In The Aisles

What's under your kitchen sink? That's the question that holds little relevance to this week's episode... In more pertinent news, we discuss the future of cinemas and debate unnecessary franchise reboots/directors cuts.  Our lockdown viewing consists of entertainment from around the globe as we talk Industry, Private Lives, The Undoing, and DNA. Finally, for our main review, we give our thoughts on some homegrown UK content in the form of 'Looted'.

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As the fate of Wonder Woman's theatrical release hangs in the balance, we pass the time with the superbly absurd Aunty Donna's Big Ol' House of Fun, war drama The Liberator, and Eddie Murphy's classic, problematic stand-up special Delirious. 

For over half the episode, we enjoy the romantic melancholy of Sofia Coppola with a Lost in Translation debate 17 years in the making that delivers a shocking twist, and an in-depth review of her latest package of understated charm, On The Rocks. 

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We trade our thoughts on each other's past recommendations this week as we talk Biohackers and Upload (again). Discussing more recent content we discuss Truth Seekers, Blood of Zeus, and The Vow. As the future of cinema remains a dead duck/pigeon, we fail to stay relevant as we reach into the month-old zeitgeist of The Boys -  Season 2.

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Our two votes have been counted and the results are in for our in-depth review of the long unanticipated sequel to Borat. As lockdown life drags on, we invest our time not in self improvement or political activism, but in the consumption of His House, The Undoing, Roadkill, Brave New World and more. We also revisit the topic of Shia LaBeouf's body.

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Subscription trick or streaming treat? That's the question we ask ourselves this All Hallows' Eve. With Blumhouse Pictures completely missing the mark with their quadruple Fright-less fest, can the 'Shudder' streaming service provide the thrills and chills you've been screaming out for? Lock your doors, light a candle (safely), and grab yourself a blanket/knife as we give you our verdict.

To watch this film and many more, simply sign up for a 7 day free trial with Shudder Here

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As the world continues on its never-ending downward trajectory, James identifies career opportunities and creates jobs out of necessity as he rallies to become Greater Manchester's one and only Coronavirus Sheriff... In film-related news, we rejoice over the death of Quibi and ponder the possibility of the latest Bond film being up for sale. In a tenuous link to Halloween, we discuss the utterly terrifying film 'The Trial of the Chicago 7' for our main review.

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The creepy conclusion to our terrifying two-part Welcome to The Blumhouse extravaganza. In a wicked watchlist that spans the horrors of high school and manufactured pop, we discuss PEN15, To the Lake, The Haunting of Bly Manor (again), and BLACKPINK: Light Up the Sky. Whether they are gory greats or deadly duds, Evil Eye and Nocturne at the very least provide an opportunity to use hair-raising Halloween adjectives in an episode description.

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It's all about October this week as James gives his thoughts on Oktoberfest: Beer & Blood. Meanwhile, Dan details his first impressions of The Haunting of Bly Manor. Remaining thematically consistent we also gear up to Halloween as we review the first 2 offerings from Amazon's Welcome to The Blumhouse "horror" extravaganza. Is either film likely to send a shiver down your spine or will they simply leave you feeling cold?

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This is an ambitious episode covering life, death, and visions of the world without endless movie delays or 19th century capitalists. 

We discuss Life, From the Oasthouse, and American Murder: The Family Next Door. To celebrate reaching 20 episodes, we reflect on the delayed films we could have reviewed and make six bold predictions for the future (you won’t believe number four!). The inventive new biopic Tesla is our electrifying main review. 

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Women are at the forefront of this week's episode as our watchlists consist of the female-led TV shows Outlander and Ratched. For our main review, It's anagrams and alliteration as we discuss Enola Holmes to pose the question is it family-friendly frivolity or feminist fantasy farce? Finally, in content less likely to result in complaints Conflix of Interest returns as we debate Brad Pitt's best cinematic decade. 

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