I Know Movies and You Don't w/ Kyle Bruehl

In the fifth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter David Gutierrez and activist Kerry Harwin to discuss the experimental cult sensibilities of Richard Lester with his cynical dissection of the commodification and corruption of flower power idealism in the fractured and delirious anti-romance Petulia (1968).

In the fourth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Gio Maldonado and filmmaker Mario Ruiz to discuss Peter Bogdanovich's eerily prescient dissection of America split between traditionalism and progressivism, and the emergence of real desensitized and irrational violence in its populace that defines the pseudo-horror commentary of Targets (1968).

In the third episode of Season 11: The Son of Cult Flicks, Kyle is joined by novelist Samuel Cullado and artist Anna Cullado to discuss the student film from collaborators Remy Belvaux, Andre Bonzel, and Benoit Poelvoorde that took Sundance by storm, the perverse pitch black comedy commentary on media complicity and the developing narcissistic age in the serial killer mockumentary Man Bites Dog (1992).

In the second episode of Season 11: The Son of Cult Flicks, Kyle is joined by editor Kristi Shimek and filmmaker Mario Ruiz to discuss the DIY grotesqueness of Peter Jackson's rambunctious directorial debut that becomes a satire of action star masculinity and societal exploitation in the Monty Python inspired Bad Taste (1987).

In the premiere episode of Season 11: The Son of Cult Flicks, Kyle is joined by graphic designer Nell Bailey and podcaster/filmmaker Michael Willer to discuss the godmother of cult films: Richard O'Brien and Jim Sharman's delirious homage to 1950s B-movie schlock and rock n' roll with the gender-bending, taboo-breaking, and revolutionary The Rocky Horror Picture Show (1975).

In the Season Finale of Season 10: Dealer's Choice, Kyle relinquishes hosting control to his better half Katy Baldwin so he can share one of his favorite films, the quirky and surreal immersion into the feelings of finding romance, being crippled by anxiety, and being defined by self-doubt that defines Paul Thomas Anderson's subversion of the romantic comedy in Punch-Drunk Love (2002).

In the forty-ninth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with fellow podcaster Ben Thelen to discuss the anarchic creativity of the street art movement, the commodification of expression, and the elusiveness of cinematic truth that defines one of the true artistic mosaics of the documentary form in Banksy's Exit Through the Gift Shop (2010). 

In the forty-eighth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with graphic artist Nell Bailey to discuss the absurdist exaggeration of celebrity mania wrapped up in feminist declaration, music industry commentary, and time capsule nostalgia that makes up Bob Spiers' capturing of Spice Mania in Spice World (1997).

In the forty-seventh episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with film critic Joseph Brandt to discuss the airy sophistication and perverse sexploitation of Harry Kümel's progressive and thoughtful vampire film about aristocratic bloodlines, gender power politics, and the transformation into the new in Daughters of Darkness (1971).

In the forty-sixth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with filmmaker Jordan Berry as we discuss the elusive and ambiguous psychological thriller about superficial envy and hidden desire in François Ozon's subtly disturbing short film See the Sea (1997).