The pacing of a story determines how a story feels to read, and writers get to control that pacing by placing story elements at certain moments in the book and by how they move from chapter to chapter or scene to scene. In this episode, Anne-Marie and Erin explore how Kayvion Lewis keeps the pace fast and the tension high.
Braiding Sweetgrass by Robin Wall Kimmerer
Nina Lacour’s books (like We Are Okay and Watch Over Me)
The Davinci Code by Dan Brown
Inheritance Games by Jennifer Lynn Barnes
Murder on the Orient Express by Agatha Christie (our blog post on how Christie keeps tension in the story)
Murder on the Orient Express film (trailer)
Erin’s percentages for overall structure and pacing:
Hook–1% pg 2 Gambit inviteInciting Incident–10% Mom kidnappedFirst Game of Gambit–13%Intro to Thieves–14%Romantic intro–16% pg 592nd Game–Museum–21% Character Reveal–27% unwilling to leave injured player even risking gambit loss3rd Game Train–42%Plan Heist 3rd Game—50%New Info–64% pg 249Big Obstacle-70% (pg256) handcuffed to balconyKiss–80%Mom’s 1st betrayal–Comes at 88%Double Cross the Gambit–89%Twist/ Devroe’s betrayal–94%Mom’s 2nd betrayal–comes at 98%
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