The Daily Poem

Today’s poem evokes entire worlds of vivid images and complex emotions with little more than a carefully-crafted list. Happy reading.

Today’s poem was written by Dickinson when she was thirty-three and old enough to know. Happy reading.

Today’s poem, one of English literature’s most extracted and anthologized, is still best appreciated when read in light of the momentous collection it belongs to.

Today’s poem is also a poem for “ABC”–which is to say, it’s a brilliantly executed example of the alphabetic form known as the abecedarian. Happy reading.

Jessica Greenbaum is the author of Inventing Difficulty (Silverfish Review Press, 1998), winner of Gerald Cable Prize; The Two Yvonnes (Princeton University Press, 2012), named by Library Journal as a Best Book in Poetry; and Spilled and Gone (University of Pittsburgh Press, 2019). She has received awards from the National Endowment for the Arts and the Poetry Society of America. She teaches in New York City. 

-bio via Poetry Foundation

Rhina P. Espaillat was born in the Dominican Republic under the dictatorship of Rafael Trujillo. After Espaillat’s great-uncle opposed the regime, her family was exiled to the United States and settled in New York City. She began writing poetry as a young girl—in Spanish and then English—and has published in both languages.

Espaillat’s numerous poetry collections include And After All (2019); Her Place in These Designs (2008); Playing at Stillness (2005); Rehearsing Absence (2001), recipient of the 2001 Richard Wilbur Award; a bilingual chapbook titled Mundo y Palabra/The World and the Word (2001); Where Horizons Go (1998), winner of the T.S. Eliot Prize; and Lapsing to Grace (1992).

On Rehearsing Absence, Robert B. Shaw wrote in Poetry, “To Rhina Espaillat the quotidian is no malady … it is the source of inspiration. Hers is a voice of experience, but it is neither jaded nor pedantic. She speaks not from some cramped corner but from somewhere close to the center of life.” Awarding Espaillat the 1998 T.S. Eliot Prize for Where Horizons Go, X.J. Kennedy noted that “such developed skill and such mastery of rhyme and meter are certainly rare anymore; so is plainspeaking.”

Espaillat’s work has garnered many awards, including the Sparrow Sonnet Prize, three Poetry Society of America prizes, the Der-Hovanessian Translation Prize, and—for her Spanish translations of Robert Frost—the Robert Frost Foundation’s Tree at My Window Award. She is a two-time winner of The Formalist’s Howard Nemerov Sonnet Award and the recipient of a 2008 Lifetime Achievement Award from Salem State College. She is a founding member of the Fresh Meadows Poets and a founding member and former director of the Powow River Poets. For over a decade, she coordinated the Newburyport Art Association’s Annual Poetry Contest.

-bio via Poetry Foundation

In today’s poem, Plath (who died at 30) contrasts the transience of youth and nature with the seeming permanence of art and artifice. (I even make time for a brief shout-out to a not-so-transitory Golden Mouth.) Happy reading.

Today’s poem is a selection from Henry Wadsworth Longfellow’s American epic, The Song of Hiawatha. The passage is structured beautifully so that two divergent streams of imaginative thought suddenly flow together into a single, tangible reality. Happy reading.

Today's poem is an enduring memorial for a hastily interred hero.

Kenneth Grahame (8 March 1859 – 6 July 1932) is best remembered for the classic of children's literature The Wind in the Willows (1908). Scottish by birth, he spent most of his childhood with his grandmother in England, following the death of his mother and his father's inability to look after the children. After attending St Edward's School in Oxford, his ambition to attend university was thwarted and he joined the Bank of England, where he had a successful career. Before writing The Wind in the Willows, he published three other books: Pagan Papers (1893), The Golden Age(1895), and Dream Days (1898).

-bio via Wikipedia

Charlotte Perkins Gilman (1860-1935) wrote fiction and nonfiction works including several collections of poetry and her most famous short story, “The Yellow Wallpaper” (1892). Her poems address the issues of women’s suffrage and the injustices of women’s lives. She was also the author of Women and Economics (1898), Concerning Children (1900), The Home: Its Work and Influence (1903), Human Work (1904), and The Man-Made World; or, Our Androcentric Culture (1911). A prolific writer, she founded, wrote for, and edited The Forerunner, a journal published from 1909 to 1917. A utopian novel, Herland, was published in 1915. 

-bio via Poetry Foundation