KooperKast

They talk about their love for the great blues players and Jimmy Reed in particular. (Your host specially dug this conversation since he first saw Al with the The Blues Project in Central Park where Jimmy Reed also played around 1968 or so.)

Jimmy talks to Al about the old days writing songs at 1650 Broadway, and Al accuses Jimmy of romanticizing those days, which Jimmy admits he totally trying to do.

Jimmy talks about how in many songs a certain instrument plays the role of the icing on the cake; it adds a certain extra beauty and how Al did that for Dylan and for so many others.

This is first of 19 episodes where these two music buddies invited us to listen in on their music biz talk. This one starts with how they met, but like all of these, goes off into all sorts of other stuff.

We answer listener questions about am radio in the old days, Skynyrd after Al, did Al play keyboard with the Tubes, playing with Taj Mahal, Al’s collection of 380,00 songs, and a drunk Hubert Sumlin fan who Al was really nice to. After each question Nilly the Dog adds a canine comment. You can always submit questions for Al at alkooper.com on the Kooperkast page.

Al has mentioned the Nonesuch album Music of Bulgaria many times in the podcast so we thought we’d devote a whole podcast to it and play some very short bits of the music in order to give listeners a glimpse of the remarkable sound and hopefully prompt many to buy the album.

We answer questions  starting with one about Steven King, the shift from AM to FM for rock and its effect on song length,  about the mystery of mastering songs, and about the Funky Faculty at Berklee. As always, Nilly the Dog ends each segment with her dogged thoughts.

We answer questions about the influence of the artist versus the producer in recording sessions, and about the whole process of writing songs as a words - music team, starting with This Diamond Ring. Nilly the Dog concludes each segment with some brief pooch dog thoughts.

We answer a question about Paul Griffin from renowned rock writer Tony Scherman, about writing charts for other musicians, a mystery question about Al’s junior high 109, and the genesis of brass in rock with Blood Sweat and Tears and Chicago. After each segment Nilly the Dog adds some brief thoughts.

We cover questions including the old days in Queens with Simon, Garfunkel, and Harvey Brooks, to what if Like a Rolling Stone was a waltz. Of course, Nilly the Dog follows each segment with canine input of her own.