In a preview of this week's Pop Pantheon: All Access episode, Taylor Swift's eleventh studio album The Tortured Poets Department— a sprawling, 31 song, two disc, two+ hour melange of music from the superstar— arrived last April amidst peak Taylor cultural overload: her landmark Eras Tour had been globe-trotting for a year, she'd just recently dominated the Grammys winning her record-breaking fourth Album of the Year trophy for previous album Midnights, her non-stop fountain of re-releases of previous works seemed ceaseless, and her new relationship with football star Travis Kelce was plastered all over our TVs and social media feeds constantly. 

All of that made the album a lot to stomach for many outside of the artist's (massive) core fan base and Poets, though hugely commercially successful, was broadly seen as one of the pop icon's weaker efforts, including by the makers of the podcast. 

But with the power of hindsight, how does Tortured Poets hold up removed from all of that context? 

Louie, Russ, and friend of the pod Shaad D'Souza gather to discuss just that, plus each share their... um.. "tailored" versions which help prune the massive tracklist into something more manageable, and maybe good?

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