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Are free will and free improvisation really free, or am I deluding myself? And is deluding myself a necessary condition for free will/improvisations?
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In an era when musical context has been subsumed in a sea of listener playlists, on-demand streaming and the general obsolescence of the album, who creates the larger context for a single piece of music? You do! Until I do.
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The episode in which anything can happen but mostly doesn't...
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Left-leaning improvisations on patriotic tunes for (what’s left of) Independence Day.
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I'll never dive fully into the avant-garde, but dipping my feet in that pool can be quite exhilarating!
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Why am I a lousy film composer? Could it be because I'm a composer?
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You may hate the avant-garde but, dammit, you need it more than you think.
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A bluesy improvisation on the theme from the slow movement of Beethoven's Emperor Concerto inevitably leads me down the path of the inevitability of noninevitability.
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My recording equipment was flipping out (or maybe It was me). Which may seem like a hindrance to artistic expression, but then I realized that the flipping out was part of the flipping art!
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What is a blues? A genre? Musical form? A scale? It's all of those things and more because the blues is a fundamental musical structure with infinite possibilities for making musical statements. Which I find out here...
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