Fenton Bailey and Randy Barbato stop by to talk with Kyle Meredith about their latest HBO Max documentary Murder In Glitterball City, a true-crime story that hits especially close to home since it was shot in Louisville, just blocks from where Kyle’s sitting. The World of Wonder founders (the same duo behind The Eyes Of Tammy Faye and Party Monster) dig into why this case — involving a body found in a Victorian mansion basement and two lovers blaming each other — demanded a different kind of true-crime approach, one that looks beyond the crime itself and into community, queer history, addiction, mythmaking, and the ghosts a city carries with it. Bailey and Barbato also talk about expanding beyond the source book, finding unforgettable local characters, navigating the responsibility of telling difficult LGBTQ stories honestly, and why this case still haunts them long after filming wrapped.

Listen to Fenton Bailey and Randy Barbato chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Maia Mitchell and Susie Porter join Kyle Meredith to talk about Season 2 of The Artful Dodger, the Hulu and Disney+ series that finds Lady Bell and Lady Jane in much heavier territory. Mitchell discusses Belle’s six-month offscreen transformation — surviving surgery, fighting to save Jack from the noose, and losing some of her innocence along the way — while Porter shares what it’s like stepping back into Lady Jane’s privileged but evolving perspective, especially as the show tackles poverty, sexism, and class in 1850s Australia. They also get into the ultra-realistic medical scenes (complete with prosthetic torsos and live “artery” blood pumps), including the now-infamous belly button moment that Mitchell calls the worst thing the show has ever made her do.

Listen to Maia Mitchell and Susie Porter chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Actress Haley Lu Richardson sits down with Kyle Meredith to unpack the brilliantly bonkers ride that is Good Luck, Have Fun, Don't Die, the first film in a decade from director Gore Verbinski, and one she admits she devoured in a single sitting. Richardson gets into how the script landed in her lap, why Ingrid instantly clicked as a character, and what it’s like anchoring a movie she calls everything-but-the-kitchen-sink genre-wise (Verbinski’s own term: “psychotic opera”). She also shares stories from set with Sam Rockwell, including helping him prep his now-iconic scene for The White Lotus, plus the realities of living in a handmade princess dress for an entire shoot.

Listen to Haley Lu Richardson chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Kyle Meredith catches up with David Thewlis and Thomas Brodie-Sangster to talk Season 2 of Hulu’s The Artful Dodger. Thewlis points to Fagin’s new status (wealthier, unhingier, and no longer Dodger’s underling) and the arrival of Inspector Boxer — a “bad guy” who’s inconveniently ethical, educated, and annoyingly handsome. Brodie-Sangster says they’re basically done worrying about Dickens now (“our source material becomes season one”), talks about having to “find the voice again” after the break, and admits the medical jargon goes in one ear and out the other. Also: Brodie-Sangster wants more running and action; Thewlis wants less running, more head-shaving (which he calls “liberating”). He also reveals that he kept an actual beard diary to time his facial hair around other gigs.

Listen to David Thewlis and Thomas Brodie-Sangster chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Two of the most influential hitmakers of the last half-century sit down with Kyle Meredith for a wide-ranging conversation about what it means to write songs that outlive their moment. Desmond Child talks about finally stepping center stage with his first live release, Desmond Child Live, revisiting decades of world-dominating songs, and how writing his autobiography, Livin On A Prayer: Big Songs Big Life, pushed him to reflect on legacy, mentorship, and the emotional weight songs like “Livin’ on a Prayer” still carry. Alongside him, David Foster digs into his own retrospective project, breaking down the theatrical instincts behind his biggest productions, the famous studio moments with Whitney Houston and Celine Dion, and how he’s shifted his creative focus toward Broadway and long-form storytelling, including the Betty Boop musical. Together, the two songwriters reflect on adapting to changing eras, choosing when to step back from chasing radio, and why the stories behind the songs may ultimately matter as much as the hits themselves.

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Maynard James Keenan digs into the fifth Puscifer album Normal Isn't, unpacking how the record functions as a kind of cultural status report—part political frustration, part tech anxiety, part dark humor. Keenan explains why the band feels like it’s finally being “discovered” years after the fact, how this album leans harder and hits sharper than its predecessors, and why observation—not preaching—is the real job here. The conversation also gets into the creation of the new character Bellendia Black, the expanding world of videos and graphic novels, the uneasy usefulness of AI, and why being the underdog still matters. Along the way, there’s talk of Bowie, language as satire, and why Normal Isn’t feels less like rebellion for rebellion’s sake and more like an inevitable reckoning.

Listen to Maynard James Keenan chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Film producer Gill Holland joins Kyle Meredith to trace his nearly 30-year career that adds up to around 150 films, from early Sundance breakthroughs like Hurricane Streets to documentaries such as Flow: For Love Of Water and the beloved Big Star doc, plus cult favorites like Greg The Bunny. Holland digs into what a producer actually does, why rejection is basically part of the job description, how the ’90s indie boom cracked Hollywood open, and why that spirit might be poised for a comeback in the age of streaming and AI. Along the way, he explains why Louisville became home, how Kentucky keeps finding its way into his work, and what’s next, including new projects with Sarah Silverman and Bonnie “Prince” Billy.

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Kyle Meredith sits down with Jessica Williams, Christa Miller, Ted McGinley, and Michael Urie to unpack how Shrinking season 3 on Apple TV might be the show’s richest chapter yet. The cast talks about how the series keeps deepening its characters without losing the jokes, from Gabby’s emotionally loaded monologues and Brian realizing he doesn’t have life figured out, to Derek finally stepping out from behind the zen-smile and Liz living at full-throttle anxiety year-round. Miller dives into the show’s carefully chosen needle drops and long-gestating music moments, Urie breaks down that unforgettable Les Misérables singalong watched silently by Harrison Ford, McGinley reflects on playing Derek as an “iceberg,” and Williams explains how she ramps up for scenes that hit hard right out of the gate.

Listen to Jessica Williams, Christa Miller, Ted McGinley, and Michael Urie chat about all this and more or watch the videos on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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Talking with Kyle Meredith, Petula Clark and Don McLean both reflect on what it means to keep creating decades into a career, each from their own corner of the musical universe. Clark walks through the making of Living For Today, from recording in a tiny garden studio in London to shaping the title track’s light-to-serious turn, reconnecting with Tony Hatch, and navigating the nerves (and respect) that come with reinterpreting classics—from Peggy Lee’s “Fever” to the Beatles’ “Blackbird”—while embracing songs like “Downtown” as lifelong companions rather than burdens. McLean, meanwhile, digs into the long road behind Botanical Gardens, rejecting the idea that he lives solely in the shadow of “American Pie” or “Vincent,” and instead framing the album as a mix of styles, metaphors, and ideas that took years—sometimes decades—to finally surface. From songwriting as a visual, almost cinematic act to letting songs wait until they’re ready, both artists land on the same truth: the work doesn’t give up on you, it just keeps knocking until you let it back in.

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Platinum-selling singer Carnie Wilson of Wilson Phillips sits down with Kyle Meredith ahead of her 2026 She Rocks Awards honor to talk about the full arc of her career — from the monster success of Wilson Phillips and the harmonies that defined a generation to the overlooked gems like Shadows And Light and the criminally underrated The Wilsons, which reunited her with her father Brian Wilson and let the band rock harder than anyone expected. Wilson opens up about mental health advocacy, sobriety, grief, OCD, motherhood, and why being honest has always mattered more than being polished. There’s also plenty of love for studio life, unreleased vault material, Christmas records, and the idea that history might finally catch up with the albums that slipped through the cracks the first time.

Listen to Carnie Wilson chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

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