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He lusts for a laugh! HA!
Special guest(and Matthew's brother/Ian's uncle) Jim Porter returns to the podcast to discuss the 1955 Danny Kaye medieval comedy Technicolor epic THE COURT JESTER.
And Matthew nerds out about VistaVision.
Special Guest: Jim Porter.
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RETURN TO THE PAST NOW! Specifically, return with us to 2003 for a Millennial Strikes Back episode about the French animated kids' sci fi cartoon CODE LYOKO.
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The IMMP takes a break from movies and TV to dip back into music, as Matthew introduces Ian to the dark but poppy science fiction of ELO's 1976 album A NEW WORLD RECORD.
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This week Ian and Matthew talk about a 1980s TV drama about Americans working to survive a fascist takeover.
There are aliens involved, so of course this is entirely science fiction. It's V, the original miniseries from 1983.
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This week Ian and Matthew dive into a cult movie from an alternate universe they really want to visit: THE ADVENTURES OF BUCKAROO BANZAI: ACROSS THE 8th DIMENSION.
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Ian and Matthew finally discuss one of Matthew's favorite novels. Conspiracies, secret histories, and an important question: Was the anti-D&D panic of the 1980s kinda sorta right in a weird way?
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In 1984 Clint Eastwood and Burt Reynolds share the screen in a ... a thing. Comedy? Mystery? Drama? Violent action movie? Whatever it is, it's called CITY HEAT.
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Not necessarily a "fun" film this time, but an interesting one to talk about. Matthew and Ian discuss the influential 1971 Clint Eastwood movie about a violent cop versus the rules.
Does the existence of Dirty Harry imply the existence of Clean Harry?
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After learning the ropes in Sergio Leone's Italian Westerns, Clint Eastwood took the reins to direct the 1973 film HIGH PLAINS DRIFTER.
Not an easy movie to watch, but it makes for an intersting conversation.
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In 1964, the dream team of actor Clint Eastwood, director Sergio Leone and composer Ennio Morricone changed westerns forever, with A FISTFUL OF DOLLARS.
And Akira Kurosawa had something to say about that.
Join Ian and Matthew for a discussion of the movie and its impact on decades of moviemaking.
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