A while back, we did an episode celebrating the Nuggets album, that quintessential collection of 1960’s psychedelic garage rock. But psychedelia was an international phenomenon, and on this episode, we’re travelling across the pond to feature the long-lost psychedelic bands from the UK. All of these selections are available on the excellent compilation albums in the Rubble series—if you like what you hear here, check those out.

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Few bands left a legacy as deep and as lasting as The Ramones. You literally couldn’t count the number of bands who were influenced by these 4 New York ne’er-do-wells. They created a sound and a look that virtually created a whole genre of music. Let’s have a listen to one of their classic tracks, “I Wanna Be Sedated”.

"I Wanna Be Sedated" (Jeffrey Hyman, John Cummings & Douglas Colvin) Copyright 1978 Bleu Disque Music Co., Inc and Taco Tunes

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A teenage summertime love affair with a foreign exchange student was the inspiration for this song by Wishbone Ash. Though overlooked in the US, Wishbone Ash reached #3 on the UK charts with the album "Argus", which features "Blowin' Free". Wishbone Ash's twin lead guitar sound would inspire many a band that followed.

Wishbone Ash - "Blowin' Free" (Martin Turner, Andy Powell, Ted Turner, Steve Upton) Copyright 1972 Colgems Music Corp./Blackclaw Music Inc - ASCAP

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Introducing a new segment of the podcast - "Creation & Evolution", where we explore songs that travelled a long & winding road before they reached their final version. In this episode, we trace the history of a song that started from a phone call with Farrah Fawcett and ended up as Gladys Knight's biggest hit.

"Midnight Train To Georgia" (Jim Weatherly) Copyright 1971, 1973 Universal-PolyGram International Publishing, Inc

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Everybody knows "Baker Street"-- even if you don't know the artist's name or the song title, you probably know that sax riff. But there's more to Gerry Rafferty than "Baker Street" (or "Stuck In The Middle", for that matter). Here's an incredibly moving song that's every bit as good as his biggest hits.

The Ark (Gerry Rafferty) Copyright 1977 The Hudson Bay Music Co. BMI

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Jeff Beck was the guitar player's guitar player. Ask the great guitar players who they thought was the best, and chances are they'll name Jeff Beck. His playing was in a state of perpetual reinvention, always evolving & improving. No mere technician, he was a master of emotion. When Jeff passed away in 2023, we lost a musical giant.

On this, our 150th episode, we pay tribute to Jeff by looking back at his 50+ year career, highlighting some of his finest moments.

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You may not know her name, but I guarantee you've heard her voice. When acts as diverse as Graham Nash, Peter Gabriel and KLF are in need of a soulful vocal, PP Arnold has been a top choice. Her voice has graced dozens of songs & albums for over 50 years, though she's never had a hit under her own name in the US. On this episode, we take a brief look at her career and examine a great lost track, featuring Eric Clapton and the Derek & The Dominos band, recorded in 1970 but didn't see the light of day until 47 years later.

"Medicated Goo" (Steve Winwood, Jimmy Miller) Copyright 1969 Island Music Ltd, Universal/Island Music Ltd.,F-S-Music Ltd., Kobalt Music Copyrights SARL

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"Dead End Street" marked a shift in Ray Davies' songwriting. His songs began to take on a more UK-specific focus. And if not political, it was at least more socially pointed, as he sings about an out-of-work, impoverished couple who wonder, "What are we living for?" 50+ years on, many still ask that same question.

"Dead End Street" (Ray Davies) Copyright 1966 Davray Music Limited. Carlin Music Corporation.

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Television came out of the CBGB's scene in New York (in fact, they were the first rock band to play the legendary club), but they never fit the "Punk" or "New Wave" label. They were unique, which is why their debut album Marquee Moon sounds timeless, as fresh today as the day it was released in 1977. Fronted by two great guitarists-- the mercurial Richard Lloyd and the enigmatic Tom Verlaine, who also provided unorthodox vocals and most of the songwriting-- Television would influence generations of bands that followed. Though they never achieved commercial success, Marquee Moon regularly appears on virtually every "Greatest Albums Of All Time" list. On this episode, we explore the track that opens the album, "See No Evil".

"See No Evil" (Verlaine) Copyright 1977 Double Exposure Music Ltd. ASCAP

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It's never a recipe for making great art when you're under pressure to deliver an album to a rival record label due to contractual obligations… though Jimi Hendrix was never satisfied with the result, the Band Of Gypsys album became a very influential album and remains a favorite among Jimi fans and guitar players of all stripes. On this episode, we journey back to New Years 1970 to explore "Message of Love" from this legendary album.

"Message Of Love" (Jimi Hendrix) Copyright 1970 Experience Hendrix LLC

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