We had the pleasure of interviewing Doe Paoro over Zoom video.

Nothing stays still forever, the spirit of nature growing upward towards something greater. Fueled by that understanding, Doe Paoro has spent much of the last year deep in the Costa Rican jungle, exploring ways that music could activate deeper consciousness. Today, the musician, born Sonia Kreitzer, recently released her new EP Divine Surrendering.

By deepening her connection with rituals like sound baths, psilocybin ceremonies, and the healing power of music, Paoro’s latest work allowed her to entrust in music’s potential to be a wellspring of uplift in the midst of gossamer beauty. Like the rebirth Paoro experienced in her own journey, the EP finds comfort in a constant sense of newness, growth, and transformation. Throughout Divine Surrendering, Paoro returns to grand humility, harnessing her strength by losing the self, tapping into something immense and drawing the listener to that same place.

About Doe Paoro:
Sonia Kreitzer is a singer, songwriter, and sound healer who performs under the name Doe Paoro (ANTI- Records) and lives between Costa Rica and Los Angeles. She has written songs for artists such as Peter Bjorn and John, Monogem, and Chris Ayers. Other artist collaborations include work with Justin Vernon, Son Little, and RAC. Her songs have amassed over 25 million streams across digital platforms and been featured in shows like HBO’s Girls, SyFy’s Being Human, ABC’s Secrets and Lies, and more. She also records guided meditations which have been featured on both Apple Music and InsightTimer. Sonia grew up in Syracuse, New York and has studied music over the years in India, specifically learning Tibetan Opera singing. She comes from a family of healers and is interested in music as a healing modality. When not on tour, she facilitates soundbaths, singing and yoga retreats, and music for ceremonial spaces. She is the creator of Activating the Voice, an online course and workshop series that is dedicated to empowering the voice and tending to vocal-centered trauma through singing.

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