Into the Night Minute Podcast

Credits continue:

Aerospace EngineerCal WorthingtonL.A.P.D.L.A.P.DHasiDianaSAVAKSAVAKSAVAKSAVAKAirport CopParking AttendantLarryGirl on BoatMale DerelictFemale DerelictCharlieDonHookerDrug DealerKalijak ActorChristieKalijak DirectorKalijak Assistant DirectorKalijak GripKalijak GripKalijak Script ClerkBud HermanKalijak PublicistSAVAK Bimbos TailorBeverly Wilshire Hotel DoormanHostBaccarat DealerHamidHamid’s GirlsMr. WilliamsEmbarrassed ManShameless WomanMan on PhoneColin MorrisBeverly Hills CopJimmyChicWilburCount DraculaThe WolfmanMan with DogPete EllisTaxi DriverShips WaitressMelville’s MenMonsieur MelvilleMalibu NeighborsSheriff PetersonDetective #1Detective #2Jack CaperJoan CaperShaheen ParviziShaheen’s AssistantLady in WaitingMrs. YakamuraStewardessFederal AgentFederal AgentFederal AgentFederal AgentL.A.P.D.Federal AgentCleaning Woman

RICHARD FRANKLINHIMSELFWES DAWNCHRISTOPHER GEORGEALI MADANIMICHELLE PFEIFFERMICHAEL ZANDHADI SADJADIBERUCE GRAMIANJOHN LANDISHOPE CLARKEERIC LEEJAKE STEINFELDSUE BOWSERWALDO SALTVIOLA KATES STIMPSONBRUCE McGILLJON STEPHEN FINKDEEDEE PFEIFFERRICK BAKERCOLIN HIGGINSKATHRYN HARROLDDANIEL PETRIEDAVID SOSNAMARK LEVINEWILLIAM B. KAPLANJONATHAN KAUFERPAUL MAZURSKYSAUL KAHANRORY BARRISHJEAN PELTONJONATHAN LYNNPAUL BARTELBILL TAYLORJIM BENTLEYHOUSHANG TOUZIESLAVKAERICA SAKAICARL PERKINSDON SIEGELPEGGY SANDSJIM HENSONDAVID BOWIEROBERT TRAYNORART EVANSBUD ABBOTTLOU COSTELLOBELA LUGOSILON CHANEY JR.JACK ARNOLDHIMSELFDOMINGO AMBRIZAMY HECKERLINGROBERT LaBASSIEREYACUB SALIHROGER VADIM JACK ROBERTSDIAN ROBERTSREID SMITHRUSDI LANELAWRENCE KASDANRICHARD FARNSWORTHVERA MILESIRENE PAPASHASSAN ILDARIZOREH RAMSEYBEULAH QUOPATRICIA GAULCLU GULAGERJONATHAN DEMMETRACY HUTCHINSONGENE WHITTINGTONEDDY DONNOCARL GOTTLIEBALMA BELTRAN

Stunt People

BRASS ADAMSGREG BARNETTSANDY BERUMENJANET BRADYTONY BRUBAKERDAVID BURTONDANNY COSTABILL COUCHSTEPHEN CREMINSTEVE DAVISONJUSTIN DEROSAEDDY DONNOKENNY ENDOSOGARY EPPERFREDDY HICEBUDDY JOE HOOKERHANK HOOKERCHRIS HOWELLTOM HUFF

TRACY HUTCHINSONDAVID LABELLGARY McLARTYBENNY MOOREMIKE MOOREJOHN MOIOJIMMY NICKERSONBETH NUFFERFRANK ORSATTICHARLIE PICERNICHARLIE PICERNI, JR. SANDY ROBERSONMIC RODGERSREID RONDELLMIKE RUNYARDSTEPHEN J. SANTOSUSSOJOE TORNATORESCOTT WILDERWALTER WYATT

CastingMICHAEL CHINICHJACKIE BURCH

A series of images from the movie continues, highlighting the primary cast:Christie, with the title “KATHRYN HARROLD”;Jack Caper, with the title  “RICHARD FARNSWORTH”;Bud Herman, with the title “PAUL MAZURSKY”;Mrs. Caper, with the title “VERA MILES”;Monsieur Melville, with the title “ROGER VADIM”;Mr. Williams, with the title “CARL PERKINS”;Charlie, with the title “BRUCE McGILL”;Chief Federal Agent, with the title “CLU GULAGER”, andThe four SAVAK men, with the titles “MICHAEL ZAND, HADI SADJADI, JOHN LANDIS, BERUCE GRAMIAN”.The screen goes to black followed by the credit crawl, beginning with “Cast in Order of Appearance” – –

Ed OkinEllen OkinStanFreeway DriversHerbSecurity GuardGroup SupervisorAerospace EngineerAerospace EngineerAerospace EngineerAerospace EngineerCal WorthingtonL.A.P.D.L.A.P.DHasiDianaSAVAKSAVAKSAVAKSAVAKAirport CopParking AttendantLarry

JEFF GOLDBLUMSTACEY PICKRENCARMEN  ARGENZIANOANDREW MARTONSUE DUGANELIZABETH SOLORZANODAN AYKROYDROBERT PAYNTERDAVID CRONENBERGROBERT MOBERLYJOHN HOSTETTERDICK BALDUZZIRICHARD FRANKLINHIMSELFWES DAWNCHRISTOPHER GEORGEALI MADANIMICHELLE PFEIFFERMICHAEL ZANDHADI SADJADIBERUCE GRAMIANJOHN LANDISHOPE CLARKEERIC LEEJAKE STEINFELD

Ed walks into the Ramada hallway. There’s a National Airline poster featuring a picture of the Arc d’Triomphe and “Paris” written at the top. He walks toward a housekeeper standing next to a cleaning cart. “Excuse me,” says Ed. “Did you see a woman with blonde hair and a red jacket?”“She said ‘no disturb’,” replies the housekeeper. “The blonde woman?” asks Ed. “The lady,” says the housekeeper.“You saw her?” asks Ed. “Si,” replies the housekeeper.“When?” asks Ed.“Yesterday,” replies the housekeeper.“What?” says Ed, looking at his watch. Ed realizes he’s been asleep for more than a day.“Clean your room now?” asks the housekeeper. Ed doesn’t answer, so the housekeeper shrugs and turns back to her cleaning cart.Ed looks back down the hallway, only to see Diana, now wearing a black jacket and carrying a large handbag. Diana smiles at him.“Can I have a ride to the airport?” asks Diana. Ed smiles back at her.B.B. King’s  In the Midnight Hour begins to play. Under Ed’s smile, the title “JEFF GOLDBLUM” appears. Under Diana’s smile, the title “MICHELLE PFEIFFER” appears.A series of images from the movie appears, highlighting the primary cast:Colin Morris, with the title “DAVID BOWIE”;Shaheen Pavesi, with the title “IRENE PAPAS”;Herb, with the title “DAN AYKROYD”;Christie, with the title “KATHRYN HARROLD”.

Ed Okin wakes up, alone in the hotel room of the Ramada Inn. His hands are still folded behind his head. He stands up, and peels back the window curtain. It’s daytime. Cars drive past the front of the Ramada, and airplanes fly overhead. Ed looks in the bathroom. The bloody washcloths and towels are still scattered on the countertops. He returns to the bed and sits down. Looking around the room, he notices a thick envelope tucked into his jacket pocket that’s laying at the end of his bed. He opens the envelope. Inside are two stacks of $100 bills, totally $20,000. Ed puts on his jacket and shoes, and walks into the Ramada hallway. He spots a cleaning woman with her housekeeping cart.

Ed lays on top of the bed in the Ramada, his head propped up by pillows and his arms folded behind his head. Diana walks from the shower, dressed in a towel. She puts a comb down on the nearby desk, and smiles at Ed. Diana walks over to the bed to kiss Ed, only to hear him gently snoring. She kisses him on his eyebrow. Sitting back on the bed, Diana looks at Ed and smiles. Ed continues to sleep, only to be awakened by the sound of jet noise. Ed is alone in the hotel room. “Diana?” he asks.

“If you need a better car, go see Cal!” sings the commercial on the motel TV.“For the best deal by far, go see Cal!” it continues.“If you want your payments low, if y-” the commercial cuts off as Ed throws the TV switch.  Ed takes off his jacket, pushes the stacks of money aside, props one pillow atop another, and leans back against them. Meanwhile, Diana is taking a show. The scene alternates between Diana and Ed.

The chief agent is explaining to Ed and Diana that the money he just dumped on the bed is for them, and he’s supposed to give it to them. “Why?” asks Ed. “For what?”“Someone – – ” begins the agent, “someone very important must like you.”“Jack,” says Diana.“There’s seven hundred and fifty thousand dollars,” says the agent. “Right there.” “All this money is for us?” asks Ed. The federal agent rolls his eyes, then stuffs several stacks of bills into his own pants pockets. “Who are you going to tell?” asks the agent.  Ed and Diana look at each other. “You’ve got twenty four hours undisturbed,” says the agent, stuffing more money in his pockets. “You’re not to leave this room. After that, you’re on your own.” He walks toward the hotel room door. “Do we thank you, or what?” asks Ed. “I’d say I fall into the ‘or what’ category,” replies the agent, slamming the door behind him. The scene shifts to a car commercial. “Here’s Cal Worthington and his dog Spot!” says the female announcer. Cal Worthington is strapped to the top of a biplane.

A federal agent calls Ed and Diana back into the hotel bedroom. They join two other agents in the room. “Are we under arrest, or what?” asks Ed. “I’d say you’d fall under the ‘or what’ category,” replies the chief agent. “Are you a policeman?” asks Diana. “I’m a federal agent,” reples the chief agent. “Feel better?” He turns to the other two agents. “You gentleman, excuse us please?”  The two men start to object, but the chief agent cuts them off with a simple order: “Split.” They leave.The agent opens a briefcase, and dumps a pile of cash on the bed. “I don’t know what’s going down here, and I don’t want to know,” says the agent. “All I know is this money’s clean,  I’m supposed-“

Shaheen continues to shuffle through all the rose bouquets at the flower mart, before waving one over her head in triumph. She shouts (in Greek) “Here they are!”Back in the Ramada Inn, Ed and Diana are led into a hotel room by two agents. “Would someone please tell me what we’re doing here?” asks Ed. The agents turn and leave. “Well, at least we’re not dead,” says Diana. “Maybe we are – – we just don’t know it,” replies Ed, looking around the room. Diana looks at the blood covering her hands. “When you die, you don’t go to a Ramada Inn,” says Diana, walking into the bathroom. “How do you know?” asks Ed.Back at the flower market, Shaheen and her two assistants walk toward the exit, only to be confronted with flashing police lights. “And uh, what’s happening here?” Shaheen asks one of the police officers. “Sorry, Mrs Parvesi, but you’ll have to come with us,” says the police officer. Shaheen looks around, smiles weakly and gives a faint laugh. Back in the Ramada Inn, Diana scrubs the blood off her face. Ed washes his own face. “Can we see you in here for a minute, please?” asks a federal agent.

The SAVAK agent points the gun at his mouth. There’s a gunshot.Ed is splattered with blood.The SAVAK agent’s body slides to the floor. People nearby are screaming. Diana, dazed and covered in blood, looks at the SAVAK agent on the floor. Ed puts his hand on her shoulder, and the two of them are hustled away by undercover police. A police motocade drives down 96th St. at LAX and turns south onto Airport Blvd. The motorcycles and cars pull into the parking lot of the Airport Ramada Inn.  A federal agent helps Diana and Ed out of the unmarked police car, and the two are walked toward the hotel. Meanwhile, Mrs Yakamura at the flower mart notices Shaheen and her assistants rummaging through the roses Diana reserved previously. “What are you doing?” Mrs. Yakamura shouts from her 2nd floor office.  Shaheen and her assistants ignore her, and continue to paw through the bouquets. Frustrated, Shaheen tosses a couple of bouquets out of the pile.