In the Corner Back By the Woodpile

Though with the 1896 case of Plessy verses Ferguson, American local and state governments forcing racial segregation was upheld as legal, individuals also chose to enforce the separation even if there were no laws. But all over the nation one can find instances where individuals and groups quietly associated together in spite of the times and in one place that happened on occasion was the recording studio. Author and jazz historian Stephen Provizer has painstakingly investigated the recording logs and records and made a comprehensive discography of recordings where blacks, whites and others made some wonderful truly American music together. His book is called As Long As They Can Blow and Mr. Provizer has come Back by the Woodpile to talk about his experience in putting the book together and gives what backstories he can about some of the specific recordings.

During the 1970s and 1980’s there was a flourishing of musical blending and innovation in the nation of South Africa that infected the whole world. All of this occurred in spite of the violent oppression of the then Apartheid government. One man who not only lived through those times but was an active participant was Benjy Mudie, he working for various record labels including Warner and Tusk and signing some of the most legendary names to come out of the rainbow nation. Listen in as Mr. Mudie talks about his experiences with such artists as eVoid, Johnny Clegg, Malcolm McLaren, Paul Simon, Mango Groove and others in addition to giving us a bit of history lesson of those both wonderful and troubled times.

Musician Mike Roe (77s, Kerosene Halo, Lost Dogs) came by for a short chat about a handful of topics, including his involvement with Robert Vaughn’s 1991 album “Songs from the Riverhouse”, his friendship with Alternative Records’ Randy Layton and then some musings on existential crisis’s that most creative spiritual folks go through.

Randy Layton of Alternative Records comes on to talk about the story behind Robert Vaughn's Songs from the Riverhouse record and the campaign to have it re-released on vinyl!

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The conversation with Soup the Chemist continues, he talking about sharing the stage with KRS-One, the last days of Brainstorm Artists International, watching fellow artists leave the faith, his own regrets, his book Through My Windows and brand new material! 

Rapper Soup the Chemist aka SFC aka Chris Cooper joins Todd and Spun for this first episode of Orphans of God to talk hip-hop, Brainstorm Artists International, Gene Eugene, Adam Again, faith and so much more! 

Filmmaker Jaime Prater returns to talk about his newest film Love Song, which further documents the Jesus People USA commune in Chicago, Illinois. 

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Jazz music collector Dave Greer tells all about his quests and chance encounters with all kinds of musicians ranging from King Oliver to Jabbo Smith to Louis Armstrong to Nipper the dog to Victoria Spivey and her prostitute friends.

In the history of early recorded music, one label stands out as a kind of unlikely blessing. A recording studio in the unassuming town of Richmond Indiana would end up making some of the first recordings of now legendary artists in the blues, hillbilly and jazz genres. To help us get a grasp of the contribution that Gennett Records gave to music history is the former president of the Starr-Gennett Foundation, Bob Jacobsen.

Welcome to another edition of That to Which We are Tethered, a discussion of belief and disbelief in light of ever-changing times and trends. On this episode we are joined Pastor Daniel Bradford, the professor of Systematic Theology, Philosophy and Christian Ethics for Kentucky District School of Ministry. Dan helps up parse through the confusion over authority and scripture, the claims of fundamentalists and deviations of progressives.