This week, I'm thrilled to talk to English musician and nascent film score composer Jerskin Fendrix about his score to the wacky, surreal, oddly poignant new film from Yorgos Lanthimos: Poor Things. Starring Emma Stone as Bella Baxter, the creation of Frankenstein-ian scientist Godwin Baxter (played by Willem Dafoe), the film delves into her ongoing quest to explore her humanity, sexuality, and the absurd social structures of a world careening into modernity. Lanthimos' films always push the boundaries between the vulgar and sublime, and this one's no different -- a Victorian-era fantasia complete with bright, presentational production design and wild costuming that fits the strangeness of Bella's world. And this strangeness bears out in Fendrix's score, his first after spending years in the London DIY pop scene. The score is punctuated by minimal voices, spare instruments, dissonant, bended notes that seem to lumber awkwardly like Bella taking her first furtive steps out into the world. Fendrix speaks with me about stepping into Yorgos' world, giving voice to a creature that evolves over the course of the score, and what it's like for such an autobiographical artist to surrender himself to a more collaborative medium like film. You can find Jerskin Fendrix's work on his official Bandcamp page. Poor Things is currently playing in theaters. You can also listen to the score on your preferred music streaming service courtesy of Milan Records.