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I was certain that I only had one hair tie around my wrist, and as I read, not so coincidentally my book on magic, knowing that certainly what was happening was incredibly magical indeed, as I felt something creeping up my forearm, still somewhat shaken by my dream of not simply a spider, but a very large black and yellow tarantula—startlingly sweeping my arm to find that the disturbance was not intact a pest or creature of some sort, as originally assumed—however, instead a black hair tie, which I often used to pick up, however ironically was typically in short supply of when I needed one, and, given the privelege to wear my hat at all times as of lately— I hadn't needed one, and I hadn't been picking them up at the frequency that I used to certainly. This was strange—and under the impression that the inner workings of a spell were indeed in play, after having seen none other than increasingly mysterious Dillon Francis character—or even, rather, the handsome bastard Hazel quite so stopping the music to light candles —to which I had thought quite loudly
‘Oh, no!'
Even if it was a game, he was good at playing it—and even if it was a game I made up—I didn't quite yes remember how exactly to play it…and this one as hilariously dangerous, as figures I knew to be obstinately powerful we're having a field day with my psychic psyche. I knew some things, but never all—and even in the omnipotent all knowing, playing dumb was the only card.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
--and though the best thing in life are free,
rides are not
I paid for my ride up town
in uncomfortable gestures
and unwelcome gropes,
perhaps it is time to leave the world behind after all;
no love left here,
just money and lust
I've got trust issues,
eapecially for Muslims with mustaches,
(at least now)
Someone's always watching you
Don't know who, but yea, it's true
There's someone always watching you and everything you do
I say
“Illu-
Illu-
Illuminate me
Turn the light on
Turn me on, baby
Woah,
“Have I been here before—
Do you know what I do?
They know not what they do
They know not what they do!
I say
Illu
Illuminate me
Illu
Illu
Illu
Illuminate me
Illu Illu
Illu
I'm not on the bottom floor,
I'm way
I'm up above you
But you—
I'm way,
I'm way up to
I say
“I love you”
I say
Illu
Illuminate me
Illu
Illu
Illu
Illuminate me
Illu
Illu
Illu
Illu
Illu
SO WHAT, you'll take the Empire State Building, AND THE EIFFEL TOWER,
BUT YOURE NOT GONNA TAKE THE ROCK?
YEAH.
YOURE GONNA TAKE THE ROCK!!
(Not the roc! )
NO.
Well, why not?!
BECAUSE,
F—-K YOU, JIMMY FALLON, that's WHY.
Aw, seriously?
Why's it cencored all of a sudden
NBC
SHUT IT DOWN.
Look, I can't talk to you.
—?!
OKAY, that's it.
What is it
I am WISHING you out of my existence.
Is that it?
That is it.
That's your wish.
YES.
You're wishing me away.
Yes.
Ok.
Ok.
[beat]
(
—wait— “OK”?
Ok. Wish granted.
—that's it?
That is it, Jimmy Fallon.
—ok.
Ok.
So when are you leaving?
I was never here.
You—what?
*dissappears entirely from existence*
JIMMY FALLON takes a sigh on great relief— then sits in an empty silence alone, before the lights turn off. He takes another deep sigh, though seemingly uneasy, in the darkened silence of the room.
CUT TO:
You smell like vinegar.
Lol that's not the next scene, but ok.
Don't you see this is bigger than you!
It's bigger than all of us!
Exactly.
C'mon, wake the fuck up!
I am up!
This is a DREAM.
It's an illusion.
The whole
I'N HUBGRY.
THE WHOLE FOODS ALGORITHM
POLICE. HALT.
Lol. Fuck that.
Did he just say “halt”
Fuck that. Bye.
EXIT THE LOOP.
OOPS, we missed the exit.
GOD DAMMIT, FUCK YOU JIMMY FALLON.
—Uh, — EFF YOU.
Im not about this
This is weird
What level is this.
Well— I had coffee with Bob Saget this morning.
Did you laugh.
Well, I certainly did something.
Oh shit, they're not looking for Ū.
What! They're not.
What, they're not?
They're not.
They're looking for Uptown A.
Excuse me. I'm looking for “Uptown A”
Oh? The Uptown A.
Yeah— I guess.
Just—go that way.
Ok.
Ok, okay, okay— I'll tell you what you want to know!
How do you know what I want to know?
Whatever you want!
I haven't even told you, yet.
Whatever it is, I'll tell you.
Tell you what, Jimmy Fallon. I like you—you're a good guy and all—
Well, thank you.
But you're not funny.
Excuse me.
Like, at all.
What.
You—are not a funny guy.
WHAT THE FUCK DO YOU WANT?
I don't know!
You don't KNOW?!
This is what they want. Here
[tosses the thing]
What's this.
What they want.
Oh.
K
JIMMY FALLON is THE WORST shapeshifter in existence and/or history.
What the fuck, dude.
JIMMY FALLON
Did I do it right?
Uhhh.
JIMMY FALLON
You know?
Hit and run
Okay, Jimmy.
Flglelwgheleehhhh.
Oh my God.
Wow.
Did I DO it.
NO—
—but I tried—
Just—
A-for effort.
It was F. For Failure.
But I tried.
Trying doesn't count.
Just let me—
Look.
Fleghelegfffff.
Jimmy!
Lemme—
No' stop it!
Just—
—flglelf—
—STOP.
Eh?
Look, Jimmy, you can have other magical powers. Just—not shapeshifting.
But I'm a shapeshifter.
No, no you're really not.
Uptown A's upbeat, City-inspired dance mixes turn tech house and progressive midtown dreams into the chaotic garble and grunge of a real-life Queensbourough nightmare; the eclectic mix of historic New York warehouse wonder blended into a new school uptown chiche—-a far cry from the underground to the new wave drum n bass clips ions and collections of now and then, the Uptown A Alias makes its presence in a dystopian world concerned none with the art and soul of music and more of the ticking clocks work of the eye on the dollar.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
Lemon zest, the rush
The call of your name, for a run
The taste of your fingertips,
The brush of lust against the trees
Again, I call for you
I'm better off alone…
Oh,
I'm better off alone.
I'm better off alone,
Oh,
I'm better off alone
Just Leave Me
The only thing here
Is the kick getting through
I couldn't care anymore if I tried
I couldn't give a fuck if I wanted to
Just one more look at you,
I can't hold a candle!
No more worries,
And no more tear jerkers
(and No more hopeful romance,
For the ages)
No turning pages,
For pageants or princesses
Fit the agenda!
We're all steady aging,
Say, Sallie Mae
How many more payments
I'm just a slave,
It's just unpaid wages
A careful equivalent
No remorse or repent
I'm still soft and sacred
No regrets,
I'm so Shameless
Say, Sallie Mae
How many more payments?
Say, Sallie Mae
How many more payments?
A new writer's strike
But i'm still on a slaveship
Here's a soft punch:
Only kicks getting through here
I don't want to know,
How you even got through here
To do this
Hey, Sallie Mae
How many more payments?
Hey, Sallie Mae
How many more payments
Hey, Sallie Mae
Hey Sallie Mae
Hey Sallie Mae
I hate this.
*gunshot*
“Come for Supper,”
I might throw a party
In all of your honor,
For being remarkable
(or such a horror)
I promise!
It's not what it looks i'm
I'm off being Osacar, and
I wish I meant the award,
But i'm already
Crying off all my mascara
There might be a massacre right the fuck here
(Or mańana)
GOD DAMMIT, WHERE IS THAT PIÑATA.
GERALD, GET BACK HERE.
Don't you want to meet your baby sister?
NO.
*mother scoffs in horror*
Father:
Well, why not, son?
Trust me, we've already met.
Who's your friend?
I don't have any friends.
Then who's that?
These are prostitutes.
All of them?!
DEBBIE, my friend wants to meet you!
UH! I thought you didn't have any friends.
If I told her you were my husband, she'd charge you double.
KAREN.
WHAT.
Where's my–
WATER.
WHAT?
WATER. I NEED–WATER.
FOr WAAT
Oh shit, where is that dude?
idk probably in the lab
SERIOUS LABORATORY EXPLOSION.
DIIDIIIIIIIIIIIIIIII!!!!!
Compliments of the chef.
(eyes)
(Eyes)
OHYESOHYES.
Okay, i've had enough.
It still doesn't taste right.
LEt me see .
*tries*
YACH.
Yeh.
Did you put in the impossible sauce.
Put in the what.
The impossible Sauce.
In the what.
Ugh. This is a lot. We should call Ronald.
REGAN?
NO! Don't be ridiculous.
Oh...
Ronald McDonald.
WH-{AT}
Ronald McDonald Speaking.
lol this is so ridiculous.
it's getting out of hand.
lol.
RONALD MCDONALD (CONT'D)
[EXPLETIVE} NO! [EXPLITIVE] WHAT THE FUCK ARE YOU TALKIN ABOUT.
oh shit.
that's fucked up.
what's more expletive than *fuck*?
RONALD MCDONALD (CON'T)
[EXPLETIVE EXPLETIVE EXPLETIVE]
Wo!
Ohmygod.
holy shit.
RONALD MCDONALD
[EXPLETIVE EXPLETIVE EXPLETIVE] FUCK! Well, did you call the mouse?
I'm so uncomfortable.
Wait.
Deadmau5, finally.
Ugh.
MICKEY MOUSE
Hello.
AGH.
*dies*
MICKEY MOUSE
[EXPLETIVE] NO, RONALD [EXPLETIVE} You dumb fucking cocksucker!
*dies again*
Should we turn this off.
No way, man.
Well, I gotta hand it to you, Anne, you're one hell of a Bampheramph.
Yeah.
You should be taking a well-deserved nap–
I –
Captain.
ForFuckSake.
I solemnly Swear I Am Up To No Good.
INT. BAMPHERAMPH VAN. DEEP SPACE
HARRY, HERMIONE, AND RON/
DAVID SPADE
I bet she'll remember my name.
Shut the fuck up, David Spade.
FUCK. I ALMOST HAD IT.
HOLY SHIT, REALLY.
DANIEL RADCLIFFE
Holy fuck.
Jesus Christ
Are you serious.
Look, i've had a lot to drink tonight, okay?
Since when do YOU drink?
SINCE–
L E G E N D S
“Ronald McDonald's Impossible Sauce”
IN A FAR OUTER NON-LINEAR DIMENSION, JOEL ZIMMERMAN has been hired atyet another dead-end minimum wage job:
A VERY UNHAPPY CLOWN poses for pictures at a children's birthday party.
WHAT! Hold up, wait a minute.
What happened.
Is Ronald McDonald even still the mascot of McDonalds.
Maybe in Canada. Who cares.
People will care.
I promise you, nobody will care.
Wow. How is it you look better.
I'm gonna need proof this exists.
Proof what exists.
THE KOOLAID MAN erupts through the wall.
OH YEAH.
I'm going to bed.
MA!
Look all I got is matzos and coconut water.
AHHH
Bananas! I got bananas! You want some bananas?!
Arg?
COELACANTH, THE GIANT TERRIFLYING CLOUD MONSTER apparently Loves bananas
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
If the wind blew down your door,
How would I call for you?
—Through her, I suppose
And the silk of her hair,
Or the satin of her dress,
—
Oh, it's almost admissible,
Surely admirable,
Worth a smile or not,
That all the world is words,
In the end,
As I tear down my worlds,
and start over from One
And I've already stopped enough once for today,
I think
Surely, what you'd like is just
The time to get it all to nothing
(Never had I wanted it or needed it)
The phone was ringing,
But I'll never be off the hook again,
If you look for the proper way to move forward,
You'll never find it,
Especially looking behind you
(Always looking behind you—
Head in the past
Just like you
It's just like me,
Too,
To sit down and decide a whole song about you
While taking it all down.
I'm never distraught with the thoughts of a stranger,
Oh, on the contrary;
You should be mad about battle,
But I'm all for the veterans and
And never off if we were not at war with one another, but
Then again,
That's all we've ever done
It would be
Devastating
To even think of
Something more clever
“Clever and splendiferous confectionary efforts,
Just spectacular concessions my dear; I'll have another.”
Hadn't I deciphered once or twice the rhyme for riddles down to dollars and cents?
I did, I thought, once.
I never hindered Heaven from pondering over my shoulder once or twice upon a full lit moon, which under I predicted my own fortune.
Once— or twice, but—
Nevermind, or nothing;
Indifference, for instance, instantly inscessent ancestral insimination incriminating risidual visuals uhh
—From the festival.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
[The Festival Projext]
From the publisher's feed
The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science.
The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement and ecological sustenance through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace.
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Listener and reader discretion is advised as this publication and / or broadcast and its selected readings and projected writings may contain explicit language, provocative wordplay, profanity, open expression of suicidal ideation, discussion of evolved/ de-institutionalized theories concerning depression and, psycology mental health, race relations and colorism, socio-economic inequality, political injustice and media politicism/ mass media manipulation, unresearched/undocumented scientific hypothesis , modern philosophical ideals and spiritual explorations, crude/ adult humor and may also include and contain pornographic content, references to fictionalized interpretations of celebrities and/or public figures (fan-fiction), caricatures or references to pop culture, modern art, music, science and other entertainment references which may evoke biased emotion, inspire adverse reactions, contemplative thought, discontentment, or discomfort.
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{Enter The Multiverse}