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In this episode of the podcast, 585, I talk about something that has come up in conversations several times over the past few weeks with different friends and colleagues: the challenge of photographing familiar places.
There’s a tendency in photography to believe the next great image exists somewhere else. So we travel to new cities, another country, or another landscape. We just want something new, but some of the most meaningful photographic work comes from returning to the same places over and over again until they begin to reveal something deeper.
Familiarity can make us stop paying attention. We move through our neighborhoods, parks, and daily routines sort of zoned out and not really paying attention. As photographer, we become convinced there is nothing new left to see. Yet if we let it, the camera has a remarkable ability to slow us down and reconnect us with the ordinary. When we revisit a location repeatedly, our attention shifts away from novelty and toward nuance. We can start to see the changing light, the shift of the seasons, weather, mood, gesture, rhythm, and timing of a place.
Over time, the work stops being about documenting a place and becomes more about understanding our relationship to it. The photographs become less about where it was taken and more about how we see it and feel about it.
By Daniel j Gregory4.9
5555 ratings
In this episode of the podcast, 585, I talk about something that has come up in conversations several times over the past few weeks with different friends and colleagues: the challenge of photographing familiar places.
There’s a tendency in photography to believe the next great image exists somewhere else. So we travel to new cities, another country, or another landscape. We just want something new, but some of the most meaningful photographic work comes from returning to the same places over and over again until they begin to reveal something deeper.
Familiarity can make us stop paying attention. We move through our neighborhoods, parks, and daily routines sort of zoned out and not really paying attention. As photographer, we become convinced there is nothing new left to see. Yet if we let it, the camera has a remarkable ability to slow us down and reconnect us with the ordinary. When we revisit a location repeatedly, our attention shifts away from novelty and toward nuance. We can start to see the changing light, the shift of the seasons, weather, mood, gesture, rhythm, and timing of a place.
Over time, the work stops being about documenting a place and becomes more about understanding our relationship to it. The photographs become less about where it was taken and more about how we see it and feel about it.

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