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Gareth Murphy set out to write an obituary for the record man. A French label boss had told him over lunch that the record producer was a dying breed, and in the 2010s, with the industry shrinking every year since 1999, it looked like he was right. Then Murphy went back to the beginning, found the same collapse in the 1920s and again in the Depression, and came out the other side with the opposite conclusion: the record business is cyclical, it has to go extinct now and then, and it always comes back.
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GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack.
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Host Nate Wilcox is joined again by Peter Doggett, author of “Electric Shock: From the Gramophone to the iPhone - 125 Years of Pop Music,” in a conversation first recorded in 2019 and returning now to conclude season 3 of Let It Roll From the Beginning..., in which the whole Let It Roll archive is being re-cast in chronological order by topic.
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The same man wrote “It’s Tight Like That” and “Take My Hand, Precious Lord.” As Georgia Tom, Thomas A. Dorsey cut it with Tampa Red in 1928 - one of the dirtiest hits of the decade, and the record that set off the hokum craze. As Thomas A. Dorsey, he wrote the song Mahalia Jackson sang at Martin Luther King’s funeral. And the order is not the one you would guess: “It’s Tight Like That” came after his religious conversion, not before it, because the church songs were not paying and he had a wife to feed.
Host Nate Wilcox is joined again by Garrett Cash for the fourth installment of HolyRoll, their history of gospel music, in a conversation first recorded in 2022 and returning now as part of Let It Roll From the Beginning..., in which the whole Let It Roll archive is being re-cast in chronological order by topic - the story of the music told forward, in the order it actually happened.
The book under discussion is Michael W. Harris’s “The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church,” with Anthony Heilbut’s “The Gospel Sound” and Robert Darden’s “People Get Ready!” alongside it.
GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack.
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Before OKeh would bet on records made by Black artists for Black buyers, somebody had to go and find out whether that market existed. The company sent Ralph Peer. He went into barbershops and pool halls and asked people whether they would buy records made by their own artists, and came back with the answer: yes, they will. That is Barry Mazor’s account of how Mamie Smith’s “Crazy Blues” got made in 1920 - not the story Perry Bradford told for the rest of his life, and Barry has a line for that: the least-heard sentence in the history of music is “I don’t deserve that much credit for this.”
Host Nate Wilcox is joined by Barry Mazor, author of “Ralph Peer and the Making of Popular Roots Music,” in a conversation first recorded in 2022 and returning now as part of Let It Roll From the Beginning.
GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack.
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Host Nate Wilcox is joined by James Porter - Chicago writer, DJ and musician - to open CountryRoll, their run through Ken Burns’s “Country Music” series, in a conversation first recorded in 2021 and returning now as part of Let It Roll From the Beginning..., in which the whole Let It Roll archive is being re-cast in chronological order by topic - the story of the music told forward, in the order it actually happened.
GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack.
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Host Nate Wilcox is joined by Ed Ward, his original co-host and the author of “The History of Rock & Roll, Volume 1: 1920-1963,” for a conversation first recorded in 2018 and returning now as part of Let It Roll From the Beginning..., in which the whole Let It Roll archive is being re-cast in chronological order by topic.
GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack.
Please consider becoming a paid subscriber to support the show. Thanks!
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Host Nate Wilcox is joined again by Dave Thompson, author of “An Evolving Tradition: The Child Ballads in Modern Folk and Rock,” for the next installment of Let It Roll From the Beginning..., in which the whole Let It Roll archive is being recast in chronological order by topic.
GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack.
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In this episode, host Nate Wilcox welcomes Elijah Wald to discuss his controversial but informative book "How the Beatles Destroyed Rock 'N' Roll" which actually has a lot more to say about Paul Whiteman and why white America considered him the King of Jazz in the 1920s.
This episode originally dropped in 2018.
GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack.
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Host Nate Wilcox tells this one alone, as a Let It Roll seance - the guest is the late Jack Palmer, author of “Vernon Dalhart: First Star of Country Music,” who died before Nate could ever interview him. The episode returns now as part of Let It Roll From the Beginning to the End, in which the whole Let It Roll archive is being re-cast in chronological order by topic.
GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack.
Please consider becoming a paid subscriber to support the show. Thanks!
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