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Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Pedro Cortes is a master Flamenco guitar musician with roots in Spanish Gypsy traditions. He learned his craft from his family's close friend Flamenco legion -- 'Uncle' Sabicas. Mr Cortes performed professionally since he was 17 – all over the world – St. Louis Opera -- New York Grand Opera -- Guthrie Theatre’s production of Lorca’s "Blood Wedding" – and he had a regular gig at Alegerias – at the Spanish Benevolent Society -- until the pandemic hit. The artist was interviewed before his performance at a music salon arranged by Deirdre Towers in honor of her longtime companion who had recently died -- Jared Newman. Pedro played his own composition "Mineros" on Jared's guitar.
NOTE: In the program notes photo - Pedro Cortes is playing the blanca guitar commissioned by Paul Jared Newman and made by Andrés Marvi in Ferreirola, Spain.
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Part 2 of a two-part HD episode. Mark Kaplan is a leading violinist of our time. He has performed solo at nearly every major American orchestra including the New York and Los Angeles Philharmonic Orchestras, the Cleveland and Philadelphia Orchestras and many more. Mark Kaplan has collaborated with the world's foremost conductors, among them Ormandy, Maazel, Masur, Foster, Gatti, Rattle, Slatkin and so many others.
CONTACT: [email protected]
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Part 1 of a two-part HD episode. Mark Kaplan is a leading violinist of our time. He has performed solo at nearly every major American orchestra including the New York and Los Angeles Philharmonic Orchestras, the Cleveland and Philadelphia Orchestras and many more. Mark Kaplan has collaborated with the world's foremost conductors, among them Ormandy, Maazel, Masur, Foster, Gatti, Rattle, Slatkin and so many others.
In Part 1 of this conversation, we talked about Mark's early career and how he got started as a soloist for the world's foremost orchestras. In Part 2 we focused on his chamber music and his most interesting predictions of where big-time professional music will be after the pandemic. Along the way we included exceprts from Mark's performances of Bach, Bartok, Lerdahl and Schoenfield. This is a wonderful listen and should not be missed.
CONTACT: [email protected]
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Joining me for this Hunkered Down episode are three musician/composers and one poet. Shortly after the COVID19 lockdown in NYC, these artist produced socially-distanced music events and broadcast them over their Facebook pages -- and called it -- The “Composers Concordance – Social Bubble Salon.”
Each of these artists is a composer and known performer in today's music world of New Music. In this HD episode, we talked about their work, the origins of the Composers Concordance, and then listened to excerpts of the music they have been presenting at their Social Bubble Salons.
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Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Here are two actors working in – and out – of New York City’s Yiddish Theatre. Ever since the great immigration of Jews from Europe New York City has been the center of Yiddish theatre which continues at such venues as the National Yiddish Theatre Folksbienne in downtown Manhattan since 1915.
Yelena Shmulenson was born in Belarus and came to the US with her family in 1993. She studied acting at Marymount College and learned Yiddish at the YIVO Institute for Jewish Research. And is known for her work on The Good Shepherd (2006) and Romeo and Juliet in Yiddish (2010), and inmate Boyle on “Orange is the New Black.”
Allen Lewis Rickman grew up in Far Rockaway in a Yiddish-speaking family. He attended Modern Orthodox schools and studied film at Brooklyn College. He is known for his work on The Marvelous Mrs. Maisel, Boardwalk Empire as actor and translator, You Don't Know Jack and The Cobbler (2014) – and is quite busy as a Yiddish translator and he lectures and writes about Yiddish Theatre.
Yelena and Allen are probably best known for the brilliant opening of the Coen brother’s “A Serious Man” which we got to at the end of the conversation. And -- do not miss Yelena's Allen's rendition of a piece about a kazen-lover and baseball.
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From the publisher's feed
What's a performer to do without a stage -- without a live audience? How will months of social distancing change the nature of the performer-audience relationship?
During this time of social…
Let us know what you think of the Hunkered Down Podcast at [email protected]
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