Known for his paintings featuring a solitary astronaut wandering through scenes filled with pop culture iconography, Scott Listfield creates works which invite viewers to perceive the contemporary world from a slightly askew and alienated perspective. He currently has a solo show, AM Gold, at NYC's Harman Projects, up through April 29.

Listfield calls AM Gold, "a show about music and time travel. I was inspired by the kind of physical artifacts we mostly don't have, don't need, or don't care about anymore: Album covers, CDs, posters, cassette tapes, stereo equipment (with actual knobs), band flyers, zines, photos cut and pasted from magazines, mix tapes shared amongst friends, passed down from cooler older siblings, or made to impress crushes." The show is also accompanied by several Spotify playlists with music from the 70s through the 2000s.

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Zhivago Duncan was born to a Syrian mother and a Danish father in Terre Haute, Indiana. His fluidity across materials and cultural signifiers reflects the relentlessness of an investigative mind. With freewheeling creativity spurred by his curiosity, Duncan’s lifelong impulse towards painting demonstrates his desire to contemplate, negotiate and comprehend the “big picture”: the origins of sentient life and the universality of consciousness.

In this interview, Zhivago deeply explores his process, motivations, and ambitious themes. He also discusses the series of works and the unique nature of the gallery layout of his current exhibition Mapping Out Unification at Colector in Monterrey, Mexico - on view until April 21, 2023.

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An interview with artist Vonn Cummings Sumner about his visual takes on the iconic cartoon character Krazy Kat, from George Herriman's wildly weird and wonderful newspaper comic strip that ran from 1913 to 1944 and influenced countless artists working in many styles. Sumner currently has a solo show called Second Nature at Washington DC's Morton Fine Art, which is his second show at the gallery featuring Krazy Kat works.

The gallery writes, "Sumner returns to the wandering, curious avatar with Second Nature, escorting the titular figure through newly verdant, water-pooled landscapes, open spaces and art historical-coded landscapes, longing for escape and a reconnection with nature. Genderless and endlessly depicted, Krazy Kat stands in for 'everyman,' but rarely has their roaming path seemed to follow a strange inner voice that might be its own, but also Sumner’s—raising the question 'who’s following who?' as both go about a grand tour of references, past and present.

Second Nature will be on display through April 8, 2023.

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KIDLEW is an NYC-based color-blind Chorean (half-Chinese/half-Korean) artist. Born in Queens, NY, and raised on Strong Island, he started doodling the cartoon characters he saw daily on TV as a kid and soon discovered graffiti art on 1970s NYC subway trips with his grandmother. Big into skateboarding and metal music as teen, he segued into the music scene in the 90s and then studied toy design before returning to graffiti art as a part of the EX VANDALS crew. Now he may be best known for his character Lumpy Bumpkin, who has made appearances all around NYC and the world.

In this wide-ranging interview, KIDLEW gets into his roots skating and tagging as a suburban teen, his ups and downs as a musician in the 90s, his return to graffiti art in the 2000s, his involvement with the legendary Queens mural space 5Pointz, how Lumpy Bumpkin originated, and much more.

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Hosted on Acast. See acast.com/privacy for more information.

Shapeshifting through time, space, and spirit, Uhl’s debut EP Channels is a genre-bending and vocally explorative collection of songs threaded together not as much by their similarities as by their nuanced differences. 

Showcasing her operatic background through a pop lens, Uhl makes dynamic music that is as informed by Mozart and Puccini as it is by art pop divas Kate Bush and Annie Lennox. The results are enigmatic, dramatic, and transportive and will certainly appeal to fans of contemporaries like Weyes Blood, Perfume Genius, and Cate Le Bon.

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Joseph Keckler is a singular artist, a performer and creator known for his expressive and powerful voice, sharp prose and stirring songs, and absurdist, bizarrely heroic operatic monologues, which "dance between comedy, commentary, and communion."

Hailed by the New York Times as “major vocal talent…a singer whose range shatters the conventional boundaries…with a trickster’s dark humor,” his original performances have been presented by Lincoln Center, Cenre Pompidou, NPR Tiny Desk and many others. His first collection of writing, Dragon at the Edge of a Flat World, was published by Turtle Point Press in 2018.

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Hosted on Acast. See acast.com/privacy for more information.

Artist Nick Bautista writes, "I have often been reluctant to talk about my work. I have even been hesitant showing or exhibiting it - I suppose that can be problematic for a painter. The images I choose to paint, rather the ideas of the images, I treat very personally, almost protectively. I see them as fragments of private journal entries. After all, they address my personal situations and struggles, or whatever I might be experiencing in my life."

Despite his reluctance to talk about his work, Nick sat down with INTERLOCUTOR Magazine founder Tyler Nesler for a wide-ranging discussion about his projects and creative drives, the personal struggles and deep self-reflections which have inspired his creations, along with recountings of his harrowing experiences with ultra running, which have included being stalked by a pack of coyotes through the mountains while pushing his body and mind to dangerous extremes.

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Born and raised in Detroit, Michigan, Steven Montgomery describes himself as having, “...an affinity for the aesthetics of damage, destruction or any evidence of the passage of time.” His earthenware creations pay homage to the once-thriving industrial capital, its degradation, and subsequent resurgence. Incorporating elements that honor the regality of Detroit’s auto industry and its machinery and recognize its more recent issues with the safety of its water supply, Montgomery creates vessels that look more like futuristic Bronze Age sculptures than pottery.

In this episode, we catch up with Steven and dig deeper into his work with a focus on his series TOXIC CON, which viscerally comments on the health of the world’s water supply via the Flint Water Crisis. This conversation further expands on his INTERLOCUTOR Magazine interview from May 2021.

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