I recently tried one of the new AI Generative Apps called Invideo AI to see where the landscape of AI tools is at for video centric businesses. What I learned so far is that the cost to value ratio isn't worth it, yet...

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It's the first day of 2025, LFG! As we're in a brand new year I know many of you are wondering what equipment and gear you'll need for 2025. What gear am I looking to get in 2025? The answer might shock ya.

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Click bait? Nope, i'm re-opening my course on How to Create Compelling Stories for free. However, i'm only opening it up to the first 20 people as it's easier for me to support and answer questions to 20 people rather than 50 or 100 people.

Sign Up HERE

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Of all the pre-production tools I have, Set A Light 3D has been a literal game changer for me. Think of it as a much more user friendly version of Cinetracer. I wanted to share my thoughts on it after using it for the last year, I hope it supports you!

You can check out the software with the link below:

https://www.elixxier.com/en/set-a-light-3d/

And for those who stuck around to the end, here's what i've been up to the last 2 months:

www.class46yoga.com

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If you enjoyed this episode please rate it and let me know how i'm doing! Follow the podcast if you're loving the content and share it with your friends!

https://create-compelling-stories.teachable.com/p/how-to-tell-compelling-stories

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Link to the Course Fam!

https://create-compelling-stories.teachable.com/p/how-to-tell-compelling-stories

USE CODE SAVE50 to Save 50% for the first 24 hours only. The filmmaking course will be available to purchase from 9/08/2024 - 10/01/2024 only, so please don't wait.

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And hereeee weeeee gooooooo! Talking about retainer clients and some ways you can negotiate the price and duration for your retainers.

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When we decided we wanted to become filmmakers I know all of us had dreams and goals of producing and writing original ideas that inspired us. At the same time we all had businesses to grow and maintain and along the way we put our passion projects to the sidelines only to be forgotten as time passed on. However, I still feel that as filmmakers we need to create at least one passion project every year in order to fuel our hearts but also to grow as creatives. What are your thoughts?

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An interesting question is it not? As creatives we all certainly care about quality but do our clients and the agencies we work with care just as much? If not, is there a world where we can utilize much more affordable equipment for those projects and still offer a competitive rate to do so? I think so, let's chat about it.

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Have you wondered what others are charging? How about the big boys under unions? Today we're talking just that, RATES. What are the actual rates for those who are under IATSE and working in the commercial space? There's a great breakdown of them all which you can find here https://www.mediaservices.com/showbiz-software/showbiz-labor-guide/#tab-which-union-rates-are-included - the PDF is free to download once you register some basic information about you. With that said, let's get into the episode!

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