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Los Angeles has one of the best ska scenes in the country. A huge part of that is because, in LA’s Latino neighborhoods, ska is really popular. Over the past decade, festivals like Los Angeles Skawars & L.A. Skacore Invasion have brought thousands of kids out to local parks and underground spaces to skank with all their might and sing along to their favorite bands. These festivals are strictly DIY and showcase mostly local bilingual ska bands, as well as groups from Mexico, and occasionally bands from the larger US ska scene. And at the heart of this vibrant ska scene is Clemente Ruiz.
Clemente would rather not refer to himself as a promoter. He prefers to think of what he does as event production. Besides he does a whole lot more than just put on shows. He drums in the ska-punk band La Resistencia, and he’s involved with various sides of the music industry, like audio engineering, photography, and content creation. With the live shows, he never got into it to make money; it was born out of necessity. In the early 2000s, the LA Latino ska bands were playing backyard parties and random one-off spaces. When they’d approach big venues, they were told, “We don’t book Spanish rock here.” Rather than get discouraged, they built their own scene.
And what a scene it is! I visited Los Angeles Skawars in 2015 and was blown away by how much fun it was, and how fresh the music felt. I couldn’t believe that literally thousands of kids were at a mostly-local ska festival, and excited about it—in 2015! It gave me so much hope about the future of ska.
On this episode of In Defense of Ska, we talk to Clemente about how this scene got started, and why it grew into such a healthy, consistent scene (as opposed to something trendy like what happened to ska in Orange County in the 90s.) We also talk about his ongoing working relationship with Travis Barker, The Deftones, Pepe Aguilar—and that one time he got to work with Post Malone. He also brings up that time he played drums with Stevie Wonder.
If you’d like to support us and listen to early access, ad-free episodes with bonus content, check out our Patreon!
If you like our theme song, go download the EP Lives by Slow Gherkin. They wrote the opening and closing songs for our podcast. You can get both tunes from their Lives EP. Also, check out Dan P and the Bricks two LPs. They provided the mid-roll ad transition music.
Support the In Defense host Aaron Carnes by purchasing a copy of his book, In Defense of Ska. The 2nd, expanded edition of In Defense of Ska will release in Oct 2024.
Co-host Adam Davis has a band called Omnigone. Their latest record, Against The Rest released on March 31, 2023.
The In Defense of Ska editor Chris Reeves runs a record label called Ska Punk International. They have new releases coming out all the time.
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8787 ratings
Los Angeles has one of the best ska scenes in the country. A huge part of that is because, in LA’s Latino neighborhoods, ska is really popular. Over the past decade, festivals like Los Angeles Skawars & L.A. Skacore Invasion have brought thousands of kids out to local parks and underground spaces to skank with all their might and sing along to their favorite bands. These festivals are strictly DIY and showcase mostly local bilingual ska bands, as well as groups from Mexico, and occasionally bands from the larger US ska scene. And at the heart of this vibrant ska scene is Clemente Ruiz.
Clemente would rather not refer to himself as a promoter. He prefers to think of what he does as event production. Besides he does a whole lot more than just put on shows. He drums in the ska-punk band La Resistencia, and he’s involved with various sides of the music industry, like audio engineering, photography, and content creation. With the live shows, he never got into it to make money; it was born out of necessity. In the early 2000s, the LA Latino ska bands were playing backyard parties and random one-off spaces. When they’d approach big venues, they were told, “We don’t book Spanish rock here.” Rather than get discouraged, they built their own scene.
And what a scene it is! I visited Los Angeles Skawars in 2015 and was blown away by how much fun it was, and how fresh the music felt. I couldn’t believe that literally thousands of kids were at a mostly-local ska festival, and excited about it—in 2015! It gave me so much hope about the future of ska.
On this episode of In Defense of Ska, we talk to Clemente about how this scene got started, and why it grew into such a healthy, consistent scene (as opposed to something trendy like what happened to ska in Orange County in the 90s.) We also talk about his ongoing working relationship with Travis Barker, The Deftones, Pepe Aguilar—and that one time he got to work with Post Malone. He also brings up that time he played drums with Stevie Wonder.
If you’d like to support us and listen to early access, ad-free episodes with bonus content, check out our Patreon!
If you like our theme song, go download the EP Lives by Slow Gherkin. They wrote the opening and closing songs for our podcast. You can get both tunes from their Lives EP. Also, check out Dan P and the Bricks two LPs. They provided the mid-roll ad transition music.
Support the In Defense host Aaron Carnes by purchasing a copy of his book, In Defense of Ska. The 2nd, expanded edition of In Defense of Ska will release in Oct 2024.
Co-host Adam Davis has a band called Omnigone. Their latest record, Against The Rest released on March 31, 2023.
The In Defense of Ska editor Chris Reeves runs a record label called Ska Punk International. They have new releases coming out all the time.
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