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In this episode, we explore the origins of "The Battle Hymn of the Republic," reflecting upon the myths and realities of the "white liberal" abolitionist orientation of writer Julia Ward Howe and the pacifist abolitionist elites, and their motivations for rewriting "The John Brown Song." Viewing the "The Battle Hymn" as an intentional replacement on the part of the abolitionists, we consider the raw liberationist ethos of "The John Brown Song" and why it was replaced, and the significance of its mythology in our own thinking about the antebellum and  Civil War eras.  Drawing upon the searing analysis of Malcolm X and the 1963 March on Washington, DeCaro draws his own conclusions about what happened to "The John Brown Song" and why.  This narrative is based upon an essay from  DeCaro's book, John Brown, Emancipator.

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In this episode, we meet the forgotten journalist, Edward "Ned" House, who was the clandestine reporter for Horace Greeley's New York Daily Tribune at the time the paper was banned in Virginia following John Brown's raid on Harper's Ferry.  Tribune, an antislavery Bohemian, worked as the Tribune's theater critic, but because he held Democratic party credentials, he was able to go to Charlestown and cover John Brown's last days, from late October until the day of the abolitionist's hanging.  House filed reports secretly, smuggling most of them and risking discovery by an angry proslavery community that wanted Brown and his men dead, trial or not.  Reflecting his detailed account, Freedom's Dawn: The Last Days of John Brown in Virginia (Rowman & Littlefield, 2015), DeCaro provides a glimpse of Ned House's brave and unsung role in documenting John Brown's final weeks as a prisoner with clarity, detail, and wit--all at the expense of slaveholding society--and in defense of the freedom of the press.

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In this episode, "The Good Lord Bird," both the novel by James McBride and the SHOWTIME series adaptation by Ethan Hawke are considered with respect to the relation of fiction to history.  There is a difference between the use of fiction in collaboration with history and the use of fiction to rewrite history, Lou contends, and in the case of Old John Brown, "The Good Lord Bird" is particularly worrisome because its portrayal is offered as satire but will inevitably inform viewers quite incorrectly as to the historical record. 

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In this podcast, Louis DeCaro Jr. welcomes listeners and introduces himself with some reflections about the significance of John Brown in history, especially relating to the black struggle for justice. DeCaro then discusses the story behind Brown's damaged reputation in history, particularly how white society was miseducated and why.

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