Kyle Meredith With...

Jane Seymour catches up with Kyle Meredith to talk about why Harry Wild keeps getting better five seasons in, bringing Dr. Quinn, Medicine Woman co-star Joe Lando back into her orbit, and the chemistry that still “crackles” after decades together. She also shares how she helped make the reunion happen, recalls witnessing the infamous “Scottish play” curse firsthand, and explains why she’s already hoping for a sixth season. Plus, Seymour looks back at the unlikely legacy of her homes as creative sanctuaries where artists like Radiohead, The Cure, Johnny Cash, and New Order recorded iconic music, proving that creativity seems to follow her wherever she goes.

Listen to Jane Seymour chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Rupert Grint, Seidi Haarla, and director Hanna Bergholm join Kyle Meredith to unpack the unsettling heart of Nightborn, where the real horror starts with the emotional chaos of new parenthood before Finnish folklore creeps in. Bergholm talks about channeling the forbidden emotions of early motherhood into the story, Haarla discusses exploring the shadows that come with becoming a parent, and Grint reveals he was expecting his own second child while filming, making the film’s anxieties hit even closer to home. They also get into building the couple’s intimacy through dance rehearsals, using animatronics to keep the baby mysterious, and why sometimes what’s scariest is everything no one warns you about after bringing a child home.

Listen to Rupert Grint, Seidi Haarla, and Hanna Bergholm chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Silo season 3 finally answers how the underground world began while turning some of its biggest villains into its most complicated characters. Talking with Kyle Meredith, Tim Robbins, Common, Alexandria Riley, Ashley Zukerman, and Jessica Henwick discuss Bernard's redemption arc, the shifting power dynamics between Robert and Camille Sims, and stepping into the "Before Times" to reveal the conspiracy that started it all. Along the way, they get into the show's political parallels, questions of truth versus survival, memory and identity, and why the series works best when its sci-fi is grounded in human choices.

Show your support for Kyle Meredith With by making sure to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Ride or Die starts with the best kind of best-friend problem: one of them is an international assassin and that’s not even the whole mess. Octavia Spencer, Hannah Waddingham, Tessa Coates, and Matt Miller talk with Kyle Meredith about the Prime Video series, from Waddingham finally getting to go full action star and Spencer digging into the friendship at the center of it, to Coates building a female action story that sends the assassin back for her best friend instead of the typical husband or kid. Miller gets into making eight episodes feel like one big globe-trotting movie, even if most of Europe was secretly Prague, while everyone circles the bigger win here of “women of a certain age” getting to be funny, complicated, dangerous, and completely in charge of the ride.

Listen to Octavia Spencer, Hannah Waddingham, Tessa Coates, and Matt Miller chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Kurt Vile and Kevin Morby both know how to make city songs feel lonely, funny, half-haunted, and still totally wide open. Vile talks with Kyle Meredith about 2016’s B'lieve I’m Goin Down, being cartooned into a stoner squirrel on HBO’s Animals, fame arriving one weird step at a time, and writing songs that leave room for everyone else to move in. Morby then discusses 2017’s City Music, turning New York isolation into fiction from out in Los Angeles, building “1234” out of the Ramones and Jim Carroll, and leaving bands behind so he could try on every suit that fit. Two songwriters chasing loose ends, street noise, and the next version of themselves.

Show your support for Kyle Meredith With by making sure to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Tori Amos talks with Kyle Meredith about In Times of Dragons, the concept record she built out of democracy cracking in real time, dangerous men behind the curtain, Celtic gods, witches, daughters, and the younger self who wrote "Silent All These Years." She also gets into writing fast, bringing Matt Chamberlain and John Evans back into the room, how her daughter Tash helped unlock the daughter’s role in the story, and why older records like Strange Little Girls can sneak back into the cupboard when the songs need the right ingredients. Heavy stuff, sure, but Tori still makes the dragon fight sound like a spell you can hum.

Listen to Tori Amos chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Jane Kaczmarek talks with Kyle Meredith about returning to Malcolm in the Middle for Life’s Still Unfair, reuniting with Bryan Cranston, and why Erik Per Sullivan deciding not to come back as Dewey might be the most quietly heroic thing of all. She also digs into The Boroughs, playing Alfred Molina’s wife for the fifth time, getting to die to "Thunder Road," and why this latest chapter has her thinking about love, theater, artichokes, Led Zeppelin, and the very real power of knowing when to say, “I’m good.”

Listen to Jane Kaczmarek chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

A rom-com may promise the ending, but Joel Courtney and director Andy Delaney tell Kyle Meredith that 40 Dates and 40 Nights is really about everything that happens in between. Delaney talks about using the genre as a way to focus on “the micro,” leaning into character details, awkward moments, and real-life experiences pulled directly from writer Sarah Howard’s own dating history. Courtney discusses finding Mason’s grounded, relatable side and reveals that his own love story is something of a rarity, having ultimately married the only woman he ever seriously dated. The two also dive into the chemistry between Courtney and co-star Bailee Madison, the importance of authenticity over broad comedy, and why the film’s failed dates had to feel like real people instead of cartoons.

Listen to Joel Courtney and Andy Delaney chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Gerry Beckley still has a lot in the vault, and Merciful proves it. The America co-founder talks with Kyle Meredith about stepping away from touring after 50-plus years, splitting time between Los Angeles and Sydney, and finally having the space to write, record, and chase ideas without getting off a plane every other day. Beckley digs into reworking “Monster,” covering The Beatles’ “Norwegian Wood” with Graham Nash, the Henry Diltz story behind “All the Wounded Cowboys,” and why melody, melancholy, and a little light-dark chemistry are still at the center of what he does.

Listen to Gerry Beckley chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Suki Waterhouse talks with Kyle Meredith about her new album Loveland, a record written in that strange in-between space after becoming a mom, coming off Sparklemuffin, and figuring out who she was becoming in real time. She gets into working with Aaron Dessner, keeping the raw demo vocal on “Seasons,” the woozy jazz feel of “When I Get Drunk,” and why “Notting Hill” sits at the heart of the record as a love letter to home, London, and the life she keeps moving through. There’s also talk of dreams coming true, the cost of those dreams, and why tour rehearsal starts in the bathroom mirror.

Listen to Suki Waterhouse chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.