[ indistinct chatter ]

The original 'Battlestar Galactica', while a flawed and imperfect science-fiction TV series of the 1978 season, remains one of the most important and influential science-fiction TV series of all time.

I'm joined again by Richard Brown (see our 'WKRP in Cincinnati', 'Taxi', and 'Network' episodes for more RF Brown) as we delve into the creation story of Battlestar and its creator, Glen A. Larson, known as "Glen Larceny" for his transparent adopting of movie concepts for his tv series. We run down some of Glen's Greatest Hits.

Jumping into the making of the series, we drop down to discuss the insanely complicated way that the Cylon robot voices were produced back in the day. Audio geeks and vintage recording equipment nerds will particularly enjoy that section, with full credit to YouTuber Supajc for his excellent video series.

As Rick and I run through the cast and crew of Battlestar, we talk pros and cons and what-might-have-beens. I of course profess a decided appreciation for the much-maligned "Battlestar Galactica 1980", an admittedly misguided too-late network attempt to get the show right once and for all.

Alternative Casting, the Columbo Cinematic Universe, and MORE!

Pls like and follow the pod on Twitter and Instagram.

The original 'Battlestar Galactica', while a flawed and imperfect science-fiction TV series of the 1978 season, remains one of the most important and influential science-fiction TV series of all time.

I'm joined again by Richard Brown (see our 'WKRP in Cincinnati', 'Taxi', and 'Network' episodes for more RF Brown) as we delve into the creation story of Battlestar and its creator, Glen A. Larson, known as "Glen Larceny" for his transparent adopting of movie concepts for his tv series. We run down some of Glen's Greatest Hits.

Jumping into the making of the series, we drop down to discuss the insanely complicated way that the Cylon robot voices were produced back in the day. Audio geeks and vintage recording equipment nerds will particularly enjoy that section, with full credit to YouTuber Supajc for his excellent video series.

As Rick and I run through the cast and crew of Battlestar, we talk pros and cons and what-might-have-beens. I of course profess a decided appreciation for the much-maligned "Battlestar Galactica 1980", an admittedly misguided too-late network attempt to get the show right once and for all.

Alternative Casting, the Columbo Cinematic Universe, and MORE!

Pls like and follow the pod on Twitter and Instagram.

Dan Erickson's Apple+ thriller series "Severance" is, to my mind, the best sci-fi TV series we've gotten since "Black Mirror". So why isn't it getting quite as much attention as that series deservedly did? In this episode, I briefly discuss some of the aspects that I think make "Severance" so uniquely good, particularly the very strong casting, idiosyncratic production design, thoughtful world-building, wicked sense of humor, and praise-worthy pacing and creative decision-making. Then a brief discussion of some reasons why this series hasn't struck quite the same social media nerve endings as more buzzed-about (but perhaps also more disposable) series like "Euphoria" or "Yellowjackets"). This ties in nicely with the recent collective gasp over Netflix dropping a significant tranche of subscribers and our entry to What Comes Next for the Golden Age of Streamers. Waffle parties for everyone!

Last week's episode about the new Michael Cimino book spurred me to rewatch all three of these classic films and, in doing so, I surprised myself with a firm and resounding reset of what I THOUGHT I thought about these movies. So here are some great clips and making-of anecdotes as I walk through what makes each of these films unique as well as give credit to foundational Viet Nam docs and other features along the way.

In his new book, Charles Elton tackles the impossible; a biography of late director Michael Cimino, an elusive, mysterious, obfuscating, and contrary Hollywood figure in real life...and, if possible, a man even more complicated and gossiped about online, in the press and in the power lunch spots of Hollywood than any other Oscar-winning director of his or any time.

From Long Island roots to Mad Men-era success in advertising to the 9 Academy Award Nominations for 'The Deer Hunter' to the debacle of 'Heaven's Gate' and to Cimino's final and often-misunderstood final decades of personal transformation, Charles Elton's book reads like an unfurling mystery, following clues and attempting to pin down elusive or outright combative Cimino friends and loyalists in pursuit of several important accomplishments that I think the book deserves credit for.

The first is a resetting of the narrative that Cimino's 'Heaven's Gate" was responsible for bankrupting a major Hollywood studio in United Artists. Elton's book reveals how, excess notwithstanding, Cimino himself was less guilty than the studio executives who were unable to reign in the rising costs and delays that they themselves set in motion.

The second is a sensitive handling of Cimino's dramatic altering of his physical self in his final decades. Was he, as was rumored, transitioning to live as a woman? Was he someone who simply enjoyed wearing women's clothes from time to time but otherwise lived a heterosexual lifestyle? Is it telling that as Cimino altered his appearance so drastically as to be unrecognizeable from his 20's and 30's and 40's he also became more voluble and open and "himself" when he did speak to the press, however infrequently that was. Here, too, Elton parses the record with sensitivity and curiosity not of a prurient nature; how did this man who directed a masterpiece in "The Deer Hunter" never do it again and what fueled his drive and need for total, dominating control...even as he had a 50-year partnership with his producer, protector, and friend Joann Carelli which blurred the lines between their two lives to a degree never before so closely reported as in this new book.

Thrilled to be joined again by pop culture historian and author Richard F. Brown to do the definitive 'Taxi' total rewatch and episode.

We get into the mysterious beauty and melancholy of Bob James' 'Taxi' theme song 'Angela', and the temporary filmed open that became so identified with the ennui and thwarted ambitions of the beloved cabbies of the Sunshine Cab Co.

We discuss all the characters and the actors who played them: Latka and Andy Kaufman, Danny DeVito and Louie, Marilu Henner and Elaine, Judd Hirsch and Alex, Christopher Lloyd and Reverend Jim Ignatowski, Tony Danza and Tony Banta, Jeff Conaway (RIP) and Bobby, Carol Kane as Simka, and more.

'Taxi' is one of the most interesting sitcoms in television history because of the originality of its approach to filming with four cameras instead of the sitcom-traditional 3 cameras. This allowed director Jim Burrows to capture what he calls the essential surprise of comedy being performed live in front of a studio audience.

Any discussion of 'Taxi' offers the best opportunity we have to discuss Andy Kauffman and his unique and often challenging approach to comedy and performance art in everyday life. We cover his outstanding and long-shelved 1977 TV special, which features one of the most amazing and little-discussed Andy Kauffman bits: a heartfelt and very real and emotional conversation he has with Howdy Doody, his childhood TV hero. And we cover Andy's famous prank on the Taxi cast and brass through the casting of his alter ego Tony Clifton, and Tony Clifton's firing and subsequent massive scene on the soundstage involving security guards and several extremely pissed off producers and actors.

This is an episode that will hopefully share with you some things you might not have known about 'Taxi' and afford us all the opportunity anew to appreciate the fact that this series uniquely brought us out of this world talents like Andy Kauffman, Christopher Llloyd, Danny DeVito, and Carol Kane in ONE SHOW. Any series would and could be built on having one of those dynamic talents in the cast; Taxi had all four. Unreal!

Dissecting the latest attempt at reinventing the Oscars and assessing where, if anywhere, the telecast goes from here.

Thrilled to be joined this week by Kyle Buchanan, a NY Times writer whose new book 'Blood, Sweat & Chrome: The Wild & True Story of Mad Max: Fury Road' is out now from William Morrow.

Kyle and I talk about the incredible 30-year-journey of Fury Road; two times called off just prior to shooting, casting issues with Mel Gibson flaming out (and aging out) of the role, a non-traditional storyboard screenplay, a prolonged shoot in the remote Namibian desert, War Boy training of surprising emotional depth, Eve Ensler of 'The Vagina Monologues' contributing essential feminist backstory to the Vulvalini and Brides characters, tension between Charlize Theron and Tom Hardy, life-threatening stunts every day, all day, and, at the center, the maverick, iconoclastic, grandfatherly genius George Miller. A former doctor whose directing credits veer wildly from all the Mad Max films to 'Happy Feet' and 'Babe: Pig In The City', his mercurial presence, unconventional process, and essential Australian-ness are what makes Mad Max movies so unique.

Kyle's book is a must-have for any film buff. His more than 130 interviews above and below the line insure the story is told by the people who were really there. I'm very thankful for Kyle giving Full Cast and Crew podcast a bit of his time during his busy Oscar season.

Jason and FCAC returning guest Bruce Edwards, a television and film line producer and production manager as well as a filmmaker, collector, and cinema and comic geek par excellence to dive into the making of Ridley Scott's 1982 cinematic masterpiece 'Blade Runner'.

Topics covered include Alternative Casting, the 7 versions of the film, the actor's strike that resulted in 9 additional months of planning for the film's VFX departments, whether Deckard is or is not a replicant, Vangelis' forever score, the fact that Blade Runner was shot on the Warner Bros backlot "NYC Street" set, Ridley's unique directorial aesthetic and style, and more.

Watch Ridley's Scott's 'The Final Cut' and the incredible making-of documentary featurettes here.

Joined again by good friend of the pod and pop cultural maven and scholar Richard Brown, this week we dive into all the 70's goodness of iconic sitcom 'WKRP in Cincinnati'. We talk the theme song, Tim Reid's impressive career and contributions to the series and to 'Frank's Place', the KRP cast, some iconic KRP episodes, KRP-adjacent content like the feature 'FM' and MORE..so, baby, if you've ever wondered...wondered what ever became of me.....listen to this episode, it'll put a smile on your face!