Human Voices Wake Us

A reading of H. D.'s poem "Eros" which can be found in her Collected Poems 1912-1944.

Any comments, or suggestions for readings I should make in later episodes, can be emailed to [email protected].

I assume that the small amount of work presented in each episode constitutes fair use. Publishers, authors, or other copyright holders who would prefer to not have their work presented here can also email me at [email protected], and I will remove the episode immediately.

This is the fourth in what will be a long series of readings from biographies of Walt Whitman. For the next month or so, the book I will be reading from is Paul Zweig's Walt Whitman: The Making of the Poet, which focuses on the years preceding the publication of Leaves of Grass, and and the decade or so after, which Zweig and many others identify has the period in which he wrote his best poetry.

The best place to find Whitman's poetry online (or anything about him at all) remains the Whitman Archive, and you can find every edition of Leaves of Grass here (as plain text downloads) and here (facsimiles of the original editions).

While there are hundreds of editions of Whitman's poetry in print, the best editions for me are Gary Schmidgall's Walt Whitman: Selected Poems 1855-1892, which present his best poems in their earliest published form; the second includes the first and last editions of Leaves of Grass, along with a huge selection of Whitman's prose.

Any comments, or suggestions for readings I should make in later episodes, can be emailed to [email protected].

I assume that the small amount of work presented in each episode constitutes fair use. Publishers, authors, or other copyright holders who would prefer to not have their work presented here can also email me at [email protected], and I will remove the episode immediately.

Stubbornness. An experiment in what might become a podcast diary/autobiography, and starting off with a poem I wrote when I was 18 (sorry, I say in the episode I was 17), and wondering where my stubbornness, confidence, and early thoughts on art and creativity came from. It may not work at all.

Any comments, or suggestions for readings I should make in later episodes, can be emailed to [email protected].

I assume that the small amount of work presented in each episode constitutes fair use. Publishers, authors, or other copyright holders who would prefer to not have their work presented here can also email me at [email protected], and I will remove the episode immediately.

A reading of two love poems by H. D., "Eros" and "Envy," which are included in her Collected Poems 1912-1944.

Any comments, or suggestions for readings I should make in later episodes, can be emailed to [email protected].

I assume that the small amount of work presented in each episode constitutes fair use. Publishers, authors, or other copyright holders who would prefer to not have their work presented here can also email me at [email protected], and I will remove the episode immediately.

This  is the third in what will be a long series of readings from  biographies of Walt Whitman. For the next month or so, the book I will be reading from is Paul Zweig's Walt Whitman: The Making of the Poet, which focuses on the years preceding the publication of Leaves of Grass, and and the decade or so after, which Zweig and many others identify has the period in which he wrote his best poetry.

The best place to find Whitman's poetry online (or anything about him at all) remains the Whitman Archive, and you can find every edition of Leaves of Grass here (as plain text downloads) and here (facsimiles of the original editions).

While there are hundreds of editions of Whitman's poetry in print, the best editions for me are Gary Schmidgall's Walt Whitman: Selected Poems 1855-1892, which present his best poems in their earliest published form; the second includes the first and last editions of Leaves of Grass, along with a huge selection of Whitman's prose.

Any comments, or suggestions for readings I should make in later episodes, can be emailed to [email protected].

I assume that the small amount of work presented in each episode  constitutes fair use. Publishers, authors, or other copyright holders  who would prefer to not have their work presented here can also email me  at [email protected], and I will remove the episode  immediately.

A reading of H. D.’s poem “Wine Bowl,” from her 1931 collection, Red Roses for Bronze. Buy her Collected Poems 1912-1944.

Any comments, or suggestions for readings I should make in later episodes, can be emailed to [email protected].

I assume that the small amount of work presented in each episode constitutes fair use. Publishers, authors, or other copyright holders who would prefer to not have their work presented here can also email me at [email protected], and I will remove the episode immediately.

A reading of Walt Whitman's poem "The Sleepers." The reading is from the earliest published version of the poem, in the 1855 edition of Leaves of Grass, where the poems was untitled. The full text of that version is here; the final revision of the poem is here.

The best place to find Whitman's poetry online (or anything about him at all) remains the Whitman Archive, and you can find every edition of Leaves of Grass here (as plain text downloads) and here (facsimiles of the original editions).

While there are hundreds of editions of Whitman's poetry in print, the best editions for me are Gary Schmidgall's Walt Whitman: Selected Poems 1855-1892, which present his best poems in their earliest published form (this is the book I am reading from here); the second includes the first and last editions of Leaves of Grass, along with a huge selection of Whitman's prose.

Any comments, or suggestions for readings I should make in later episodes, can be emailed to [email protected].

I assume that the small amount of work presented in each episode constitutes fair use. Publishers, authors, or other copyright holders who would prefer to not have their work presented here can also email me at [email protected], and I will remove the episode immediately.

A reading of six poems from Louise Glück's 1990 collection, Ararat. The poems are:

Buy Ararat, or Glück's Collected Poems 1962-2012.

Any comments, or suggestions for readings I should make in later episodes, can be emailed to [email protected].

I assume that the small amount of work presented in each episode constitutes fair use. Publishers, authors, or other copyright holders who would prefer to not have their work presented here can also email me at [email protected], and I will remove the episode immediately.

This is the second in what will be a long series of readings from biographies of Walt Whitman. For the next month or so, the book I will be reading from is Paul Zweig's Walt Whitman: The Making of the Poet, which focuses on the years preceding the publication of Leaves of Grass, and and the decade or so after, which Zweig and many others identify has the period in which he wrote his best poetry.

The best place to find Whitman's poetry online (or anything about him at all) remains the Whitman Archive, and you can find every edition of Leaves of Grass here (as plain text downloads) and here (facsimiles of the original editions).

While there are hundreds of editions of Whitman's poetry in print, the best editions for me are Gary Schmidgall's Walt Whitman: Selected Poems 1855-1892, which present his best poems in their earliest published form; the second includes the first and last editions of Leaves of Grass, along with a huge selection of Whitman's prose.

Any comments, or suggestions for readings I should make in later episodes, can be emailed to [email protected].

I assume that the small amount of work presented in each episode constitutes fair use. Publishers, authors, or other copyright holders who would prefer to not have their work presented here can also email me at [email protected], and I will remove the episode immediately.