Kyle Meredith With...

Slowdive’s second act turned out to be much bigger than anyone in the band expected. In this Rewind, bassist Nick Chaplin looks back at the band’s self-titled comeback, the moment “Star Roving” proved they could make new music again, and realizing a younger generation saw them as a current band instead of a legacy act. Neil Halstead then talks with Kyle Meredith about following it with Everything Is Alive, building songs from electronic sketches and happy accidents, and balancing Slowdive’s love of classic pop with their more atmospheric, experimental side.

Show your support for Kyle Meredith With by making sure to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Brittany Howard talks with Kyle Meredith about how Alabama Shakes unexpectedly found their way back together after reuniting for a friend’s brewery fundraiser, which led from a few songs to an EP and eventually their first album in more than a decade, I Must Be Dreaming. Howard digs into the record’s psychedelic soul sound, rediscovering old songs like “Hold On” through a new perspective, and how the album found its story where our private fears, doubts, and dreams collide with a pretty uncertain world. She also opens up about having to push herself to write when she wanted to disappear, why the anger she sees right now actually gives her hope, and joining the Power to the People concert alongside one of her heroes, Tom Morello.

Listen to Brittany Howard chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Dugout Dads reunites some familiar faces, but Patrick Renna and Danielle Fishel have no interest in trying to recreate The Sandlot or Boy Meets World. The longtime friends talk with Kyle Meredith about Renna turning the insanity of Little League parents into a new comedy series, bringing his Sandlot castmates back as fictionalized versions of themselves, and why Fishel sees the whole thing as “rebooting a cast” instead of rebooting a classic. They also get into Renna independently funding and building the series for YouTube, plans to expand it into a full season with more of a Curb Your Enthusiasm feel, and the cameos already lining up, including Creed Bratton, Michael Peña, and potentially Seth Green.

Listen to Patrick Renna and Danielle Fishel chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Grace Cummings made Bloodhorse! like it might be the last thing she ever does, and that meant finally shutting out the voice telling her she was “too much.” Cummings talks with Kyle Meredith about going bigger and stranger with producer Jonathan Wilson, the animals and mythology running through the record, and how its themes only started revealing themselves after she finished it. She also gets into the hilarious AI-generated bro-country song buried in the middle of Bloodhorse!, why it’s deliberately surrounded by very real musicians playing very real instruments, and the joyful release behind “Witch,” including the moment Wilson handed her an actual scythe and sent her back in to sing it again.

Listen to Grace Cummings chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Weezer finally got its mission statement together: “Let’s just work together.” Scott Shriner and Patrick Wilson talk with Kyle Meredith about The Gold Album, the band’s 20th record, and how sitting in a living room together turned the sessions into a creative rebirth. They also get into rejecting the modern obsession with grids and perfection, developing a stronger bass-and-drums connection, the self-aware message behind “CEO,” and taking the new songs on the road alongside The Shins and Silversun Pickups.

Listen to Scott Shriner and Patrick Wilson chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Anthony Michael Hall says the secret to a 50-year acting career is learning how to “outlast uncertainty,” and that can also mean signing up for a game show called Nation’s Dumbest. Hall talks with Kyle Meredith about getting past the title of the Fox and Hulu celebrity competition, being surprised by castmates like JoJo Siwa, Steve-O, Elle King, and Andrew Yang, and why the whole experience reminded him not to take himself too seriously. He also looks back at the difficult years that followed his John Hughes run, explains why he treated every TV guest spot like a major movie, and gets into upcoming projects including the indie horror-comedy Halloween Store and SWAT: Exiles. After five decades of peaks, valleys, horror, comedy, and action, Hall’s philosophy continues to be about staying humble, adapting, and remembering that at the end of the day, it’s still make-believe.

Listen to Anthony Michael Hall chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

David Duchovny says a song is already part of the past the moment you finish writing it, which helps explain why Prince of Pieces includes material he has carried for more than a decade. Talking with Kyle Meredith, he gets into using familiar images to hide personal truths, the creative reinvention that began when he picked up a guitar around age 50, and why screenwriting scratches a very different itch than novels or songs. He also opens up about acting opposite his daughter in Soapbox, the shrinking path for independent movies, and the lost thrill of laughing with a packed theater.

Listen to David Duchovny chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

David Rysdahl and Lily Sullivan join Kyle Meredith to dig into Soulm8te, talking about how the M3GAN universe uses horror to explore grief, addiction, and the ways technology fills emotional voids. Sullivan breaks down creating an android that always feels just a little off, drawing from old Hollywood, movement work, and ideas about constructed femininity, while Rysdahl explains why his character had to be played without judgment so audiences could decide for themselves. They also get into filming in Ireland, collaborating with director Kate Dolan, and how being screenwriters has changed the way they approach acting.

Listen to David Rysdahl and Lily Sullivan chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

Jay Chandrasekhar wants Super Troopers 3 to help bring loud, R-rated comedy back to theaters, and he’s not interested in turning it into another political shouting match. Talking with Kyle Meredith, the Broken Lizard filmmaker explains why the new sequel plays like Meet the Parents meets Super Troopers, how Farva’s Indian wedding opened the door for some seriously edgy jokes, and why one gag still went too far to survive. He also gets into the Dukes of Hazzard-style car jump, Mac getting frozen in maple syrup, the future of Beerfest, and finally putting his decades of standup on camera for Brown Supremacist. Nine films in, Broken Lizard is still chasing the big laugh and leaving just enough bait for the studio to order another round.

Listen to Jay Chandrasekhar chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.

This Rewind episode brings together two conversations about bands refusing to let a familiar sound become a comfortable trap. Guster’s Ryan Miller, speaking with Kyle Meredith in 2016, digs into Evermotion, moving beyond ’90s nostalgia, and reinventing the band through new instruments and studio experimentation, while Phoenix’s Thomas Mars looks back from 2017 on how Italian pop, cryptic English, Bowie, Prince, and getting bored with his own voice shaped Ti Amo. Both arrive at a similar place, making pop music that sounds joyful on the surface while something much stranger moves underneath.

Show your support for Kyle Meredith With by making sure to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network.