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Alexander Kohnke is a San Diego-based artist and graphic designer (originally from Germany) whose work incorporates a variety of different disciplines and genres, from printmaking to drawing to photography. Alex and I had a great conversation about his artistic process, especially about the value of randomness and how that interacts with intention. In the second segment we talked about politics.
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Show Notes:Alexander Kohnke is a San Diego-based artist and graphic designer (originally from Germany) whose work incorporates a variety of different disciplines and genres, from printmaking to drawing to photography. Alex and I had a great conversation about his artistic process, especially about the value of randomness and how that interacts with intention. In the second segment we talked about politics.
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Show Notes:I knew that I was going to read Lindsay Hatton's debut novel, Monterey Bay, as soon as I saw the title—I grew up in that area, after all—and I was pleased to discover that between the covers of the book lay a story that is by turns funny, sexy, and profound, an alternate history of a place I know and love so well. I talked to Lindsay about her book, about our shared experiences growing up on the Monterey Peninsula, and a lot about John Steinbeck (both as a real-world literary figure and as a character in her book). In the second segment, we talked about how to navigate multiple modes of creative expression, parenting, and artistic legacy.
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Show Notes:I knew that I was going to read Lindsay Hatton's debut novel, Monterey Bay, as soon as I saw the title—I grew up in that area, after all—and I was pleased to discover that between the covers of the book lay a story that is by turns funny, sexy, and profound, an alternate history of a place I know and love so well. I talked to Lindsay about her book, about our shared experiences growing up on the Monterey Peninsula, and a lot about John Steinbeck (both as a real-world literary figure and as a character in her book). In the second segment, we talked about how to navigate multiple modes of creative expression, parenting, and artistic legacy.
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Show Notes:Chantel Paul is the Program Coordinator of the San Diego State University Downtown Gallery, a space which has rapidly become an important part of the vibrant art scene here in San Diego. In this wide-ranging conversation we talked about the Downtown Gallery, her role as a curator, the burgeoning San Diego arts community, and photography portfolio reviews from the reviewer's perspective. In the second segment we talked about slowing down, technology, and its effect on our quality of life.
(Recorded August 25, 2016)
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Show Notes:
Chantel Paul is the Program Coordinator of the San Diego State University Downtown Gallery, a space which has rapidly become an important part of the vibrant art scene here in San Diego. In this wide-ranging conversation we talked about the Downtown Gallery, her role as a curator, the burgeoning San Diego arts community, and photography portfolio reviews from the reviewer's perspective. In the second segment we talked about slowing down, technology, and its effect on our quality of life.
(Recorded August 25, 2016)
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Show Notes:
David Emitt Adams recently won the 2016 Clarence John Laughlin award for his photography, and if you've ever seen it before, you know why. In his work, David uses the wet-plate collodion process to create images on objects from his students' used film canisters to discarded cans found in the desert to oil drum lids, and the interplay between the photographs and the objects on which they're exposed adds a whole new dimension. (No pun intended.) David and I had a great talk about his work, and then in the second segment we moved on to discuss the ideas of permanence and impermanence.
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Show Notes:David Emitt Adams recently won the 2016 Clarence John Laughlin award for his photography, and if you've ever seen it before, you know why. In his work, David uses the wet-plate collodion process to create images on objects from his students' used film canisters to discarded cans found in the desert to oil drum lids, and the interplay between the photographs and the objects on which they're exposed adds a whole new dimension. (No pun intended.) David and I had a great talk about his work, and then in the second segment we moved on to discuss the ideas of permanence and impermanence.
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Support:Support our Patreon | Leave a review
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Show Notes:Shaindel Beers is the author of two full-length collections of poetry, A Brief History of Time and The Children's War and Other Poems, and her poems have also been published in numerous journals and anthologies. I found both of her books deeply moving, from her depictions of growing up on a farm to poems inspired by child survivors of war, and I was pleased to get to talk to her about her books. For the second segment we talked about artists' collaborations.
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Show NotesShaindel Beers is the author of two full-length collections of poetry, A Brief History of Time and The Children's War and Other Poems, and her poems have also been published in numerous journals and anthologies. I found both of her books deeply moving, from her depictions of growing up on a farm to poems inspired by child survivors of war, and I was pleased to get to talk to her about her books. For the second segment we talked about artists' collaborations.
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Show NotesFrom the publisher's feed