The guys talk about producers from Phil Spector to Brian Wilson to George Martin to Al Kooper.

Al and Jimmy talk about their great admiration for the work of Thom Bell, the Philly sound legend.

The guys start talking about Elton John, his great producer Gus Dudgeon, other great producers and that somehow leads to Al's legendary French horn opening to the Stone's "You Can't Always Get What You Want".

The guys start out talking about Jimi Hendrix which leads to other great guitar players, which leads to Terry Kath of Chicago.

The episode starts with Al as arranger, which leads back to Blonde on Blonde and how Al was on two of the four landmark double-albums in rock history.

This episode starts off with Jimmy stating that Chuck Berry was the most important song writer in rock and roll history. And they go from there and talk about Little Richard and on to how Nashville sessions guys are just different than New York session guys.

The guys talk about Al getting into the Rock and Roll Hall of Fame, the question of how to sell Al’s box set, and on from there. And Al makes some outstanding stomach sounds.

The guys talk about the music biz today and the effect of streaming, how big time studio guys then started bands, and how amazing was Al’s Hammond organ playing with Dylan.

Jimmy traces Al’s career after the Royal Teens though songwriting and then becoming friends with Tom Wilson, which led to the day that changed Al’s life and the sound of Dylan and rock forever.

Jimmy talks about the big difference between the young American guys who played the blues versus the Brits. And that leads to talking about Al playing keyboard for the Stones, where Mick and Keith picked up Al, while playing a Taj Mahal album in the limo.