Jrodconcerts: The Podcast

Welcome back to Jrodconcerts: The Podcast! This week, Jamie sits down with rising country music star and Florida native, Charly Reynolds. Catching up since their last run-in at Napa Valley, Jamie and Charly dive deep into the creative shifts and personal growth she’s experienced over a whirlwind six months in the industry.

Charly has been rapidly building a massive fanbase by blending the heart of ’90s country with a fresh, modern edge, sharing stages with Cody Johnson, Parker McCollum, and Friend of the show Lainey Wilson. In this deeply honest conversation, she opens up about the immense pressure young artists face to be full-time content creators—and how she is actively pushing back against the algorithm to protect her peace and her art.

Jamie and Charly also explore the vulnerability behind her songwriting, from the uncomfortable truths of "Play House" to the quiet, romantic certainty of her latest single, "Going Somewhere." Plus, Charly shares why she views high-energy, joyful music as an act of defiance, and how her Orlando roots keep her grounded when the music business feels completely unstable.

In this episode, we discuss:

Charly’s personal and spiritual evolution over the last six months.

Why writing joyful, upbeat anthems is an act of defiance in country music.

Stepping into the dark, messy corners of the writing room for tracks like "Play House."

Saying "no" to bad industry advice and refusing to be a 24/7 content creator.

What she hopes audiences take away from the shared space of a live show.

Stream Charly's new single "Going Somewhere" and her playful anthem "Stir The Pot" everywhere you get your music.

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If you enjoyed this episode, please leave us a rating and review on Apple Podcasts and Spotify!

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After stepping away for two years, Nashville alt-rock powerhouse and longtime friends of the show, The Foxies, are back. Julia and Jake sit down with Jamie (missing you, Rob!) to talk about the terrifying reality of taking a hiatus, the fear of being forgotten, and how they reconcile their identity and finances as independent artists in 2026.

We strip away the PR polish and get into the gritty reality of being a band on the road. From living inside each other's pockets on I-40 to the intense pressure Julia faces as the frontwoman taking all the heat, nothing is off the table. We also dig deep into Julia’s past, revisiting her 18-year-old X Factor audition in front of Simon Cowell and Britney Spears to see if getting cut on national TV was the exact fire she needed to become the powerhouse she is today.

In this episode, we cover:

-The fear of being forgotten after a two-year hiatus.

-The brutal financial reality of being an independent artist in 2026.

-Tour friction: Neurotic habits and the unnatural reality of living in a van together.

-"The Veto Power": Who actually has the guts to tell Julia "no" when she pitches wild 2:00 AM ideas.

-The vulnerability of being the frontwoman vs. hiding behind an instrument.

-Middle-of-the-night guitar riff panic.

-Julia's X Factor scars and surviving the televised audition machine.

-The story behind their new track "Over My Head."

Connect with Jrodconcerts:

-Stay up to date with the Vanguard newsletter every Friday!

-Follow Jamie on Instagram for behind-the-scenes content and concert coverage.

-If you loved this episode, please leave us a rating and review on Apple Podcasts or Spotify—it helps Foxy Nation and new fans find the show!

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The inaugural Mailbag episode is here. This week, we step away from the traditional guest interview chair to open up listener questions and dig into the raw economics, backstage gamesmanship, and absurdities shaping the music business in 2026—modeled directly after the iconic Bill Simmons mailbag format.

Jamie breaks down the live touring squeeze, papered arena decks, the explosion of last-minute "load management" tour cancellations, and builds the definitive 2026 Music Trade Value Big Board: why Zach Bryan commands the undisputed No. 1 contract in live music, where Taylor Swift and Noah Kahan land, and why U2 and Oasis occupy their own untouchable legacy tier. Plus: the Band Ewing Theory, the Monta Ellis Award for empty streaming calories, the mega-festival headliner shortage, and a field translation guide for label PR-speak.

Topics covered in this mailbag:

• The "Are We Sure?" Arena Bubble: Upper deck curtains and discounted four-packs

• The 2026 Music Trade Value Big Board: U2, Oasis, and the top franchise contracts

• The Band Ewing Theory: Fleetwood Mac, Panic! At The Disco, and roster subtractions

• The Monta Ellis Award: 14M passive Spotify listeners vs. hard-ticket reality

• Tour "Load Management": Real vocal fatigue vs. the soft-sales cancellation grift

• The Festival Copy-Paste Crisis: Why promoters can't replace veteran headliners

• Over/Under 2.5: The perpetual "Farewell Tour" precedent

• The Official Label PR-Speak Decoder Ring

Have a hot take, industry rumor, or burning question for next month's mailbag? Email: [email protected]

CONNECT WITH JRODCONCERTS:

• Website: https://jrodconcertsmedia.com

• Instagram: https://instagram.com/jrodconcertsmedia

• YouTube: https://youtube.com/@jrodconcertsmedia

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Singer-songwriter Lacy Green returns to Jrodconcerts The Podcast for an intimate, expansive conversation with Jamie. Nearly four years after her November 2022 visit—when she was just six months into motherhood—Lacy sits down to unpack her stunning full-length album Paper Swan, out now via Nobodies Listening.

In a town that frequently measures artistic worth by streaming metrics, sync placements, and immediate return on investment, Lacy gets candid about what it takes to step away from the noise and craft a record solely out of love. She opens up about the reality of entering her 30s as a parent, the guilt and conviction of pulling away from family to track songs, and learning to give every version of herself a seat at the table.

We explore the delicate resilience behind the title Paper Swan, her journey self-tracking and engineering without commercial pressure, and the vulnerability of playing unfinished work for peers. Lacy also breaks down the quiet endurance of her anchor track “There’s Something,” the unflinching character portraits on “Christine” and “Cancer,” how studying religion at UNC Chapel Hill shaped her comfort with spiritual tension in secular art, working with a tight-knit community of Nashville collaborators, and cherished memories of Dolly Parton.

Key Topics Covered:

-Giving every version of yourself a seat at the table: Reconciling motherhood and the artist identity

-The genesis of Paper Swan: Engineering at home and building without commercial timelines

-Overcoming the fear of sharing raw, unpolished songs with trusted peers

-The lyric architecture of “There’s Something”: Quiet hope after hard years of unseen growth

-Narrative weight in “Christine” and “Cancer”: Balancing protective boundaries with absolute vulnerability

-Sacred truth and secular art: Navigating doubt, faith, and mystery through songcraft

-Nashville’s creative village: Collaborations with Adam Wright, Shannon Wright, Adam Chaffins, Mae Estes, and Danny Flowers

-Dolly Parton memories and the story behind “The Dreaming Kind”

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Connect with Lacy Green:

Website: https://www.lacygreen.com

Instagram: @lacygreenmusic

Connect with Jrodconcerts Media:

Host: Jamie Rodriguez

Website: https://jrodconcertsmedia.com

Instagram: @jrodconcertsmedia

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Singer-songwriter Sally Jaye joins Jamie on Jrodconcerts: The Podcast for an intimate, vulnerable look into the seasons of turbulence and triumph behind her album, You’ll Be Okay, Baby.

Tracked at the legendary Capricorn Sound Studios in Macon, Georgia, with acclaimed songwriter-artist Brent Cobb producing—alongside contributions from Nashville bassist/producer Ted Pecchio—the record channels Georgia’s rich sonic soil into an honest, warm embrace. Sally dives into the spiritual weight of working among Capricorn’s historic ghosts, reconnecting with her home state, and crafting songs that balance world-weary acceptance with unabashed joy.

Across the conversation, Sally reflects on the defining milestones of her artistic life: unlearning the rigid technical boundaries of the Cincinnati Conservatory of Music, navigating the storied Los Angeles Hotel Café scene, co-writing the end-credits song for the film If Only and playing it in a room for Jennifer Love Hewitt, the backstage wisdom passed down by Judy Collins during the filming of the TV series Christy, and the gritty realities of owning independent label Café Rooster Records.

Topics Discussed:

Pitching and playing the If Only end-credits song for Jennifer Love Hewitt and the director

The surreal shift of seeing your original music featured on screens worldwide

Acting as "Bessie" in the television series Christy and sharing the set with Judy Collins

Enduring career and personal advice delivered by Judy Collins during filming

The vulnerable origin of You’ll Be Okay, Baby and soothing yourself after personal upheaval

Tracking at Macon’s historic Capricorn Sound Studios with Brent Cobb at the helm

Channeling deep Southern grooves and falling back in love with Georgia

Dissecting "Lovin’ And Losin’": writing to heal versus documenting raw heartbreak

Capturing humor, swagger, and romantic levity on "Making Pretty Babies"

Breaking away from classical vocal rules to find an authentic, intuitive songwriting voice

The highs, lows, and business lessons of launching and running Café Rooster Records

The perspective and acceptance running through "Win Some, Lose Some"

Connect with Sally Jaye:

Connect with Jrodconcerts Media:

Website: jrodconcertsmedia.com

Instagram: @jrodconcertsmedia

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We are fresh off the heels of an incredible AmericanaFest week in Nashville, and jrodconcerts: The Podcast takes you straight to the red carpet of the 25th Annual Americana Music Honors and Awards!

Broadcasting from the historic Ryman Auditorium, Jamie brings you directly into the room with roots music royalty and the brightest rising voices in the scene. This episode features exclusive red carpet conversations with the rapidly rising Jesse Welles, heavy-hitters like Margo Price, Hayes Carll, and Kathleen Edwards, and living legends like Swamp Dogg and Amy Grant. We also catch up with longtime friends of the show, including Maggie Rose, Katie Pruitt, and S.G. Goodman.

Beyond the interviews, we break down the ceremony’s biggest moments—including the night's big winners and the absolute highlight: Chris Stapleton stepping in to front The Heartbreakers as they accepted their Lifetime Achievement Award.

Grab your favorite headphones, drop a rating, hit subscribe, and let’s dive into the best of Americana music!

Episode Chapters:

03:20 - Richie Owens

06:58 - Langhorne Slim

11:37 - The Crowe Boys

14:40 - Katie Pruitt

16:40 - Hayes Carll

19:17 - Boy Golden

22:07 - Swamp Dogg

22:37 - Jesse Welles

24:57 - Margo Price

28:29 - Kathleen Edwards

32:19 - I'm With Her

37:14 - Maggie Rose

40:00 - S.G. Goodman

43:38 - The McCrary Sisters

46:16 - Amy Grant

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Acclaimed songwriter and poet Amy Speace joins Jamie on Jrodconcerts: The Podcast for an intimate conversation on creative reinvention, the endurance of the touring artist, and the craft of storytelling across mediums.

Before establishing herself as a staple of contemporary folk and Americana, Speace spent years living in a van touring classical Shakespeare with a New York theater company. In her late twenties, an empty apartment, a bad breakup, and a cheap garage-sale guitar set off a complete artistic rebirth. Amy reflects on pounding the pavement in Greenwich Village during the 2000s, the life-altering moment she was discovered and mentored by the iconic Judy Collins, and why having just one person champion your work changes everything.

Now entering a rich new chapter with her debut poetry collection, The Cardinals (Red Hen Press), and its companion single “Days of Letting Go,” Amy breaks down the structural differences between verse and song. She shares how her grandmother introduced her to Robert Frost and Emily Dickinson, why modern East Nashville streetscapes demand honest observation, the raw vulnerability behind writing about fertility and genetics in poems like "Egg Donor #2346," and how she balances intimate literary readings with full acoustic arrangements on stage. The episode concludes with a performance of "There Used to Be Horses Here."

Episode Highlights:

Transitioning from classical stage actor to self-taught songwriter

The 2000s New York demo hustle and the Greenwich Village folk circuit

The mentorship of Judy Collins and creative fearlessness

Literary lineages: Robert Frost, Emily Dickinson, and grandmother Rosalie

Capturing East Nashville in poetry vs. the confines of a three-minute folk song

Truth, genetics, and motherhood in lyric verse

Bridging indie bookstores and legendary listening rooms on tour

Acoustic performance: "There Used to Be Horses Here"

Connect with Amy Speace:

Connect with Jrodconcerts:

Website: jrodconcertsmedia.com

Instagram: @jrodconcertsmedia

Support & Subscribe: Rate and review Jrodconcerts: The Podcast on Apple Podcasts and Spotify.

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Plant medicine doesn’t happen by accident—it calls when something in your life is ready to shift.

In this special episode of Jrodconcerts: The Podcast, host Jamie Rodriguez steps away from standard music industry talk to sit down with two incredible artists and close friends: soulful singer-songwriter Paul McDonald and heartland rocker/journalist Andrew Leahey.

Together, the three of them open up about their shared journey to sit in ceremony and drink Ayahuasca.

From the vulnerability of the open-air hut to the terrifying beauty of ego death, Paul, Andrew, and Jamie break down the entire experience with complete transparency. They explore why artistic identity gets dismantled under the medicine, the struggle to surrender mental control, the stark differences between recreational psychedelics and intentional ceremony, and the hard work of daily integration once you return home.

Key Topics Explored:

The Calling: Recognizing when you're ready for plant medicine

Inside the Ceremony: The reality of the open-air hut and nighttime journeys

The Art of Surrender: Confronting mental control and learning to let go

Dismantling Identity: How Ayahuasca strips away the creator's ego

The 95% Rule: Real-world integration and protecting new boundaries

Therapy vs. Recreation: Reframing fear around plant medicine

Connect with the Guests & Show:

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In this episode of Jrodconcerts: The Podcast, host Jamie Rodriguez is joined by two incredible friends of the show to preview the massive Rock the Ryman concert taking place Tuesday, September 1st at Nashville's historic Mother Church.

(Note: The interviews in this episode were recorded on Tuesday, August 25, just hours before the public announcement of the passing of music legend Dolly Parton. The episode opens with a special personal tribute honoring Dolly’s life and legacy.)

First up, Rock and Roll Hall of Fame Inductee John Oates drops in to discuss his brand-new single "Goodbye or Goodnight" (out now), the profound influence Doc Watson had on his musicianship, and the magic that happens when rock, soul, and roots music collide inside the Ryman Auditorium. John also shares what it's like curating an all-star lineup featuring Wynonna, YOLA, Devon Allman, Sam Bush, ROME, and Spencer Sutherland, backed by The Good Road Band.

Then, Dr. Jason Hanley (Vice President of Education and Visitor Engagement at the Rock & Roll Hall of Fame) joins the conversation to geek out over musicology and explore how over 100 Rock Hall Inductees have left their mark on the Ryman stage. Jason also highlights the exclusive Rock Hall artifacts currently on display for Ryman tour visitors and explains how Rock the Ryman directly supports youth music education alongside Gibson Gives.

TICKETS & MUSIC LINKS:

Rock the Ryman Tickets (Sept. 1 at Ryman Auditorium): Get Tickets

John Oates - "Goodbye or Goodnight" (Out Aug 28): Stream Now

Connect with Jrodconcerts Media: Website

Make sure to follow, rate, and review Jrodconcerts: The Podcast on Apple Podcasts, Spotify, or wherever you listen!

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Country hitmaker Cyndi Thomson joins Jamie on Jrodconcerts: The Podcast for an open, reflective conversation on her return to music, learning to protect her peace, and the full-circle journey back to songwriting.

Topics Discussed:

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