James Matthew Wilson has published ten books, among them four collections of poems, including The Strangeness of the Good. His poems, essays, and reviews appear regularly in a wide range of magazines and journals. The winner of the 2017 Hiett Prize from the Dallas Institute of Humanities and Culture, Wilson also serves as Poet-in-Residence of the Benedict XVI Institute for Sacred Music and Divine Worship, poetry editor of Modern Age magazine, and series editor of Colosseum Books, a new imprint that publishes the best contemporary poetry and literary criticism of serious craft and spiritual depth. -bio via University of St. Thomas, Houston 

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James Matthew Wilson's "The Scar of Odysseus"

The Daily Poem offers one essential poem each weekday morning. From Shakespeare and John Donne to Robert Frost and Emily Dickinson, The Daily Poem curates a broad and generous audio anthology of the best poetry ever written, read-aloud by David Kern and an assortment of various contributors. Some lite commentary is included and the shorter poems are often read twice, as time permits.

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Today’s poem is almost too bright for our infirm delight. Happy reading! 

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Emily Dickinson's "Tell all the truth but tell it slant–"

Today’s poem features a failed resurrection and a response that spirals through all the customary stages of grief. Hilda Doolittle was born on September 10, 1886, in Bethlehem, Pennsylvania. She attended Bryn Mawr College, where she was a classmate of Marianne Moore. Doolittle later enrolled at the University of Pennsylvania, where she befriended Ezra Pound and William Carlos Williams. H.D. published numerous books of poetry, including Flowering of the Rod (Oxford University Press, 1946); Red Roses From Bronze (Random House, 1932); Collected Poems of H.D. (Boni and Liveright, 1925); Hymen (H. Holt and Company, 1921); and the posthumously published Helen in Egypt (Grove Press, 1961). She was also the author of several works of prose, including Tribute to Freud (Pantheon, 1956). H.D.’s work is characterized by the intense strength of her images, economy of language, and use of classical mythology. Her poems did not receive widespread appreciation and acclaim during her lifetime, in part because her name was associated with the Imagist movement, even as her voice had outgrown the movement’s boundaries, as evidenced by her book-length works, Trilogy and Helen in Egypt. Neglect of H.D. can also be attributed to her time, as many of her poems spoke to an audience which was unready to respond to the strong feminist principles articulated in her work. As Alicia Ostriker said in American Poetry Review, “H.D., by the end of her career, became not only the most gifted woman poet of our century, but one of the most original poets—the more I read her the more I think this—in our language.” H.D. died in Zurich, Switzerland, on September 27, 1961. -bio via Academy of American Poets 

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H. D.'s "Eurydice"

Clive Staples Lewis (1898–1963) was one of the intellectual giants of the twentieth century and arguably one of the most influential writers of his day. He was a Fellow and Tutor in English Literature at Oxford University until 1954, when he was unanimously elected to the Chair of Medieval and Renaissance Literature at Cambridge University, a position he held until his retirement. Lewis wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. C. S. Lewis’s most distinguished and popular accomplishments include Mere Christianity, Out of the Silent Planet, The Great Divorce, The Screwtape Letters, and the universally acknowledged classics in The Chronicles of Narnia. To date, the Narnia books have sold over 100 million copies and been transformed into three major motion pictures. -bio via Harper Collins 

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C. S. Lewis' "Stephen to Lazarus"

Find somebody to watch the kids while you giggle through today’s poem. Happy reading. Respected editor, publisher, writer and poet, Paul Ruffin often relied upon his experiences growing up in the South as a foundation for his stories.  He was born in Millport, Alabama, and grew up outside Columbus, Mississippi. After serving in the U.S. Army, Ruffin earned both his bachelor’s and master’s degrees in English at Mississippi State University.  He took post-graduate courses at the University of Southampton in England and graduated with his doctoral degree from the Center for Writers and the University of Southern Mississippi in 1974.  He accepted a position at Sam Houston State University where he founded The Texas Review—an international literary journal—and Texas Review Press, a member of the Texas A&M; University Press Consortium. Karla K. Morton, 2010 Texas Poet Laureate, said, “His work at The Texas Review Press elevated the whole of Texas Letters.”  Throughout the years, Ruffin worked tirelessly to promote the press and its authors, once giving his views on university presses moving toward digital books as opposed to traditional ink-on-paper. “We’re fulfilling the ancient role of the university press and that is to produce books. I don’t want to give up the book because it is an art,” he said. During his extensive writing career, he published more than 1,500 poems, 100-plus stories, and more than 90 essays in magazines and journals.  His work also has appeared in numerous anthologies and textbooks. In addition, he wrote a weekly column that appeared in several newspapers in Texas and Mississippi. In 2009, he was named Texas State Poet Laureate. In a 2009 article in SHSU’s Heritage Magazine, Ruffin was described as someone who “loves football, shooting, riding his tractor, maintaining his truck, and doing his own carpentry, electric, and plumbing work…not exactly the stereotypical image of a person who loves words and is a master of arranging them into beautifully crafted poems and other literary works.”  -bio via Sam Houston State University 

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Paul Ruffin's "We Write Nasty Notes at the Academic Conference"

Today’s poem ponders what love makes of language. Happy reading. A.E. (Alicia) Stallings is the Oxford Professor of Poetry. She grew up in Decatur, Georgia, and studied classics at the University of Georgia and Oxford University. Her poetry collections include Like (2018), a finalist for the Pulitzer Prize; Olives (2012), which was nominated for a National Book Critics Circle Award; Hapax (2006); and Archaic Smile (1999), winner of the Richard Wilbur Award and finalist for both the Yale Younger Poets Series and the Walt Whitman Award. Her poems have appeared in The Best American Poetry anthologies of 1994, 2000, 2015, 2016, and 2017, and she is a frequent contributor to Poetry and the Times Literary Supplement. Stallings’s poetry is known for its ingenuity, wit, and dexterous use of classical allusion and forms to illuminate contemporary life. In interviews, Stallings has spoken about the influence of classical authors on her own work: “The ancients taught me how to sound modern,” she told Forbes magazine. “They showed me that technique was not the enemy of urgency, but the instrument.” Stallings's latest verse translation is the pseudo-Homeric The Battle Between the Frogs and the Mice (2019), in an illustrated edition with Paul Dry Books, and her latest volume of poetry is a selected poems, This Afterlife (2022, FSG). She is the recipient of fellowships from the Guggenheim Foundation and the MacArthur Foundation. She lives in Athens, Greece, with her husband, the journalist John Psaropoulos.  -bio via Poetry Foundation 

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James Matthew Wilson's "The Scar of Odysseus"

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