Jeffery Saddoris

In this episode, we continue to talk about music — how we relate to bands and how we listen to them. Adrianne shares a powerful story around how her father's "come to Jesus moment" affected his relationship with music and with her. We also talk about experiences around live music both from an audience perspective and as a member of the crew. 

Thank you to everyone who called in. I appreciate your time and energy very much.

If you'd like to listen and call in live, be sure to subscribe to my YouTube channel.

Subscribe: Apple Podcasts | Spotify | Stitcher | Overcast | Google Podcasts | RSS

Music in this episode:
"Just Give It Time" by Pierce Murphy (CC BY 4.0)
"Time Flux" by Revolution Void (CC BY 3.0)
"Secret Geometric States" by Kevin Bryce (CC BY-NC-SA 3.0)

WANT TO SUPPORT THE WORK I'M DOING?

Subscribe & Review: Apple Podcasts | Spotify | Stitcher | Overcast | Google Podcasts

Tell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I’ve made a video showing you how: Create Custom Audiograms with Recast by Simplecast - YouTube

Buy a copy of my book: Photography by the Letter

I spend a lot of time thinking about materials and objects as they relate to art and art making and I spend a fair bit of time talking about it with Jon. In this conversation, we’re talking about some of our first memories of art and of objects that we somehow recognized as “special.” We also talk about the how the contrast between the refinement of Europe and the chaos of India in Jon’s childhood contributed to and maybe even directly informed the type of work he produces decades later.

Subscribe: Apple Podcasts | Spotify | Stitcher | Overcast | Google Podcasts | RSS

CONNECT

You can find Jon on Instagram @jonwilkening or on his website at jonwilkening.com

If you have questions, feedback on the show, or an idea for something you'd like us to talk about, I’d love to hear from you. Email me at [email protected] or connect with me on Instagram @jefferysaddoris.

Music in this episode: Take Me Higher (Jahzzar) / CC BY-SA 4.0

WANT TO SUPPORT THE WORK I'M DOING?

Subscribe & Review: Apple Podcasts | Spotify | Stitcher | Overcast | Google Podcasts

Tell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I’ve made a video showing you how: Create Custom Audiograms with Recast by Simplecast - YouTube

Buy a copy of my book: Photography by the Letter

Growing up, I can’t remember not having a radio in one form or another. The first one I remember was a big walnut console with a turn table and a television that we had in our house in either San Dimas or Azusa — that part’s a little fuzzy but it had to be the early 70s. I also remember a little Panasonic clock radio my mom had on her night stand — and this was probably when I was in third or fourth grade — and the main reason I remember it is because it had those little black and white flippy numbers. I got my first stereo in junior high — I don’t remember which year — but I do remember that the first record I ever got was Robin Williams Reality… What a Concept.

As I got older and started listening to the radio more often, I started to recognize the DJs in addition to the music. The first one I remember was probably Wolfman Jack because he was just such a character. Because we were in LA, there were a ton of DJs to listen to — Rick Dees on KIIS FM, Richard Blade and Rodney Bingenheimer on KROQ, Mark and Brian on KLOS, and of course The Dr. Demento Show, which think was on KMET. Howard Stern was in there too, but honestly I was never really a huge fan. I like him much better now, especially because he’s a really terrific interviewer. Oh, and there was also Joe Frank on KCRW but, honestly, we could spend hours on him, so I think I’ll save that one. Feel free to ask me about it if you’re curious.

Subscribe: Apple Podcasts | Spotify | Stitcher | Overcast | Google Podcasts | RSS

Music in this episode:
"Noite de Novembro" by Himalayha (CC BY-NC-SA 4.0)
"After the Border" by InSpectr (CC BY-NC-SA 4.0)
"Imagery Intelligence" by Metre (CC BY-NC-ND 4.0)

WANT TO SUPPORT THE WORK I'M DOING?

Subscribe & Review: Apple Podcasts | Spotify | Stitcher | Overcast | Google Podcasts

Tell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I’ve made a video showing you how: Create Custom Audiograms with Recast by Simplecast - YouTube

Buy a copy of my book: Photography by the Letter

If you’ve listened to any of my shows before, you know that I spend a fair bit of time talking about creativity, both in the literal and in the abstract. I’m fascinated by how and why we create. Why for some, the need to express who they — we — are is as important to the human experience as taking a breath. Questions around creativity inform many of the conversations I have — whether or not I’m rolling tape — what I read and even some of the things I watch. For example, this morning I watched a TED Talk by Ethan Hawke. Now, I wouldn’t call myself a FAN of Ethan Hawke, per se, although I’ve seen Gattaca a half-dozen times and he was great in Training Day with Denzel Washington. Anyway, like I said, I’m not a huge fan but I do have massive respect for the choices he makes as an artist. I mean, just scanning through his filmography reminds you of some of the often unexpected and occasionally brilliant left turns he’s made in his career. And whether or not a project did well at the box office or was acclaimed by the critics, he seems to get something out of everything he does and watching this TED Talk sort of reaffirmed that notion and it might even give you something to think about as you try to go deeper into your own creative process and self-expression as an artist and frankly as a human. At one point in the talk , he says, “To express ourselves we have to know ourselves. What do you love? And if you get close to what you love who you are is revealed to you and it expands.”

Subscribe: Apple Podcasts | Spotify | Stitcher | Overcast | Google Podcasts | RSS

SHOW NOTES

Give Yourself Permission to be Creative | Ethan Hawke: https://www.youtube.com/watch?v=WRS9Gek4V5Q
David Bowie on why you should never play to the gallery: https://www.youtube.com/watch?v=cNbnef_eXBM
David Bowie - Blackstar: https://www.youtube.com/watch?v=kszLwBaC4Sw

Music in this episode: The Wrong Way (Jahzzar) / CC BY-SA 4.0

WANT TO SUPPORT THE WORK I'M DOING?

Subscribe & Review: Apple Podcasts | Spotify | Stitcher | Overcast | Google Podcasts

Tell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I’ve made a video showing you how: Create Custom Audio

When I was a kid, my mom used to say that if the house ever caught fire, the one thing she would grab before anything else was the box of family photos that she kept in her closet, which I’m sure was common for many of us before analog became digital. For my mom, those photos were the things — the objects —that she held most dear, more than jewelry or money or a favorite piece of clothing. They anchored her to specific memories and feelings and because of that were more or less irreplaceable. Objects have meaning and more importantly value, and to what degree we value the objects in our lives is different for all of us.

Subscribe: Apple Podcasts | Spotify | Stitcher | Overcast | Google Podcasts| RSS

CONNECT

You can find Jon on Instagram @jonwilkening or on his website at jonwilkening.com

If you have questions, feedback on the show, or an idea for something you’d like us to talk about, I’d love to hear from you. Email me at [email protected] or connect with me on Instagram @jefferysaddoris.

Music in this episode: Take Me Higher (Jahzzar) / CC BY-SA 4.0

WANT TO SUPPORT THE WORK I’M DOING?

Subscribe & Review: Apple Podcasts | Spotify | Stitcher | Overcast | Google Podcasts

Tell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I’ve made a video showing you how: Create Custom Audiograms with Recast by Simplecast – YouTube

Donate: Check out my Patreon account

Use my Amazon Affiliate Links: Occasionally, I’ll include links to things that I either own and use myself (mostly books) or think might be helpful/useful/inspiring to you. I will never simply spam product lists (such as “what’s in my bag?”). If I’m including an affiliate link, it’s for something I actually believe in.

*Disclosure: Books and products marked with an asterisk are linked to an affiliate program. I am a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for me to earn advertising fees by linking to Amazon.com and affiliated sites.

At the end of May, I decided to take a break from social media so I could focus on making without the constant background noise that seemed to be sucking the life out the urge to create anything. It was a self-imposed blackout that I hoped would allow at least some of the creative light back in. Inspired by a recent documentary, I decided to work on a series of 12 paintings simultaneously rather than a single piece, and within a couple weeks I had completed twelve new pieces of work. Seeing them spread out on the bench was like fuel to keep going, so I set a fairly ambitious goal: to create 53 new paintings — including the first twelve — by my 53rd birthday on July 21st. Well, my birthday was yesterday and at about 4 o’clock, I put the final brushstrokes of black edging on the last piece, which was actually piece number 54. A week or so ago, when I still wasn’t quite sure I’d make the goal, I sat down with Jon to talk about the project.

Subscribe: Apple Podcasts | Spotify | Stitcher | Overcast | Google Podcasts| RSS

CONNECT

You can find Jon on Instagram @jonwilkening or on his website at jonwilkening.com

If you have an interesting story to share, I’d love to hear from you. Email me at [email protected] or connect with me on Instagram @jefferysaddoris.

Music in this episode: Take Me Higher (Jahzzar) / CC BY-SA 4.0

WANT TO SUPPORT THE WORK I’M DOING?

Subscribe & Review: Apple Podcasts | Spotify | Stitcher | Overcast | Google Podcasts

Tell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I’ve made a video showing you how: Create Custom Audiograms with Recast by Simplecast – YouTube

Donate: Check out my Patreon account

Use my Amazon Affiliate Links: Occasionally, I’ll include links to things that I either own and use myself (mostly books) or think might be helpful/useful/inspiring to you. I will never simply spam product lists (such as “what’s in my bag?”). If I’m including an affiliate link, it’s for something I actually believe in.

*Disclosure: Books and products marked with an asterisk are linked to an affiliate program. I am a participant in the Amazon Se

There’s something about wet plate photography that I can’t get out of my head. Maybe it’s the process, maybe it’s the unpredictable nature of it—Sally Mann calls it “the angel of uncertainty.” Or maybe it’s the permanence of the objects themselves. When you look at an image by Matthew Brady or Timothy O’Sullivan, for a moment you’re no longer part of the present. And I would argue that that sense of timelessness is one of the reasons a handful of modern photographers still choose to embrace the 170-year-old process.

In 2018 there was a Sally Mann show at the National Gallery called A Thousand Crossings. It is by far my favorite show I’ve ever seen since I've been in DC and, in fact, I went back to see it about a half-dozen times. While I love her entire body of work, it was the wet plate work—both plates and prints—that I found myself gravitating to the most. Far from the pristine edge-to-edge sharpness of modern photos, they exude life, inexorably binding them to the maker.
A couple weeks ago, I got an email form Shane Balkowitsch, a wet plate photographer from Bismarck, North Dakota who began shooting wet plate after seeing a plate of a motorcycle. Something about it refused to let go and he reached out to the photographer to ask about the image and the process behind it. 45 days later, he made his first wet plate—an image of his brother. That was 2012. Today, more than 3500 plates later, Shane’s work is in collections including the State Historical Society of North Dakota and the National Portrait Gallery. His ongoing project photographing Native Americans and helping to preserve their culture has earned him the name “Shadow Catcher.”

LINKS
Northern Plains Native Americans: A Modern Wet Plate Perspective: https://amzn.to/31SEIvU
Balkowitsch (Documentary): https://amzn.to/3gBAOvx
State Historical Society of North Dakota: https://www.history.nd.gov/archives/manuscripts/inventory/2014-P-025.html
Sally Mann: A Thousand Crossings: https://www.nga.gov/exhibitions/2018/sally-mann-a-thousand-crossings.html
 

CONNECT WITH SHANE
Website: http://sharoncol.balkowitsch.com/wetplate.htm
Instagram: https://www.instagram.com/balkowitsch
Facebook: https://www.facebook.com/balkowitsch

MUSIC
Please Listen Carefully
(Jahzzar) / CC BY-SA 4.0

Last week, I decided to take a much needed break from social media. There’s just too much going on in the world that pulls my focus away from the areas of my life that really warrant - and frankly need - that focus - specifically my family and my art. In my final Instagram post before the break, I wrote that I wasn’t who I wanted to be lately followed by a list of distractions that to a lesser or greater extent contribute to it. After seeing the post, Jon reached out and asked if I’d like to talk about it.

Subscribe: Apple Podcasts | Spotify | Stitcher | Overcast | Google Podcasts | RSS

SHOW NOTES

David Goggins - https://davidgoggins.com/
Elizabeth Gilbert's TED Talk - https://www.youtube.com/watch?v=86x-u-tz0MA
Jocko Willink - https://jockopodcast.com/
Cal Newport - Deep Work*

CONNECT

You can find Jon on Instagram @jonwilkening or on his website at jonwilkening.com

If you have an interesting story to share, I’d love to hear from you. Email me at [email protected] or connect with me on Instagram @jefferysaddoris.

Music in this episode: Take Me Higher (Jahzzar) / CC BY-SA 4.0

WANT TO SUPPORT THE WORK I'M DOING?

Subscribe & Review: Apple Podcasts | Spotify | Stitcher | Overcast | Google Podcasts

Tell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I’ve made a video showing you how: Create Custom Audiograms with Recast by Simplecast - YouTube

Donate: Check out my Patreon account

Use my Amazon Affiliate Links: Occasionally, I’ll include links to things that I either own and use myself (mostly books) or think might be helpful/useful/inspiring to you. I will never simply spam product lists (such as “what’s in my bag?”). If I’m including an affiliate link, it’s for something I actually believe in.

*Disclosure: Books and products marked with an asterisk are linked to an affiliate program. I am a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for me to earn advertising fees by linking to Amazon.com and affiliated sites.

What happens next? That’s the question isn’t it? It’s something I get asked a lot, especially lately, both from friends and from strangers. I wish I had an answer but honestly I’m still spending a fair bit of time struggling to answer “what now?” I’m sure most of you are thinking about it too and maybe you even have an answer. Eventually, we’ll all have to think about it. What happens when we can go outside — without a mask — to grab dinner with family and friends, go to the movies, see a baseball game and just get back to something resembling normal? But, what does normal even look like in the wake of this?

SHOW NOTES

If you’re a gamer—and even if you’re not—the tech demo for Unreal Engine 5 running on the PS5 is pretty damn impressive. The level of detail that’s possible is just incredible and in many ways it’s a quantum leap over the already impressive Unreal Engine 4, which in addition to being used to power AAA games was also used to create the virtual environments on Disney’s The Mandelorian.
PS5 Unreal Engine 5 Tech Demo - YouTube

CNN posted a terrific piece highlighting a site called Trailblazers of Light, which celebrates women in photojournalism. More than 500 photojournalists are featured on the site, from Frances Benjamin Johnston who began working as a freelance photographer in the 1890s to Linsey Addario, a Pulitzer Prize-winning photojournalist whose work has been featured in The New York Times, National Geographic, TIME magazine. It’s a fascinating resource.
Home - Trailblazers of Light

And finally, I don’t know a lot about musicology or music theory, but I know enough to be able to recognize what a musical monster Jacob Collier is. His latest video All I Need is an homage to 70s Stevie Wonder funktastic goodness. The melodies that he comes up with continuously amaze me. If you want more after watching the video for All I Need, check out the Tiny Desk Concert from last year.
Jacob Collier: All I Need (with Mahalia & Ty Dolla $ign) - YouTube
Jacob Collier: NPR Music Tiny Desk Concert - YouTube

Music in this episode: The Wrong Way (Jahzzar) / CC BY-SA 4.0

HOW CAN I SUPPORT WHAT YOU’RE DOING?

Subscribe & Review: Apple Podcasts | Spotify | Stitcher | Overcast | Google Podcasts

Tell Your Friends & Share Episodes Online: You can even share a favorite show clip using the terrific Recast feature. I’ve made a video showing you how: Create Custom Audiograms with Recast by Simplecast - YouTube

Donate: Check out my Patreon account

Use my Amazon Affiliate Links: Occasionally, I’ll include links to things that I either own and use myself (mostly books) or think might be helpful/useful/inspiring to you. I will never simply spam product lists (such as “what’s in my bag?”). If I’m including an affiliate link, it’s for something I actually believe in.

*Disclosu

As much as I love working with acrylics in my paintings, because many of them are literally dozens of layers of pigment, collage, found objects, and thick layers of acrylic medium, it can take weeks to finish a single piece just waiting for layers to dry. A few years ago, I began looking into using encaustic, which offers the ability to create work with a similar aesthetic to my acrylic work in a fraction of the time. In doing the research, I came across the work of Lisa Pressman. Lisa is a fabulous artist from New Jersey who works in both encaustic and oils and has been exhibiting her work for nearly four decades. In addition to making her own work, she inspires others to start their own artistic journey through her workshops and one on one mentoring. Lisa and I have spoken a few times and I’m so grateful that we were finally able to hit the record button.

LINKS
https://elizabethmurrayart.org
https://rbleckner.com/
http://www.gregoryamenoff.com
https://www.terrywinters.org
https://www.wikiart.org/en/philip-guston
https://www.wikiart.org/en/joan-mitchell
http://www.bettycuninghamgallery.com/artists/estate-of-jake-berthot-1939-2014
https://www.moca.org/exhibition/kerry-james-marshall-mastry
https://www.hanshofmann.org
http://www.aliceneel.com/

CONNECT WITH LISA
Website: http://www.lisapressman.net
Instagram: https://www.instagram.com/lisapressmanart/
Twitter: https://twitter.com/LPressman
Facebook: https://www.facebook.com/LisaPressmanWorkshopsAndClasses/

MUSIC
Please Listen Carefully
 (Jahzzar) / CC BY-SA 4.0