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The novel resists the imposition of meaning and emotion, to affirm instead vitality and affect. By Jon Beasley-Murray, University of British Columbia.00:00 Introduction 01:40 Translation and Feelings03:18 Questions 08:58 Affect on the Surface 19:40 Credits For RMST 202. https://rmst202.arts.ubc.ca/
#rmst202 #romancestudies
It is as though Black labour existed wholly outside language altogether, or at least outside the French language. By Jon Beasley-Murray, University of British Columbia.00:00 Introduction 01:56 The Problem with Development 07:30 Questions 10:47 The Pleasure, Possibilities, and Dangers of Writing 19:23 Credits For RMST 202. https://rmst202.arts.ubc.ca/#rmst202 #romancestudies
A Conversation for RMST 202. With Emily Zobel Marshall (Leeds Beckett University) and Jon Beasley-Murray.
#rmst202 #romancestudies
http://rmst202.arts.ubc.ca
The scars of conflict are everywhere evident, if seldom dwelt upon, in Laforet’s novel.By Jon Beasley-Murray, University of British Columbia.00:00 Introduction01:42 Nothing like a Story08:20 Questions10:08 Memory and the Open Secret17:01 CreditsFor RMST 202. https://rmst202.arts.ubc.ca/
#rmst202 #romancestudies
A Conversation for RMST 202. With Sally Perret (Salisbury University) and Jon Beasley-Murray.00:00 Introduction00:57 Fragments of Unsuspected Truth07:15 Hints at a Political Past08:45 Senses at the Limit12:00 A Feeling for What Could Have Been15:37 Gender and Possibility19:18 Nothing but Resignation?21:17 Credits#rmst202 #romancestudieshttp://rmst202.arts.ubc.ca
Agostino’s loss is inherent to language, whose powers to name always fall short.
00:00 Introduction , 01:26 Size Isn't Everything, 06:56 Questions , 08:32 Oedipus at Sea, 16:35 Credits
By Jon Beasley-Murray, University of British Columbia.
For RMST 202. https://rmst202.arts.ubc.ca/
#rmst202 #romancestudies
A Conversation for RMST 202. With Gaoheng Zhang (UBC) and Jon Beasley-Murray.
00:00 Introduction00:51 Between Freud and Marx03:53 Neorealism and Narrative06:19 Danger and Coming of Age10:26 Temporality and Disruption14:23 What Next? Telling and Showing18:00 Credits
#rmst202 #romancestudies
http://rmst202.arts.ubc.ca
The power of fiction resides in the fact that it is not simply mimicry—or rather, that even mimicry is more than mere copy.
By Jon Beasley-Murray, University of British Columbia.
00:00 Introduction01:52 The Powers of Fiction07:29 Questions08:47 Gender and Agency12:50 A View from the Margins17:33 Credits
For RMST 202. https://rmst202.arts.ubc.ca/
#rmst202 #romancestudies
A Conversation for RMST 202. With Naomi Lindstrom (University of Texas at Austin) and Jon Beasley-Murray.
#rmst202 #romancestudies
http://rmst202.arts.ubc.ca
We are challenged to impose some sense on the disorder the book shows us, through either analysis or fiction, but also to postpone that sense-making, to live (however briefly) with the unexpected contingencies of modern life.
By Jon Beasley-Murray, University of British Columbia.
00:00 Introduction
02:49 Fictions of the Self and Others
08:21 Questions
15:38 Risking the Self with Others
24:48 Credits
Short:
Lecture video:
Website: http://rmst202.arts.ubc.ca
Instagram: https://www.instagram.com/inventingromancestudies/
#romancestudies #rmst202
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