified the stage at Hersheypark Stadium on September 19th, delivering a powerful, full-set performance that blended his signature soulful vocals and poetic lyrics with blues, folk, and indie rock influences. The show was widely praised for its immersive energy, cutting-edge stage design, and a setlist mixing viral TikTok hits with fan favorites like Take Me to Church and Too Sweet, marking yet another triumphant chapter in his live career as captured by DropVibe’s coverage.

Just days later, Hozier headlined the Sea.Hear.Now Festival in Asbury Park, New Jersey, treating a crowd of 35,000 to what attendees and critics called a masterclass in emotional connection and live artistry. According to Live for Live Music, his hour-and-a-half set on the Surf Stage stood out for its vocal passion and moving religious undertones, with audience sing-alongs and a palpable communal spirit. After the festival, the storied Stone Pony hosted its legendary afterparty, though there are no verified reports that Hozier made a surprise appearance—such rumors have circulated in past years about other legends like Bruce Springsteen, but there’s no confirmation for Hozier this time.

This momentum continued as Hozier headlined the Sing Out Loud Festival in St. Augustine, Florida, on September 21st. Creative Loafing Tampa Bay notes his standout performance, especially poignant with numbers like Nina Cried Power where he invoked themes of free speech, marriage equality, and voting rights. Hozier’s humility and candor shone in interviews leading up to the event, with him emphasizing the importance of not buying into the hype and remaining true to his roots, much like fellow Irish icon Bono. He was forthcoming about his approach to fame, stating he preferred decompressing in the Irish countryside after whirlwind success rather than chasing further exposure, revealing an authenticity that strengthens his public persona.

Recently, Hozier has been active on social media as well, with #HozierConcert and #UnrealUnearthTour trending following his festival appearances, sparking an outpouring of fan appreciation and viral clips on TikTok featuring Too Sweet and De Selby Part 2. While there’s speculation online about possible on-stage collaborations—particularly with Maren Morris, given her presence on the same Sing Out Loud bill—no confirmed duet has surfaced yet. Upcoming tour dates at the Smoothie King Center in New Orleans on September 23 and Doheny State Beach on September 27 ensure that Hozier’s presence in the headlines remains strong, and fans are keeping watch for any last-minute surprises or new announcements.

Overall, Hozier’s week has cemented his status not only as a major musical force but a voice unafraid to tackle deeper social issues on America’s biggest stages. No major business activity or industry controversy has surfaced—his focus remains on live performance, connecting with his fans, and sharing his artistry.

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Hozier just closed out Saturday night as the headliner at the Sea Hear Now Festival on Asbury Park beach, a moment many predicted would be too big for him but one he silenced all doubters with. Glide Magazine details how his set was moving and intensely powerful, with his all-star band and his own strong, expressive vocals orchestrating what the crowd called a religious experience. During “Nina Cried Power,” he connected the Irish civil rights movement to the US and explicitly voiced support for equality, LGBTQ rights, immigrants, and self-determination for Palestinians, driving the message home by ending “Take Me To Church” with a dramatic video illustrating LGBTQ persecution and draping a pride flag on his mic as the band exited. According to The College of New Jersey’s Signal, fans sang every word and reveled in the “unforgettable experience,” clearly placing Hozier among the pantheon of previous headliners like Springsteen and Green Day and cementing his status as a staple big-stage artist.

Immediately following this, Hozier’s Unreal Unearth Tour is rolling on in full force, with a run at Jiffy Lube Live in Virginia just completed and a major show at the Smoothie King Center in New Orleans coming up next. Reports from Virginia, recapped by HOT 99.5 and Bristow Amphitheater’s official events page, say he’s blending material from his new Unreal Unearth album as well as from the critically acclaimed Unheard and Unaired EPs, which include tracks that didn’t make the album but are quickly becoming fan favorites thanks to his emotional live performances.

On social media, fan videos from recent nights are going viral for their emotional highs, with clips of his poignant political statements and rousing “Take Me To Church” encore circulating widely. YouTube highlights and Twitter threads captured Hozier’s gesture of hanging the pride flag, his generous bandmate introductions, and his consistent message of hope and activism. So far, there’s been no word of new music releases or surprise collaborations, though rumors are always bubbling about potential live duets during festival season—none confirmed as of today.

No business ventures, endorsements, or public controversies have been reported this week. All press and fan response focus on his festival triumph and spellbinding tour performances, with critical consensus now firmly establishing Hozier as a headline-caliber artist with significant biographical impact.

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Hozier has lit up North America this September with an intense slate of public appearances and headline-grabbing performances. He brought his Unreal Unearth World Tour to Rogers Stadium in Toronto on September 10, where he delivered a stirring live rendition of Take Me To Church to a packed stadium, according to fan footage and multiple reports. Only days later, Hozier's presence electrified the Sea Hear Now Festival in Asbury Park on September 13, where crowds gathered to witness his powerful vocals against the ocean backdrop—a show widely celebrated on YouTube and through fan threads, where the beach setting and the festival energy amplified his reputation as one of live music’s most compelling acts. Next, he continues his tour with upcoming stops in Bristow, Hersheypark Stadium on September 19 with special guest Gigi Perez, St. Augustine, and then into New Orleans, Dana Point, and highly anticipated sets at the Austin City Limits Music Festival in October, all confirmed by platforms like SeatGeek and iHeartMedia.

Major entertainment sites such as The Week have pegged Hozier as a must-see artist of fall 2025, emphasizing not only his live draw but also his growing reputation for weaving social justice conversations into his shows. No new studio material or major business partnerships were announced this week, but his last studio album Unreal Unearth remains a talking point, as the tour supporting it continues to sell out mid- and large-scale arenas across the U.S. Ticket demand remains robust, with prices ranging widely but most venues reporting significant sales and an enthusiastic resale market.

Social media has kept him in the pop culture conversation, with Instagram reels and hashtags circling around “A Moment That Felt Like Hozier’s Yell,” a viral trend that highlights his signature emotive performance style. Though there hasn’t been any controversy or unexpected news-breaking business activity, fans and critics are in broad agreement that Hozier’s recent live performances have only added weight to his legacy, suggesting he is an artist whose long-term significance is still rising. In summary, the last several days have underscored Hozier’s stature as an uncompromising, crowd-commanding performer, with every tour date and festival slot further cementing his place as an artist of enduring resonance and relevance.

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Hozier BioSnap a weekly updated Biography.

Hozier’s week has been a whirlwind of sold-out stadiums, festival headliners, and viral moments as his Unreal Unearth World Tour continues to steamroll across North America. On September 10th, he commanded the stage at Toronto’s Rogers Stadium, igniting social media feeds with live renditions of “Francesca,” “Too Sweet,” and his enduring hit “Take Me To Church,” all of which quickly circulated through YouTube fan videos and racked up thousands of views overnight. The Toronto show’s setlist, confirmed by Setlist.fm, showcased the kind of theatrical, vocal power that has defined Hozier’s career since his breakout in 2013. His presence was magnetic, and from fan video tributes to trending hashtags on X (formerly Twitter), it was clear that Hozier continues to delight both diehard and newly converted fans worldwide.

As reported by SeatGeek and Shazam, his next stops include marquee festival slots at Sommo Festival in Cavendish on September 14 and the legendary Sea.Hear.Now Festival in Asbury Park on September 13. These dates are part of a packed North American run, with upcoming shows in Bristow, Hershey, and New Orleans, before returning to huge festival appearances in Austin and Dana Point. The ticket marketplace notes intense demand, with resale prices in some cities spiking well above face value and sold-out sections a common sight—definitively marking Hozier as one of 2025’s most successful live acts.

There has been no major new music announcement, public controversy, or business shakeup—his focus remains squarely on the current tour and connecting with fans. However, the Toronto performances generated significant buzz, in part due to surprise on-stage collaborations, as documented in fan reviews and snippets. Social platforms continue to light up with concert clips, fan art, and playlists, while Hozier himself remains relatively low-key online, letting the music and live experience do most of the talking.

No speculative reports or wild tabloid rumors have gained credible traction this week, nor has there been any significant shift in Hozier’s business partnerships or philanthropic activities, according to official channels. The central storyline is all about his extraordinary tour momentum, multi-generational fan engagement, and steady cementing of his place as a soulful, poetic powerhouse in contemporary music. The headline remains clear: Hozier’s live reign shows no sign of slowing, and every city he visits is abuzz with anticipation and afterglow.

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