Ian chats with Meg Duffy about the difference (or lack thereof) between an EP and an LP, working with Blake Mills & Daniel Aged, establishing a solo career while collaborating with other artists, the challenge of writing love songs, bridging the gap between hip non-binary kids and ponytailed guitar guys, and their excellent new Hand Habits record.

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The Jokermen consider the first post-Dennis Wilson effort from The Beach Boys, The Beach Boys (1985). Plus: A&W Zero Sugar Root Beer.

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The Jokermen rendezvous with Van Dyke Parks, Joel Chandler Harris, Uncle Remus, Br'er Rabbit, David Newman, and the Brave Little Toaster for a conversation about American myth, cultural appreciation vs. cultural appropriation, and having respect for your audience.

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The Jokermen read several Wikipedia pages to one another while discussing the second and final Carl Wilson solo LP. Plus: Zevia Root Beer.

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Evan is joined by Cory Hanson for a chat about songwriting, audio fidelity, Steely Dan, Jimmy Buffet, a memorable encounter with Lou Reed, and the making of his new album on Drag City “I Love People” co-produced by Robbie Cody 

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The Jokermen commence the Brian Wilson solo series with a look at the legendary Cocaine Sessions. "It's always darkest just before the dawn."

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