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John Abulafia in conversation with David Eastaugh
https://unfinishedhistories.com/history/companies/incubus/john-abulafia-on-incubus/
https://unfinishedhistories.com/history/companies/incubus/
Incubus Theatre has its origins in a 1968 production of Kafka’s Metamorphosis that John Abulafia wrote and directed while he was at Sussex University. The part of Josef K was created by Paddy Fletcher, then studying at Brighton Art College. John says of Paddy, ‘He was the most extraordinary, inventive performer, and a wonderful creative collaborator. I had a clear vision of the kind of theatre I wanted to create but everyone else told me that it was impossible to stage a play where a human turns into an insect. Paddy’s response was that if I didn’t give him the part he would never speak to me again. He tried any and every distortion of his body to create Josef K: he brought to life Kafka’s vision of a tormented creature paying the price for the sins of his family. This Metamorphosis was before Berkoff and before anyone used the term Physical Theatre.‘
Metamorphosis took the 1968 NUS/ Sunday Times drama festival by storm, was invited to the Oxford Playhouse, and then to a series of other London venues.
By thec86show4.8
2020 ratings
John Abulafia in conversation with David Eastaugh
https://unfinishedhistories.com/history/companies/incubus/john-abulafia-on-incubus/
https://unfinishedhistories.com/history/companies/incubus/
Incubus Theatre has its origins in a 1968 production of Kafka’s Metamorphosis that John Abulafia wrote and directed while he was at Sussex University. The part of Josef K was created by Paddy Fletcher, then studying at Brighton Art College. John says of Paddy, ‘He was the most extraordinary, inventive performer, and a wonderful creative collaborator. I had a clear vision of the kind of theatre I wanted to create but everyone else told me that it was impossible to stage a play where a human turns into an insect. Paddy’s response was that if I didn’t give him the part he would never speak to me again. He tried any and every distortion of his body to create Josef K: he brought to life Kafka’s vision of a tormented creature paying the price for the sins of his family. This Metamorphosis was before Berkoff and before anyone used the term Physical Theatre.‘
Metamorphosis took the 1968 NUS/ Sunday Times drama festival by storm, was invited to the Oxford Playhouse, and then to a series of other London venues.

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