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Our third season of Filmography on the Master of Horror John Carpenter continues, as Film Editor Dominick Suzanne-Mayer is joined for this week's third episode, John Carpenter vs. The Man, by The A.V. Club's Katie Rife and Daily Grindhouse's Mike Vanderbilt. Together, they examine Carpenter's perceptions of latter-20th century America, the emergence of some of his most prevalent themes and filmmaking approaches, and how the director's politics have manifested in his work in subtle, unsubtle, and really unsubtle ways. This week's discussion is focused around the following features: Assault on Precinct 13 (1976) Someone's Watching Me! (1978) Escape From New York (1981) Escape From L.A. (1996) Chapters: Introduction (0:09), The Man: A Discussion (0:35), Assault on Precinct 13 (4:18), Someone's Watching Me! (17:05), Escape From New York (33:57), Escape From L.A. (45:04), Intermission (58:01), Sight [Cinematography/Editing] (58:04), The Lasting Image (1:12:02), Music & Score (1:16:53), Closing Remarks (1:29:46)
By Consequence Podcast Network4.9
3838 ratings
Our third season of Filmography on the Master of Horror John Carpenter continues, as Film Editor Dominick Suzanne-Mayer is joined for this week's third episode, John Carpenter vs. The Man, by The A.V. Club's Katie Rife and Daily Grindhouse's Mike Vanderbilt. Together, they examine Carpenter's perceptions of latter-20th century America, the emergence of some of his most prevalent themes and filmmaking approaches, and how the director's politics have manifested in his work in subtle, unsubtle, and really unsubtle ways. This week's discussion is focused around the following features: Assault on Precinct 13 (1976) Someone's Watching Me! (1978) Escape From New York (1981) Escape From L.A. (1996) Chapters: Introduction (0:09), The Man: A Discussion (0:35), Assault on Precinct 13 (4:18), Someone's Watching Me! (17:05), Escape From New York (33:57), Escape From L.A. (45:04), Intermission (58:01), Sight [Cinematography/Editing] (58:04), The Lasting Image (1:12:02), Music & Score (1:16:53), Closing Remarks (1:29:46)

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