The town’s paranoia builds to an explosive climax as the mob turns deadly. Franki and Murphy finally uncover a deep-seated conspiracy and race to save Maisey from Miller’s deadly machinations. Secrets are revealed and lives are lost in the thrilling conclusion to How to Build a Fire.

Maisey finally reveals her feelings to Ally and asks him to come with her as she leaves Winnisk forever. Franki and Murphy form an uneasy alliance to try to save Maisey as Gwen and her mob set out to prevent history from repeating itself at any cost. Miller confronts Ally with sinister intent.

Miller finally confronts Maisey about her potential, the nature of Sirus and Ally’s relationship is revealed, and a new fire that consumes the fire station whips the townspeople into a frenzy. As pressure mounts, Maisey is taken into police custody where she begins to plan a desperate escape.

When Maisey is found unconscious next to a burnt down tree, the townspeople’s fears are confirmed, and bereaved mother Gwen McKinnon decides to take matters into her own hands, whether the mayor agrees or not. Meanwhile, Miller continues to unearth old secrets as he confronts Murphy Goodhand both about Maisey and Murphy’s missing wife.

A mysterious stranger arrives in town and begins asking dangerous questions as the Goodhands attempt to recover from the tragedy of the fire and the death of Sirus. As the rebuilding process begins, the townspeople still have more questions than answers: both about the nature of the fire and whether or not history will repeat itself.

When a devastating fire decimates the small Albertan fracking town, Winnisk, suspicion begins to fall on teenager Maisey Goodhand, whose twin brother Sirus was seen running joyfully through the flames before being shot dead by local police chief Franki Rawlins. The Goodhand family has never quite fit in with the small community, and as a witch hunt begins to assemble, it’s up to Maisey, her down-and-out father, and the disgraced former police chief Franki to uncover the deeper conspiracy lurking in their midst.

Recorded in front of a live audience, and in Koffler.Digital's satellite recording studio, this beautiful conversation sees Nick investigate questions of structure in art, and the "edge of understanding." Special guests include visual artist and architect Phillip Beesley, theatre artist Haley McGee, and musician and graphic designer Arthur Oskan. 

Host Nick Hutcheson chats with author, journalist and songwriter Eric Siblin about music in the age of the live moment. 

K180 is a live event hosted by the Koffler Centre of the Arts in which host Nick Hutcheson talks onstage with artists about art, culture, and the human experience - surrounded by drinks, live music, and interesting people.

This is K180: The Podcast in which we continue the conversation. Every episode, host Nick Hutcheson explore a question that interests him about art, culture, and the human experience.

A digital arts experience that uses literature, podcasting, the streets of Toronto, and mobile technologies for a unique urban experience.

The Slow Now is an imaginative audio tour of Little Italy. Produced by Angela Shackel of Lipstick Studios, The Slow Now guides the listener on a narrative journey through the neighbourhood, beginning at the Bookmark for Anne Michaels Fugitive Pieces on the corner of College and Manning. It is an immersive experience that explores the rich history of the neighbourhood and of Michaels' novel. Anne Michaels herself, Toronto's new Poet Laureate, gives voice to passages from Fugitive Pieces. Naomi Skwarna (writer, journalist, actor) voices the original narration written by Mark Mann (Torontoist, Momus, The Walrus). Visual artist Braden Labonte designed and installed a window installation in iconic record store Soundcapes as a piece of public art complementing The Slow Now audio walk.