KTMusic Podcast

Fizzling the borders between different worlds of music, Berlin-based musician, Serge Geyzel originates from a classical and jazz music background.
Born in Saratov, Russia, the musician dedicated 12 years of his life to the study of classical music, with a specific focus on the piano.
Since moving to Berlin in 2014, exploring the tendencies of electronic music in town , influencing his very own sound, Serge Geyzel combines his affinity to the early 2000’s electronica with the aesthetics of electro and dark ambient colors in his current music production.
Preferably using analog synthesizers and drum machine, as well as field recordings and self-recorded acoustic instrument samples, the musical result is being a combination of poetic layers and heavy electro beats.

Camcussion is a DJ and electronic music producer. Having purchased a Boss DR-110 at a pawn shop just after DEMF 2, camcussion slowly began adding a belt-driven turntable and various toys to his rudimentary setup. Many years later, his repertoire is diverse, with styles ranging from acid techno, electro, and IDM, to drill and bass and abstract electronica.

Camcussion resides with the labels Detroit Underground, Museum of Skin, The Seed, Crystal Vortex, Section 27, and regularly features on The Senda Sessions with Up Digital, The Bassment Detroit and Planet Funk. Camcussion collaborated with Qwiet Eye, Ace Prime Selector (now Ace Beaming Sun) DJ-u4ic, and TINTIN. He was also partners in radio for years as The Neighbour on Kero FM. Camcussion is also a core member of local synth collective Signal Exchange.

Aside from electronica, camcussion also plays guitar and sings, enjoys photography and videography, loves and has performed standup comedy and generally likes being productive and creative. He is currently working on a new album, as well as collaborating with friends David Chesley and Elpine.

In this episode of the KTMusic podcast, we interview our friend Kasten Pflum, a wicked danish techno music producer, and teacher!

We talk about his history as an artist, his ethics, and many more!

in this special episode, we talk to artist Richard Devine!

Richard Devine is an Atlanta-based electronic musician and sound designer. He is recognized for producing a layered and heavily processed sound, combining influences from glitch music to old and modern electronic music. Devine largely records for the Miami-based Schematic Records, which was founded by Josh Kay of Phoenecia. He has also done extensive recording and sample work with Josh Kay under the name DEVSND. As a result of praise of his music from Autechre as well as a remix of Aphex Twin's "Come to Daddy", Devine recorded an album for Warp Records which was jointly released by Schematic and Warp.

-Wikipedia

We hope you enjoy! see you next week.

-tr

In this episode, we talk to legendary musician EXM.

EXM is an electronic musician based in the netherlands, who makes beautiful conceptually driven soundscapes and tight grooves that transport you into his sonic universe.

We talk to EXM about the concepts behind descent, his musical history, and more!

( we had an issue with Zoom, so EXM's audio sounds thin, we apologize greatly for this :( )

HAL is a Drill n’ Bass and Braindance producer from Detroit Michigan. HAL has releases with Labels such as Pr0gramma, and most recently Detroit Underground. Heavily influenced by influential labels such as Rephlex, and Warp Records, old XOX boxes, tracker breaks, 90’s Samplers, and Romplers make up for a majority of the soundscapes.

Strictly Kev has been involved with the multi-producer DJ Food project on NInja Tune for over 25 years, being the sole remaining member for over 15. He's DJed the world over with Food originators Coldcut and PC as well as performing 4 deck Audio Visual sets with Solid Steel radio main man, DK. From 1995’s 'Recipe For Disaster' onwards, he's mixed 100s of hours of audio for compilations (Including Coldcut's Journey's By DJ mix), radio and the web using his 30+ years of experience and vast record collection. Rescoring The Monkees’ cult classic film ‘Head’ on turntables or inviting Paul Morley to narrate a history of cut and paste music on his ‘Raiding the 20th Century’ mix are just two examples of personal projects he created during the 00s. An avid collector of records, comics, toys, original art, music memorabilia and vintage sci-fi books, he has enjoyed a career as chief designer for Ninja Tune since the early 90's, running parallel with his music making. In 2010 he was responsible for the entire look and design of the Ninja Tune XX campaign and releases that celebrated 20 years of the label. In recent years he's written articles for numerous wenbsites and publications and frequently documents his collecting finds on his djfood.org site. At home with vinyl, digital or audio visual content, he's a member of the 45Live DJ crew and a champion of the leftfield with a love of sci-fi, collage and psychedelia.

Nathaniel White is a man of many talents, he plays handpan, sings, raps, tiktoks, and plays guitar and drums! He is also a close friend of both Kaden and Thomas, and makes music with them both. We will talk about a lot of things. Be sure to be here!

Thomas Ryan has taken a lifelong love of electronic and experimental music and used it to form something new — not just a sound, but an identity. As Sound Psychologist, his adopted stage name, Ryan writes, composes, records and performs original electronic compositions using computers, software programs and various synthesizers to create a sound that’s unique in the local music scene. He’s built a loyal following in the Ludington area, and he’s hoping to bring that fanbase to the Ludington Area Center for the Arts on Thursday for his performance in the arts center’s “Intimate Evening With…” series from 7 to 9 p.m. in LACA’s main gallery at 107 S. Harrison St. Ryan said he was first exposed to electronic music — specifically the iconic sounds of Detroit techno — from his father, Dr. James Ryan. “My dad was into the Detroit music scene, so I grew up listening to all the experimental music,” he said. “I started playing classical piano … it’s been 15 or 16 years now, so that was a big part of who I am.” The music he’s made as Sound Psychologist spans the genres of electronic, house music, experimental and ambient, among other styles. He’s integrated his classical piano training into his original compositions, many of which feature striking keyboard harmonies that bubble to the surface, surrounded by glitches and stuttering beats