Interviews by Brainard Carey

Janet Echelman


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Janet Echelman is an artist known for sculpting at the scale of buildings and city blocks, creating large-scale, fluid installations that merge art, architecture, and engineering. Her work transforms with wind and light, inviting viewers into immersive experiences rather than static observation. Echelman uses unconventional materials—from atomized water particles to fiber stronger than steel—blending traditional craft with advanced computational design. Her monumental works anchor public spaces across five continents, in cities including New York, London, Sydney, Shanghai, and Singapore.

Permanent installations in locations such as San Francisco, Vancouver, and Porto continually evolve with shifting light and air. Echelman’s unconventional path includes a degree from Harvard, five years living in a Balinese village, and graduate studies in both painting and psychology. Oprah ranked Echelman’s work #1 on her List of 50 Things That Make You Say Wow!, and she received the Smithsonian American Ingenuity Award in Visual Arts, honoring “the greatest innovators in America today.” Recipient of the Guggenheim Fellowship, she has taught at MIT, Harvard, and Princeton. Her interdisciplinary approach challenges artistic boundaries and redefines urban space through experiential public art.

Her recent book, Radical Softness The Responsive Art of Janet Echelman is now available.

Remembering the Future, on view at MIT Museum, and its maquette at Sarasota Art Museum retrospective. Photos: Anna Olivella
Study (Butterfly Rest Stop 1/9 scale), on view at Janet Echelman: Radical Softness, Sarasota Art Museum through April 26, 2026. Photo: Ryan Gamma.
Noli Timere, Echelman’s sculpture-dance collaboration with choreographer Rebecca Lazier, currently traveling the eastern seaboard. Photos: Julie Lemberger
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Interviews by Brainard CareyBy Brainard Carey

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