Jess Michaels speaks to the amazing Piper Huguley about the weirdness of names, learning from first books, being a planster and her process, the issues in the CBA and making strides with characters of color in Christian fiction. 

Jess talks to New York Times bestselling author Nalini Singh about discovering prolific authors, her journey to publishing, all the balancing acts between heart and head, her process, crafting a long running series and cover art.

Jess talks to New York Times bestseller Cathy Maxwell about introducing newbies to romance, how she writes every single book differently and letting go of what we can't control in the industry. 

Jess talks to USA Today Bestselling author Holley Trent about the joys of childhood book fairs, being hybrid, navigating rights return and her process.

Jess talks to LaQuette about the relationship between soaps and romance, the unique challenges of writing a multiple book arc for a couple, how white authors can help in the diversity fight too, her own hybrid path and how she balances everything. 

Jess talks to USA Today bestselling historical romance author Lenora Bell about obsessively reading romance, finding her true voice and the recurring theme of community building with other authors.

Jess talks to New York Times bestseller Erica Ridley about how we know each other, her history as an elementary school playwright, creating smaller, more realistic goals, strategizingas a publisher and how HEA is not limiting. 

USA Today Bestseller Darcy Burke talks to Jess about when people you know read your book, her journey to indie and traditional publishing and her repeatable process, along with dukes! 

Jess Michaels talks to Sue London about converting readers to the Church of Romance, finding your groove in the genre, the emotional toll of writing, advantages and disadvantages of long series and I give Sue some stuff to think about.

Jess Michaels talks to Adriana Herrera about her debut release, the inspiration to write, industry pushback...and not, using her experience in social work in her writing and the (sometimes toxic) relationship of trauma and romance.