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{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
It's A Saturday
no bar managers available
lookinf for a place to stay
or place to play
so I can fuckin'
I fell into a dream with you last night
And when I woke I had to cry
And when I looked inside your eyes
I had to realize they were mine
Now I'm alive
And in alignment
Something like a diamond shines inside
It's just another night
Our love is just inside my mind
I had to hide it
Your highness
Right on time.
As expected.
Hey,
I just wanted you to know:
Your evil shamanic curse worked(
I've been homeless since I left you and demonic forces follow me everywhere
So I'm going to kill myself eventually
Just the way you hoped I would
So no one will have to know that you hit me so hard it made me lose my mind
You have an evil spirit and a heartless soul and nobody will ever love you except for our son—
So just tell him I love him
You fucking win
Your curse worked
Every single person you ever try to love will cheat and lie to you
Just like you did to me
And the only reason I don't wish homelessness and suicide onto you
Like you wished onto me
Is because you have our son
Thanks for ruining my life
I hope there's heaven on the other side
I fucking hate you
You're fucking evil
You fat stupid retarded motherfucker
—but I didn't text him that, of course
I wanted to;
But in my heart and soul, I knew it would be the end of me,
And that he'd know he really had won—
And though I didn't want to give him the power or the light of day, I knew I was cursed,
Followed by coughing demons, pretty, skinny women, mindfucked by Skrillex and Dillon Francis and set to die in the streets with nothing to eat, nowhere to go, and nothing to lose but myself, not that it mattered—
It would be a quiet suicide,
And my son might never know I died alone and homeless in New York City;
But i loved him the most
And the hole in my heart that made me a ghost was shaped just like him ;
And though I had nothing left but love to give,
Which meant nothing in a cruel and loveless world made of money,
The best that I could do was just to love him,
And hope that on the other side would be heaven,
Where I could know him again
I just passed the white rabbit;
I'd laugh at it, if I weren't rabid with absolute madness
I've had it!
I can't stand it
I mismanaged
My finances,
It's fine, actually;
I've got enough time
(Money)
To climb the Empire
The Devil's a Liar,
But so am I,
And God's a bird on a wire
How inspiring
I'm one off of everything,
I can't run, when I'm too busy thinking
“Where the fuxk am I gonna sleep”
Tomorrow, I can pawn my drum machine—
That buys me one more night in a nice dream
A nice clean apartment in Brooklyn,
Some rice and beans;
Another dream…
‘Is it supposed to be a secret?'
I really had fallen in love with Sonny, but it didn't seem to matter anymore about anything—I didn't have what I needed at all—and the irony and reality was setting in that the Sonny was dropping his album on the exact day that I would run out of everything—out of money for food, a place to sleep…everything. I had loved him so wholehearly that I had recorded ïambīc; only to be devastated in the following weeks with the discovery that he had been spending time with Kayla Laurenc who I didn't exactly despise, as much as I resented—as in all of my life, girls like her had always gotten ahead and gotten everything I wanted, without even trying—just because they looked the way they did—and, at least by all the people I had been around, even my mother—I was ugly, fat, and retarded. Perhaps he did operate on the Devil's power, with my ex husband; I was homeless, at least not yet hungry, but on my way to it—and finally, out of “nowhere”, Sonny being Skrillex was in New York, releasing the album we had all been waiting for.
I was either being cruicified or…
Connected to a greater purpose, but it hurt either way—and either way I wanted to end it.
Every time I dreamt of Dillon, it was of his entire family—in fact, I had almost forgotten that he had a brother at all; it didn't make sense to me, actually
I had stopped breathing. I was crying quietly from the moment I left Equinox—I had done my best not to, but couldn't help it entirely. It had been too long since I had any sense of security.
I tossed my head back to keep the tears from rolling down my cheeks, staring up with widened eyes, which suddenly focused on the digital LCD screen, flashing the streets at which the train would stop; I was of course sitting directly beneath the stop for 88th street—Sonny's birth year, and a number that had repeatedly jumped out to me since our “meeting”.
‘Why would he do this to me?'
Maybe this is all supposed to murder me.
My ex husband had been tied to White Supremacy;
“I belong to an organization that will kill you and bury you somewhere no one will ever find you.” He once said—one of the things which lead to my attempt—or completing, alternatively, suicide.
“You know why I have the power to control demons?” Another notion which had the tendency to repeat itself in my mind, whenever a demonic energy found its way to me, in the form of a skinny, attractive woman or a coughing homeless person, in the form of Kayla Lauren, Dillon Francis, or even Sonny—and though none of the latter two actually ever seemed like actual demons, at least to me—the demonic energy was in knowing that someone like me, in reality, could never deserve or afford someone like Sonny, or Dillon respectively—and although the attraction that I felt to either of them was extreme wrnough to me, and could even be called love, the truth was that the effect of fame meant that it wasn't just me, but hundreds of thousands of other human beings like me, better than me, more attractive than me—and with a better perception of reality that would make more ideal partners, mates, and lovers, and that my own perception of beauty and self love had been shattered by Society.
Maybe don't post this.
What does it matter? What am I supposed to believe? That Sonny's come to New York to rescue me and take me to freedom—that with someone like me he'd be actually happy? That everything in my head, in my heart, in my mind—the belief that we were meant to be is actually reality? He has every reason and every right to be wary of me.
I had read about the teenaged girl that had become obsessed with Drake Bell, following him to all his shows and eventually, even becoming close with him; texting back and forth, and from the looks of it—probably even meeting, hanging out together and who knows what else exactly, besides the man himself and God, on whose behalf it sometimes seeemed I was acting, however—
“New York
Or Nowhere”
Oh shit.
The orange and blue basketballs on the fabric clutch held under the arm of the man in front of me distracted my mind for a moment from my writing; the color orange had always reminded me of Dillon, because it was so prevalent in the music which had first captivated me, even before I knew who Dillon Francis was exactly, and had somehow managed to have implanted the notion —especially after the realization that he was, in fact, using magic— that perhaps such a gifted shapeshifter had learned to even transform himself into an object that was inanimate; a traffic cone, whatever that meant.
[DON'T HIT ME.]
Years had passed since the idea had been established, and though I couldn't seem to remember how I had first actually imagined it, besides listening to what probably may have been ‘too much' Dillon Francis, an entire storyline had been written, as Dillon Francis, having become at some point captain of The Bampheraphs, had instructed the other Insomniacs, Bampheramphs, Motherfuckers, and DJs to also transform into the very simple, very inanimate traffic cones— and though Skrillex, or Sonny—was also given an extreme amount of power and magic, especially even the ability to become inanimate himself, or, “The Inanimate Skrillex”, as it had once been written—as it remarkably turned out, Skrillex would find that he could be every color traffic cone besides Neon Orange—which, as the curator of such an idea, had, over time, become both comedic and tragic—as everywhere I seemed to go, tended to produce strangely colored tragic cones at random.
‘That did happen'
Maybe all this means
Is when I find the bravery
To finally fly, or something…
INT. AIRPLANE. DAY
BLŪ is seated in a window seat towards the back of a BOEING 747.
Oh man, this scene.
Sometimes my worst nightmares are airplane crashes, actually. Since I could remember, maybe from the age of about two or three—I would dream awful tragedies—‘nightmares, or night terrors, actually—tornadoes, horrible fires and burning buildings and sometimes, airplane crashes, which even to this day, haunt me when I sleep.
You know, nobody has a ticket to the soul train.
What.
You just jump.
Trains in New York do come suicide fast.
I was on the platform and still almost got hit!
Okay, this isn't really funny anymore, is it?
No.
Suddenly, a sound rang out into my ears and
Ugh, it's hard to write when you want to die this much
‘Why do you want to die this much?
I had extended my air bnb for one more night, but it meant giving up one of my drum machines go to the pawn shop—the one which I had just reclaimed from the pawn shop in Las Vegas, and seemed an entire waste, as it was the heaviest thing in all my luggage, and I had dragged it across the country in order to use it as a performance piece to give myself an edge over the other DJs who simply mixed—But, as it turned out, of course,
the world, “especially New York”, was over saturated with DJs— though I had done what I could, or most of what I could, to get a head start, I had so much work backed up that in the two weeks since I had left my job in LA, that it didn't matter now that I even had my drum machine with me—I was scrambling to gather money to keep a place to sleep, and so the drum machine would have to go in the morning, in exchange for one or two more nights of housing—and with any luck or by the grace or God I could somehow fish it back out of the pawn shop in some weeks or months time—not that I enjoyed the idea of going back into the workforce as anything but an artist—but so far, this artist that I was had been the lowest of all the low paying jobs I had ever had.
‘What is that?'
I had heard the album over and over—it had infinite replay value, of course, and I was using its tones and auras to dry my tears on the long train back to Brooklyn from Manhattan—but, in this moment, as I exited the subway station and made my way down my usual route back to the flat I had depleted my entire savings on staying in—the sound shook through my entirety, rumbling strangely into the arcs of my feet and even stopping me dead in my tracks for a moment, ringing strangely in my chest and into the palms of my hands, up my shoulders and into my hollow lungs, wrapping around my heart, and colliding with the very odd thought
“I gotta stay alive to ask Joel what that was.”
How bizarre.
It was past midnight—and now that I was above ground, I hadn't thought to check again if the new Skrillex album was being released on East Coast time, where Sonny supposedly still was, or if it might not be available until later; and I hadn't thought to look or try to check Instagram again—I had only been on Instagram anyway in hopes of finding a job—and had only checked the Skrillex Instagram hoping that I would see something that would make the way I felt about Sonny stop, by now, suddenly realizing that it never would until he married or procreated with someone else, (or I did) once and for all wiping out any dillusions I had dreamt up or summoned in the wake of our crossing paths. As quickly as he had come to New York, he could have left and probably may have—but I didn't know, and didn't care; it would be futile to believe he would come to rescue me, even if it was what I wanted and needed so much that I couldn't bear the thought of anything more than just departing the entire world.
Earlier, even though I had been pressed for time to make it to the gym, having spent the day of course collecting my things and trying to figure a way out ot the homeless box I had built my way into, still stressing the somehow ‘need' to publish the entirety or the 6th season so that I could go on hiatus—
It really hadn't occurred to me for more than a moment that Sonny might be listening to my podcast at all, besides listening to Renaissance which I had briefly vaulted, having worked out to it too much and beyond honestly hating myself for not being either Skrillex, or perhaps even more disappointingly, Beyoncè—and either one would have done—
I retracted my last couple steps, doubling back to the discotheque—All Night Skate—where I had already asked for a job one of my first nights in Brooklyn, collecting the number of the manager but having lost it, deleting it by accident—
INT. ALL NIGHT SKATE. 12:56 AM
I realized it was nearly closing time; I had stopped back by after Equinox to write, hoping to music mine whatever the DJ was playing, my body strangely acting and writing quite automatically, with reason to live, shaken suddenly alive by an unidentifiable bass sound seated safely on While 1>2, and still seeking purpose
Bryan eno complex heaven
Terrors in my head
The two songs mixed perfectly into my minds eye as I left, snapping photos for albums yet to be written, and wondering whether or not I would live long enough to write them, or to mix the two songs which had so perfectly mixed—one playing in my headphones and the other over the PA system—and wondering how less than an hour earlier I had experienced a sound I had heard at least a hundred times under the arches of my feet.
Oh, wow.
‘Errors In My Bread'
The numbers 404 had always triggered the thought: Error, perhaps suggesting even I myself was nothing more than just a simulation or computer of some sort, a robotic formulation of all that had been programmed and crated to exist in the way that I had, a short circuit or some kind of malfunction; I'd trickled into Equinox at precisely 9:52, which allowed me exactly 8 minutes to prepare to record the beginning of the closing announcements at 10:00 for the Equinox + EP, peel off my outer layer of clothes, and pour into the sauna for at least 15 minutes, squeezing in a light workout—warranted, considering I had spent the entirety of the day before at the club, auditioning the rest of the 6th season between the sauna and steamroom, Suffering the Skrillex that had descended onto the city I neither loved nor lived in—which might have totaled altogether about 4 hours in the sauna alone, and what seemed like 56 gallons of sweat—but I was grasping at straws, searching for random numbers to complete my thoughts. I had left Manhattan, as usual, at 11:00 PM as Sports Club closed—pulling my belongings from locker 403, with locker number 404 catching my attention from out of the corner or my eye—and as tears gushed from my face, blasted through the revolving doors—-there was indeed an Error in my Bread, and so to self soothe as usual only seemed fitting, as the words began to pour from my fingertips once more.
‘Not Your Mother's Drag Night' had ended, and the either irony or synchronicity subtly toyed with my inherent need for survival and awestruck emotions, as the last and final episode of the 6th season, which I had already named [Not Your Mother's Episode] before arriving to my Equinox venture at the party — the episode in which everything I had written, assembled with every entry for the 6th season, to be left in its description —was yet still unreleased; it had been a grueling train ride full of tears, and I had yet to neatly tie together the Jimmy Fallon timeline—the Timmy Turner Timeline, which of course connected the Amanda Bynes timelines and all of the Nickelodeon timelines respectively—and though the Skrillex and Dillon Francis timelines had driven nearly every series in their entireties in one way or another, Sonny's sudden arrival into New York City mere hours after Act III, Part IIhad been posted —indicating that either he himself or someone on his campaign had been listening and reading along with my series, jolting me into a frenzy, of course… (though I had already planned to release the end of the season concurrently—as I had with a majority of the previous seasons, taking a hiatus to regroup after each season conclusion or finale) my homeless-suicidal pattern had shown itself to be cyclical, by now—not that one thing hadn't anything to do with the other, and though someone or something may have found it interesting and entertaining, I myself was growing tired of making a mockery of my own self, remaining unloved, unhoused, and unfelt enough so much so that nothing had really changed—and although the 3rd season's hiatus had warranted the 4th season's Anandar, the 4th seasons return to the United States had of course warranted more racism, capitalistic greed, hereditary confinement, algorithmic condemnation, corporate slavery, and an interesting series of mixtapes—which of course had resulted in the 6th season's hope for a better future, my almost-return to Hollywood via the actual real-life Drake Bell and his man-habits, my mental degradation via lack of privacy, and of course, the empathic enforcement or feeling everything at once besides love, human connection or trust.
My ex had texted me some weeks earlier, finally having apologized for cheating and assuring me that his karma had been paid in full—without responding, I simply screenshotted the message for future use on an album cover, deleted Google voice, and reassured myself that if his long-overdue karma for cheating had just now been ‘paid-in-full', that it surely had not been paid in full at all and was only just beginning—as he had never apologized or admitted to anything else he'd done—of course, as our relationship had ended, my re-awakening of creativity had been flourishing; I was always recording, taking samples, and writing down ideas for music I wanted to make—and besides that—openly admitting that he had hit me would probably open a disastrous wormhole of self-realization and shame no true narcissist could take—that which he was, not that I at this point had resented it, besides of course the scarring on my lower lip that had come as a result, the estrangement from my son, or the mental anguish I had suffered—and, looking back, I still could never recount whether I had…
Just then, I realized that there was an error in my thinking; I had already been running off my weight at a tremendously rapid pace, working out to Recess in the living room between shifts at the veterinary clinic, where I took pride and joy in running with the greyhounds at then-top speed, racing to Diplo, Doctor P, and Rusko—of course, only stopping to express, my breasts still heavy from lactation, and realizing that it was painful to run with boobs full of anything—let alone, milk—which sometimes I pumped for Annie once her glands had gone dry, donated to the NICU, or winded up in my ex's coffee, because it gave him “superpowers.”
This is a weird story.
Well, if I tell some of it I have to tell all of it.
Why are you even telling some of it?
Because someone threw Skrillex in my tent and
I should have raped him.
You can't rape the willing.
This is a sick bitch we're dealing with.
How do you know he was willing?
(He was wiling.)
Idk,bro. He looked sick.
Or scared.
Or Ill.
“ill”
Get it.
I put the ill in Skrillex
Better fix my will forreal
This could be my last meal
Cause I feel like jumping off a building
Or a cliff,
Like dead horse point—
We're beating/being a dead horse,
Aren't we?
Or an F'n Pig:
Oink Oink!
Boisterous,
Aren't we boys?
Let me annoint you all with oil,
On upholstery
You want a half,
Or a whole thing?
I want you to hold—
I want you to know me
I want you to love me
I love you
Are you happy?
Oh, you fucked up.
Oh, you think?!
I barely sleep,
Then you start showing up in my dreams?
I don't believe you,
I don't believe in anything but me,
And I could be you, maybe
Maybe there's a sequel,
If we're equal—
Or if he isn't evil;
Maybe I'll just
Evil Kinivel
Fuck you people!
Maybe I'll go fuxkin sleep with Lil Peep
I'll call the reaper,
Jesus Weeps,
But probably not as much as
_________
He's a keeper.
Fun fact: when you cry, I cry.
Plz. Stop crying.
I can't.
INT. A FIREY PLANE CRASH
Wait.
THE BILDERBERG MEETING.
Jesus Christ, why is Shia Labouf so fuckin ripped.
Ew. Who feeds him.
CHICKEN.
gross.
BEFORE:
SHIA LABEOUF
ITS ME, I'M IN YOUR DREAMS.
Ū
Oh noooo…
SHIA LABEOUF
THE FESTIVAL PROJECT
Ū
…
What.
SHIA LABEOUF
THE FESTIVAL PROJECT
Ū
k.
SHIA LABEOUF
NOW WAKE UP,
Ū
What?
SHIA LABEOUF
WAKE—UP.
Narcissistic Cannibal- Korn, Skrillex.
UP.
[C.C. Wakes up, drenched in sweat. ]
…
…
…
C.C.
…Shia LaBeouf…?
(That was an actual dream I had once—give or take a few parts.)
Yeah, give or take.
Ahem.
I probably would have forgotten he existed, too, were it not for that dream—and shortly thereafter…
FLASHBACK:
C.C. Is binge watching Hot Ones.
I want—all the sauce.
What's that dudes name.
Sean.
He seems a little off.
Yeah, I bet he's off.
E Q U I N O X
huh.
…huh.
INT. THE BILDERBERG MEETING
SHIA LABEOUF
I DONT GIVE A SINGLE FUCK.
ILLUMINATI
perfect.
SECURITY
GET OUT.
SHIA LABEOUF
I WAS NEVER IN.
CHICKEN.
Ew.
ILLUMINATI
SEQUENCE C - GREENLIGNT.
Wtf is happening in this show.
Idk, but I like it.
Where's —
CHAL
(From season 4)
IT DOESNT MAAAAAAATER.
Right.
CUT BACK TO:
INT. A FIREY PLANECRASH. DAY.
QUEST FOR FIRE.
LOOK TO THE SKIES, YOUNG PADOWAN.
oh my god. It's a fire breathing dragon!
No, dude, that's a firey plane crash.
Fuck.
FIRE BREATHING DRAGON.
That's a fire breathing dragon.
W0W.
Which do you think is gonna be more interesting?
Neither, I'd rather watch The Legend of SupaCree
What time is it on?
SUPACREE
it's always on.
How is that even possible!
SUPACREE
you're on it,
Are you recording me?
SUPACREE
I record everything.
Srsly?!
SUPACREE
Except lovemaking.
…
SUPACREE
That is private.
…
SCARY TERRY
SEX IS SACRED, BITCH.
SUPACREE
don't cal me a bitch.
…
go watch TV.
CUT BACK TO:
INT. A FIREY PLANE CRASH. DAY
[Terror has stricken the passengers of flight 626, as the BOEING 747 plunges rapidly, falling from the sky at an alarming speed, as the airplane decentigrates, falling into pieces]
SHIA LABEOUF
Does this character not have a name?
No, it's literally Shia LaBeouf; he's playing himself.
CUT TO:
SHIA LABEOUF
I'M AN AIR MARSHALL WHEN I'M NOT ACTING
Why is he still yelling?
SHIA LABEOUF
‘CAUSE I'M IN YOUR DREAMS.
CUT BACK TO:
Just before:
SHIA LABEOUF looks over the rims of his glasses, staring forward at CC/SUPACREE, before lowering his head back down, momentarily pretending to read a magazine from under the brim of his tan cap, obscuring his identity. He places his hand over the gun in his holster, revealing by the golden badge beside it that he is a federal air Marshall (to the audience) before adjusting his brown leather jacket to cover it, squinting conspicuously under his bifocal lenses, peering once more at CC/SUPACREE, and swallowing subtly, licking his lips and flashing away a secondary glimpse of fear in his eyes, before presuming a fierce gaze as he braces for impact, calmly unbuckling his seatbelt. Suddenly, the plane is struck— as the passengers scream and panic in fear, he simply stands up, stabilizing his balance, and moves towards the terrified and hyperventilating SUPACREE. ]
Ok. That'll do.
What about Drake Bell?!
what about Drake Bell!?
And Drake And Josh?!
AND THE AMANDA SHOW
AND ARIANA GRANDE
AND ALL THE NICHELODEON KIDS?!
It can wait.
NO!
BUT WHAT ABOUT
COSMO + WANDA?!
AND SPONGEBOB SQUAREPANTS
AND HEY ARNOLD
I never got to Hey Arnold, but I've been thinking about it a lot since I got to New York; but—that's also Nickelodeon, so—
BUT WHAT ABOUT DILLON FRANCIS.
he's very attractive.
WHAt ab0Ut SKriLLeX?!
he's also very attractive,
And just dropped his album—
So we can just assume that the previously mentioned are perhaps both getting their dicks sucked often enough that I don't have to worry about it.
Why would you worry about it.
CAUSE I'M IN YOUR DREAMS.
This is not kid friendly.
AHHHHHHHHHH
WHAT ABOUT JIMMY FALLON.
Everything naughty he says in this series is censored caused he has a contract with NBC.
WHERE'S WHOOPI GOLDBERG?!
WHO!?
I don't like this. I don't like this at all.
Then keep scrolling.
What about deadmau5.
Probably also presumably getting his dick sucked.
W0W.
I re-entered the apartment at exactly 1:15.
BLŪ
Of course.
And though I had been filled with nothing but words and heartache, I could do no more than to peel off my layers and tumble into the shower, no longer in tears, but still devastated — and somehow dying to know if the Skrillex album just so happened to mark my Deathwish, or restore my faith in humanity…neither of which actually mattered; I had fallen prey once more to the cycle of poverty's destruction and relentlessness, if even by my own doing—the respective love I held for Sonny, Dillon Francis, or anyone else simply a faction of obsessive fandom, my writings a mere glimpse into the unobstructed world of the fourth dimension, which I undoubtedly still believed and was living in, only hoping that I was indeed not the hopeless protagonist to die, in the end—and perhaps, that even if I did, the worlds and works that I had published on The Legend of Supacree, OWSLA Confidential: The Infinite Skrillifiles, Gerald's World, and Enter The Multiverse would stand as the backbone for an unimaginable flurry of
Whatever. The End.
ENTER THE MULTIVERSE
WAR OF WORLDS
LEGENDS
HOLY WAR
EARTH
WORLD WAR WATER
(WWIII)
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
Whatever it is--
look,
whatever you want,
you can have
and I'll give you my love,
when I've got it
I'm sorry,
I don't mean to fiend for a friend;
If I lend you my pen,
just remember:
I've got nothing.
listen,
I've got nothing left:
If you want my best friend,
(Perhaps, again)
then here's her address, Dillon
Not that I would either wish this shit on either of you imbicles:
a missile hit the plane where I and Shia were. If you were wondering-
but then again,
I have been meditating lately,
dreaming dreams that drive me crazy
wiahing I were so amazing that you'd have to date me
and masterbating and fabricating traffic comes and slander,
Praying for a savior, pay, and baby making
it's okay, though Dillon Francis
I didn't mean for this to happen;
and you'd have to practice magic for the Amethyst I have for you to act like that
(it fucking levitated)
anyway, I know you're probably at a rave with 80 ladies and a bunch of people yelling out your name, and some hot babe who looks like Hailey Bieber naked, patiently waiting to mate with you:
And I can't wait for you to make it public so I hate you and just space cadet with no regrets
not laying with you in my head, like it has been- since my ex, then Kayla Lauren;
this is probably boring
I should be snoring
someone one's outside coughing anyway, I should get going--
but you should know,
I'd blow you If I blow up
and Sonny never shows up as my beux,
but maybe ya'll are bros, huh?
fuck. I love
C u P C A K E S
{Enter The Multiverse}
[The Festival Project.™]
Ugh,
Die! Die! Die! - my mom
(My mom actually said that.)
SEASON 6
ACT III, PART VIII
“The Lovers' Quarrel”
The Lovers must practice an a traditional one-handed duel; They must fence whilst one arm is tied behind the back, a rope tightly held by each's own ascended master as they maneuver in the round. It is a practice of stealth, dynamic movement, and self control.
Petruchio and C'esmet passionately dance in the round--the training period stands as a trial-and-error, The Ascended masters tugging at the ropes to correct their mistakes.
C'esme't travels to a descended dimension to materialize her Ascended Mastery; Supacree Gains her powers not slowly, but all at once.
Avicii explains how long one walks the astral void before returning home into the Kingdom of Heaven after departing.
DILLON FRANCIS
YOU'RE GOING TO GET ME KILLED.
CHAK CHEL
I wasn't trying to get you killed! I was trying to get you laid!
||
D.J.
YOU'RE GOING TO GET ME KILLED.
C.C.
I WASNT TRYING TO GET YOU KILLED! I WAS TRYING TO GET YOU LAID.
D.J.
I can get laid by myself!
C.C.
D.J.
Shut UP.
The famed lovers take their place in the center of the arena; they humbly and gracefully take their battle stance, looking each other in the eye, one arm extended behind the back to face the sky, the other planted firmly, grounding them to earth.
In quiet desperation, a silence falls over the entirety of the space—until, a glowing light distracts all but the two of the lovers, focused in oneness, acknowledging two qual parts of one whole.
The crowd gasps and coos, as the glowing figure, masqueraded by shadows in a beam of light and colorful auras
A tall figure stands equidistant to the two lovers; the triad is formed, and as he begins the yet Ū fort old ancient ritual, the lovers are overwhelmed with shock and confusion.
blackout
—
END EPISODE
Lost your shine?
Lost my Skrillex!
You miss it?
Do I Miss—?
…
You know what?
What.
Fuck you, dude.
...no can do.
[later]
Are we relaxed?
What is this?
I need it.
You fucked up.
This isn't right.
No, it isn't.
—
BLACKOUT,
What happened here?
Are we rolling?
Cut to commercial.
—
Are you serious?
I'm so serious!!!
She's so serious.
Cut to: Grocery Store, Day
[over the store radio]
She's a maniac, maniac on the floor!!
What is she DOING?
What are you doing?
I'm doing me, bitch.
And she's dancing like she never has before.
—cut to rave—
***WUBZ***
Who is this?
I'm on my own tonight.
Is she drinking?!?
THATS NOT FAIR!
Oh, Sweet Jesus!
—regular Jesus: [to sweet Jesus] aha! It's you this time.
Sweet Jesus: fuck, no fair.
THIS ISN'T SKRILLEX.
Sweet Baby Jesus.
Sweet Jesus: (relieved) YES.
Regular Jesus: oh, you're saved.
Nice.
[ JESUS passes BABY JESUS to SWEET JESUS, then footballing the infant into the outer realms, dusting his hands off and flexing.]
Send the Messiah.
Wait, which one?
Yeah, whose Messiah?
Cut back to: the rave
...Who's baby is this?
Woah, cool baby.
I respect that.
[the third raver simply lifts his diffraction glasses, astonished by the bedazzling baby Jesus's vibe.]
Wait, Baby Jesus is bedazzled?
MAYBE:
Cut to: A flash of the alternate dimension, where indeed baby Jesus is Bedazzled.]
Cut back to:
No, his vibe.
Is he sparkling?
It's his aura.
Oh.
Pfft. Lol. Okay.
—-
First of all, I've never had this many black friends before. ..
Oh, my God…
I am alarmed.
She's so stupid…
Actually, just ugly—!
Eyyy.
Woahhh!
But now I'm—
You're a fan.
Hey—I ate a fan for breakfast—okay?! Literally.
OKAY.
Ew, gross.
Just kill me.
[without hesitation]
No—Ze Rulez.
[Lowers Rave Weapon]
__
I'm highly allergic—
—Don't need Skrillex.
Brought my own! —
[stabs self]
What is that?
Oh shit, it's the
EPI(c)PEN
OH SHIT.
Nice.
It also writes.
After the stab?
Usually after, yes.
You, have to.
Oh, yeah, huh?
No, you actually have to stab yourself first with it—or else it won't write.
—
Anyway—what were you trying to write?
...fuck, I forgot.
Good job, Sonny.
___
Take me back!
You wanted this.
I wanted NOTHING.
You got there!
Agh!!
Then when you did, you wanted to leave.
There's no music.
It's literally NOTHING.
Except Jimmy Fallon.
WHAT?!
Since when?! What?
Since literally ever.
What?! No way.
Let me see.
Let me see.
Oh my—WOAH.
Let me see.
Nothing is something!
Unh-uh bro!
What the—
IT IS JIMMY FALLON.
There's this cricket that lives
Somewhere near here,
When I hear him
I think of the song
He sings
and all I think is
“I wish someone would sing for me,
I wish someone would sing for me”
If he makes me cry one more time...
“One last time,
We gonna celebrate”
If there's an album,
there's going to be a tour;
If there's a tour,
I'm gonna wanna see him
And it's just infinite, isn't it--
Infinite, isn't it?
There's no point to it;
There's really nowhere safe,
that I could run from him
A class act
An a plus
A sad actor with black magic
A bad pastor with bad habits
A black cat, and a hat and in it
Is everything I ever imagined
If there's an album,
There's going to be a crowd
I'm gonna want to be in it
And it's just infinite isn't it
Can't live with Skrillex
Can't go on tour with him
Maybe I just,
Settle down in this awful town
While I try to figure out,
What this is about
And if this is about Skrillex
How did I get into it?
If this is Skrillex
How do
___
AHHHH DUDE.
AHHH THIS ISN'T HAPPENING.
Ahhhh man.
What the fuck.
This is--did you Put The Skrillex in The Skrillex, like I said?
...I…
...did you put the Skrillex in The Skrillex?
Skrillex-Skrillex
Put the-the Skrillex in the Skrillex
Skrillex-t-Skrillex-Skrillex
Skrillex is Skrillex-Skrillex
OH SHIT.
YOU DON'T REMEMBER WRITING ‘THE SKRILLEX SONG'?
I DIDN'T WRITE IT!
YOU WROTE IT.
She's denying it.
Oh, She stole all ya'll music.
She took all of my songs.
All of them?
I mean, not all of them--just the bangers.
I'm not going to Mexico for Dillon Francis.
“The Interrogation”
SUPACREE pays the incarcerated SKRILLEX under observation a series of visits, using her invisibility cloak.
[[*This would be along the same storyline (using a linear “time”) where SUPACREE has gained most of her abilities, and is also terrorizing Dillon Francis (*interns scene).
So.
What?
Just to get this straight; Nobody can see SUPACREE?
Right.
But she's--basically--beating the shit out of people.
Yeah, she's just... fucking shit up.
But nobody can see her.
No.
At all.
No. Nobody at all, just the DJ's.
Starting with--
D1-Skrillex
D2-DIllon Francis
D3-SUPACREE
(Wait, how the fuck?)
Scary Monsters and SUPACREE.
Well, which comes first?
What?
Which movie?
I--What?
In order.
Order?
Like...wait, what are you saying?
When you put them in order--
Order??
ORDER!!!
Bruh. I just got a dick pic from Dillon Francis.
What? By like, accident?
I don't think it was an accident…
It had to be...
It has a personalized greeting, with my name in it.
What? Let me see--!
(Look)
I mean--not “let me see”, I just meant--the greeting. Like, what did it say?
Dude--
Damn, that's…
Yeahhhh man!
Was there a show tonight?
Maaaayyybe, I don't know where it would be...
Yo dude, I'm calling--WOAH.
What dude?
I got a message from him too!
Oh shiiiit, what's it say?
Should I even open it?
Open it!
What if it's his dick, bro?
Open it!
[Opens it.]
OHHH.
It's his dick, bro.
Oh SHIT, what the fuck HAPPENED?
What did happen?
Does yours have a message?
What did happen…? I feel like--wait, is that--huh.
What does the message say?
It does have a message...wait--let me see yours again.
What the fuck for?
[staring at phone, cocking head slowly to one side]
((Ohh, I like this, the audio pans like--))
I feel like mine's at a different angle.
A different angle--wh--let me see.
[shows phone]
[cocks head to the side slowly, returning to his phone to compare the photos]
Oh shit, that is at a different angle. With different lighting!
Whatthefuuuck.
Dude.
_
Well, what did you do when you were Skrillex?
A lot.
_
Yo. That dude has like 16 passports. I had a lot of fun as Qua Long.
_
Shenanigans As Dillon Francis--
Oh shit, this is gonna be a long list.
It's actually not that much.
(It's a lot)
Dillon Francis sits at his desk in his Lair/Office. A pile of legal paperwork is stacked in front of him.
((Oh shit, where's the scene where he's got the glasses?))
Which...glasses…
Aw fuck.
Oh, right--cause he has a--
He has an entire series.
How the fuck did Dillon Francis get to be Captain of the Motherfucking Bampheramphs?!
FUCK that, he's not my captain.
He's your captain.
He is not my Captain.
That is not my President.
I'M THE CAPTAIN NOW!
**Insert: This Is: Dillon Francis Here
Damn dude. Dillon Francis needs an entire character analisis (Okay, keep that misspelling, that's hilarious. Anyway) *Analysis
I think I might have to write one.
Can we not?
I mean.
Yo dude, i”m like half capacity for Dillon Francis
Half, is….half.
Well, I mean it's corona virus so--
Fragments of Mr. Francis
Blasted analysis
Need a dialysis just to get this
Sk-
Shit out my system.
Now I speak
Sk-Sk-Sk
I shout out curses.
Now I speak clown
I'm an Owl out of water.
Now I speak
Sk-Sk-Sk
I create languages
I see the stares
On blank faces
I paint the canvas
With blood and with ashes
I leave on the pavement
First of all,
These park and raves are crazy
Electric Daisy is inside me
Everybody's at the party
All the stars aligning
And all the patrons waiting, waving
___
I call him “The Ghost”
You never know where he goes,
And the music follows
No forward
But I know, I know
He's The Ghost Producer
And I'm just a Loser
_
Ive never seen this one before!
Me neither.
That's great.
Something new.
Well-something old, something new--it's Skrillex.
Yeah, but I like Skrillex.
We all like Skrillex
Wow.
Oh, the fan..family.
Family?
Family, wait--
AGH, THIS MUSIC IS DISTRACTING ME.
It was so clear, and then it just--
Yeah, Vanished?
Yeah.
Yeah.
[A Silence.]
A circle of dancing people summon wishes out of the center of their Concentrical Circle.
AHHHHHHHHHHHH.
What.
I'm pretty sure this already happened. I remember that.
What?
That never happened
Uh. It did. It happened like, last season--
--LAST SEASON?
--maybe even the season before that.
What! I thought we were watching the Pilot!
I THOUGHT THIS WAS A MOVIE.
This is the third movie.
THE THIRD MOVIE?
Wait--when did you get here?
I...have always been here.
[beat.]
She's been going on like this for two days.
Oh My God.
Yes.
Have you tried to stop her?
No, it's too good; Plus, she can sense us coming it's--watch this. Queue the passerby.
A passerby moves towards the garden in the far east corner of the observatory;
Are you recording all of this?
Even better; We're broadcasting it.
To WHO?
(in space, in what (was thought to be, anyway) a Void in the unknown.
Uh, it WAS a void in the unknown, until a satellite crossed into it)
What the fuck, is that a Satelite?
A satellite!
A satellite? Which satellite? I've got dozens of satellites.
Dozens?
*Thousands
Elon Musk: ...Was it one of mine?
(It was)
((To literally nobody's surprise))
(((Literally)))
Literally, nobody--because literally nobody ever existed, ever. Until this happened.
WHAT IS THIS?
Have you seen this?
No.
Well, you're in it.
Okay? I'm in a lot of shit.
We all are. But not this.
(yes you are)
What was that?
What was what?
You need to burn this.
Burn it…
Nobody can ever see it.
Okay.
I just took 6 Xanex.
6!
YES. And ⅓.
And a third. Okay.
Yes. 6 and ⅓.
This,
This.
This is why.
Why what?
Why he looked at me like that.
Like what?
[A look.]
But how could he have even known; Where could he have ever been, that I was that would make it make sense.
Well, we know the Why.
This is why.
So now--How.
How, now Brown Cow?
Okay, honestly--it's almost funny now, because yeah--I'd probably also react that same way if I knew someone was going to write that about me.
Yeah, I panicked.
Panicked; I had a heart attack.
Have you seen that thing?
Yeah, it's massive.
It is massive it's--
--God, it's ridiculous.
--It's almost atrocious.
Yikes.
Yeah.
I've been inside of this story before.
Oh?
I've been inside all of them.
I see.
Most of them, I just choose to forget.
What makes it so that you choose?
_
I actually stopped breathing.
For how long?
Forever. It was nice.
_
You...made this…?
I...yeah.
You cooked me breakfast.
I enjoy cooking.
Well, thank you.
Welcome.
DEAD.
How did--
Alright.
So these two planets.
Yeah.
Two different galaxies?
I guess.
Okay.
_
First of all that party was lit as fuck and you missed it.
I didn't miss it, I just... attended at a limited distance.
Chak Chel's set.
Doooog.
It was.
(MM.)
Bruh, I just miss when SNAILS was Captain.
That was fun times.
Too bad we can't go back.
...we can go back...
No, dude don't--
Ted, Ted, and Ted meet Todd, Todd, and Todd at Lost In The Sauce Lands.
So basically--all 6 of them fuck up at the same time and end up In this--
It's basically a void that lasts infinitely at Lost Lands.
Oh shit.
_
You better quit it, before you get Stuck in The Skrillex.
[The Skrillex Tar Pits]
_
Have you ever seen a mosh pit at--
-- Skril--
NO. I'm not ready to talk about it.
--Dillon Francis--
It was really therapeutic.
-it was nice, they had protective equipment
-there was a line, and a queue
-it was literally the safest moshpit I've ever attended.
Meanwhile, at the Skrillex concert:
I'M NOT READY.
-
Well, that was nuts.
Please. No amount of marijuana is going to make you capable of understanding--
I'm not trying to understand, i'm trying to cope; okay?
This nigga has magical powers.
--And then what?--
Is she still on fire?
(an explosion)
Yes.
Is she still on fire?
(several explosions)
Maybe.
There were so many bombs.
(((But the worst?)))
“The Nigga Conniption”
Oh, shit, is that what we're calling it?
Where did he get it?
He didn't “get it”, he just had it.
How could he just “have it.”
I had to do something; They were going to kill him.
What happened to your “survival of the fittest”
This is different.
How is it different?
This is different because he isn't sick, or defective--he's just...created…
…?
...differently. So it's different.
Woah. That's a lot of shit.
It is a lot. What the fuck.
I swear to GOD i've been in this WOBBLE for over a MINUTE NOW.
Ahhhh, there you are--
Ah, The Wobbles. Here, we meet:
-mr. wobble
-the wobble monster
and some other wobble people
who live in the wobble.
Bruh. I am so tired. What does this dude eat for breakfast?
I guess we insert that scene with Dillon Francis here, right?
(((Yup.))
So, to this festival…
YESTIVAL.
Oh shit, is that what we called it?
YES.
oh shit, because--
EVERYTHING IS YES.
(Everything was yes.)
((It was.))
(((It still is.)))
The Venga Bus.
The Double Dutch Bus.
Whatever that is.
The Oscar Meyer Weiner Mobile.
That strange Double Decker from Harry Potter.
T h e S o u l T r a i n
Did it have a name?
I don't know. I don't have time for the internet right now.
Now they call me “the internet”
Okay, wait--
Yeah.
So. Next time I die, that's it--everything just stops.
Yes.
_
Eventually I'm gonna get sick of this shit
and just sit
But that's someday,
And todays not it;
It's lit
About to hit TiTs and
Hit the Highway,
And I'm on the way
Cause I was born to rage.
DaDa Life.
Ahhs, those were the days.
The golden age of rave…
FIRST OF ALL PASQUALE, THIS SHIT IS RIDICULOUS.
(Overhead of EDC)
YOU DID THIS.
[that's a neutral]
Is she yelling at him?
I think she's more proud and impressed, but pissed at the same time, because he's just so nonchalant and calm about it.
Oh please, that nigga is not calm.
Face.
Have you seen his eyes? They're wild. Wild, I tell you.
OKay what the fuck is happening; Pasqualle's eating Twinkies right now.
Dude, the world is ending.
I don't think the world is “ending”, it's just...something's probably wrong with it or something.
[[watching virtual rave]]
oh yes, something is wrong with it definitely.
What is actually happening right now.
This shit just lifted us into space--
--this isn't it, is it?--
What, at the rave?
You're still at that rave?
You have reception in space?...Hello…
Oh Hell No. My Phone cut off!
I still have reception.
Who do you have
T Mobile
(but later)
Bruh, I just lost service.
What? Oh no.
Oh, what-- I still have service.
What? When did you get here?
Who the fuck are you?
I've...always been here.
What, no you haven't, I--
Shh.
Here.
What? How do you have service? What carrier is this?
GOOGLE.
I don't know--have you asked Google about it?
No, fuck that, I don't want to talk to Google about it--she's just going to make me over analyse everything--
Maybe you should over-analyse it.
No.
Hey man, the word ‘analysis' is starting to look funny.
Of course it looks funny, it starts with ‘anal'
Who starts with ‘anal'?
Touchy.
Hooe shit, have you seen that bitch?
She's scary.
She's a bit scary.
Did she say that? I believe it.
I don't know if I believe it.
BELIEVE IT.
Wait, you're Naruto?
In the flesh!
WHY!
Why am I Naruto?
WHY ARE YOU IN THE FLESH?!
How did you DO this?
You did-did.
I did not DO this; I couldn't DO this!
You can do anything.
But I didn't!
But you can. You can do everything. You are everything.
But i'm not.
Alright. Then you're not.
WHAT?
If you honestly believe that--or whatever you honestly believe--then that's facts.
Damn, she put you in a “Fuck You” Chamber.
[*ding!* FUHCKYOU]
What did you DO.
Yo, what did you doooo.
What did you do to this girl, oh my god dude; I hate you.
I hate you!
I HATE YOU.
I HATE--
Oh now, dear; Hate is such a strong word.
Ohh. It's a Skrillex.
S K R I L L E X
It is.
Looks Fragile.
Should we grab it?
FIRST OF ALL,
--Goddammit, dude--
“IT”, is a HE.
Okay, DAMN.
DAMN? OKAY.
[she does.]
Damn.
Yeah.
So that's what “Damn” is.
Lol the first damnation.
Hey--
Hi--
Okay, what if--
What if:
THAT'S the name of your Supergroup?
I wanted to call us “Trifecta”
Here?
yeah , right here.
This is where you want your Kingdom?
...Yeah, right here.
...Okay...
Okay.
{A look}
K bye.
_
I've been at this rave for 57 days.
_
Okay. Ya'll.
Okay, ya'll!
No. Guys. We gotta get out of here.
What?
Noooo. We're just getting started.
No. Guys. I'm serious. Something is happening.
“I see dead people”
...Freddy Mercury? Really.
Uh huh.
At a rave.
Yes.
In space.
We did go to space, yes.
Okay. Simpson?
Yes.
I'm gonna need you to take the day off.
he's crazy
He's not crazy, he's just gay!
he's craaazy gay.
_
Okay. But how do you know him?
he's my ex.
No he isn't.
Who is it?
(sighs) it's...my ex.
WHAT?
Check. Mate. Bitch.
__
Mm. I know her.
Who--Billie Ellish--
[Nods]
What?
Take me to her.
Take you...to Billie Ellish.
If that's what you're calling...her... now...yes.
“now”?
Mmhmm.
Lady, how old are you--and what is this shit?
Hm. (squints) try it.
(sus) UH, no…?
Suit yourself. It's there if you ever want it.
(later)
Dillon Francis is searching frantically for extra magic when--
[He comes across the flask, and snatches it.]
WOW.
Yeah, I know; it's crazy, right?
You just found him like this?
I did.
Where was he?
I tripped over him at a bus stop.
Woah.
Bro, that's so mean.
Okay
What did Dillon Francis do to you?
He knows what he did.
He does?
No.
(He actually does.)
Oh, I knew it!
((You should know it, you wrote--))
THE END.
___
What is your favorite invention?
Of mine?
Yeah.
Hmm….
(((Ganja.)))
What's your favorite color?
Hmmm…
(((White)))
“When The Day Met The Night”
Has Brenden Urie been to the future?
Probably.
He seems...
He seems off.
(He is)
We all are.
(You are.)
Hey--who's saying that?
Let me be Frank.
Dooooooog.
it's that part! It's that part.
Shuttup!
Nigga this is it--this is the shit I told you!
So...how many channels is this on?
It's on millions of channels throughout the interdiemensions and counting.
“Millions of channels throughout the interdimensions,”
Not only are we Global; We are now Interplanetary, and our Communication Technology has connected us into the outer dimensions, and intersecting parallels.
Are you guys done blowing eachother up yet?
UH, WHAT?
You're idiots; This was supposed to be a redemption for your entire species, and you fuckwads ruined...pretty much everything. Now we have to mellow out your entire civilization--
--yeah, or annihilate it--
---just for you backwards savages to get lifted into the Ascension.
Idiots.
What was that?
What was what?
Did you hear something?
Hear what?
Ouch!
Ow? What's wrong? Are you Okay?!
*trigger, pulled*
-------------------------------------------------------BOOM---------------------------------------------------------------
S/HE CAME THROUGH MY SUBWOOFER.
She came in through the bathroom window.
___
No, no, no--let me be the DJ.
You're already the DJ.
Heh.
I wanna be the DJ.
What were you saying?
I don't know. Something Something Sonny Something.
So she took 6 Xanex, and
#Adderall
It was just a long day, that's all…
And then I hear Skrillex is on his way HERE?
Damn.
No. I'm not okay.
So, I...
Damn dog, she lost it.
She lost it.
I ovet is.
huh.
Oh man, he was on one.
I'm on one.
Fuck it, I'm On One.
Fuck.
What happened?
What happened?
What happened?
Well, that's tragic.
Wait--this is a tragedy?
No, it isn't--it's a comedy.
No, it isn't-it has Sad Dillon Francis.
Exactly. If it has sad Dillon Francis in it, it's tragic. It's supposed to be dramatic.
Dillon Francis was crying in it? That's fantastic. That's hilarious.
Sad Dillon Francis? I don't want to see sad Dillon Francis!
He's a bad actor.
Then i'll be sad.
We're all sad.
Oh, you're right--we're all sad.
Oh.
He is actually not a bad actor.
He was really good in it.
Oh, my God--it was really good.
Are you serious?
I'm not watching it.
It's nominated for an Oscar.
I'm not watching it.
C'mon man --do you know how long it took to get my hands on this?
They have them at Fantastik.
Do you know what I had to do?
It was not cool.
Bro, it was so cool!
So goood.
He is, he's good.
What has he done!
This is bad.
This is very bad.
KLIPTOWN EMPYREAN, OH I GET IT, IT'S--
Sop.
Okay?
You're never gonna get it.
‘Nah, you're never gonna get it.
Never ever gonna get it
DUDE.
WHAT?
WRITE THE FUCKIN MOVIE.
WHICH ONE?
I DON'T KNOW--THE ONE THAT GETS US OUT OF HERE.
How'd you learn how to do that?
Do what?
Does he know?
No, he doesn't. He doesn't know.
Oh.
Oh, he doesn't know what he did?
Nah, not yet.
Wow.
Have you seen this?
[Looks]
(Not Impressed)
Now I have.
What d you think--
I don't.
That it's like, magic, or...what is that.
I don't know what it is.
Well...what do you think it is?
I don't think, I just listen; and if anything sounds interesting, I just send it in.
Interesting like this?
[plays it]
CUT TO:
[stops it]
This is interesting.
They stare into The Box.
I'm glad you did this in person. No one else can know about this; Not even our affiliates.
Not even--
Nobody.
Woah, it actually came back
I told you, if it was a good idea, it would always come back.
It...I guess.
Besides, it's already happened.
It's just playing over.
“Do I Know you?”
“Do you?”
Damn. This shit gets deep.
I don't get how it's deep. And I don't get how it's DIllon Francis.
I can't even imagine how this happened.
Imagine Dragons.
That's--I'd rather--not.
Anyway, why is she cooking this nigga breakfast?
Because he's dead, he should have a nice breakfast.
Yeah, you're probably right.
BILLIE ELLISH
I---like that scythe.
SUPA CRYPT KEEPER
It's nice, right?
BILLIE ELLISH
Yeah. I like it.
SCK
You like it? Have it.
BILLIE ELLISH
It's mine?
SCK
Yah! If you like it so much, just take it--
CUT TO
DILLON FRANCIS
DUDE, SHE TOOk ONE OF MY MAGNETS.
CUT BACK TO
BILLIE ELLISH
Nice!
Besides, I have another one just like it--but tiny.
TINY SCYTHE.
Have you seen this Billie Ellish kid?
Oh wow.
Yeah, she's kind of terrifying.
BILLIE ELLISH is an Old Soul.
(it's true, she actually is)
A really, really old soul.
Who is this. I like it.
Are You Okay?
Not really, but-- (Shrugs)
That's it? That was the fast?
Yup.
But it was so short.
Sometimes it is.
But now what?
What else do you want?
I...don't know how to do this.
Sure you do,you just do it.
You don't know how you shine the sun, you just do it
Just do it!
JUST DO IT, NIKE.
Is this your knife?
I...yes.
[they fight]
Is this your knife?
I... maybe...
[they fight]
Is this...your
I-- [winces]
CUT TO:
Now, give me your hat.
What, why?!
GIVE ME YOUR HAT.
Damn dude, Skrillex is kicking ass and taking names all day in this.
What movie is this?
*This is the dimension where pretty much, everything is Skrillex.
Well, Everything is Skrillex.
Is this the one with the Bellagio Fountain?
I think it is.
Nigga. He remixed it.
He what?
The Conniption. He remixed it.
What?
“The Conniption”; that's what people are calling it.
Oh...
Yeah. Bruh. Look at--
OH MY GOD.
Bro..you leave the fandom, you leave the kingdom.
What Kingdom? Dog, this isn't a Kingdom, it's just random.
Bro, people LOVE IT. Now they want you to do a collab together.
A collab with Skrillex? I can't afford a collab with Skrillex..
You have to do a collab with Skrillex!
Uh, I don't have to do anything. Especially that.
___
You're getting residuals off my existence.
I am your existence.
SKRILLEX is a SUPERSTAR DJ.
-&-
SUPACREE is a SUPERSTAR DJ.
WARNING:
This combination is potentially hazardous.
WARNING.
! ! !
X___X
WARNING.
__
...is there something you need me to do?
It's... hard to talk about it...
Then don't, you don't have to speak, at all, you know.
Oh what, he's telepathic?
Homeotelepathy. What is that?
BRO, WHAT IS YOUR POWER.
Dude, I don't want to see Skrillex. That shit is terrifying.
You're terrified of Skrillex?
[Plays three clips]
...yeah, dude.
Okay, so basically.
Wow, he's a rocket scientist.
How did you get to this Planet?
What Planet.
Oh, Goddamn him.
Well, t--
Then we just LARPED.
Wow that's...
Oh, it got violent.
Are you Finished with the Skrillex?
Not yet.
DUDE, DID YOU KNOW?
NO!
DID HE KNOW?
NO!
(((YES.)))
AGH. I hate this place! Everything is YES.
You're a fucking idiot.
Oh yeah, you're a fucking Skrillex. How about that?
Call me Skrillex again, you little bitch--just look me in the eye and say it.
Skrillex.
__
Hey, I know this magic…
Magic, this is all magic.
Yeah, I know this guy; This is Jimmy Fallon's magic.
(Good job, bro.)
Jimmy Fallon's Galaxy.
What the fuck I thought it was a planet.
*Ahem. Jimmy Fallon's Magic Galaxy.
Oh, wow.
Alright, then.
WHAT. Jimmy Fallon isn't a Bampheramph.
Actually, he just made Captain.
You're kidding.
No, that was... that just happened.
Jimmy Fallon.
(Obviously)
Come with--actually, you can stay right there.
What?
Just stand right there.
...and that's his magic.
How does he have that? What did he ask for?
What did you give him?
What did he ask for?
What did you give him?!
Oh My God.
You can't just go around granting wishes!
I was just trying to manage these prayers, one-handedly.
You can't just answer all the prayers as “wishes granted” that's why we have this system.
Christ.
No, not me--not today, Satan; I can't TAKE IT.
JESUS CHRIST.
Nah, he quit.
What?!
BUT. You got me now, so.
Who the FUCK are you?
I'm..uh...
What are they calling me?
They don't know it's you, they're still calling you Jesus.
Well of course they still worship Jesus.
Which Jesus?
Well, any Jesus--All The Jesus.
It was all the Jesus.
All the Jesus.
Magic Israel?
A Ziptie machine?
A “Stud Finder”
IT WORKED.
Of course it works.
Well, no use crying over spilled Skrillex.
But what do we do with it?
Well, we're just going to have to get rid of it.
Get rid of it? Fuck that!
Didn't you say you wanted to *sissappear?
Yes.
Then get out of here.
It is--
No, this isn't.
This is his.
No it isn't--it isn't Skrillex.
What do you mean “It isn't Skrillex”? It's Skrillex.
It isn't Skrillex.
What are you talking about--it's--
I made this.
What?
No, it's.
It's me. I did this.
She's not mad at him,
or anything
In fact,
She's just a fragment
Or a figment
or a magnet, that managed to stick
In his imagination
I hang out in this memory
It's bad,
But I keep going back--
I thought maybe I could manage it
Keep it from happening
But it just keeps happening
And hasn't yet
I have to see him.
His eyes.
He's hiding it.
I know where the rest is.
Skrillex has it.
I'm dying, right? I have to be dying.
You're dead.
But I'm dying. I've been here before and I've felt it.
Tokyo?
High rise.
Sounds Nice.
Check the price on a flight.
Likewise,
I've tried to find this guy about a million times.
I know where he hides it.
So, how does it end?
It just ends.
yeah --but how does it end?
It just...ended.
You actually have to leave, to get out of here.
NO…
Don't do it.
Don't do what? I didn't do anything.
This is the way she wanted it.
JUMP.
Jump--now? Are you sure?
This morning my mind was made up;
I was going to Thailand for over a month.
Sweet, and Rich--
But Flaky
Like a pastry in the morning;
Seems like a great treat but really,
He's no good for me
So we'll have a Mexican Wedding
Damn. How did Dillon Francis get so high up???
Well, I found him hanging from a tree, so.
OH FUCK, I GET IT--
HE IS GERALD.
Damn.
I don't know how to explain this…
Oh shit, I get it; I'm Gerald.
-
—
NEXT EPISODE:
CESMET AND PETRUFHEIO are beyond overwhelm; GIAN stands before them, taking a respectful bow as he, too joins them in battlestance, which cannot be broken in physical stature, however the focused energy between the triad raises the entire colleaium into a total chaos and commotion.
GIAN?!
What is this?
Who are you?
GIAN, serious and stern, unusual to his demeanor, scoffs, as he focuses on C'esme't, acknowledging her presence in consciousness, and all respect.
Petrutheio, face reddened, implodes with anger, nearly breaking his stance.
Go ahead, Pet—
That's Your Highness—
—you can't win—
—I already have—
—He'll kill you.
—he's already dead—
Aren't we all?
C'esme't, the only of the triad having actually experienced all forms of death, aoftens her gaze, entering into cosmic ompinpotence
I'm having a hard time
Getting started
With this project
Probably because I just want off this planet
Cause it's lovelies;
I'm honest with my thoughts,
And now I'm lost in them
I'm lost without you
Lost another pair of socks,
In the common laundry room
I'm just an everyday, ordinary
Motherfucking wannabe, a DJ
But I wanna be a mother one day
I'm at the apex
I'm a warning call,
A warning call
A warning
If I kill myself again,
I'm waking up next to my lover
So good morning,
So good morning
Just a warning
Nothing's ever better
Then the taste of butter;
Dug you up to wonder what the fuck was up
With all the rubber ducks
Inside my cup, or tub
I'm just a cuck
I guess you really love her, huh
I really love the one,
I really love
I really love
My other husband—
Huh
I'm at the apex
I'm a warning call,
A warning call
A warning
[SHOT]
If I kill myself again,
I'm waking up next to my lover
So good morning,
So good morning
Just a warning
[SHOT]
Just a warning shot to shut you up,
You little fucking slut
Enough's enough
Another lover, motherfucker
Suck it up, you cunt
You're just another one
You're just another one of us
You're just another
Just another one of us
You're just another one
You're just another one of us
You're just another
Just another one of us
I dug you up to hug you,
But all you are is just
Some bones, dressed in new clothes
I took your skull home
And I put it on my mantle,
Make a wish,
—and then I blow the candle
Out.
Huh
C'esme't has secretly turned to self-harm, in the midst of her ongoing emotional crisis due to Petruchio's arrogance and deliberate carelessness; she begins to fear for her Selfl, as she discovers during a match in her reflective state that she is recently unable to cry, hardened by her stubbornly aggressive counterpart, C'esme't draws the blood of her palm, which she spills onto the sundial in the labyrinth; she is startled and surprised shamefully by Gian, who, though normally calm becomes diffuse, and sent into a powerful fury of sadness and rage-- She reveals to Gian, in his onset of tears that she herself has been unable to cry, to which he deflates as she comforts him, holding his as he weeps glistening streams of ‘conscious tears, crying quite physically for the two of them, blood mixing with his tears as he grasps s cesmet's wounded palm, gripping it to his cheek; His intrinsic healing powers are revealed as his tears begin to mend the deep wound; Meanwhile, Petrutheio becomes irritated, as he is forced to continue pausing a Jester's Match, stricken with excruciating pain in his own palm; Attempting to ignore it, he continues forward with his match, but is irreversibly injured when s when his palm becomes again singed with pain and he is stricken by his opponent; He falls to the ground, clutching his palm, immediately knocked unconscious. He fades into a dream.
PETRUTHEIO, YOU TELEPATHIC HACK!
Oh, so you finally acknowledge my telepathy…
In the highest realm, where The One is set to assume, interwoven intoThe Golden Goddess Of The Eye— Dark Heart Artist —the Eldest consciousness in any given existence; being that of everything of Love, and Light
The middle realm, where the majority of a——-
What the fuck.
Wait, what happened?
It just ENDS!!?
It just ENDED.
WHAT THE FUCK.
AHHHAHHHHAHAHHHH.
No, no, no–
WHAT THE FUCK
Wait! Go back!
AHHHHHHHHH.
[Holding eachother screaming]
Oh, look. A butterfly.
WHAT.
There is is.
Oh.
See.
huh.
[a calm silence]
Bro.
huh .
Wait. we're INSIDE.
{holding eachotherscreaming]
My heart is in another place,
And with these words we face
A face to face
A fight of fights
The faux of foes—
And so, a duel it is
For you, I fawned;
For you, I called—
The darkest night
was followed by
The lightest light
That Dawn could bring,
And I would sing this to you, too,
My love—
But have no melody
A melodrama,
Or a comedy?
Come my lover, come to me
My lover, come to me
Come to me, my lover,
Come ro me—
Come, my lover,
Come to me—
Come to me, my lover
Come to me
Come to me
What was once,
Is always—
Don't you see?
I see you,
See you, see me
What we were,
We always are
We always are
We always, always
Oh, what would you do to me?
Oh, what will you do to me?
Oh, what did you do to me?
What have you done to me?
Come to me, my lover,
Come ro me—
Come, my lover,
Come to me—
Come to me, my lover
Come to me
Come to me
I did fall;
We did fight—
It is love;
He had fawned for me once—
Oh—
Love is what it always was;
What we were once,
We all become
Come to me, my lover
Come to me, my lover
Come to me, my lover
My lover, come to me
Come to me, my lover,
Come ro me—
Come, my lover,
Come to me—
Come to me, my lover
Come to me
Come to me
HI, I'm Gerald.
Dude, I can't tell the story of Gerald. Only Dillon Francis can do that.
I concur.
That's right. Gerald is his friend--
--He's my friend--
I'm not go--
And that's it. It just ends.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
Festival Project
A Saga
S Ū P A © R E E ™
One World.
| PEACE. LOVE. UNITY. RESPECT. |
Lifelong friends navigate the infinitely incredible world of rave culture, journeying together (and sometimes, apart) into the PLUniveRse© in fantastical, philosophical, and third-eye-opening adventures--the likes of which have never been seen (or foretold.)
Festival Project™ is a multi-genre, mystifying and magical cross-genre series, set against the backdrop of modern rave culture-- combined with historical and futuristic elements-- across expansions of space-and-time, unifying with The Universal Consciousness in a multidimensional and explorative ensemble of Films, Episodic Series, Music Videos, Extended Playlists, and Concept Albums.
A perpetual symphony of artistic storytelling though a cavalcade of wonderful and whimsical characters along high-intensity, off-the-map adventures--showcased through Music, Film & Interactive Art Explorations--set upon the dreamlike actual reality of an unravelling fabric of time-and-space.
Enter The Multiverse: Anything Is Possible.
This explosive and expansive wave of enigmatic, chaos-colliding, charismatic [ and often comedic] kinetic energy, reflects a shared experience throughout all time in human connection; Journey beyond the unknown, to Worlds Within--and Without.
Everything is Everything.
The Festival Project Saga is a multi-media Music, Film and Television saga that offers a new perspective on the ever-changing and recently popularized culture of dance music; it touches on the history of the culture as a whole, as well as a variety of other societal issues this generation faces—friendship, connectivity, communication—the dawn of social media, America's education system and justice system, immigration, and emerging mental health and drug crisis—while also taking a look at a history of counter culture as a derivative of the rapidly evolving technology of today's society. Through its characters and storylines, we dive deeply into a conglomerate of generational growth and exponentially educational topics, lightheartedly touching tales of friendship, family through blood and through bond, and exploring fields, of Astrology, Philosophy.
Festival Trip- Two lifelong friends take a two-week-long trip across the country, to attend two major music festivals—one on the west coast (Among Aliens, in California), and one on the east (Ultimate Music Festival)
Chava Hoffs
Sala Emillio
Gunther Ross- The more than interesting circus-act of a plug/one of Sala's romantic interests, who just happens to be in the same place at the same time, once Sala and Chava arrive in California.
Solomon Dominguez- Chava's “homie-lover-friend”, a DC native transplanted to LA who hustles and bustles the 3-job life to live the California dream—a surprisingly dedicated and loyal friend to Chava, who considers him the “king of fuckboys”—which, is not entirely untrue.
Johnny McEntire- An eclectic and friendly photographer who stumbles upon Sala during a vulnerable moment—a sweet, humble, and vibrant personality, Chava mostly dismisses him as just another victim of Sala's constantly-inconstant romantic gestures and affiliations.
Grace Williams (Chava's Super-Christian (but very sweet) Aunt)
Billy Williams- Chava's very dorky, southern Baptist uncle who can't help but throw in a (praise-jesus)
Krista DeVaunte- Bride-To-Be—Noah's Fiance
Noah Williams- Chava's Cousin, the groom to be
Naomi Williams- Chava's salty Cousin, and freinemy since birth—Noah's younger sister
Sonny Johnson— Chava's ex-fiance
Dustin Roberts—Sala's ex-boyfriend
Juan Manuel Jose Melendez Gutierrez-Rodriguez—Sala's current boyfriend, with whom she lives & works with.
Running Jokes:
-Ridiculous DJ names and Absurd Fictional Festivals
-Speaking Spanish with a Mandarin-inflenced dialect—speaking/yelling in awful Spanish-sounding-Mandarin—speaking “Mandarish” or “Spandarin”
-Every time Chava mentions Sonny (her ex), Sala interjects with “Fuck Sonny!”
-Cop Jokes (due to Chava's occupation)
“Go climb broke-bitch mountain!”
ACT I- The Wedding Bashers/It's Festival Season
“Save-The-Date”
Inciting Incident—Plans to attend a destination wedding that Chava and her lifelong. long- distance best friend Sala, have been planning for almost a year are abruptly halted when Chava learns via a very eventful FaceTime call (‘Meet The Williams') that her +1 invitation had apparently only applied to her now-ex-fiance [whom her stuck-up family adored because of his abhorrent Christianity], and that the bride-to-be would not allow Sala to take his place on the guest list—as her vivid memories of Sala from Chava's engagement party are severely grotesque.
Flashback: Chava + Sonny's engagement party.
Chava: Yeah dude, they got all, mad-butthurt that I was bringing you instead of Sonny.
Sala: Fuck Sonny!
[The Break-Up]
Sala: FUCK YOUR BIRTHDAY!
CHAVA: I'M SURE YOU WOULD IF YOU COULD, IF MY BIRTHDAY HAD A PENIS.
Sala: YOUR BIRTHDAY DOES HAVE A PENIS—IT'S YOU, DICK.
CHAVA: THEN SUCK ME, SALLY MAE.
SALA: YOU WISH, WANDA.
CHAVA: Can't make a wish with no fucking candles, Kandace.
SALA: Huh. I would have thought there were candles just judging by hard you fucking BLOW, Bonnie!
CHAVA: Then drive off cliff, Clyde.
A remote, unnamed city near the North Pole, in the Alaskan Arctic Circle.
It is severely cold, even visually so.
ACT II- Sunny California
ACT III- Sunny Florida
In the scene where random ravers find Sala's backpack in the parking lot, debut Rave Dora
[Backpack SupaCreeMixx]
“I'm a backpack loaded up with things and Knick-knacks too—anything that you might need, I got inside for you...”
Festival Trip One-Liners/ Slang/ Phrases
Keep up, Kassandra
Hold Up, Heather
Be back, Becky
Back up, Barbra
Shut up, Susan/ Shut Up Sandra/ Shut Up Sharon/
Sit Down, Sally
Shove It, Shelly
Stop It, Stella
Chill, Chelsea
Cheer Up, Charlie (a reference to Willy Wonka)
Get out my biz, Liz
Really Billy?
Excerpt, Act III
Chava: Dude, your energy is killing me.
Sala: So.
Chava: Soo, fix it.
Sala: What do I look like—Bob the Builder?
Chava: More like Wreck-It-Ralphed-All-Over-Yourself
Sala: Fuck you.
Chava: Off limits. I'm the last person on earth you haven't fucked.
Sala: Jealous?
Chava: Of the super-massive black-hole that is your vagina? No. I just wish my camera had a better low-light filter so I had actual photographic proof of an 8th world wonder.
Sala: …fuck you.
Chava: ‘No' Means ‘No'. [blows whistle] Get up.
Sala: Ahhhhh—Get fucked!
Chava: I was—and you ruined it being a hoe—but I'm willing to look past that, because its a beautiful fucking day in Miami and we're about to get lit. C'mon. S'day one.
Sala: Day 1 of rave 2, I'm over it.
Chava: Hoe, I'm over you.
Sala: Get over me, then, bitch—
Chava: I already said I am. Get with it.
Sala: Get with this dick.
Chava: What's a dick without some balls, bro? Pussy.
Sala: …
Chava: You mad?
Sala: I been mad.
Chava: Stay mad, then.
Sala: How about I just stay here.
Chava: Pay here, stay here, bitch—this trip ain't free.
Sala: This trip ain't me. Raves are your thing. I'm not a “festival chick.”
Chava: You are for the next three days.
Sala: …Three…?!
Chava: And counting. Get. Some. Motherfuckin' balls. Here, have some Jesus Juice.
[She extends her arm, holding the bottle in front of Sala]
Sala: Ughhh.
Chava: Come on, man. I'm tryna see Cow Turds.
Sala: You're engaged to one.
Chava: Shut the fuck up and drink. Here, I'll have one with you.
The Epic Trip – ‘Girl—Meet World'. After breaking up with both her ex-fiance and her best friend, a depressed and anxious Chava decides to take a last-minute trip to another one of her bucket list destinations: The Epic Music Festival in Las Vegas, Nevada.
F*ckFest: The Origins (Prequel) 21-year-old Chava Hoffs, a longtime raver and lover of all things dance culture, finally convinces her bar-scene best friend to accompany her to a regional event in her area, ‘F*ckfest', Sala's first ever festival/rave where—to both her and Chava's surprise, she connects with other longtime friends she had no idea were immersed into the culture. Sala, having been “rave-retired” since entering her first serious relationship, becomes overly-excited and branches off on her own, reconnecting with her true self after spending too long in her own shell—she discovers her love for an up-and-coming new artist (‘Shluggy') who magnetizes her with a newly-created sound (‘PukeRock'—a play on “VomitStep”)
Vibes [Mini Series, Prequel]- A sequel-in-installments to the shenanigans following F*ckfest, where Chava returns to visit Sala and return to ‘one of her favorite venues', which now hosts GoF*ckYourself (GFY), the biggest summertime festival in the region.
Festival Trip II [First Sequel ]-
It's been a magical year and the breakup is over;
A 20-something's imaginary friend returns, a decade after disappearing, just as she finds herself on the brink of ‘real adulthood', and has settled into the mundane and mediocre—as he leads her on a journey of self-discovery, she internally struggles with whether to tell her therapist—after deciding (or rather, being convinced) she shouldn't, she begins a desperate search for answers in what seems like a downward spiral into
(Use- I'm on my way to heaven, for trailer.)
A group of friends decide to form their own society after discovering an “uncharted” island—what they don't know [understand] is that the world government is observing at every angle—and as their population increases, they struggle as the popularity of their culture and lifestyle explode—
Craig's world- an ensemble about the good old days of craigslist
Ū [Amnesia/Working Title]
Miami (Ami) A fashion designer and music enthusiast who attends festivals in her spare time, seeking inspiration for her fashion and design blog; she shares an apartment with her lesbian best friend from college, who works as a freelance writer and photographer.
Crystal (Chrys) A short-haired-yet-feminine gender-non-conforming lovable with a dry sense of humor and an eye for art; Music lover and fan of festivals, Miami's “convert” into the rave world.
Serra- A high-matinence instagram model who supports herself through social media promotion and influencing, modeling Miami's fashion line and sugar-babying/arm-candying to make her way through life, usually attending festivals as someone's date or just to take pictures/show face.
Samuel/Donnie- Sensei Samurai: An award-winning world-renowned music artist and specialty DJ, the soul-headliner of ‘Magic's Mountain art and Music Festival'
Daz- Sam/Donnie's Manager- (Antagonist)
Lazers, pyrotechnics, strobes, and confetti light the night sky as Sensei Samurai, a medium-build white guy sporting two long braids and a samurai cut (his signature style), dances atop the table which supports a state-of-the-art DJ set-up; The stage is massive, the crowd is wild--but he is at home--or rather, at work, and at the top of his game. He jumps down from the table, drinking from a red solo cup, before he picks up the microphone to speak to his audience:
Samuel: LET ME SEE YOU FUCKING JUMP.
He dances around, flailing his arms to gesture to the crowd, drinking again from his red solo cup . He moves to the beat of the music as he focuses to adjust the mixer, structuring a build-up. His manager watches from backstage, carefully eying his every move.
Samuel: --ARE YOU GUYS READY?
[He lights a ciggarette, sips from his cup again as he continues to mix. He nods along to the beat, grooving as he plots his next move, looking into the crowd with hunger in his eye.]
Dez: (speaking into a earpiece) Sammy, take it easy...
[He glances stage left, to where Dez is situated and watching him like a hawk; He nonchalantly shrugs, blowing out a plume of smoke into the air, decisively irritated with the instruction.]
Dez: (Cont'd): I mean it, chill.
[Samuel sticks his finger into his ear, wiggling it profusely--and dislodges the hidden inner-earpiece, eyeing Dez as he pulls up his headphones, deep in the mix; He takes a long drag from his ciggarette, master-minding as he feverously twists the knobs and dials of the mixer.]
Samuel (over the mic) NO CHILL MOTHERFUCKERS. [The music speeds as he prepares for the drop.]
Dez: (forgetting momentarily that he will not be heard) Sam, don't--!
[Too late. Samuel Drops the bass so hard, it hurts, ripping off his headphones and running straight into the crowd, head first to crowd surf. The crowd goes massively, insanely wild.]
Through the lens of Crystal's camera, we see a series of still photos, capturing Sam's wild plunge into the crowd, just off-center in the front row. Miami looks to her right, giving her a nod of approval; Crystal shoots her a hand signal for “ok”. Miami looks to her left, lifting an eyebrow and smirking at Serra, who bounces off-beat against a tall wooky gentleman who has his arms around her through the sleeves of a spirit hood, tilting her head from side to side as she poses for selfies. Miami happily sways to the motion of the music, putting one hand over the rail and pulling up her mask with the other, as she watches Samuel be lifted back onto the stage and take his place behind the decks. The set continues, the crowd, the lazers, and the effects go wild: The backdrop reads ‘SENSEI SAMURAI' His backup dancers are acrobatic ninjas.
Samuel: Thank you Magical Mountain, I Love You Guys!!
The crowd goes wild as Samuel exits the stage, ignoring Dez as he breezes past him.
Dez: (following after him) I thought I said, “No more crowd surfing, no more stage diving.”
Samuel: I thought you said that, too.
Dez: Do you recall “OhMyLanta?”
Samuel: (sarcastically) Oh, you mean that festival in Atlanta?
Dez: Yes.
Samuel: How creative.
Dez: ‘Creative' would describe the legal team's very expensive, very strenuous tactical strategy which weaseled you out of a very serious lawsuit.
Samuel: What? When was this?
Dez: This was when you decided to stage dive wearing goth-pants and your chains got stuck in that kid's earholes
Samuel: They're called Tripp pants.
Dez: Oh yeah...what do you call them after mutilating a teenager with them?
Samuel: Tripp pants I can sell on eBay. I made that kid a star.
Dez: You made him a cripple.
Samuel: --we still talk.
[EXT. A FARAWAY FOREST]
Bass blasts through the christmas-lit forest, a festival set in the meadow against the lush and natural forest scenery; Attendees come-and-go to-and-from the lines of tents and out into the festival grounds, where DJs headline stages, dancers and performers interact with spectators, vendors practice their unique salesmanship, and the wild and true nature of ravers is unleashed.
Frozen breath leaks from the laughing mouths of three young individuals, running through the forest; Twigs crush and leaves crackle underfoot of their prancing and galloping feet, clad in combat boots, tennis shoes, and platforms, respectively. Ripped fishnets hug the thighs that sweep together rapidly, swooshing as the legs that bare them race forward; a pashmina trails behind one's back, acting as a cape of sorts.
A thud, in the darkness of the forest. Crystal and Serra continue forward, unaware their friend has fallen for a few short moments, leaving Miami behind.
Miami confusedly looks for the obstruction which caused her to trip, discovering under a pile of brush and leaves, a man (Samuel) lying face down on the ground; her eyes widen and she draws slightly back, frightened, before squinting and leaning in to get a closer look; She turns on a glow toy for added light, she pants heavily under her breath, shaking slightly as she brushes away debris and leaves, uncovering his head and shoulders, revealing he is wearing a mask. She examines him. His glasses are broken, lying on the ground under his face--His hair is wet; he appears dead.
Crystal: ...I told you not to wear those.
Miami: Yo…
Crystal: Yo--*gasps* (she grabs Serra by the shoulder, holding her back.)
Serra: (She notices the body, under her pashmina, spirit hood, and glasses) Ohwhatthefuck. (she takes a few steps back)
Crystal: Don't move.
Serra: Yeah, fuck that. Fuck this. (she wraps the pashmina tightly around her face) [muffled] Fuck this.
Crystal: ...Ami, we should get out of here.
Miami: We should help him.
Crystal: He may be beyond help, honey.
Serra: He's fucking dead. Whatthefuck. Fuck this!
Crystal: ...Is he dead?
Miami: (she looks at him closely, there are no signs of life. she checks for breathing with her hand.) ...I don't know. (she checks again, leaning in closer. she grabs his wrist to check a pulse)
Serra: Don't touch it!
Miami: Shut up, I'm trying to get a pulse (beat) ...he's super cold.
Serra: He's super dead!
Miam: No, no...I don't think so. Crystal, come here--help me turn him over.
Crystal: Are you sure? What if he--wakes up and tries to--??
Miami: (urgently) What if it was you?
Crystal fishes for a flashlight and switchblade in her fanny pack, places the flashlight in her mouth and positioning the knife under her kandi cuffs. She cautiously inches forward.
Crystal: Serra, try to get some cell service so we can call for help.
The girls carefully turn him onto his back, wide eyed and bewildered. He is completely lifeless, clamy and pale--covered with dirt, and forestry. Miami continues to check for a pulse, shaking her head as he continues to appear dead.
Crystal: Do you feel anything?
Miami: …(shaking her head) I can't...he's like…(as she pulls up the sleeve of his hoodie and notices a familiar tattoo. she pauses for a moment, thinks, and then looks towards his head) Do you still have my mirror in your fanny pack?)
Crystal returns to her fanny pack, digging for the mirror. Miami carefuly leans in towards the man, examining him once more; she notices a necklace, also familiar--she thinks, as she moves to remove first the excess hair, and then the mask from his face, very carefully. She peels off his mask, immidiately shocked as she reckognizes his face--It is Samuel, who she knows as Sensai Samurai. She yeeps (imploded gasp, making Crystal look up; she, too recognizes him; she gasps. They look at eachother, then at him--then back to eachother.)
Miami: ...Give me your mirror.
Crystal: Dude, is this…?
Miami: Your mirror.
(she holds the mirror under his nose--a subtle cloud of fog appears; he is, in fact, alive.)
Crystal: Oh, my God.
Miami: He's breathing. Serra!
Crystal: ...This is Sensai Samurai.
Miami: (trying to convince herself) It probably just looks like him….
Crystal: I just took one-hundred close-up photos, dude--like, less than an hour ago--
Miami: Shhhhh! (she frantically begins to check his pockets) He's gotta have a wallet.
Crystal: What, you were going to save him--now you wanna roll him?
Miami: An ID. He's got to have an ID. (she frantically searches him) Hey Serra!
(Crystal lifts the other sleeve of his sweater, revealing a brightly colored wristband, and one singular kandi bracelet, which reads “Sensai” Simoltaneously, Miami has found something in one of the pockets--she produces a small box from one of the pockets of his cargo pants)
Crystal: Holy fuck. Look.
(she gestures the wrist band and bracelet.)
Miami: ...Artist's wristband. Fuck. It is him.
Crystal:
[Samuel is slumped lifelessly over both Crystal and Miami's shoulders, head hanging downward and hair flailing and dangling in his face as the girls struggle to support him. His oversized light-up sunglasses begin slipping, almost revealing his eyes.]
Girl:(looking over, concerned) ...Is your friend okay?
[He is clearly not. Serra slides her finger up his nose to adjust his glasses, eyeing the girl suspiciously.]
Crystal: [flatly] Yes.
[Samuel's dead-weight pulls him towards the ground, as he slips; the girls struggle to readjust; he seems heavier by the minute. They all three stare back at the girl, awkwardly; Miami fakes an ‘everything's fine' smile, while Crystal stares blankly through her sunglasses and Serra shoots a look of dissatisfaction.
[INT. KITCHEN. DAY.]
The three girls gaze in awe of Donnie, multitasking busily in the kitchen, hair pinned neatly atop his head with chopsticks, wearing a neatly-pressed (as in, freshly ironed) apron, as he removes one baking mit with his mouth and works about, happily consumed and bouncily, humming.
-...He's so...domestic.
Crystal -You'd think he'd carry a better tune.
Miami- Cause you'd be belting melodies after waking up out of a drug-induced coma?
Crystal- No--I guess I'd open a bake shop in some random girls' kitchen.
Miami: Donnie?
Donnie: Hmm, yes?
Miami: We...we have some news for you.
Donnie: Oooh! Is it celebrity news?
Miami:...sort of.
Donnie: I hope it's juicy gossip.
Crystal: Believe me--it'll be the talk of the town.
Donnie: This town?
Crystal: Any town.
[ She refills her wine glass first, then prepares two more, never breaking eye contact with donnie; His lighthearted excitement turns to slight confusion, as he furrows his brows,]
Miami: (sighs, taking his hand) Here, lets sit down.
Donnie: But, the macaroons--
Serra-What? That's what you're making?
[Donnie nods.]
Serra-...(to the side) maybe we should let him finish the macaroons, first...what if this like, fucks him all up.
Miami: No, it's time. I feel like we've already waited too long.
Serra-...I feel like he makes really good macaroons.
Miami: Yeah? Like grammy-award-winning macaroons?
-If by ‘Grammy', you mean my Grandmother would approve…
Miami: Your grandmother died of complications from diabetes.
Serra-...and you think macaroons had absolutely nothing to do with that?
[Crystal has already finished her first glass of wine, and begins to reach for the second glass, when Miami, out of the corner of her eye, catches her, snatching the glass from her gracefully, as she floats it to Donnie, sitting beside him, crossing her legs.]
Donnie: Before noon?
Crystal- Oh, so you know that rule?
Donnie: I know some things.
A 20-something's imaginary friend returns, a decade after disappearing, just as she finds herself on the brink of ‘real adulthood', and has settled into the mundane and mediocre—as he leads her on a journey of self-discovery, she internally struggles with whether to tell her therapist—after deciding (or rather, being convinced) she shouldn't, she begins a desperate search for answers in what seems like a downward spiral into
A group of friends decide to form their own society after discovering an “uncharted” island—what they don't know [understand] is that the world government is observing at every angle—and as their population increases, they struggle as the popularity of their culture and lifestyle explode—
Craig's world- an ensemble about the good old days of craigslist
Blue Story
A wayward security officer drunkenly fills out an application to join the police academy, and is accepted—both to his surprise, and dismay.
#SQUAD OUT!- A Mockumentary-Style Comedy following several “tribes”, “squads”, “rave families”, and even solo-ravers surrounding a large group of ravers and friends.
Ū [Amnesia/Working Title]
Amnesia [Working Title]
Three girls at a camping festival find an incapacitated man in the woods and take him back to their campsite for safety—when one of the girls discovers that she recognizes the mysterious man, actually a headliner at the festival they're attending—two of the girls keep it a secret from their friend who would certainly take advantage of the situation. After discovering a “butt-load” of mind-altering substances on his person, Miami, the ring leader, makes a ‘judgement call' not to call the authorities, deciding instead to attempt to take him back to his trailer—however—when the girls haul him back to his campsite, they discover his manager, Dez, rifling through his belongings. When Samuel awakens, he has no memory of himself—and so a journey begins: a test of friendship, and a race against the clock.
Miami (Ami) A fashion designer and music enthusiast who attends festivals in her spare time, seeking inspiration for her fashion and design blog; she shares an apartment with her lesbian best friend from college, who works as a freelance writer and photographer.
Crystal (Chrys) A short-haired-yet-feminine gender-non-conforming lovable with a dry sense of humor and an eye for art; Music lover and fan of festivals, Miami's “convert” into the rave world.
Shane- A high-matinence instagram model who supports herself through social media promotion and influencing, modeling Miami's fashion line and sugar-babying/arm-candying to make her way through life, usually attending festivals as someone's date or just to take pictures/show face.
DONNIE “*giggles* what's a rave?”
Miami (takes a deep breath)
Crystal (facepalm)
Shane (purses her lips)
C-Is Giving drugs to somebody with amnesia bad?
M-I don't know what's bad for amnesia
S-Well maybe, it's not giving it to him that would be bad—like, they were already in his system, probably wouldn't he go like, into withdraw or something.
You're probably right
S-(I'm probably not)
Samuel/Donnie- Sensei Samurai: An award-winning world-renowned music artist and specialty DJ, the soul-headliner of ‘Magic's Mountain art and Music Festival'
Daz- Sam/Donnie's Manager- (Antagonist-)
Lazers, pyrotechnics, strobes, and confetti light the night sky as Sensei Samurai, a medium-build white guy sporting two long braids and a samurai cut (his signature style), dances atop the table which supports a state-of-the-art DJ set-up; The stage is massive, the crowd is wild--but he is at home--or rather, at work, and at the top of his game. He jumps down from the table, drinking from a red solo cup, before he picks up the microphone to speak to his audience:
Samuel: LET ME SEE YOU FUCKING JUMP.
He dances around, flailing his arms to gesture to the crowd, drinking again from his red solo cup . He moves to the beat of the music as he focuses to adjust the mixer, structuring a build-up. His manager watches from backstage, carefully eying his every move.
Samuel: --ARE YOU GUYS READY?
[He lights a ciggarette, sips from his cup again as he continues to mix. He nods along to the beat, grooving as he plots his next move, looking into the crowd with hunger in his eye.]
Dez: (speaking into a earpiece) Sammy, take it easy...
[He glances stage left, to where Dez is situated and watching him like a hawk; He nonchalantly shrugs, blowing out a plume of smoke into the air, decisively irritated with the instruction.]
Dez: (Cont'd): I mean it, chill.
[Samuel sticks his finger into his ear, wiggling it profusely--and dislodges the hidden inner-earpiece, eyeing Dez as he pulls up his headphones, deep in the mix; He takes a long drag from his ciggarette, master-minding as he feverously twists the knobs and dials of the mixer.]
Samuel (over the mic) NO CHILL MOTHERFUCKERS. [The music speeds as he prepares for the drop.]
Dez: (forgetting momentarily that he will not be heard) Sam, don't--!
[Too late. Samuel Drops the bass so hard, it hurts, ripping off his headphones and running straight into the crowd, head first to crowd surf. The crowd goes massively, insanely wild.]
Through the lens of Crystal's camera, we see a series of still photos, capturing Sam's wild plunge into the crowd, just off-center in the front row. Miami looks to her right, giving her a nod of approval; Crystal shoots her a hand signal for “ok”. Miami looks to her left, lifting an eyebrow and smirking at Serra, who bounces off-beat against a tall wooky gentleman who has his arms around her through the sleeves of a spirit hood, tilting her head from side to side as she poses for selfies. Miami happily sways to the motion of the music, putting one hand over the rail and pulling up her mask with the other, as she watches Samuel be lifted back onto the stage and take his place behind the decks. The set continues, the crowd, the lazers, and the effects go wild: The backdrop reads ‘SENSEI SAMURAI' His backup dancers are acrobatic ninjas.
Samuel: Thank you Magical Mountain, I Love You Guys!!
The crowd goes wild as Samuel exits the stage, ignoring Dez as he breezes past him.
Dez: (following after him) I thought I said, “No more crowd surfing, no more stage diving.”
Samuel: I thought you said that, too.
Dez: Do you recall “OhMyLanta?”
Samuel: (sarcastically) Oh, you mean that festival in Atlanta?
Dez: Yes.
Samuel: How creative.
Dez: ‘Creative' would describe the legal team's very expensive, very strenuous tactical strategy which weaseled you out of a very serious lawsuit.
Samuel: Law-Suit? I've never worn one of those. Black-Label?
Dez: More like ‘black-book' with your name written on and in it. It took me weeks clean up.
Samuel: When was this?
Dez: When you decided to stage dive wearing goth-pants and one of your chains got stuck in that kid's earhole.
Samuel: They're called ‘Tripp' pants.
Dez: Oh yeah...what do you call them after mutilating a teenager with them?
Samuel: Tripp pants I can sell on eBay.
Dez: You made him a cripple.
Samuel: --we still talk.
Bass blasts through the christmas-lit forest, a festival set in the meadow against the lush and natural forest scenery; Attendees come-and-go to-and-from the lines of tents and out into the festival grounds, where DJs headline stages, dancers and performers interact with spectators, vendors practice their unique salesmanship, and the wild and true nature of ravers is unleashed.
Frozen breath leaks from the laughing mouths of three young individuals, running through the forest; Twigs crush and leaves crackle underfoot of their prancing and galloping feet, clad in combat boots, tennis shoes, and platforms, respectively. Ripped fishnets hug the thighs that sweep together rapidly, swooshing as the legs that bare them race forward; a pashmina trails behind one's back, acting as a cape of sorts.
A thud, in the darkness of the forest. Crystal and Shane continue forward, unaware their friend has fallen for a few short moments, leaving Miami behind.
Miami confusedly looks for the obstruction which caused her to trip, discovering under a pile of brush and leaves, a man (Samuel) lying face down on the ground; her eyes widen and she draws slightly back, frightened, before squinting and leaning in to get a closer look; She turns on a glow toy for added light, she pants heavily under her breath, shaking slightly as she brushes away debris and leaves, uncovering his head and shoulders, revealing he is wearing a mask. She examines him. His glasses are broken, lying on the ground under his face--His hair is wet; he appears dead. Miami is horrified, speechless, breathless.
Crystal: ...I told you not to wear those.
Miami: Yo…
Crystal: Yo--*gasps* (she grabs Shane by the shoulder, holding her back.)
Shane: (She notices the body, under her pashmina, spirit hood, and glasses) Ohwhatthefuck. (she takes a few steps back)
Crystal: Don't move.
Serra: Yeah, fuck that. Fuck this. (she wraps the pashmina tightly around her face) [muffled] Fuck this.
Crystal: ...Ami, we should get out of here.
Miami: We should help him.
Crystal: He may be beyond help, honey.
Shane: He's fucking dead. Whatthefuck.
Cystal: ...Is he dead?
Miami: (she looks at him closely, there are no signs of life. she checks for breathing with her hand.) ...I don't know. (she checks again, leaning in closer. she grabs his wrist to check a pulse)
Shane: Don't touch it!
Miami: Shut up, I'm trying to get a pulse (beat) ...he's super cold.
Shane: He's super dead!
Miam: No, no...I don't think so. Crystal, come here--help me turn him over.
Crystal: Are you sure? What if he--wakes up and tries to--??
Miami: (urgently) What if it was you?
Crystal fishes for a flashlight and switchblade in her fanny pack, places the flashlight in her mouth and positioning the knife under her kandi cuffs. She cautiously inches forward.
Crystal: Shane, try to get some cell service so we can call for help.
The girls carefully turn him onto his back, wide eyed and bewildered. He is completely lifeless, clamy and pale--covered with dirt, and forestry. Miami continues to check for a pulse, shaking her head as he continues to appear dead.
Crystal: Do you feel anything?
Miami: …(shaking her head) I can't...he's like…(as she pulls up the sleeve of his hoodie and notices a familiar tattoo. she pauses for a moment, thinks, and then looks towards his head) Do you still have my mirror in your fanny pack?)
Crystal returns to her fanny pack, digging for the mirror. Miami carefuly leans in towards the man, examining him once more; she notices a necklace, also familiar--she thinks, as she moves to remove first the excess hair, and then the mask from his face, very carefully. She peels off his mask, immidiately shocked as she reckognizes his face--It is Samuel, who she knows as Sensai Samurai. She yeeps (imploded gasp, making Crystal look up; she, too recognizes him; she gasps. They look at eachother, then at him--then back to eachother.)
Miami: ...Give me your mirror.
Crystal: Dude, is this…?
Miami: Your mirror.
(she holds the mirror under his nose--a subtle cloud of fog appears; he is, in fact, alive.)
Crystal: Oh, my God.
Miami: He's breathing. Shane!
Crystal: ...This is Sensai Samurai.
Miami: (trying to convince herself) It probably just looks like him….
Crystal: I just took one-hundred close-up photos, dude--like, less than an hour ago--
Miami: Shhhhh! (she frantically begins to check his pockets) He's gotta have a wallet.
Crystal: What, you were going to save him--now you wanna roll him?
Miami: An ID. He's got to have an ID. (she frantically searches him) Hey Shane!
(Crystal lifts the other sleeve of his sweater, revealing a brightly colored wristband, and one singular kandi bracelet, which reads “Sensai” Simultaneously, Miami has found something in one of the pockets--she produces a small box from one of the pockets of his cargo pants)
Crystal: Holy fuck. Look.
(she gestures the wrist band and bracelet.)
Miami: ...Artist's wristband. Fuck. It is him.
Crystal:
[Samuel is slumped lifelessly over both Crystal and Miami's shoulders, head hanging downward and hair flailing and dangling in his face as the girls struggle to support him. His oversized light-up sunglasses begin slipping, almost revealing his eyes.]
Girl:(looking over, concerned) ...Is your friend okay?
[He is clearly not. Serra slides her finger up his nose to adjust his glasses, eyeing the girl suspiciously.]
Crystal: [flatly] Yes.
[Samuel's dead-weight pulls him towards the ground, as he slips; the girls struggle to readjust; he seems heavier by the minute. They all three stare back at the girl, awkwardly; Miami fakes an ‘everything's fine' smile, while Crystal stares blankly through her sunglasses and Serra shoots a look of dissatisfaction.
[INT. KITCHEN. DAY.]
The three girls gaze in awe of Donnie, multitasking busily in the kitchen, hair pinned neatly atop his head with chopsticks, wearing a neatly-pressed (as in, freshly ironed) apron, as he removes one baking mit with his mouth and works about, happily consumed and bouncily, humming.
-...He's so...domestic.
Crystal -You'd think he'd carry a better tune.
Miami- Cause you'd be belting melodies after waking up out of a drug-induced coma?
Crystal- No--I guess I'd open a bake shop in some random girls' kitchen.
Miami: Donnie?
Donnie: Hmm, yes?
Miami: We...we have some news for you.
Donnie: Oooh! Is it celebrity news?
Miami:...sort of.
Donnie: I hope it's juicy gossip.
Crystal: Believe me--it'll be the talk of the town.
Donnie: This town?
Crystal: Any town.
[ She refills her wine glass first, then prepares two more, never breaking eye contact with donnie; His lighthearted excitement turns to slight confusion, as he furrows his brows,]
Miami: (sighs, taking his hand) Here, lets sit down.
Donnie: But, the macaroons--
Serra-What? That's what you're making?
[Donnie nods.]
Serra-...(to the side) maybe we should let him finish the macaroons, first...what if this like, fucks him all up.
Miami: No, it's time. I feel like we've already waited too long.
Serra-...I feel like he makes really good macaroons.
Miami: Yeah? Like grammy-award-winning macaroons?
-If by ‘Grammy', you mean my Grandmother would approve…
Miami: Your grandmother died of complications from diabetes.
Serra-...and you think macaroons had absolutely nothing to do with that?
[Crystal has already finished her first glass of wine, and begins to reach for the second glass, when Miami, out of the corner of her eye, catches her, snatching the glass from her gracefully, as she floats it to Donnie, sitting beside him, crossing her legs.]
Donnie: Before noon?
Crystal- Oh, so you know that rule?
Donnie: I know some things.
Under The Mask —A superstar DJ and his best friend embark on a series of festivals under cover as non-celebrity citizens to first-handedly experience the other side of his world.
Grandma's Girl- A funeral turns into an accidentally epic week-long house party, after the ‘favorite grand child' becomes disappointed in the traditional send-off given by the family; While grieving and going through her late-grandmothers belongings, Serra discovers journals and an old phonebook, containing the life and times of her wildly adventurous grandma and her close friends—when she realizes that none of the people from her grandmother's life ‘before the family' are in attendance of her funeral (or even aware of her passing), she links up with her best friends to organize a ‘proper goodbye'. All heaven breaks loose, when ‘ravers of old' begin showing up to pay their respects to Silvia—things get a little out-of-hand when the gathering explodes due-to-word of mouth, as it turns out Grandma Silvia had a few more connections than expected—and they've all come from near-and-far to say their goodbyes.
Deathwish—A series about a woman who makes a death wish—but the stakes are raised wen all her wildest dreams come true, and death lurks just around the corner at every turn.
((M3))- A collection of silent films, by SupaCree Enter: World of Music
Ascension- Set in a parallel universe, Father TIme and Mother Nature are reconnected on Earth, as the dawn of a new-era arises at the peak of mankind's evolutionary journey.
Series is set in a parralell universe, a seperate realm where humans have met faced dark ages, technological or technological setbacks they live harmoniously and peacefully within— live spiritually and intuitively with the planet, and can gain/ strengthen certain abilities through higher learning, strength training, conditionig, and meditation; We begin at the dawn of a new age, where beings ('God Bodies' [working])acended from higher plains of conciousness walk amongst the living in 'humanform', guided and led to higher forms of being through teachings of the Acended sorcerers and masters belonging to the universal collective conciousness of light; Also amongst the living, in 'humanform',
Costumes: Modern-Futuristic
da
‘Thieo' makes his final wish (for his truest and ever lasting love) to his appointed Acceded Sorcerer; but there are trials he must endure and obstacles to be met before his wish come true—
C'Esmett— A warrior princess raised to rule is on on the brink of going rouge, after she is betrayed by her betrothed —her calling to become queen is imminent; yet she must overcome boundaries set by tradition, facing the powers-that-be to strengthen and master her own. Her ancient knowledge, ascended sorcery, and intrinsic healing mysticism— amongst other gifts of nature (a seer, fortune of truths; being of light)
“I'm sorry, but it's out of my control.”
“NOTHING Is out of your control."
"--Except for you."
She scorns him, and turns away swiftly, as her cape sweeps across the floor, as it flutters and whips behind her
“I'm sorry, but it's out of my control.”
“NOTHING Is out of your control."
"--Except for you."
She scorns him, and turns away swiftly, as her cape sweeps across the floor, as it flutters and whips behind her--she turns again, eyeing him directly, pointing to him with dismay as she takes in a breath; catching herself in anger, she deflates, keeping eye contact (though her gaze suddenly softens as she arrives
‘ACENSION'
Ascension- Set in a parallel universe, Father TIme and Mother Nature are reconnected on Earth, as the dawn of a new-era arises at the peak of mankind's evolutionary journey.
CHARACTERS
Thïeo {Petrutheïo} Godform Spiritclad Cross-Bodied sorcerer; Humanborn earthbound in his most recent incarnation to rule in the new age…(t b c)
C'Esmétt {Ch'Esmett X'oxįl Nazari is the most powerful being on planet Earth, and throughout multiple dimensions, through which she presides over, in various forms and figures; She possesses the universe's oldest Soul. a Godform Spiritclad Ascended Sorceress who possesses rare “Creation Energy”—the ability to form and shape matter, bend and travel through time, and control aspects of reality; Youthful and fiery, she is praised as a God of Light;
Supporting:
Kï'yara—Fireborn, Earthbound
Rai'ayn—Loveborn, Multi-Dimentional
Onyyxx—Rooted, Tri-Dimentiinal
The elements:
Love
Matter
Earth
-Of Ground
-Of Water
-Of Fire
-Of Air
...there are more but I'm tired right now.
The realms:
Now
Then (points in the past to which time bending bodies may access)
The past (inaccessible points on past timelines to those in human form or bound to earth, besides Godform; even so, the process is strenuous and dangerous.
Love
Self (to self, to travel inward and reflect a physical presence of the world within, outwardly; true self exists freely and ideally—you are able to converse with self as others see you [appearing as an identical twin with ideal aspects.
Light therapy
Frequencies
Vibrationally energizing
Body waves are
Paralyzing
Lines of
Broken harmonies
Inside of me.
Crying on the clock;
Rocking back and forth
Stocking full of coal
Greetings from the North Pole
If Santa Clause is real
Maybe we can make a deal;
If my heart is made of steel
You can't steal it—I can feel it
Winter is here
The world is money hungry
(So am I)
The world is simply starving
(So am I)
The world is so alarming
(So am I)
The world is just evolving.
(So I am.)
Cause I've been going crazy
Stuck inside myself
And I've been feeling lazy
Just beside myself
And I've been thinking lately
That just maybe, someday maybe
I'll be
It's all connected—
The reason we disconnect
Is we're neglected
I wonder what you'd expect
You can't express it
Just repress it.
Repression syndrome—
Came up too fast;
Compression syndrome
Suck it in
Suck it up,
You stupid fuck
Dive deeper
Ū (EP)
1. Thank U
2. I'm Sorry
3. I Love U
4. I miss U
I like your vibe
Come join my squad
Curiosity killed the cat
Carbohydrates killed the queen
Don't cry
“I'll try...”
50 Shades of Blue
Don't pick up the phone
Don't pick up the phone
Don't pick up the phone
Don't pick up the phone
And here you are:
8 years later,
With a baby on your back and—
Bills to pay
You have to decide
(What the fuck)
what the world is all
about today.
Don't want to be Cree
For a really long time
I just need
I just need
I just need a whole mind
I was me the whole time
I never left
And yet
There I was—looking at myself from above,
All the love in the world;
Just a lonely little girl
Trapped in her
Head
Never got out of bed, that day:
But I went away somewhere,
And there I was—looking at myself from above,
All the love in the world,
Just a lonely little girl
Trapped in her
Head
And I said
“why are you waking me up?”
But I wasn't asleep—
I just wanted to fuck
And sometimes, it's too much
Too much is, never enough
I've never been in love (with me)
But I've always been in love (with you)
And if you had seen it
It wouldn't have been the death of me.
Deeper I'll go:
Deeper to find
How I crossed white lines
To become
Colorblind
How did you find me, here
My deer?
How did you know
Where to go?
How did you know, I would
Follow you there,
Once you finally showed me the road?
I've seen both the frog, and the toad;
You've already left me exposed,
And I'm frozen in time
Just to find
Just to find
Paradise—
I tried.
But love is a blind bat,
Diving into a vat of
Darkness;
a hat is only a hat,
If only there was more—
And there is.
There always is more—
You just have to live more,
And once you've been through the cycles, you could be
Recycled.
Ruined.
Rebuilt.
Guilt is only ever,
Created after pleasure...
With immense imploding pressure
- [ ] You were born
EP-GA
[2K19]
Mother Earth and
Father Time are
Making love right
By the fire
You are motion—
I am sickness
I am goddess;
Be my witness.
And I'll probably run for President—
Just like I tend to run from everything; not because I want to do it, but because I have to...
And just as I run from everything,
I run to everything—
As is the vicious cycle of life, unrepeated.
I should have seen it coming, when he kicked my puppy—I didn't, but my mother did, and it might have been the same day. If not, it was definitely on the same porch—the same porch where...my adolescence began, and ended.
There is no cure
When your spirit is broken
There is no cure—when you suffer in silence
There is no cure—
When you've seen all the violence
It's only you.
Breadcrumbs—
I'm not dumb,
I'm just muted.
The dragon I'm chasing is me,
And I just...
Set the world on fire—
I just—need to—
I just—adjust.
Translucent and transparent
I am the thing that happens when you
Parent your own parents.
And I just
I been waking up randomly,
Panicking—
Wishing I was dancing
In the moonlight
I'm vanishing without a trace
And maybe I just hate this place,
Maybe I'm just displaced
I hate this
I been waking up randomly
Filling the void
Avoiding my eyes in reflections
I fell in love at a festival
She came to dance, she was solo oh-oh
...took my hand, sack let's go- oh—oh-oh
She didn't care
She didn't care
I'm a tax write-off
I'm a meal ticket
I'm a grasshopper;
Or maybe, a cricket—
Ricochet rabbit
Why am I like this?
“Why do you fight this?”
I was not invited
to mingle
This ‘tingle' I get is more than
A threat—I regretted,
The moments I never forget
The secrets you keep
The stories you never will tell—
This is hell, you're not dreaming
It's only a nightmare.
Too much to think about
So I don't
Dissociative,
I associate everything
Within—without
I reflect everything
I've been about,
Stuck beside myself
I am just a clone,
A lone shadow of my
Own
All alone, and—
I never planned to leave this planet
But I have.
You're out of my league
Out of my league
Why can't you see that
It's so hard to be
Paying the price for this
Quarter-life crisis
I don't mean to write this
So bad, but
I can't trust myself anymore
I can't trust this world anymore
Life is just
Too complicated
I'm jaded—I'm faded out
Phased out, going about in this
Town like I'm drowning in
Insecurity
Or rather, a diamond in the rough
I've got enough stuff
I just need love.
You're out of my league
I can see that
I can't be that, thing
What you want is perfection
I just like who you are and thats—
Never enough.
I have nothing but love to give, love
So forgive this:
I didn't think I'd live this long
But I was wrong
And it was longer than I thought
Ago
Life is just
Too complicated
I'm jaded—I'm faded out
Phased out, going about in this
Town like I'm drowning in
Insecurity
Do you wanna know what it's like to be lonely like me
I can tell you better than show you
Once I get to know you good luck
AMNESIA NOTES
Miami Wade
Crystal Brooks
Donder (Donny) “we'll just call you Donny”
“Why?”
Uhhh...Because...we found you in the woods.
“What?”
“You know, like—the wild thornberrys”
“Sounds tasty”
“Uhhh—wasn't Donny found in the Jungle”
“Uhhh—isn't the jungle just a denser version of the woods?”
“I guess. It's like an earth-remix”
“What's a remix?”
Miami wells up—Crystal jumps up excitedly
“Awwwwri
And I've been stuck on Abbot Kinney,
Thinking about Will Rodgers and
Thinking that I'm a dodgers fan—
But I'm not,
I just like crowds.
And LA makes me proud
Of everything I need to be:
And if the world were watching me
She'd think she was herself.
I was never sleeping, I'm just here
And I was never reading, I just
Put the bookmark where I left off...
I could drift off into,
The taste of ink
And as it dries in my palm—
I know it won't take long until I'm
Drifting back into—sifting back into
Space—grains of sand.
You'll know when you've reached the promised land.
Hello, Good Friend:
‘It's time to fall in love...with yourself.'
The world has the most to learn from its elders and it's youth—fever disrespect the sometimes even subtle wisdom of a child or your elders.
A1 (Lost in the Sauce)
Break beats
Ruffneck Bass:
That's what I like in my face
Drop that shit, don't make me wait
Make me dance off all this waste
I like chocolate, give me cake
Wednesday mornin' wake-n-bake
Star Jones—Oprah—Ricky lake
Which is real and which is fake?
Pick the right one, no mistake
River—ocean—crater lake
“White girl: can I touch your hair? Is it fake??”
Out of order—
Order steak.
[ Sample: The Epic Trip]
[interlude- two friends at a festival//a phone call]
“Where the fuck are you?”
“I can't hear you!”
“Hello?”
“BRO. Where are you?”
“I'm by the—WAIT—hello?!”
“WHAT? ”
“HELLO?”
[the call drops]
“Yo. Where the fuck is she?”
“I don't know man, probably lost in the sauce...”
Sample Lost In The jungle//Kendrick Boo Boo
Friends that say that they “gotchu” and then don't
Ain't your friends—
they're enemies
Keep them close
Nobody gives a fuck about you—
Except you—
Remember that.
And if you can't remember
Make a habit of forgetting
Cause you're just another
member of society
With social anxiety
Your sense of propriety
Probably shouldn't be
Anything
I'd give anything
Just to take back all my fucks
Put them in a bucket,
Throw it over my shoulder
And wish the world
“Good fucking luck”
I'm so done with it
This is the last chance you get
So have fun with it
There's no pleasure, no smiles—
No love in it
I'm just driving for miles
Above the shit
Transitions- Silent Film/EP
Kandi moves to a new city from far, far away—and finds herself lost trying to find her own vibe. ❤️
1. The Bus Song
2. Pretty Girls (SupaCreeMixx)
3. DOD (Phoenixx remix)
“Holy infected fuck!” [thats my vibe right now]
North Star
After an EMP attack, an unlikely leader becomes a guide to a group of survivors to find the way northward to Alaska.
Festival Trip
Chava Hoffs- A Voluptuous Dark-Skinned Alaska Native-Black Mixed fashionista who (to her disdain) earns a living as a correctional officer in a juvenile detention facility in Arctic Alaska, daydreaming her long nights away and stacking her money, saving up for an escape to someplace warm and sunny. She is bright and quick-witted, but sometimes awkward—truly a ball of energy, whether good or bad.
Sala Emilio (Stax) A tall, olive skinned hottie from Utah of Native American and Mexican decent who works as head chef in a gourmet Chinese food restaurant—a phenomenally functional alcoholic with a free spirit, questionable morals, good values, a loving heart—and a dry sense of humor. Childhood best friends with Chava,
I hope you're okay with the character I based off you. I'm not going to copy the story exactly (cause it's a movie, duh) so—I came up with the story that your character runs the kitchen of a classy gourmet 5-Star Chinese restaurant in Utah that has an all-Mexican staff of mostly illegals; my character is a CO at a youth correctional facility in remote Alaska—I felt like those two extremes would play funnier on camera than to replicate our actual situations. I also made them not parents, because I would rather take the whole issue of parenting and raving into a completely separate film idea, I'm thinking of calling it
Festival Project
A Film Saga by SupaCree
Inspired by True Events
Festival Trip- Two lifelong friends take a two-week-long trip across the country, to attend two major music festivals—one on the west coast (Among Aliens, in California), and one on the east (Ultimate Music Festival)
The Epic Trip – After breaking up with both her ex-fiance and her best friend, a depressed and anxious Chava decides to take a last-minute trip to another one of her bucket list destinations: The Epic Music Festival in Las Vegas, Nevada.
F*ckFest: The Origins (Prequel) 21-year-old Chava Hoffs, a longtime raver and lover of all things dance culture, finally convinces her bar-scene best friend to accompany her to a regional event in her area, ‘F*ckfest', Sala's first ever festival/rave where—to both her and Chava's surprise, she connects with other longtime friends she had no idea were immersed into the culture. Sala, having been “rave-retired” since entering her first serious relationship, becomes overly-excited and branches off on her own, reconnecting with her true self after spending too long in her own shell—she discovers her love for an up-and-coming new artist (‘Shluggy') who magnetizes her with a newly-created sound (‘PukeRock'—a play on “VomitStep”)
Vibes [Mini Series]- A sequel-in-installments to the shenanigans following F*ckfest, where Chava returns to visit Sala and return to ‘one of her favorite venues', which now hosts
Festival Trip II- After reconciling, Chava and Sala unite again to journey to uncharted territories—after Chava is invited along as a journalist to cover artists belonging to an up-and-coming record label based in Alaska, she invites Sala as a tag-along, knowing that her “weird hoe-magic” will attract—as always—even more interesting personalities and circumstances than she could dream to on her own.
Chava Hoffs
Sala Emillio
Gunther Ross- The more than interesting circus-act of a plug/one of Sala's romantic interests, who just happens to be in the same place at the same time, once Sala and Chava arrive in California.
Solomon Dominguez- Chava's “homie-lover-friend”, a DC native transplanted to LA who hustles and bustles the 3-job life to live the California dream—a surprisingly dedicated and loyal friend to Chava, who considers him the “king of fuckboys”—which, is not entirely untrue.
Johnny McEntire- An eclectic and friendly photographer who stumbles upon Sala during a vulnerable moment—a sweet, humble, and vibrant personality, Chava mostly dismisses him as just another victim of Sala's constantly-inconstant romantic gestures and affiliations.
Grace Williams (Chava's Super-Christian (but very sweet) Aunt)
Billy Williams- Chava's very dorky, southern Baptist uncle who can't help but throw in a (praise-jesus)
Krista DeVaunte- Bride-To-Be—Noah's Fiance
Noah Williams- Chava's Cousin, the groom to be
Naomi Williams- Chava's salty Cousin, and freinemy since birth—Noah's younger sister
Sonny Johnson— Chava's ex-fiance
Dustin Roberts—Sala's ex-boyfriend
Juan Manuel Jose Melendez Gutierrez-Rodriguez—Sala's current boyfriend, with whom she lives & works with.
Running Jokes: Speaking Spanish with a Mandarin-inflenced dialect—speaking/yelling in awful Spanish-soundingMandarin—speaking “Mandarish” or “Spandarin”
Every time Chava mentions Sonny (her ex), Sala interjects with “Fuck Sonny!”
Cop Jokes (due to Chava's occupation)
ACT I- The Wedding Bashers/It's Festival Season
“Save-The-Date”
Inciting Incident—Plans to attend a destination wedding that Chava and her lifelong long distance best friend Sala, have been planning for almost a year are abruptly halted when Chava learns via a very eventful facetime call (‘Meet The Williams') that her +1 invitation had apparently only applied to her now-ex-fiance [whom her stuck-up family adored because of his abhorrent Christianity], and that the bride-to-be would not allow Sala to take his place on the guest list—as her vivid memories of Sala from Chava's engagement party are severly grotesque.
Flashback: Chava + Sonny's engagement party.
Chava: Yeah dude, they got all, mad-butthurt that I was bringing you instead of Sonny.
Sala: Fuck Sonny!
A remote, unnamed city in the Alaskan Arctic Circle. It is severely cold, even visually so.
Ch
ACT II- Sunny California
ACT III- Sunny Florida
Excerpt- Festival Trip I
As chava blasts away, Sala and Johnny laugh hysterically
Sala: Dat ass tho!
Their laughter fades in the distance as she speeds up, other onlookers also commenting about her ass, as she blows past a group of men in black, she turns a man's head as she catches his attention.
Man: Daaaaaamn.
3.31.19
—Later—
The same man from earlier looks out the window of his high rise penthouse suite, across from Chava's hotel—and sees Chava levitating—he pauses, looks around, and raises his eyebrows, drunkenly and assumingly otherwise intoxicated in his appearance.
Man: Daaaaamn.
Chava is freaking out, remaining motionless as she floats above the bed—she looks out the side of her peripheral, afraid to move—looking up at the ceiling, her eyes widen. She blinks, and takes a deep breath.
He questions what he is seeing, as he pours himself a drink.
4.1.2019
As Chava dances through the crowds, she connects and trades Kandi, moving to the beat with intricate motion and flare—people are loving her (a musical dance number)—from backstage, a man pouts and purses his lips, wondering why she is familiar—he is momentarily lost in thought, as he gazes at her and the crowd.
Man: (under his breath) Daaamn...
Lackey: c'mon man, let's get the fuck out of here
Man: But—
Lackey: don't worry, you know there's gon' be hoes at the spot.
Man: ...but look at her viiibe...and that ass tho—damn!
Lackey: eehhhh. You wanna ass, I got a specific folder in my contacts titled “fat ass” with 300 bitches in it—
Man: *women*
Lackey: whatever—look—I could get you an ass twice as fat, on a dime twice as fine—in 10 minutes flat.
Man: (eyes shining, like domo) but look at her aura...
Lackey: —I think I got an Aurora in here
Man: No, like—
Lackey: (pulling at him) let's *go*, the fuck is you trippin..?
His eyes won't move away, but he is led by the lackey by his arm, confusededly pouting as he is dragged along.
Man: Damn.
He feels like he knows her.
Cut back to:
CHAVA'S ENTRY DANCE scene
ACT 1: Wedding Bashers
Here we meet Chava Hoffs and Sala Emillio; Two life-long long-distance best friends who love eachother--for the most part--for better or worse.
Sala (Pinky) and Chala (The Brain) are planning a tropical mexican vacation to a destination wedding Chava's been invited to as an excuse to celebrate Chava's upcoming birthday (held the same weekend as the wedding) in style--However, when Chava's exclusively classist family alerts her that her plus-one invitation only extended to her on-again-off-again fiance and absolutely excludes Sala, they desperately search for another way to escape their mundane and excruciatingly boring circumstances. Chava internet-searches events around her birthday and finds that there are two music festivals within the same week--running the numbers, she concludes that this alternative plan would actually cost less than the original--”so why not?” The young women keep their escapade-to-be a complete secret, disguising all the preliminary details as “wedding planning” They plan to ‘meet in the middle', Los Angeles being centrally located to both their respective homes. They meet at LAX excitedly and reuinte in happy (and drunken) tears.
ACT 2: Sunny California
Chava wants to visit old friends and reminisce as a “wannabe tourist” in an all-too-familiar city, which she used to call home--she's built a list of things to do and prepared an itinerary for the week; Sala wants to get riddegy-wrecked sun-up to sundown; Worlds collide as somewhat by-the-book Chava nervously nativages around, typically babysitting Sala and often falling victim to being steered off-course by her shenanigans. Within their first few moments under the California moonlight, Sala's smartphone helps her discover that she has a nearby group of friends--conveniently banded-together by her circus act “master plug”, who is devastatingly in love with her. They spend night one of the first festival tracking him down--Sala finds herself already exhausted by Sala's timing and drunken unsubtlety (“My friend's a COP!”) They finally meet him at the end of the first day, they allow him to tag along--until he becomes almost-suddenly dysfunctionally inebriated and Chava must make a fight-or-flight decision to leave him behind, after he begins drawing attention to their vulnerable crew, and she is approached at random by a mysterious character in a gas station convenience store, where she appears to be the most sober person.
On day two, after running at top-speed to catch the shuttle, Sala drunkenly makes friends with a group of young people (fresh out of high school), who to Chava are quite “wookish”, but she plays along anyway. However, by the time they exit the shuttle and Chava has finallybecome comfortable being invited into their squad; Chala decides to ditch them--unknowing that they will re-meet later in the night.
Excerpt- Festival Trip I
As chava blasts away, Sala and Johnny laugh hysterically
Sala: Dat ass tho!
Their laughter fades in the distance as she speeds up, other onlookers also commenting about her ass, as she blows past a group of men in black, she turns a man's head as she catches his attention.
Man: Daaaaaamn.
3.31.19
—Later—
The same man from earlier looks out the window of his high rise penthouse suite, across from Chava's hotel—and sees Chava levitating—he pauses, looks around, and raises his eyebrows, drunkenly and assumingly otherwise intoxicated in his appearance.
Man: Daaaaamn.
Chava is freaking out, remaining motionless as she floats above the bed—she looks out the side of her peripheral, afraid to move—looking up at the ceiling, her eyes widen. She blinks, and takes a deep breath.
He questions what he is seeing, as he pours himself a drink.
4.1.2019
As Chava dances through the crowds, she connects and trades Kandi, moving to the beat with intricate motion and flare—people are loving her (a musical dance number)—from backstage, a man pouts and purses his lips, wondering why she is familiar—he is momentarily lost in thought, as he gazes at her and the crowd.
Man: (under his breath) Daaamn...
Lackey: c'mon man, let's get the fuck out of here
Man: But—
Lackey: don't worry, you know there's gon' be hoes at the spot.
Man: ...but look at her viiibe...and that ass tho—damn!
Lackey: eehhhh. You wanna ass, I got a specific folder in my contacts titled “fat ass” with 300 bitches in it—
Man: *women*
Lackey: whatever—look—I could get you an ass twice as fat, on a dime twice as fine—in 10 minutes flat.
Man: (eyes shining, like domo) but look at her aura...
Lackey: —I think I got an Aurora in here
Man: No, like—
Lackey: (pulling at him) let's *go*, the fuck is you trippin..?
His eyes won't move away, but he is led by the lackey by his arm, confusededly pouting as he is dragged along.
Man: Damn.
He feels like he knows her.
Cut back to:
CHAVA'S ENTRY DANCE scene
Festival Project
A Film Saga by SupaCree
Inspired by True Events
Festival Trip- Two lifelong friends take a two-week-long trip across the country, to attend two major music festivals—one on the west coast (Among Aliens, in California), and one on the east (Ultimate Music Festival)
The Epic Trip – After breaking up with both her ex-fiance and her best friend, a depressed and anxious Chava decides to take a last-minute trip to another one of her bucket list destinations: The Epic Music Festival in Las Vegas, Nevada.
F*ckFest: The Origins (Prequel) 21-year-old Chava Hoffs, a longtime raver and lover of all things dance culture, finally convinces her bar-scene best friend to accompany her to a regional event in her area, ‘F*ckfest', Sala's first ever festival/rave where—to both her and Chava's surprise, she connects with other longtime friends she had no idea were immersed into the culture. Chava, having been “rave-retired” since entering her first serious relationship, becomes overly-excited and branches off on her own, reconnecting with her true self after spending too long in her own shell—she discovers her love for an up-and-coming new artist (‘Shluggy') who magnetizes her with a newly-created sound (‘PukeRock'—a play on “VomitStep”)
Vibes [Mini Series]- A sequel-in-installments to the shenanigans following F*ckfest, where Chava returns to visit Sala and her friends, to journey back to to ‘one of her favorite venues'—which now hosts V1brati0n—Utah's biggest dance music festival. As all the characters make their way to their favorite sets, separating, grouping-off, and pairing-up along the way—each episode details the story of each one's journey into the festival—and eventually, back to each other as the festival comes to a close.
Festival Trip II- After reconciling, Chava and Sala unite again to journey to uncharted territories—after Chava is invited along as a journalist to cover artists belonging to an up-and-coming record label based in Alaska, she invites Sala as a tag-along, knowing that her “weird hoe-magic” will attract—as always—even more interesting personalities and circumstances than she could dream to on her own. Yin-and-Yang reunite.
Chava Hoffs- A Voluptuous Dark-Skinned Alaska Native-Black Mixed fashionista who (to her disdain) earns a living as a correctional officer in a juvenile detention facility in Arctic Alaska, daydreaming her long nights away and stacking her money, saving up for an escape to someplace warm and sunny. She is bright and quick-witted, but sometimes awkward—truly a ball of energy, whether good or bad. (“Chava like Lava—and when she volcano? BOOM.”) Through trial-and-error, she discovers herself on a path of enlightenment—her strong intuition guiding her through trial and tribulation.
Sala Mae Emilio (Stax) A tall, olive skinned hottie from Utah of Native American and Mexican descent, who works as head chef in a five-star gourmet Chinese food restaurant—a phenomenally functional alcoholic with a free spirit, questionable morals, good values, a loving heart—and a dry sense of humor. Childhood best friends with Chava, she serves as an uncuttable heartstring for Chava throughout the test of time.
Gunther Ross- The more than interesting circus-act of a plug/one of Sala's romantic interests, who just happens to be in the same place at the same time, once Sala and Chava arrive in California.
Solomon Dominguez- Chava's “homie-lover-friend”, a DC native transplanted to LA who hustles and bustles the 3-job life to live the California dream—a surprisingly dedicated and loyal friend to Chava, who considers him the “king of fuckboys”—which, is not entirely untrue, being that his life goal is to “become a real Ninja.”
Johnny McEntire- An eclectic and friendly photographer who stumbles upon Sala during a vulnerable-yet-crucial moment—a sweet, humble, and vibrant personality, Chava mostly dismisses him as just another victim of Sala's constantly-inconstant romantic gestures and affiliations.
Grace Williams (Chava's Super-Christian (but very sweet) Aunt)
Billy Williams- Chava's very dorky, super-quirky, southern Baptist uncle who can't help but throw in a “praise-Jesus” or interject with “halleluiah”
Krista DeVaunte- Bride-To-Be—Noah's Fiance A light-skinned, freckled and green-eyed debutant whose “gingerness is contradictory to her blackness”
Noah Williams- Chava's Cousin, the groom to be
Naomi Williams- Chava's salty Cousin, and freinemy since birth—Noah's younger sister
Sonny Johnson— Chava's ex-fiance
Dustin Roberts—Sala's ex-boyfriend
Juan Manuel Jose Melendez Gutierrez-Rodriguez—Sala's current boyfriend, with whom she lives & works with; A Mexican immigrant with ‘grown-ass kids', Juan is a ‘machismo' who prides himself on working hard, and claiming Sala as his young, hot wanna-be step mom.
Running Jokes: Speaking Spanish with a Mandarin-inflenced dialect—speaking/yelling in awful Spanish-sounding Mandarin—speaking “Mandarish” or “Spandarin”
Every time Chava mentions Sonny (her ex), Sala interjects with “Fuck Sonny!”
Cop Jokes (due to Chava's occupation)
D*ck jokes
ACT I- The Wedding Bashers/It's Festival Season
“Save-The-Date”
Inciting Incident—Plans to attend a destination wedding that Chava and her lifelong long distance best friend Sala, have been planning for almost a year are abruptly halted when Chava learns via a very eventful facetime call (‘Meet The Williams') that her +1 invitation had apparently only applied to her now-ex-fiance [whom her stuck-up family adored because of his abhorrent Christianity], and that the bride-to-be would not allow Sala to take his place on the guest list—as her vivid memories of Sala from Chava's engagement party are severely grotesque.
Flashback: Chava + Sonny's engagement party.
Chava: Yeah dude, they got all, mad-butthurt that I was bringing you instead of Sonny.
Sala: Fuck Sonny!
A remote, unnamed city in the Alaskan Arctic Circle. It is severely cold, even visually so.
Ch
ACT II- Sunny California
ACT III- Sunny Florida
Festival Trip Tagline: Two Friends. Two Weeks. Two Festivals—One World.
The Epic Trip Tagline: Girl, Meet World.
First Fest (Prequel) Chava is a teenager in a bit of a pickle, whose unlikely plug Christopher B. Dickenson (and coincidentally, best friend) picks her up at random from her lonely dormitory [where she tends to seclude herself] and takes her on a wild adventure to her first underground warehouse event, where she gets her first taste of the “wubs she lubs”—and her first glance of who is sure to become her favorite artist of all time—and later, the King of Dance modern American dance music, Sun(dot)Moon.
Festival Trip
List of Fictional DJ's/Character List by Name/Concept
Favorites:
Jeff. (Excision)
Ne(r)d (Dillon Frances) [pronounced NED]
-Ned Talks (which is I guess an alternate version of Hanzel; Jesus Christ)
Shluggy (Snails)
Acid Blaster/LSDemon (LSDream) / BlackOut! (Brillz)
UNH. (Rusko)
Devil's Lettuce (Ganja White Night)
Kalvin Kaine (Carl Cox)
Tommy Trombone (Timmy Trumpet)
NOmyGOD (Sullivan King)
Ms. Stakes (Rezz)
Ask Alice (Allison Wonderland)
Sun(dot)Moon (Skrillex)
CorpseRat (Deadmau5)
Asian Jesus (Steve Aoki)
Morty McFlyy (Martin Garrix)
Voltage (Carnage)
Abracadabra! (Tiesto)
CoolWhip (Whipped Cream)
“, said This Guy. (Said The Sky)
Tears4Years (illenium)
-grinlge
-scratch n sniff
-feneglers
-HOWDAREYOU
-coldsauce
-benadryl4breakfast
-That Guy.
-My Name's Not...
-Control + Alt + Delete
-Maybe Later
-LSDemon
-STOP.
-There! Right There.
-Violent Pineapple
-Sabrina The Teenaged Bitch
-SoloHomo
-5tet
-BorGeoIs
-TheNorthHole
-Read
-Unread
-Poo
-Best Case Scenario
-Worst Case Scenario
- I Dunno, Harry
- Gosh
- Toby
- The Why
- Shoemantics
- Name Me King
- The Artist Formerly Known As Prints
- Crispy Feet
- ¿
- Confucius Say
- Ne(r)d. (Dillon Francis)
-Jeff (Excision)
-Jeffest
-Space Canyon
-Jeff's Wonderdome
-Neckbrace for Nancy
-TrashRat
-Below&Beneath (Above and Beyond)
-Leggolas (Armin Van Buren)
-Tommy Trombone
-Ask Alice (Allison Wonderland)
-Ms. Stakes (Rezz)
-High Stakes
-BoiToy
-DrippTipp
festival names:
F*ckFest
GetF*cked
GoF*ckYourself (GFY)
IsReal
¡Dizzaster!
FlopTop
Todayland
Yesterworld
Shalaham
Epic Music Festival
Ultimate Music Festival
Atomic Jungle
Oz
Never-Everland
UNH.
Conch Shella
Stank.
Drop The Ball
Hot Summer
Life is Decent
Underground Railroad
Fuck Fest
-Get Fucked
-GFY
Garden of Eden
Festival Trip excerpt
C- yo. I cannot wait to get down to some Acid Blaster.
S- acid blaster?
c-ahh yeah, you never heard of acid blaster?
S- ♀️ nope
C- fucking lit.
S-do you have to be on acid?
C- not a requirement but implicitly preferable.
S- Hm.
C- have you seen—
(They go back and forth—the DJ names get more ridiculous)
Within the silence of solace and solitude, the Goddess awakens; as she rises from within her chamber, a blackened curse is broken—a new day is born, to let light live.
Love reigns.
Be it, a fleeting demon—met in the wandering eye of a man who love could not keep, but would always find—a wish, a wisper; Windblown kisses beneath the neck, and the eye that watches, waits, and knows not yet what lies in the wake of love.
When I was younger, my mother would always tell me that she wasn't mine—she'd tell me over and over to the point that I would cry; and then she'd laugh, taunting me, and outwardly ask “why would you believe that? Of course I am your mother.” And oh, the joy my tears had often brought her—how my pain, turned pity would make me mourn, the child I never was.
It's hard to see yourself
When you become a different body
All the eyes that look upon you
Are so haunting
And something miraculous has happened.
Because this is is hell
I can't wait to leave it and I won't take it from myself again—
But sometimes wish that another would
So that the weight of the world would let go my soul
At 11:44,
A revelation—
If only patiently I wait,
The cause and purpose of life
Will spring upon me;
As I am here again,
In the place of which
The seeds of my dreams were planted and can now become trees;
Not weeping willows but infinite redwood evergreens.
Wanting is not needing
As God Is, I am.
And one day, this will all be a dream—and when you wake up to the light, you will forget yourself again.
The longest ego death that ever was,
“Never was.”
But we're all culture vultures...
Aren't we?
There's some kind of madness
In the outside world
A shade of red begins to drift into the music of my
Contagiousness of carelessness
Hygiene is an option but
The sickness of the nation
Making victims out of men is
Wondrous
Peering at tops of pyramids
Knowing that you built them
And the “God” that you're addressing is the inside of your soul
Wholesomeness is fleeting
People only want attention and
They'll take away your goodness
If you let them take your time.
What of the world's inside our minds
What of the worlds we've created
This is a universe all of your own
Once you find your own center, you've made it.
In a perfect world, we heal the sadness
In another time, we all unite
In another lifetime everyone is happy dancing
In a perfect world, we see the light
I sit upon a porcelain throne,
Body broken
And as silence fell about
In the sunken chaotic jungle of treasured beauty,
I awaited an answer to a question I never asked, but was told to wait for in a silent other language.
I don't need to make wishes—
They all come true;
But when I do,
I wish for you.
All my friends were with me that day
The reason I fast and I pray
Let's remember the love
Always take that with you,
The heavens will forgive you,
Imperfections are only what make you a human.
I see everything I need to see,
End up everywhere I need to be
Right on time
Not always, but pretty much always
All my days wasted playing games,
All the same
All my days wasted on fame?
All the same
One day I'll be famous
(And that's what she asked for)
One day I'll be famous
(“Be careful what you wish for”)
I told the child inside of me,
Don't cry
(No worries)
I'm sorry
(No sorries)
For everything that I want, will come; And everything that I am—
Will be.
We're all not okay—okay?
You reading me?
I am.
Reading you—
Reading me—
Reading you.
Oh—you too?
You two.
No, you two.
Who?
Not the owl again—
You should have gone to bed with your friends,
This is the end again.
Let's keep keeping secrets
We're all not okay—okay?
You reading me?
I am.
Reading you—
Reading me—
Reading you.
Oh—you too?
You two.
No, you two.
Who?
Not the owl again—
You should have gone to bed with your friends,
This is the end again.
Let's keep keeping secrets
“I'll never repeat this.”
I never said that.
“I'll never repeat this.”
I never said that.
And none was lost, that day, but some found—I had cried with the child within, and heard the call of my spirit, which could not be forgotten—as she screamed in her fury and wondered her “why am I like this?” And soon she would know, because all again was one.
And then she said, “how bad will it it be” “not bad,” said I “we have the key.”
‘And now I lay me down to sleep...
I pray the lord my soul to keep—
If I should die before I wake;
I pray the lord,
My soul to take.'
“I work in the morning”, said I
“Dumb girl”, said she—and then we laughed together, because we are as one.
If only I were free to be I, alone, forgotten and at simple, eloquent peace;
Loneliness is the devil's advocate--but solitude will bring one to certainty, when time is of the only aching ease as and forgiveness is not needed//you can only answer to yourself, and to yourself—the sureness of your being becomes whole I'm certain thought, forward motion—steady gravitation towards things you love.
Love is an undeniable phenomena/-more so than sound, sight; more than a feeling or knowing, even—it is an essence. It is not only in the heart that love is born, but in the entirety of most—but not all—woman and man. To learn to love is not but a condition of humanity, but a connection to the spirit, soul,—it is part of our purpose and presence to love—a blinding,lay delicate piece of our nature. Love is more than just romance, relations with other—love is an element with which, is a thread woven into the fabric of our being in this reality. Simply stated, in fact—love is a fact.
Tikun Olam
For I could not fathom to end my fast, before drifting into and wandering past realms unknown to the sleeping and dead—
Who walk amongst life as though living wholly,
Mouths agape and eyes amasked, absorbed in the world of phone.
Blindfolds hiding a hateful and bloodshot third eye—
I awake to the sound of a city to which I am anchored in spirit;
Something awaits at the boardwalk, however, the writer's mind is readily waiting to work,
Greedily consuming what little, precious time is left
Of the freedom that lies in the true joy of temporary, blissful and,
wishfully permanent joblessness.
323-590-5223
That was me.
The original SupaCree
Beachlife OG.
Rocket power
I got the power
To see.
Money is power;
But music is more—
It vibrates the center
Awakens the core
I got debt up to my eyeballs
I got debt up to my eyeballs
I got debt up to my eyeballs
But my eye's wide open
I got debt up to my eyeballs
I got debt up to my eyeballs
I got debt up to my eyeballs
But my eye's wide open (open)
Open (x8)
Follow your signs
Follow the sun
Follow your heart
Follow the one true
Love yourself
Love yourself
Love yourself
Love yourself
Bought my mamas pontiac
Wish it was a Cadillac
She ask can she have it back
I said “it don't work like that”
Matter fact,
Dadadada
This is my circle (x8)
We're on the side with the ocean
Catch me if you wanna
Marijuana so sweet in the sea breeze
Nice green palm trees
Dragon hawks
No don't look now
It's a trap it's a trap
No don't speak
They'll attack
They'll attack
Wait right here—
imma be right back
I was right on time
Now I'm right on track
Kill the noise, Dill Francis remix>>Baba O Reily
Gold (Adventure Club)>>Gold (Stupid Love), excision
Wait, Adventure Club>>Rock and Roll will take you to the mountain
Summit (Sun In My Eyes Mix)
[111]
Never give up
Never say—
“Die, die, die!!”
You're never alone;
There's no place like home.
Mama didn't raise no bitch
Mama didn't raise no bitch
Mama didn't raise no snitch
Mama didn't raise no snitch
Glitch—Twitch—Switch
[Sample Sabrina The teenaged witch]
Never Knew--Acoustic Cover
Blue Da Ba Di--SupaCreeMixx
Davies-Davis
Jon-John-Jon
Christian-Christian
Ted-Dave
Mirror Mirror on the wall
Who'd expect, things change (x4)
Sunny-Sonny
Can you see me?
Can you hear me?
That's strange
Loser-loser
Crazy-Crazy
Have you seen
‘loose change'? (X8)
Whose strange?
[Danger]
‘...strange days, have found us...'
Doors-Doors
Whores-Bore
Chores-Chores
“More! More!”
...*break* [mic drop fx]
“I chimed in with a—“
“What the fuuuuuuuuuuuuuuck”
‘Navigator Truck—‘
[wiley coyote music]
‘They're after me lucky charms!'
‘This is a call to arms' (arms- echo)
Beyoncé- “Ring the Alarm”
‘Charmed, I'm sure...'
I'm sorry, I'm sorry.
Energi I
[Clapping]
Spoken: Hey!
I don't need… that energy.
(Toxic) –Shhhh.
Beating me up
Beating me up
Beating me up.
Man… (echo, x6)
Bad energi.
Bad energi.
Manic—
Energi.
Panic— (echo, x6)
Energy.
Planet—
Energi…
No Sympathy?
BadEnergi
Remember me?
Das Energi—
Memories… (echo x6)
Before—Da SupaCree
Energi
Jesus Christ—
He just takes what he likes
I was makin it nice…
And clean again—
Are we even , then?
Cause I'm leavin' him—
On repeat again
Had my heart and my…
Had my heart and you
Broke it
Broke it
Broke it
Broke it
Had my heart and my…
Had my heart and you
Spoke it
Spoke it
Spoke it
Spoke it
Said I would keep it
Said I would keep it
Open
Open
Open
Open
……………
Here's hopin'.
3nergi II
Stop givin' me—
Toxic energi.
Energi (x3)
Energi (x3)
Energi. (x3)
Don't put the devil into me—
That's my—
Enemy.
Knope
[Sample: The word “No/Nope x1000]
No
Nope
Get ‘Em
Manic listening to Vanic
Pressin' the panic button
I'm not confusin nothin'—
I think I'm onto something
Greaaat—like Tony—
(The Tiger, not the liar.) [Sample Tony Soprano]
Would like a pair of pliers…to cut these things off.
Spoken “She seems off”
I know it, took my rings off
Lets. Box. Foxy.
“I think you just lost me…”
I lost you at “hello”
[Sample: Scooby Doo, Daphne: “My Glasses!']
…and I cannot see without my glasses
And I can Nazi…
[Sample: Hitler]
Oops, you caught me
OOPS, 4/20.
That's 3…
Oops.
THC for anxiety—
Cause rules do not apply to me;
Lied on the application,
Don't need no medication
I needed meditation
Watching precipitation
No more participation
I'm insane (echo: sane)
They lockin me up instead
Lockin me up in my head;
Seeing red, feeling dead when I…
Smell my pillow, smell my bed…
“That's what she said.”
G
Put my shoes to the ground
Cause you kjnee I worked too hard…
Found every, sound and I—
Followed it (Echo x 3)
Felt that too hard and I—
Swallowed it (Echo x3)
Spoken: ‘Wait till tomorrow, bitch.”
….think I might be a witch, which—
Is my “synthesis”…that I could sense this shit comin'…
{Sample: TV announcer—“…and, comin' up—”]
No worries, I'm comin up—
Late cause I got too much on,
My plate and…
“Your place is great!”
But.
What.
The.
Actual.
Fuck.
Oh what, like I'd actually—huh?
…
Oh What's like I'd actually—what?
Oh, what—
Like I'd actually….
[FUCK.]
[Sample: Kelly, Shoes—“fuck you!”]
I'm hungry honey gimme money
Sample: “people people, please please” raven
People pleaser
People, please
Believe me: this is just a teaser
I am sitting in your freezer
I'm the salmon—always eager
To go back up stream to spawn
And I'm just going on and on
Because I'm really on the run
Raven run
Having visions
Therapeutic—
That's the music
I see future and I choose it
If you cheat it, then you lose it
Fisher—wisher—I'm the swisher
In your purse; I saw it first
I saw the earth turn shades of blue
When I was me
When I was U.
I used to have the power, too.
Now this is just what I can do.
I don't know what I'm really searching for—
But I think I want mooree...and that's the answer, that's the key.
Somethings not right; it might just be me. My whole life of hurting, the world's hurting me. I can't seem to escape this new catastrophe; somethings calling me
Got me stress eating
In-n-out of meetings all day
In-n-out sounds okay
“No, you're out.”
Sounds okay
Okay—
Are you ok?
Not like Annie—
I mean, you can be—
But that's not really my thing;
Quick fling for some bling without a diamond ring
I don't fuck with that
And you can ask my ex, is we fuckin?
Nah, I'm over that
Put me on the guillotine—
Read between the lines
I was fuckin doing everything
Fuckin doing fine
I was on my grind—
Didn't have the time for no
Explaining why the fuck I go and listen to sublime
I hate the lime-light
Pay attention to me harder and
I just might
Lose it been Losin it since before it was a hit, and I admit—
I miss the shit I came up on,
I admit:
I miss the days where I had fun and
P.S.- yes I'm the best at passing a test
Don't need to study the material
Is really all here—just pay attention
Attention deficit disorder;
My auntie a hoarder but I'm borderline everything:
You feelin me?
Davies-Davis
Jon-John-Jon
Christian-Christian
Ted-Dave
Mirror Mirror on the wall
Who'd expect, things change (x4)
Sunny-Sonny
Can you see me?
Can you hear me?
That's strange
Loser-loser
Crazy-Crazy
Have you seen
‘loose change'? (X8)
Whose strange?
[Danger]
‘...strange days, have found us...'
Doors-Doors
Whores-Bore
Chores-Chores
“More! More!”
...*break* [mic drop fx]
“I chimed in with a—“
“What the fuuuuuuuuuuuuuuck”
‘Navigator Truck—‘
[wiley coyote music]
‘They're after me lucky charms!'
‘This is a call to arms' (arms- echo)
Beyoncé- “Ring the Alarm”
‘Charmed, I'm sure...'
Sample: B2M
Poison!
Poison from the inside out—
Outside-in
Poison
Within you
Boom
Imma vengaboy
I zoom past the other boys
I don't need the bad things
spoken “actually, I don't need anything from you.”
Sent back in time
In your mind
Joy, I think about you
I don't like to think about you
I do not believe in your
Spirit
“Just have fun.”
No, I'm meant to be an artist
But I used to be the smartest...
I woke up in our world
I woke up in our world
I know I can read a map,
But
Trains trains trains
They all go in two directions and I
Might
Get
Lost (x3)
The sound of the 88
(Use Lamarus)
Bongo drum, pan flute
Wind rustling through the breeze
Whispered: I believe in you
*drop sounds, silence*
Birds singing
Sample: Spice girl (echo) so siiick
Energi I
[Clapping]
Spoken: Hey!
I don't need… that energy.
(Toxic) –Shhhh.
Beating me up
Beating me up
Beating me up.
Man… (echo, x6)
Bad energi.
Bad energi.
Manic—
Energi.
Panic— (echo, x6)
Energy.
Planet—
Energi…
No Sympathy?
BadEnergi
Remember me?
Das Energi—
Memories… (echo x6)
Before—Da SupaCree
Energi
Jesus Christ—
He just takes what he likes
I wi was makin it nice…
And clean again—
Are we even , then?
Cause I'm leavin' him—
On repeat again
Had my heart and my…
Had my heart and you
Broke it
Broke it
Broke it
Broke it
Had my heart and my…
Had my heart and you
Spoke it
Spoke it
Spoke it
Spoke it
Said I would keep it
Said I would keep it
Open
Open
Open
Open
……………
Here's hopin'.
3nergi II
Stop givin' me—
Toxic energi.
Energi (x3)
Energi (x3)
Energi. (x3)
Don't put the devil into me—
That's my—
Enemy.
Knope
[Sample: The word “No/Nope x1000]
No
Nope
Get ‘Em
Manic listening to Vanic
Pressin' the panic button
I'm not confusin nothin'—
I think I'm onto something
Greaaat—like Tony—
(The Tiger, not the liar.) [Sample Tony Soprano]
Would like a pair of pliers…to cut these things off.
Spoken “She seems off”
I know it, took my rings off
Lets. Box. Foxy.
“I think you just lost me…”
I lost you at “hello”
[Sample: Scooby Doo, Daphne: “My Glasses!']
…and I cannot see without my glasses
And I can Nazi…
[Sample: Hitler]
Oops, you caught me
OOPS, 4/20.
That's 3…
Oops.
THC for anxiety—
Cause rules do not apply to me;
Lied on the application,
Don't need no medication
I needed meditation
Watching precipitation
No more participation
I'm insane (echo: sane)
They lockin me up instead
Lockin me up in my head;
Seeing red, feeling dead when I…
Smell my pillow, smell my bed…
“That's what she said.”
G
Put my shoes to the ground
Cause you kjnee I worked too hard…
Found every, sound and I—
Followed it (Echo x 3)
Felt that too hard and I—
Swallowed it (Echo x3)
Spoken: ‘Wait till tomorrow, bitch.”
….think I might be a witch, which—
Is my “synthesis”…that I could sense this shit comin'…
{Sample: TV announcer—“…and, comin' up—”]
No worries, I'm comin up—
Late cause I got too much on,
My plate and…
“Your place is great!”
But.
What.
The.
Actual.
Fuck.
Oh what, like I'd actually—huh?
…
Oh What's like I'd actually—what?
Oh, what—
Like I'd actually….
[FUCK.]
[Sample: Kelly, Shoes—“fuck you!”]
SOUNDS
[Police Say] *Whoop-Whoop!*
[Ravers Say] *Whoop-Whoop!*
[Roadrunner Say] *Meep-meep*
Honk/Beep
Doors opening/shutting
Car doors unlocking/opening/shutting
Jail Doors *buzzer/lockdown lock*
Cigarette being lit
Lighter flicks
Bong Rips
Tips/Change dropping/Money being counted
Clipping Hair
Bubbles
Gravel—walking, running, tires
Raindrops falling; Tin Roof, ground (dirt, pavement, gravel), Rain storms (Temparate Rainforest, Jungle Rainforest, Desert Storms)
Motor purring
Dryer running
Joggers
Electric scooters/Segways
Bass; Wobbeles, Wubs, Rumbles
Heartbeats; Fetal heartbeats, elevated heartbeats, palpitations
Water Rushing; Oceans, Rivers, lakes, resovoirs, rain gutters, pond sounds, swamp sounds
Triangle, Wood block, Xylophone
Flutes—Traditional native, aboriginal, classical
Clacking Fans
Whistles
iPhone Sounds
Airplanes
Mickey Mouse Clubhousde
Bird Sounds—Sparrows, Hawks, Eagles, Robins, Ravens, Crows—Ducks, Geese (Hissing)
Moose Bellow
Car Alarms
Grinding
Squeaking/Creaking (Door Hinges, Floorboards)
Garage Doors
Vomiting
Soda Cans
Water Bottles Being Crushed
Fish Jumping Upstream
Cold Wind (whistling, howling)
Tent Sounds
Scarlet Johansen
Laughter; Joyful, hysterical,playful—taunting, nervous, fake
Construction/Building Equipment—Chainsaws, Jackhammers
Tapping Rings Jan & Andy)
Spoons of glass
Ice Sounds; Breaking, pouring(on ground, into glass/jug)
Scrubbing
Tapping Steel
Pens Clicking
Ignitions (Crs, Rockets)
Idle EnglinesRadio Rounds
Squeaky Toys
Bottle Caps (Plastic + Glass)
Can Crushing
Soda Streat
“Aw”
SAMPLES/QUOTES
Spongebob Squarepants; ‘Ay ay, Captain!'
The Shield; “Anything But A Subaru…”
Bearr's Voice
“What the fuck, Matt Damon!” (Me, watching interstellar)
Rick And Morty; “haha, my sister died in the spaghetti”. “…I wanna eat ice cream… (monologue)”, Fart Episode, “Aww Geez”, Pickle Rick Episode
Annie's Voice; “Hey Dude”
Yoda Quotes
I love lucy “Vitavitavegimin”
Shrek; “And in the mornin', I'm makin' waffles!'
Nurse Jackie
Sons of Anarchy; Damon King, Gemma Teller
Married…With Children
Back To The Future
21 Jumpstreet
All That
The Amanda Show
Rugrats
In The Heights
Legally Blonde
RENT
Hairspray
The Last 5 Years
Tlingit Songs/Pow-Wows
African Music/Cultural Songs
Mormon Tabernacle Choir
“Put an Egg On it” (me, quoting bass canyon signage)
Pokemon; “Pikachu, I choose you!”
OLDSTEP
Sun King/Here Comes The Sun (The Beatles, Love) –(SupaCreemix)
I Got You Babe (Sonny & Cher) [SupaCreeMix]
Love Shack [SupaCreeMix]
Los Paranoias (SupaCreeMix)
The Psycho's Path
Lucky charms,
Code of arms
Car alarms, and Hershey's bars;
Hershey's kisses, not your missus
But I'll miss this…
Bliss.
Kiss me underneath the stars,
I'm floating on my way to mars
I'm counting all the passing cars
(1, 2, 6—8)
What did you hallucinate?
Disintegrate me.
Imitate me.
People
[Sample: That's So Raven; “People-people, please, please!!!”
Work
Sensory Overload
FuckIt
Recycled
Culture Shock [Sample: My Generation, The Who]
Back Up [Sample classic]
If I Was A Boy (Beyonce) [Dupstep Remix, SupaCreeMix]
Before He Cheats (Carrie Underwood) [SupaCreeMix]
Cosmic Gate. Call To Arms [SupaCreeMix]
Vroom
[Sample: Ignitions—Old Mustang, New Mustang]
This Is my ignition
Don't need no permission
This is my admission:
I was there, you missed it.
Attention
Attention
Attention
Right—Lets's switch them.
Expert, Attention—
Ascension. (Whispered: Ascension)
Alright—I'm listenin'
Ex (pect) (Echo x8)
Re (spect) (Echo x8)
Givin it back (x8)
It's a wreck.
[Sample] ” In a wreck? Need A Check?”
ALBUMS/EPS
Turn3r Str33t
-South Side
NSC (Not SupaCree)
M13P (MI Audition Tape)
The Gorge [Part I/Part II (“Ous”)]
Unsteady- X Ambassadors, remix
[more heartbeat]
Everybody got preferences,
Don't need to be checking my references
You say that I'm hella exotic
I say that your energy's toxic
Bad mind be robotic
I'm not sick—I'm not shit
It's obvious: you're oblivious
And she's envious of my
(shhhh)
Why?
Acid anxiety
Too much acid inside of me
Yeah I brought a variety
Cause I'm sick of society
And I'm sick of em eyin me
Got sick of em spyin me
Got my eye on the prize homie
I'm single, and not lonely
Heal Everybody [Cover/Mix]
Alive with the glory of love Beatles style cover
People are strange Xylophone cover + video
“OK”
Sample: Smooth Criminal
“(Annie) are you ok?”
Are you ok?
Are you ok?
Are you ok?
Ok, ok!
Spoken word sample: furry wall, get him to the Greek
My name is...and my name is Skrillex remix/mashup
Got that nesquick
Nice lips
Have her body supa thick
Have her body supa fit
Sick sick outfit
She ain't like them other bitches
Representin single women
Never ask for your opinion—
Psycho
She seem really nice, tho
Never took a bite though
Thinking I just just might tho
I am that girl with the Armani sunglasses
I am that girl with the Armani sunglasses
I am that girl who will write notes in her classes
I am that girl who will talk first and ask lastest
I am that girl
I am that girl
I am that girl
*swift* [whispered]
In transitions wearing transitions lenses
Starting to look good
Look mad decent
Went through some shit that was,
Mad recent
I gotta thank my exes tho
They the reason
I'm on some new shit now
It's SupaCree Season
Big brother
Don't bother
Revolving Door
Military Trained
Head Honcho
Repression
Depression
Oppression
Obsession
Sickness
Health
Poorer & Poorer
Cracker Jack Box
Ted/Dave
38 Days/48 Daze
Purple Raïnn
“Just Kill Yourself, Already”
Christ/Not a goddess
^
NSC
SpongeRob
Queue
I'm done- with you.
I have a queue-of dudes;
Ready for you...and you.
(Oops)
You get better and better with time
Better and better like wine
‘Better and better'—it's fine;
I'm losing my mind.
I'm losing my mind.
Eliza Thornberry
Is this over yet?
Shut up, dog.
Is it over yet?
Shut up, hog.
Is it over yet?
Shut up bitch.
Is it over yet?
Shut up snitch.
[repeat]
Trippin' on Shoes
I need shoes...
Like I need you.
Like I need blue,
Like I need glue—
Gone, how about a show?
You didn't think I'd know?
I know.
Don't know where to go,
Don't know who to [show]
It's almost winter.
Thought I was the winner—
Really just a sinner,
It's not winter, I just entered...
Hell.
And I'm trippin on
Shoes
Shoes
Shoes
Shoes
Shoes
Shoes
Shoes
And I'm trippin on
Remix- James brown- this is a man's world
Bob Loblaw
We're all above the law
If we learn to love the law
We're all above the law
If we learn to love the law
We're all above the law
If we love to learn the law
We're all above the law
This is the final flaw
Blah blah blah
Bob Loblaw
Caw-Caw-Caw
Arkansas
I just landed
I just planted
I'm this planet
(Naw-Naw)
That would be the curtain call
That would be the final flaw
Love the law
Love the law
We all live above the law
What I heard—what I saw—
There is no God.
(HA!)
Just another ghosts
I ain't gonna cry about it
I'm not gonna boast
I'm not gonna cry about it
(Pshhh. Burnt toast)
I ain't gonna lie about it
Almost
Not even gonna try about it
So close
I ain't gonna cry about it
I ain't gonna cry about it
Patience.
I'm not takin medication
“Hola”
You think I'm fakin—
I'm just makin money,
Honey
Fuck a blue eyed snow bunny
It ain't funny
The reason I'm sneezin isn't the season
I'm not pleasin nobody,
Got no reason for nobody
I'm not looking for no-body
No hottie
That's not me
I like variety
But society tells me
They got an eye on me
And my psychiatrist understands
Social anxiety
But he ain't supplying me
With what I need
Cause man's greed says
Money will help you succeed
And that's America
Hell yeah im aware of ya
Hell yeah I be scarin ya
And I don't give a fuck about your code
I'm too old for
Apple pie ala mode
I don't want it
Whatever it is
Get out of my biz, Liz
I miss the Lizzard man—
That's what this is
And that's my business
Be my witness: I don't get this shit
I'll rip this shit into pieces
Can't eat reces
Cause I'm trying to look decent
“Don't repeat this”
I haven't
I'm just planning
My escape
That's fate.
Ello Govnah!
“You already call me ‘The Gov'...” (8)
They already call you The Dove
I already call you “my love”
I'm so tired
Trippin' (Shorts)
Energi -di
Solid.
Waste.
Solid.
Tasty.
Solid—
You can't make me buy this shit;
Living it. (Living it)
Are you believing it yet?
*
*
*
Bet.
(‘Oh—you betcha!')
*
*
*
Wet.
*
*
*
“Threaten me again, see what happens—“
What Happened—eh?
What did you...say?
You know where I stay?
Don't play. I'll kill ya.
A killa—no reallah,
Protecting his Skrilla
A deal breaka yeah-yeah
Bad man he ‘haha'
No laughter
No slaughter
Bitch:
“I am your daughter” (mono)
“androgyny” (deep voice)
Nobody likes Cree:
I thought it might be...
My energy—trying not to look
Thought you were a 10
Thought you could depend on me?
Depends
How it spends
Too much time finding
Blurred lines
Malcom (RIP)
That was a crazy day
In LA
When you went a way
Not your everyday listener—
But I give you praise,
And thanks;
It takes a lot to be a human
All this gloom, and doom and,
Sometimes boomin ain't enough
It's tuff out here, people go it rough
These days,
This kids all up in their business
And when you're in the business—
The world is your witness—-get this
They study your wealth, your fashion, your fitness...
Do you get this equation?
Me either; now either we're too old, retarded, or neither—
Every teacher's a preacher for either
His passion, or her pocket
It's not rocket science,
It's common core—
And it's a horror they have access to
Soft core and gore
From age 3;
Technological catastrophe
Disastardly wasting space
As we race towards a race war—
I'm just trying to rave more
It's hardcore, but it's never boring
I'm ignoring these morons,
They got me snoring in here,
It's pouring in here—
And the Northern Lights don't look right under too much light
Got me gazing in the night
Like I might find my flight
Honestly I'm just looking for anything
But a fight—am I right?
It's Been Ten [Years]
Been on you since way back when
Before Ben 10
More like Rin-tin-tin,
Or the tin man
Take me down that road again
I'll ease down it
Don't doubt it—
Take me home again.
And if it wasn't for you
Woulda lost day 2
I'm so confused and just using
Ü as a tool,
That was my other breaking point
Cause I already boiled over
It was over—I was sober when he was throwing elbows;
Oh you felt those—pulses—
Those were my—impulses—
Speaking, leaking into dreams I wasn't dreaming, you were scheming and it haunts me
How many—I could count 3 of your friends round the bends of my tent,
Can't take a hint, but the bad came and went when the Good vibes—
Those good guys
Reminded me of my world
And in my world...
Everything is like a fairytale
But my fairy tail is caught between my legs—
Like the plague of someone's fingertips had me amazed;
Strange, yes...
What a strange blessing—we're estranged but I remember cutie pie's eyes, cause those were the days—
No “rage”, really, just space-aged waves of sound surrounding us and Bass come through the ground
I found myself there
Ain't no hoodrat
But I'm a hoodrat
Play a good brat
But if you sat me down I
Got the capacity
And tenacity to rap about it
I ain't proud about it
But ain't never doubted it, either
I'm either
Reptilian or Alien
Project 93
Bee. Odd.
And molly
Mahammed Ali
Got me
Dodging
The odd bee
Live Nation
Don't know if I was delirious...
Or if you were serious—
But I'm curious, and have trust issues so...
I gotta know:
Did I blow this whole thing out of proportion?
Of course, then:
Take a pass, have a laugh
It's just added to the list
Of things I'm pissed off about
Mad anxiety
Cause I like skinny
I like light-skinned he's-and-she's
And especially blondes—
Come on, man; if you let me love you, I can—I'd take anybody's hand and show them the promise land,
If they want to see
And honestly, I'm picky
My tastes are confusing and I'm losing hope
Born in the wrong body—I cannot be this black—it's a straight up attack on how much I lack—in culture.
Not a vulture, but not exactly a dove;
I just love peace signs and peace finds you, wherever you let it
I find it with paper-to-pen
Now-and-again,
Then again I find
I have a one-track-mind
Writing in rhymes is fine—
Till you lose respect;
I'm Dr. Suess with a noose around his neck
Living paycheck to paycheck—
I regret to inform you I can't preform in this reformed prison cell.
If this is prison—well, Hell—
Pin me up in a cell so I can tell all my friends
“Hey, I'm just like you!”
“We don't like you—you wear blue.”
“You could too—if you do what you're supposed to.”
And I'm supposed to be somebody with authority, but horribly I think about what whores would be without the men who made them...
HoStep- vogue music + brostep
ShowStep- Broadway/Showtumes+ Dubstep
Sorry sorry,
I worry-worry
No one will love me
Like I love the world.
And I do know you—
But I do owe you an apology...
Technology...is too much for me
Wiki is the key, and I won't look 3 times.
You know who you are;
You set the bar too high.
Now it's too late
Another obsession—
I'm just a mental case.
Sorry honey. You looked at me funny...
And I fell apart. That was the start
Of another broken heart
MI3P [The Audition Tape]
Album Art: Roadrunner + Wiley Coyote frozen solid under the northern lights, white rabbit coming out of an ice fishing hole.
Acoustically covered EDM
Ease My Mind, Will You?
Was listening to ‘Ease My Mind'
When robin williams died
Cant lie I've thought about it
Like, every time
It's obvious
I didn't want to see the synthesis
But this is it
Can't be stuck with people who express this shit out loud
I'm not proud—that's just kind of how it is
I'm a Loser
Okay—
I never win shit
And I can't spin shit
Brian
Bro.
You're about 100 years old:
And I had that job before you did.
Oh—you pooted?
How rude, dude.
I don't give a fuck what you do, dude
Keep abusing your body—
I'll keep abusing this power
Every hour
I become something new...
And you?
You're dying, man.
Your whole generation can
Suck a fat dick
Fantastic—
Let's agree to disagree
You be you, and I'll be me
It's 50 cents
I'll pay my rent some other way
I only came to work today
To write and play.
Priest
Not suicidal
Fuck an idol
Music is like my bible
I'm liable to read it to you,
Judas.
Trippin'
Album: NSC (Not Supa Cree)
Skit:
Bunny & Hunny are a mirror image of each other, but about 30 years apart in age. They argue briefly in the hallway, Hunny (the younger) stomping away dramatically
Hunny: That fuckin shit's no fair!!
Bunny: Life's not fair, sweetheart—or else none of us would be here.
Donna [Not Supa Cree]
Trippin on shorts—
shorts?
Shorts
They was trippin on shorts
What?
Shorts
...and I was trippin of
Course (x5)
....cause they was trippin on
Shorts.
Smoke & Rain
Purple mountains
Burning fire
Red sun
Lights & lazers
Celebration
Never ending
Have fun
DEBBIE. (I'm 7)
1. I like eggs (the Amanda show)
2. I need shoes (married with children)
3. “I want that!”-baby Cree
Tired
I'm so Tired
I'm so Tired
I'm so Hungry
I'm so Bloated
I'm so Sorry
I'm so Stupid
Tripp
Trippin (Shorts)
Trippin on Shirts
Trippin on Pants
Trippin on Shoes
“I Love Your Outfit”
Turn3r Str33t
South Side
The Lonely Eskimo Raver (Pixel pro, rave gear,sitting at the entrance of an igloo...Alaska flag, supa cree flag #fucksnow
4 LAW
SPïRIIIT
COCOA
EMP
NoTing
Oh no,
Money no-ting
No diamond ring, no-ting
Not-a-thing
Phone don't ring
Don't mean no-ting
Just denoting
Don't need bling-bling.
No money
Not a ting, not a ting
No money
Not a ting, not a ting
No money
Not a ting, not a ting
You a pretty thing
Whatcha mean
Pretty-ting-ting
Ching-Ching-Ching
Not a ting, not a ting
Read iChing
Real book, not a ting
Sing-sing-sing
Not a ting not a ting
Not a ting
Not a ting
Not a ting
Not a ting
The Palladium
It just is what it is.
It is just (is) what it is
What is this
What is this
Imma make this shit my biz
Call me Liz call me Liz
I don't need no fuxkin thizz
I don't need you watch me
(//)
I don't need no baby sitter
I just cover face with glitter—biiich—
Cause this is who I is
“Her?”
Easy come, easy go
Easy come (come) easy go
What is this? I don't know
I just wanna see the show
On the bus (bus), I will go
Write and flow
Color code—switch
I don't need that bitch
She a snitch and she do snow
“So?”
(Whoop whoops—Fan Clacks)
Wall-E: Whoa.
You win some, you lose some
You win some you lose some
You win some you lose some—
I'm not drinking booze, hun
You win some you lose some—
You win some, you lose some—
You win some—
Look:
At least it was sunny.
(...///..././.-...///././..)
You win some, you lose some
You win some, you lose some
Trust me, this is fun
You win some, you lose some
You win some, you lose some
Trust me, we're not done
(We're just getting started!)
“Keep your head up.”
(.-././/././.——././.—./)
Easy come, easy go
Where he at?
I don't know.
I just show up to this show
Do my thang
Then go home.
“I like to move it move it—“
¿Quien que cuando donde porque?
Kandi Kidd
I'm a guru
I'm a sage
Every time I turn the page
I'm a different personality
I guess that's just my age
Never made a living wage
Never lived outside a cage
Never get respected and that's
Cause I like to rage
“WHAT?!”
I'm a Kandi kid
Kandi kid
Kandi kid
Let's trade
Kandi kid
Kandi kid
Kandi kid
Let's get faded
Kandi kid
Kandi kid
Kandi kid
PLURRR
Kandi kid
Kandi kid
Kandi kid
(Fan clack x2)
Once I went to a show
Didn't see know one one i know
But I knew just where to go
(Front and center, do not enter)
Throwing elbows breaking necks
All the children getting wrecked
PLU but no Respect
(It was almost turning winter)
So I went back to my tent
Shooting stars were heaven sent
Knew I couldn't pay my rent
But I had tickets to event
I went hungry I was lonely
I was tired, I was only
Wearing T-shirt, I'm no phony
“All these catty girls can blow me”
[Clip]
Then I almost fell asleep
And this secret I should keep
Cause I haven't said a peep
(I should probably keep it to myself)
Then I heard a strange sound
I heard footsteps on the ground
Next thing you know I was surrounded
(Shit fucked Up my mental health)
Dancing shadows cutting shapes
Should have filmed it, made a tape
But there was really no escape... what happened next was mental rape (echo)
Spoken (man's voice): Yo, what the fuck is this shit?
Me: What?
Man: This fuck shit—“dancing shadows...?” “Getting raped?”
Me: mental rape
Man: the fuck.
Me: look, okay—this one time—
Man: nobody gives a flying fuck. People want to dance. People want to have fun, this sounds depressing as shit.
Me: ...it was fun and depressing—
Man: cut that shit out, keep it positive.
Sample: (playing on phone) keep it positive, legally blonde
Man: ...are you serious?
...
I'm a Kandi kid
Kandi kid
Kandi kid
Let's trade
Kandi kid
Kandi kid
Kandi kid
Let's get faded
Kandi kid
Kandi kid
Kandi kid
PLUR
Kandi Kid
Kandi kid
(Fan clack x4)
FOoD iS dRuGs :'(
McDonalds
(Drugs)
Pizza Hut
(DRuGs)
The Colonel
(DRuGs)
It's internal
(DRuGs)
Captain Crunch
(DRuGs)
Wings for brunch
(DRuGs)
Go to sleep
(DRuGs)
Then wake up
(DRuGs)
“The best part of waking up, is—“
(DRuGs)
Uh- America
Uh- they're scared of us
Uh- In god we trust
(DRuGs)
Uh- Currency
Uh- urgency
(One day delivery)
Uh-I pledge allegiance
To the to the to the to the
(DRuGs)
Keep the secret
Keep the secret
Keep the secret
(Let's go eat)
Keep the secret
Keep the secret
Keep the secret
(/./)
Keep the secret
Keep the secret
Keep the secret
“I'm sorry, but you have cancer”
Everybody on this plane wake the fuck up
Intro
Everybody on this [plane] wake the fuck up
Fuck up (1/32)
[Sample: Flight attendant monologue.]
Spoken: You are now entering the multiverse: Welcome to the realm of possibility.
Music video idea
Time-elapse of a stationary trash can—at the end, is a person just staring into the camera.
Cop car light show; whoop woops.
[The Sound of the] 88
...Oh, what's up?
(Now it's weird)
What is that?
Woah.
What?
Who?
Okay.
Okay.
Okay.
BRO.
WHAT THE FUCK HAPPENED TO YOU?
BRUH.
‘Oh hey!'
Red lips lie but I wear pink
My shit still stink
But I eat organic
Mom wear mink
But I love this planet
Dance to the moonlight
I go manic
I see red and then I panic
Like— attack attack
You don't have my back, go back
Likeness is what you attract
So finish cleaning up your act
Fake it till you make it
If you're flaky I can't take it
I like dancing when I'm naked
(And I'm by myself, you guessed it)
All my love I can't express
But I keep it in my chest
Shut it off I need some rest
(Testing—(. . .))
I can feel it in my chest
If you ask if I'm the best
I'll say “no” I need a nest egg
I don't drink much but I would keg
I would ask but I would not beg
I can dance—
but I hate my—
(Wait—What was I saying?)
Get back to where you once belong
Granny panties never thongs
You called me ho but you were wrong
My best friend is, but we get a long maybe that's where I went wrong
Why I'm writing all these songs
Same shit, different day
Betrayal never fades away
[Sample: Festival Trip—scene where Chava finds Solomon in bed with Sala]
Got some bags under my eyes,
But I'm feeling fine.
Apparently, I'm on a mission—and the choice wasn't mine
But I've been listening,
Looks like it's the place and the time
To get it right.
Cause I've been listenin
In on this signal they're sendin me
Killin me
And grillin me
About who I'm supposed to be,
So hopefully—I make it,
I'll take it as a compliment from now on, and from now on—I'll put this crown on, and drown on,
In the divinity giving me humanity;
The capacity to be just me.
Who I'm supposed to be,
Is maybe SupaCree—
Eventually, evidently I may be what it takes to be
part of Democracy
And be the change I wish to see
Acurately...eventually, maybe
But for now I'm focusing on me:
The Cree of things.
People are speaking; I'm listening
And everything makes sense so far—just another scar on my heart, and not my arm.
Intention to harm is far from my mind—Self-destruction or re-construction; to which, I am blind.
It feels fake to me—drip dropping hints into a lake to me—playfully playing back the feeds of things The Cloud had sprouted just from seeds?
Experimental mental challenges designed to find the ones with minds seeking the more divine; It's more than fine if these voices are really mine, it's all the time. It's all a game, it's all in my mind.
I just have to accept this is my life,
I'm the ‘crazy ex wife'
With a life that reflects-
My constant struggle and strife—
These bags on my eyes,
Are heavier than
Living this life.
Aight?
<>remember me><‘remember me?'
It's a bird
It's a plane
It's a bird
It's a plane
It's a bird
It's a plane
It's a bird
It's a plane
It's—
Look—/ /
‘Look around you—what do you see (echo)'
C
C
C
C
Sea
Sea
Sea
Sea
See
See
See
See
><‘easy as life, aida'
>
Write more
Dance more
Sing more
Do more
<>more
Cree Hotch
Wed, Oct 9, 10:49 AM
to me
50 Shades of Blue
Blue Da Ba Di [SupaCreemix]
‘Bloo-bloo-bloo—‘
Cree Dahavalynn
Spoken:
“...and one day maybe, I'll have the honor of shaking your hand, looking you in the eye and pretending like I never wanted to fuck your brains out.”
Got me stress eating
In-n-out of meetings all day
In-n-out sounds okay
“No, you're out.”
Sounds okay
Okay—
Are you ok?
Not like Annie—
I mean, you can be—
But that's not really my thing;
Quick fling for some bling without a diamond ring
I don't fuck with that
And you can ask my ex, is we fuckin?
Nah, I'm over that
Put me on the guillotine—
Read between the lines
I was fuckin doing everything
Fuckin doing fine
I was on my grind—
Didn't have the time for no
Explaining why the fuck I go and listen to sublime
I hate the lime-light
Pay attention to me harder and
I just might
Lose it been Losin it since before it was a hit, and I admit—
I miss the shit I came up on,
I admit:
I miss the days where I had fun and
P.S.- yes I'm the best at passing a test
Don't need to study the material
Is really all here—just pay attention
Attention deficit disorder;
My auntie a hoarder but I'm borderline everything:
You feelin me?
Insta makes me brain hurt
And waiting makes the game worse
I'm sleeping in the same hearse
I was cursed first, then the sun burst
Fill my cup with coffee
And barely be getting buzzes
I always be missing busses,
I always have trust issues
Just trying to adjust issues
supposed to buy some new shoes
Give me an offer I can't refuse
Give me a bottle I can reuse
Give me a man who cannot abuse
Beating me up and leaving me confused
Yes I still remember last issues
Take me to the Grammys
I wanna meet the family
I'm tryna keep it classy
But the world is pretty trashy
My license is a class C
I'm average as I can be
I want the presidency, so
Somebody educate me
I'm late for my train
Plain Jane, plain insane
Look up, I see a plane
I eat weight and then I gain it
Clarissa, I can't explain it
I wax it and then I wane it
Phone Home like I'm Little Wayne, bitch
I say ‘bitch' but then I hate it
I hate bread but then I ate it
I love cheese and so I grate it
I love food and so I plate it
Love DRuGs I love getting faded
But lately the world is jaded
So
(Sung, nah-nah)
I stay sober—found a four leaf clover
Frozen in October
Alaska getting colder
When they say it's over,
I linger,
Get closer
I need more exposure
Cause I am getting older
This instagram is closure
No selfies and no posers
Close your—mouth please
Lose your spouse please
Because he took your house keys
(Choking sounds, gasping for air)
I need fucking therapy—
A doctor who won't lock me up
A friend who won't block me out for keeping up with my fitness
Do you get this?
No. You don't know.
Nobody really understands my self destruction plan
But I don't really ‘need' a man,
Because I wrote
“I am”
And,
“And.”
And—this is my Land
‘This is our world
This is our sand' (box)
Thinking about getting dread
Locks
I don't need headphones I need
Aux—
‘I want to hold your hand'
Awwwwsss—
Walks on the beach
I am a beached whale
I am a teacher
I'm gonna set sail
Build me a church and steeple and steal from the people
So tax free so evil
Evil knieval midevil
I was trippin on shirts
Avoiding them flirts, the worst
Laying me down in a hearse
I never rehearse
Live my whole life in reverse—
I'm Benjamin button
It hurts-hurts
The world is George Lucas's first,
Work
From something to nothin,
It works, church
From First and to Last
Every verse, verse
Somebody come help break this
Curse curse
Demons in my universe—verse
Remember you asked who came first—first
(Two times?)
...it was the egg.
Go break a leg.
I don't have to beg
I'm going to Vegas.
Bitch I'm gonna be famous
Bitch I'm already A-List
Bitch I'm friends with the greatest
Sun and the Moon and the stars were my latest design
‘Bitch you look fine'
I promise, I'm not
Promises, promises
Thought I forgot
Hacked
Maybe because I'm black
Maybe because they thought I'd attack
Maybe cause I'm stacked with knowledge—I acknowledge I wanna go back to college to polish it
I don't know what to call this shit;
Trying to be an activist but I legit don't have the time or a spare fucking dime
Bus lines wasting my time
Wrote the bus song on my own vibe
I don't write songs all of the time,
But when I do, I use blue and my
‘Do' frame of miiind.
Gotta find the right sound pack
Gotta get a new backpack
Gotta be myself, that's whack
I can't go back
I can't take that
Can't fake facts: I've been hacked
For no reason, that's stupid
I left right on time
Apple reads minds now,
Google makes plans now
I hope google plans how to explain how they made me insane picking at my brain—
Need my phone to get by,
Need my GPS or I digress, I'll leave my fucking phone at home—
Cause I can find north, of course—-
West is the beach and this beached whale sprouted legs and they can
Walk for miles and miles
It might be awhile to apply my airline miles,
But I got different styles or writing
I'm sick of fighting with myself—
Pull the trigger already
“No, you've already written too much about such and such, so—that would expose those who only hope you turn up your nose and, put a gun down your throat”
Oh.
Started working on my suicide note,
And I wrote about how, now, I can't even go around without the sound of the 3 people dragging me down in my stupid
Little
Head.
Ū Mad
...why you mad?
Hurt that bad?
Nah man, U not my dad
You not my boss
U just mad
U had me at “tell you what.”
When worlds collide
“Choclaaaate!!!”
Got an hour and a half in Hollywood land
Night didn't go as smoothly as I planned
Don't need a man,
I have it
Don't need it man,
Can't stand it,
Can't even stand this planet
I'm just gonna dance, bitch
Dance bitch
Dance bitch
Dance (x3)—switch
life in LALA land is
Lalala-Land of the lost,
Lost Lands;
Everything costs
Everyone wants to get lost in the sauce
Everyone, everyone wanna be BOSS
Everybody ignoring my weirdness
Weird shit
I guess I should have tried out the guest list
Get this
Get this useless
Bag off my back
Need no back pack
I never took that
I just book that
Supa tight supa right
I got mad hats
Sober like Tober
No drugs November
Maybe December,
Underground—timber
I don't remember
Anything I just need
I just need
I just need
I just need
...
Therapy
...
Therapy
...
Therapy
I just need
I just need
I just need
BASS.
Sample: this dick ain't free
Okay then
I'm Savin the raven from playin
Need a save haven
Make me a maid, then
Maybe a maiden
Laid in Golden
Togas—
I'm supposed ta
Love ya
10,000 hours
I'm supposed to
Love ya
That's what my power is
I have an hour glass figure
Go figure
Not fake
Just hate this plated
Armor.
I need to drink water
It's hotter in here than I thought mi cannot
I cannot
Love anyone
Else right now.
Sometimes, I just want to witness
Happiness at best
The rest is invested in
Keeping protected my heart—
That's a start.
Left you in bed today
I didn't want to play games
You'll find me if you like me, likely
And finally, we'll have the time
To sing about these colors
How many others are there?
I don't care,
I would swear by my colors
Paint me colorblind.
Lost my shine but
I'll still try to find the light
I won't turn of the lights
But I'll turn a blind eye to
My blue life
Color me
Color me
Paint me in shades of green
I am translucently
Colorblind
You can't find me
Iridescence is the essence I'm
Hiding inside me
Protect. My. Heart.
Welcome to the center of attention
Did I mention I love this shit
Did I mention I'm illegitimate
Did you know, I'm an alien
Can't you see I don't fit in
People say i getting thin—
Really, Fin—what world you in
Jake the dog, wild frog—
I meant toad,
Let's move along.
Easy peasy lemon squeezee
Don't squeeze me
Easy peasy lemon squeezee
Don't tease me
Easy peasy lemon squeezee
No I'm not
Easy peasy lemon—
(Lemon x3)
sample 30 rock
I like Ben and Jerry's
Break Fast
Sample rent—la vie boheme—
Huevos rancheros (x8)
And maya Angelou
(Lou—up to 1/32)
Butters: lululu, I got some apples
Apples (echo)
[yeasss—]
...then it just rides out.
SALA “I don't give a fuck about birthdays.” (Echo)
“Cool, get the fuck out.”
Clique it—ticket
VIP boat?
Man this shits dope
Here take this rope and
Hang with your little friends
They're not you're friends tho,
It's okay I will spend it by my self
Happy Birthday
1500 down the drain
Actually it's probably 17, but that don't mean a thing—
Thanks
Your shit stanks
You're so nasty
Eskimo —cause I watched be a hoe
Girl you think I didn't know?
Let it go—blow over, I've been sober
BUS.
Wait man, I need a ride—
Never mind, I run in side
Defied the laws of gravity,
Let go of my pride
I just died
Oh—
Pshycho—
whose this to my side, though?
I don't like how vibe though
This silly dude can ride, tho
Uh, oh—uh-oh
Don't wanna go to the show
I didn't do enough blow
Did zero, cause Jon snow
Uh—oh—uh—oh
They gonna do surprise show
Crowd: go go go go!!
It's ok
It's ok
I'm just glad I came today
4-leaf clover
Bun up the dance
I just wanna
Take a new chance
I'm just fine, cause I know the answer
This
Is
My
Last
Last.
[“But first—“ Billy maize]
No. Last.
That's in my past.
Auntie adriene: how was your music concert?
... ... .... ...
/ / / - ////////////////////////(1/32)
Me: I had a blast.
The bus song:
Bus.
At the end, a loud thud, air brakes and an “uff”
Can't keep a secret
Can't keep my mouth shut had to keep leaking
Can't keep a friend I can trust
I'm just—
Fuck it, I'll adjust
I'll just, admit
I'm a misfit
Probably should have spent that $85 two times;
I live in certainty, right?
So it'll all come back?
So it'll all be bought?
Likeness is what I attract, right?
So that's right:
I attracted the massive planet with glasses—
Four more days fastin, could have turned me to ashes
Flashes of time lines,
Dancing in my mind
I know it, I'm blind
But faces? Just call me the mind's eye.
Closed mine today, I don't mind, I—
Codeswitching isn't my mind's mind
I was just living by my time
Apply the rules of blackness—
“A closed mouth don't get fed”
And a bad vibe don't get in bed with me—
Attracted to honesty, sobriety—
Someone who could keep an eye on me, but now I see you just brian's sidekick like I am to Annie—
We should hook em up.
They would probably fuck and end up on some, bad-mad-sad luck
Oh what the fuck, I keep bringing it up?
Probably shouldn't have treated me like a chump when I wished I could run against Donald Trump
Needed a friend like old Humpty Dumpty but,
Unfortunately he just wanted
My humps.
And Ciara isn't in the house.
Heard someone was in the market for a spouse,
You found it—not a mouse but obsessively lost pounds just so you wouldn't worry an ounce.
Not a cougar, but pouncing and bouncing between options—
Went skateboard shopping and lost it, could have spent a deposit,
But I'm positive patience is the only tangible object I need.
And I don't need medicine;
I just need peace again,
Occasionally, eat Asian—
And maybe weed, now-and-then—
I don't need more than one
I just need me some sunny days,
It's crazy I got all these plans, and, songs and words for days
I can't escape it, not a phase
I'm amazed, been writing since the second grade and I'm afraid
I just stopped cause love popped off,
Got popped and stopped from talking
Had to move cause he was stalking
Got too cold to keep on walking blocks—*stop*—(...)
Wait, no, this is my song.
Haha, I just got off on the wrong
...
Stop.
Spoken: god dammit...maybe I should put the bus song after this one.
And they watched me be a pendulum
For hours and hours I swung
All This music stuck in my head
All these hours stuck in my bed
I can't get ahead
That's what they all said
And I, and I, and I
I hear everything
And I and I,
Can hear you all saying it
And I
Shhh
[I need to be alone with my thoughts.]
Peace-Peace
I need peace
I need me like two of these
Window shopping OMG
kill me please
(No just kidding)
Wear these things
(No just kidding)
Dude I hate you
(No just kidding)
I'm just kidding
See my earrings
See my hearing
Get bad
I know it was
That bad
That's RAD
(Sell more drugs)
I don't want to
(Give more hugs)
I don't want to
(That shit bugs)
I get curled up in my rug
And die
>>>
r.e.n.t.
World of darkness
World of fears
Never you mind
Find your way home
You know your way home
You own it
Your part of the city is yours
But the city is ours
(At least for some hours)
There's no really stopping it
Life is like moving train, you're riding it
And loving it
Singing songs of love in your mind
Release the demons you have
And let go
You're mine
Don't clear your queue
Just clear your mind (echo)
Spoken: “Where do you see yourself in five years?”
“...I don't.”
Keep an open
Keep an open
Keep an open
(...)
Be here now
Be here now
Be here now
Spoken: “I am”
BedPunk (SupaCover)
Sometimes I'm the Hillary of my social circle
the unelected, the second best,
and very honestly I'm a real fuckin' pushover.
Goin' to bed at 10am has never felt better.
I'm just a bed punk Savin up through my last winter...
I keep in time with a job to scrape by, and that kind of thing.
and I cry sometimes because I can't stand the wait, cause I'm leaving...
The perfect love, the perfect way
to have the same old habits, the same clichés
Tortoise-shell glasses make me feel pretty famous,
but you can't take 'em with you and ‘this is the end 'cause...
Getting off at 8 AM has never felt better
I'm just an adult looking forward to my next summer—
Bot gunna miss no friends, Not gunna miss this town, below 0 degrees
but I'll be back to rule the world if you vote for me.
Sleepin' in till 10am has never felt better,
we're just some bedpunks
living as if it's always summer
We won't keep in time or remember our lines when we try to sing,
but we'll be back to rule the world when we find meaning in our suffering.
BBW
Sample: anaconda, end monologue)
(Fuck them skinny bitches
Fuck them skinny bitches
Fuck-fuck-fuck
Fuck them skinny bitches
Fuck them skinny
Fuck them
Fuck
Fuck fuck them skinny bitches
Fuck them skinny bitches
Fuck-fuck
Fuck them skinny—
(Drop dat a—) (crizzly)
BIG DROP.
(A$$—big Sean)
TADAH (Womp Womp- SupaCreeMixx)
LALA Land EP
AGEN WIDA- Supacreemixx
M
Go off- mama said remix
Barely Breathing- BLŪ Remix
OLDSTEP
Sun King/Here Comes The Sun (The Beatles, Love) –(SupaCreemix)
I Got You Babe (Sonny & Cher) [SupaCreeMix]
Love Shack [SupaCreeMix]
Los Paranoias (SupaCreeMix)
The Psycho's Path
Lucky charms,
Code of arms
Car alarms, and Hershey's bars;
Hershey's kisses, not your missus
But I'll miss this…
Bliss.
Kiss me underneath the stars,
I'm floating on my way to mars
I'm counting all the passing cars
(1, 2, 6—8)
What did you hallucinate?
Disintegrate me.
Imitate me.
People
[Sample: That's So Raven; “People-people, please, please!!!”
Work
Sensory Overload
FuckIt
Recycled
Culture Shock [Sample: My Generation, The Who]
Back Up [Sample classic]
If I Was A Boy (Beyonce) [Dupstep Remix, SupaCreeMix]
Before He Cheats (Carrie Underwood) [SupaCreeMix]
Cosmic Gate. Call To Arms [SupaCreeMix]
Vroom
[Sample: Ignitions—Old Mustang, New Mustang]
This Is my ignition
Don't need no permission
This is my admission:
I was there, you missed it.
Attention
Attention
Attention
Right—Lets's switch them.
Expert, Attention—
Ascension. (Whispered: Ascension)
Alright—I'm listenin'
Ex (pect) (Echo x8)
Re (spect) (Echo x8)
Givin it back (x8)
It's a wreck.
[Sample] ” In a wreck? Need A Check?”
ALBUMS/EPS
Turn3r Str33t
-South Side
NSC (Not SupaCree)
M13P (MI Audition Tape)
The Gorge [Part I/Part II (“Ous”)]
I'm so tired, that I—
Don't give a fuck no mo,
I—don't give a fuck no mo,
I—don't give a fuck no mo.
So insomniatic and—
I—don't give a fuck no mo,
I—Can't live this life no mo,
I—can't work no 8 to 4.
I'm so tired, that I—
I don't give a fuck no mo,
I—Don't wanna work no mo—
I—can't fuck wit folk no more.
I'm so tired, that I—
Cant take this life no more,
I—can't be yo wife no more,
Need money for the grocery store.
I'm so tired (tired)
I'm so tired (tired)
I'm so tired (tired)
—But yet I feel Inspired.
(Whispered: “SupaCree”)
*build up*
Love/Money/Party/Lucy
Love/Money/Party/Lucy
Love/Money/Party/Lucy
“Ain't nobody got time fo dat!”
*DROP*
I'm so tired that...
[Losin it>>>transition into midnight hour>>>
I bet your lil sister wanna look like me...]
[raggaeton vibe]
No Thing
Oh no,
Money no-ting
No diamond ring, no-ting
Not-a-thing
Phone don't ring
Don't mean no-ting
Just denoting
Don't need bling-bling.
No money
Not a ting, not a ting
No money
Not a ting, not a ting
No money
Not a ting, not a ting
You a pretty thing
Whatcha mean
Pretty-ting-ting
Ching-Ching-Ching
Not a ting, not a ting
Read iChing
Real book, not a ting
Sing-sing-sing
Not a ting not a ting
Not a ting
Not a ting
Not a ting
Not a ting
Album: The Synthesis
1. Synthesis
-Soda Pressing
-2 Times/Doubles
-Knope
-Full Senate
-America The Miserable
-45
-Hangry Howie's
Everything about me,
Is so stuck in this body
It's oughtta be
Apart of me
Until I reach
Infinity
Can you excuse my lack of company
Can you excuse my lack of me
BACk To The Future: Cree
.
Shotgun
2.
Falling Up
3.
Goin' In (Skrillex Goin' Hard Mix)
4.
Support OWSLA (Missing Lyrics)
5.
Burial
6.
Make Some Noise (Missing Lyrics)
7.
Hotplate
8.
Wild
9.
Rebel (Trollphace Remix) (Missing Lyrics)
10.
Rave weapon (Missing Lyrics)
11.
Beatbox (Missing Lyrics)
12.
Jaguar
13.
Stand Up (Millo & Otis Remix)
14.
Xtalk
15.
Days to Come
16.
Introvert (Missing Lyrics)
17.
Ghosts In the Machine
18.
Andrea
19.
Saturn (GTA Remix) (Missing Lyrics)
20.
Get Down Low (Silverback Remix) (Missing Lyrics)
21.
Identity theft (Missing Lyrics)
Festival Saga
Multidimentional Characters (Characters which exist within multiple universes + realities)
“Don't drop the--”
-What did you *do* ?!
-You dropped it, didn't you?
-*deer in headlights*
-FUCK.
-I told you not to do it.
Preliminary Soundtrack List
Squad Out (Trailer: “Let The fuckin bass--DON'T.” (*L*
1. Festival Trip
2. The Epic Trip
3. Scary Monsters and SupaCree
4.
Festival Trip excerpt
C- yo. I cannot wait to get down to some Acid Blaster.
S- acid blaster?
c-ahh yeah, you never heard of acid blaster?
S- ♀️ nope
C- fucking lit.
S-do you have to be on acid?
C- not a requirement but implicitly preferable.
S- Hm.
C- have you seen—
-Xxyyzz
-BabyGravy
-grinlge
-scratch n sniff
-feneglers
-HOWDAREYOU
-coldsauce
-benadryl4breakfast
-That Guy.
-My Name's Not...
-Control + Alt + Delete
-Maybe Later
-LSDemon (LOL)
-STOP.
-There! Right There!
-Violent Pineapple
-Sabrina The Teenaged Bitch
-SoloHomo
-5tet
-BorGeoIs
-TheNorthHole
-Redd
-Redd's Red
-Poo
-Best Case Scenario
-Worst Case Scenario
-I Dunno, Harry
-Gosh
-Toby (Or Not Toby)
-The Why
-Shoemantics
-Name Me King
-The Artist Formerly Known As Prints
-Crispy Feet
-¿
-Confucius Say
-Ne(r)d.
-Ne(r)d's Backyard Shenanigans (Rooftop BBQ/play on warehouse party)
-Jeff
-Jeffest
-Space Canyon
-Jeff's Wonderdome
-Neckbrace for Nancy
-TrashRat
-Below&Beneath
-Leggolas
-Tommy Trombone
-Ask Alice
-Ms. Steak
festival names:
¡Dizzaster!
FlopTop
Todayland
Yesterworld
Shalaham
Epic Music Festival
Ultimate Music Festival
Atomic Jungle
Oz
Never-Everland
UNH.
Conch Shella
Stank.
Drop The Ball
Hot Summer
Life is Decent
Underground Railroad
Fuck Fest
-Get Fucked
-GFY
Garden of Eden
Oobooloo
Dirty Little Secret
Dark Daze
Convalescence
Album parodies
Detention
(They go back and forth—the DJ names get more ridiculous)
‘Wear More Kandi' (in the hotel room)
Chava: you should probably wear more Kandi
Sala: ehhh, nahhh—I'm like,.,I'm good, I think.
Chava: uhhhh—you sure, dude? I know you're used to Utah but, this is kind of a big event. There's gonna be a lot of actual ravers, instead of, you know—Mormon girls with issues and undercover cops...with issues.
Sala: yeaaaah, I know, I'm good.
Chava: if you say so.
Sala: yeah. Remember that time I started trippin out hard during Morty Mcflyy at SaltyFlat's, and I was wearing a bunch of Kandi—
Chava: Oh, i remember.
Sala: So, yeah.
‘Horchata' -Festival Trip Excerpt
Chava looks decently confused. Sala slumps beside her.
Chava: what is this.
Sala: ...Horchata'
Chava: Gross. It sounds worse than it tastes.
Sala: *gasps*
Chava: Tastes like Cinnamon Toast Crunch farts, coming out of a ghost.
Sala: Thefuckever.
Chava: Change my mind.
Sala: Fuck you, bro-change your own mind—horchata's the shit. I fucking love horchata.
[a passerby stops in his tracks, excitedly]
Wooky guy: FUCKYEAH. HORCHATA IS MY LIFE!
Sala: (To Chava) see—
Wooky guy: I fucking love these guys, I've seen them over 27 times in the last YEAR.
Sala: Oh...
Chava: They've played 27 whole times?
Wooky guy: (goes on rant, shows weird tattoo) horchata for LIFE!!! Oh my god, will you trade kandi with me?!
Sala: Uhhhh.
Chava deviously smiles.
Festival Project
A Film Saga by SupaCree
Inspired by True Events
| PEACE. LOVE. UNITY. RESPECT. |
Lifelong friends navigate the infinitely incredible world of rave culture, journeying together (and sometimes, apart) into the PLUniveRse© in fantastical, philosophical, and third-eye-opening adventures--the likes of which have never been seen (or foretold.)
Festival Project™ is a multi-genre, mystifying and magical cross-genre series, set against the backdrop of modern rave culture-- combined with historical and futuristic elements-- across expansions of space-and-time, unifying with The Universal Consciousness in a multidimensional and explorative ensemble of Films, Episodic Series, Music Videos, Extended Playlists, and Concept Albums.
A perpetual symphony of artistic storytelling though a cavalcade of wonderful and whimsical characters along high-intensity, off-the-map adventures--showcased through Music, Film & Interactive Art Explorations--set upon the dreamlike actual reality of an unravelling fabric of time-and-space.
Enter The Multiverse: Anything Is Possible.
This explosive and expansive wave of enigmatic, chaos-colliding, charismatic [ and often comedic] kinetic energy, reflects a shared experience throughout all time in human connection; Journey beyond the unknown, to Worlds Within--and Without.
Everything is Everything.
Festival Trip- Two lifelong friends take a two-week-long trip across the country, to attend two major music festivals—one on the west coast (Among Aliens, in California), and one on the east (Ultimate Music Festival)
The Epic Trip – After breaking up with both her ex-fiance and her best friend, a depressed and anxious Chava decides to take a last-minute trip to another one of her bucket list destinations: The Epic Music Festival in Las Vegas, Nevada.
F*ckFest: The Origins (Prequel) 21-year-old Chava Hoffs, a longtime raver and lover of all things dance culture, finally convinces her bar-scene best friend to accompany her to a regional event in her area, ‘F*ckfest', Sala's first ever festival/rave where—to both her and Chava's surprise, she connects with other longtime friends she had no idea were immersed into the culture. Sala, having been “rave-retired” since entering her first serious relationship, becomes overly-excited and branches off on her own, reconnecting with her true self after spending too long in her own shell—she discovers her love for an up-and-coming new artist (‘Shluggy') who magnetizes her with a newly-created sound (‘PukeRock'—a play on “VomitStep”)
Vibes [Mini Series]- A sequel-in-installments to the shenanigans following F*ckfest, where Chava returns to visit Sala and return to ‘one of her favorite venues', which now hosts
Festival Trip II- After reconciling, Chava and Sala unite again to journey to uncharted territories—after Chava is invited along as a journalist to cover artists belonging to an up-and-coming record label based in Alaska, she invites Sala as a tag-along, knowing that her “weird hoe-magic” will attract—as always—even more interesting personalities and circumstances than she could dream to on her own.
Chava Hoffs
Sala Emillio
Gunther Ross- The more than interesting circus-act of a plug/one of Sala's romantic interests, who just happens to be in the same place at the same time, once Sala and Chava arrive in California.
Solomon Dominguez- Chava's “homie-lover-friend”, a DC native transplanted to LA who hustles and bustles the 3-job life to live the California dream—a surprisingly dedicated and loyal friend to Chava, who considers him the “king of fuckboys”—which, is not entirely untrue.
Johnny McEntire- An eclectic and friendly photographer who stumbles upon Sala during a vulnerable moment—a sweet, humble, and vibrant personality, Chava mostly dismisses him as just another victim of Sala's constantly-inconstant romantic gestures and affiliations.
Grace Williams (Chava's Super-Christian (but very sweet) Aunt)
Billy Williams- Chava's very dorky, southern Baptist uncle who can't help but throw in a (praise-jesus)
Krista DeVaunte- Bride-To-Be—Noah's Fiance
Noah Williams- Chava's Cousin, the groom to be
Naomi Williams- Chava's salty Cousin, and freinemy since birth—Noah's younger sister
Sonny Johnson— Chava's ex-fiance
Dustin Roberts—Sala's ex-boyfriend
Juan Manuel Jose Melendez Gutierrez-Rodriguez—Sala's current boyfriend, with whom she lives & works with.
Running Jokes: Speaking Spanish with a Mandarin-inflenced dialect—speaking/yelling in awful Spanish-soundingMandarin—speaking “Mandarish” or “Spandarin”
Every time Chava mentions Sonny (her ex), Sala interjects with “Fuck Sonny!”
Cop Jokes (due to Chava's occupation)
ACT I- The Wedding Bashers/It's Festival Season
“Save-The-Date”
Inciting Incident—Plans to attend a destination wedding that Chava and her lifelong long distance best friend Sala, have been planning for almost a year are abruptly halted when Chava learns via a very eventful facetime call (‘Meet The Williams') that her +1 invitation had apparently only applied to her now-ex-fiance [whom her stuck-up family adored because of his abhorrent Christianity], and that the bride-to-be would not allow Sala to take his place on the guest list—as her vivid memories of Sala from Chava's engagement party are severly grotesque.
Flashback: Chava + Sonny's engagement party.
Chava: Yeah dude, they got all, mad-butthurt that I was bringing you instead of Sonny.
Sala: Fuck Sonny!
A remote, unnamed city in the Alaskan Arctic Circle. It is severely cold, even visually so.
Ch
ACT II- Sunny California
ACT III- Sunny Florida
Deathwish—s a series about a woman who makes a death wish—but the stakes are raised wen all her wildest dreams come true, and death lurks just around the corner at every turn.
M
A collection of silent films, by SupaCree
Enter: world of music
In the scene where random racers find Sala's backpack in the parking lot, debut Rave Dora [Backpack SupaCreeMix]
“I'm a backpack loaded up with things and Knick-knacks too—anything that you might need, I got inside for you...”
Festival Trip One-Lines
Keep up, Kassandra
Hold Up, Heather
Be back, Becky
Back up, Barbra
Shut up, Susan/ Shut Up Sandra/ Shut Up Sharon
Sit Down, Sally
Chill, Chelsea
Cheer Up, Charlie (a reference to Willy Wonka)
Get out my biz, Liz
Chava: dude, your energy is killing me.
Sala: So.
Chava: Soo, fix it, bro—we have a lot to cover today. S'day one.
Sala: Day 1 of rave 2, I'm over it.
Chava: Well, I'm not so get some hype in you.
Sala: ughhh.
Chava: come on, man. I'm tryna see Cow Turds.
Sala: you're engaged to one.
Chava: shut the fuck up and drink. Here, I'll have one with you.
Light therapy
Frequencies
Vibrationally energizing
Body waves are
Paralyzing
Lines of
Broken harmonies
Inside of me.
Crying on the clock;
Rocking back and forth
Stocking full of coal
Greetings from the North Pole
If Santa Clause is real
Maybe we can make a deal;
If my heart is made of steel
You can't steal it—I can feel it
Winter is here
The world is money hungry
(So am I)
The world is simply starving
(So am I)
The world is so alarming
(So am I)
The world is just evolving.
(So I am.)
Cause I've been going crazy
Stuck inside myself
And I've been feeling lazy
Just beside myself
And I've been thinking lately
That just maybe, someday maybe
I'll be
It's all connected—
The reason we disconnect
Is we're neglected
I wonder what you'd expect
You can't express it
Just repress it.
Repression syndrome—
Came up too fast;
Compression syndrome
Suck it in
Suck it up,
You stupid fuck
Dive deeper
Ū (EP)
1. Thank U
2. I'm Sorry
3. I Love U
4. I miss U
I like your vibe
Come join my squad
Curiosity killed the cat
Carbohydrates killed the queen
Don't cry
“I'll try...”
50 Shades of Blu
Don't pick up the phone
Don't pick up the phone
Don't pick up the phone
Don't pick up the phone
And here you are:
8 years later,
With a baby on your back and—
Bills to pay
You have to decide
(What the fuck)
what the world is all
about today.
Don't want to be Cree
For a really long time
I just need
I just need
I just need a whole mind
I was me the whole time
I never left
And yet
There I was—looking at myself from above,
All the love in the world;
Just a lonely little girl
Trapped in her
Head
Never got out of bed, that day:
But I went away somewhere,
And there I was—looking at myself from above,
All the love in the world,
Just a lonely little girl
Trapped in her
Head
And I said,
“why are you waking me up?”
But I wasn't asleep—
I just wanted to fuck
And sometimes, it's too much
Too much is, never enough
I've never been in love (with me)
But I've always been in love (with you)
And if you had seen it
It wouldn't have been the death of me.
Deeper I'll go:
Deeper to find
How I crossed white lines
To become
Colorblind
How did you find me, here
My deer?
How did you know
Where to go?
How did you know, I would
Follow you there,
Once you finally showed me the road?
I've seen both the frog, and the toad;
You've already left me exposed,
And I'm frozen in time
Just to find
Just to find
Paradise—
I tried.
But love is a blind bat,
Diving into a vat of
Darkness;
a hat is only a hat,
If only there was more—
And there is.
There always is more—
You just have to live more,
And once you've been through the cycles, you could be
Recycled.
Ruined.
Rebuilt.
Guilt is only ever,
Created after pleasure...
With immense imploding pressure
- [ ] You were born
EP-GA
[2K19]
Mother Earth and
Father Time are
Making love right
By the fire
You are motion—
I am sickness
I am goddess;
Be my witness.
And I'll probably run for President—
Just like I tend to run from everything; not because I want to do it, but because I have to...
And just as I run from everything,
I run to everything—
As is the vicious cycle of life, unrepeated.
I should have seen it coming, when he kicked my puppy—I didn't, but my mother did, and it might have been the same day. If not, it was definitely on the same porch—the same porch where...my adolescence began, and ended.
There is no cure
When your spirit is broken
There is no cure—when you suffer in silence
There is no cure—
When you've seen all the violence
It's only you.
Breadcrumbs—
I'm not dumb,
I'm just muted.
The dragon I'm chasing is me,
And I just...
Set the world on fire—
I just—need to—
I just—adjust.
Translucent and transparent
I am the thing that happens when you
Parent your own parents.
And I just...
I been waking up randomly,
Panicking—
Wishing I was dancing
In the moonlight
I'm vanishing without a trace
And maybe I just hate this place,
Maybe I'm just displaced
I hate this
I been waking up randomly
Filling the void
Avoiding my eyes in reflections
I fell in love at a festival
She came to dance, she was solo oh-oh
...took my hand, said let's go- oh—oh-oh
She didn't care
She didn't care
I'm a tax write-off
I'm a meal ticket
I'm a grasshopper;
Or maybe, a cricket—
Ricochet rabbit
Why am I like this?
“Why do you fight this?”
I was not invited
to mingle
This ‘tingle' I get is more than
A threat—I regretted,
The moments I never forget
The secrets you keep
The stories you never will tell—
This is hell, you're not dreaming
It's only a nightmare.
Too much to think about
So I don't
Dissociative,
I associate everything
Within—without
I reflect everything
I've been about,
Stuck beside myself
I am just a clone,
A lone shadow of my
Own
All alone, and—
I never planned to leave this planet
But I have.
You're out of my league
Out of my league
Why can't you see that
It's so hard to be
Paying the price for this
Quarter-life crisis
I don't mean to write this
So bad, but
I can't trust myself anymore
I can't trust this world anymore
Life is just
Too complicated
I'm jaded—I'm faded out
Phased out, going about in this
Town like I'm drowning in
Insecurity
Or rather, a diamond in the rough
I've got enough stuff
I just need love.
You're out of my league
I can see that
I can't be that, thing
What you want is perfection
I just like who you are and thats—
Never enough.
I have nothing but love to give, love
So forgive this:
I didn't think I'd live this long
But I was wrong
And it was longer than I thought
Ago
Life is just
Too complicated
I'm jaded—I'm faded out
Phased out, going about in this
Town like I'm drowning in
Insecurity
Do you wanna know what it's like to be lonely like me
I can tell you better than show you
Once I get to know you good luck
AMNESIA NOTES
Miami Wade
Crystal Brooks
Donder (Donny) “we'll just call you Donny”
“Why?”
Uhhh...Because...we found you in the woods.
“What?”
“You know, like—the wild thornberrys”
“Sounds tasty”
“Uhhh—wasn't Donny found in the Jungle”
“Uhhh—isn't the jungle just a denser version of the woods?”
“I guess. It's like an earth-remix”
“What's a remix?”
Miami wells up—Crystal jumps up excitedly
“Awwwwri
And I've been stuck on Abbot Kinney,
Thinking about Will Rodgers and
Thinking that I'm a dodgers fan—
But I'm not,
I just like crowds.
And LA makes me proud
Of everything I need to be:
And if the world were watching me
She'd think she was herself.
I was never sleeping, I'm just here
And I was never reading, I just
Put the bookmark where I left off...
I could drift off into,
The taste of ink
And as it dries in my palm—
I know it won't take long until I'm
Drifting back into—sifting back into
Space—grains of sand.
You'll know when you've reached the promised land.
Hello, Good Friend:
‘It's time to fall in love...with yourself.'
A 20-something's imaginary friend returns, a decade after disappearing, just as she finds herself on the brink of ‘real adulthood', and has settled into the mundane and mediocre—as he leads her on a journey of self-discovery, she internally struggles with whether to tell her therapist—after deciding (or rather, being convinced) she shouldn't, she begins a desperate search for answers in what seems like a downward spiral into
(ends with: Fear of the Water, as he dissappears and fades away into stardust and she is left alone with all of the artwork he helped her create.)
A group of friends decide to form their own society after discovering an “uncharted” island—what they don't know [understand] is that the world government is observing at every angle—and as their population increases, they struggle as the popularity of their culture and lifestyle explode—
Craig's world- an ensemble about the good old days of craigslist
The world has the most to learn from its elders and it's youth—fever disrespect the sometimes even subtle wisdom of a child or your elders.
A1 (Lost in the Sauce)
Break beats
Ruffneck Bass:
That's what I like in my face
Drop that shit, don't make me wait
Make me dance off all this waste
I like chocolate, give me cake
Wednesday mornin' wake-n-bake
Star Jones—Oprah—Ricky lake
Which is real and which is fake?
Pick the right one, no mistake
River—ocean—crater lake
White girl: “can I touch your hair? Is it fake??”
Out of order—
Order steak.
[ Sample: The Epic Trip]
[interlude- two friends at a festival//a phone call]
“Where the fuck are you?”
“I can't hear you!”
“Hello?”
“BRO. Where are you?”
“I'm by the—WAIT—hello?!”
“WHAT? ”
“HELLO?”
[the call drops]
“Yo. Where the fuck is she?”
“I don't know man, probably lost in the sauce...”
Sample Lost In The jungle//Kendrick Boo Boo
Friends that say that they “gotchu” and then don't
Ain't your friends—
they're enemies
Keep them close
Nobody gives a fuck about you—
Except you—
Remember that.
And if you can't remember
Make a habit of forgetting
Cause you're just another
member of society
With social anxiety
Your sense of propriety
Probably shouldn't be
Anything
I'd give anything
Just to take back all my fucks
Put them in a bucket,
Throw it over my shoulder
And wish the world
“Good fucking luck”
I'm so done with it
This is the last chance you get
So have fun with it
There's no pleasure, no smiles—
No love in it
I'm just driving for miles
Above the shit.
Amnesia:
Three girls at a camping festival find an incapacitated man in the woods and take him back to their campsite for safety—when one of the girls discovers that she recognizes the mysterious man, actually a headliner at the festival they're attending—two of the girls keep it a secret from their friend who would certainly take advantage of the situation. When he awakens, he has no memory of himself—and so a journey begins: a test of friendship, and a race against the clock.
Shane
Miami
Crystal
“*giggles* what's a rave?”
Miami (takes a deep breath)
Crystal (facepalms her
C-Is Giving drugs to somebody with amnesia bad?
M-I don't know what's bad for amnesia
S-Well maybe, it's not giving it to him that would be bad—like, they were already in his system, probably wouldn't he go like, into withdraw or something.
You're probably right
S-(I'm probably not)
Transitions- Silent Film/EP
Kandi moves to a new city from far, far away—and finds herself lost trying to find her own vibe. ❤️
1. The Bus Song
2. Pretty Girls (SupaCreeMixx)
3. DOD (Phoenixx remix)
“Holy infected fuck!” [thats my vibe right now]
North Star
After an EMP attack, an unlikely leader becomes a guide to a group of survivors to find the way northward to Alaska.
Festival Trip
Chava Hoffs- A Voluptuous Dark-Skinned Alaska Native-Black Mixed fashionista who (to her disdain) earns a living as a correctional officer in a juvenile detention facility in Arctic Alaska, daydreaming her long nights away and stacking her money, saving up for an escape to someplace warm and sunny. She is bright and quick-witted, but sometimes awkward—truly a ball of energy, whether good or bad.
Sala Emilio (Stax) A tall, olive skinned hottie from Utah of Native American and Mexican decent who works as head chef in a gourmet Chinese food restaurant—a phenomenally functional alcoholic with a free spirit, questionable morals, good values, a loving heart—and a dry sense of humor. Childhood best friends with Chava,
I hope you're okay with the character I based off you. I'm not going to copy the story exactly (cause it's a movie, duh) so—I came up with the story that your character runs the kitchen of a classy gourmet 5-Star Chinese restaurant in Utah that has an all-Mexican staff of mostly illegals; my character is a CO at a youth correctional facility in remote Alaska—I felt like those two extremes would play funnier on camera than to replicate our actual situations. I also made them not parents, because I would rather take the whole issue of parenting and raving into a completely separate film idea, I'm thinking of calling it
Festival Project
A Film Saga by SupaCree
Inspired by True Events
Festival Trip- Two lifelong friends take a two-week-long trip across the country, to attend two major music festivals—one on the west coast (Among Aliens, in California), and one on the east (Ultimate Music Festival)
The Epic Trip – After breaking up with both her ex-fiance and her best friend, a depressed and anxious Chava decides to take a last-minute trip to another one of her bucket list destinations: The Epic Music Festival in Las Vegas, Nevada.
F*ckFest: The Origins (Prequel) 21-year-old Chava Hoffs, a longtime raver and lover of all things dance culture, finally convinces her bar-scene best friend to accompany her to a regional event in her area, ‘F*ckfest', Sala's first ever festival/rave where—to both her and Chava's surprise, she connects with other longtime friends she had no idea were immersed into the culture. Sala, having been “rave-retired” since entering her first serious relationship, becomes overly-excited and branches off on her own, reconnecting with her true self after spending too long in her own shell—she discovers her love for an up-and-coming new artist (‘Shluggy') who magnetizes her with a newly-created sound (‘PukeRock'—a play on “VomitStep”)
Vibes [Mini Series]- A sequel-in-installments to the shenanigans following F*ckfest, where Chava returns to visit Sala and return to ‘one of her favorite venues', which now hosts
Festival Trip II- After reconciling, Chava and Sala unite again to journey to uncharted territories—after Chava is invited along as a journalist to cover artists belonging to an up-and-coming record label based in Alaska, she invites Sala as a tag-along, knowing that her “weird hoe-magic” will attract—as always—even more interesting personalities and circumstances than she could dream to on her own.
Chava Hoffs
Sala Emillio
Gunther Ross- The more than interesting circus-act of a plug/one of Sala's romantic interests, who just happens to be in the same place at the same time, once Sala and Chava arrive in California.
Solomon Dominguez- Chava's “homie-lover-friend”, a DC native transplanted to LA who hustles and bustles the 3-job life to live the California dream—a surprisingly dedicated and loyal friend to Chava, who considers him the “king of fuckboys”—which, is not entirely untrue.
Johnny McEntire- An eclectic and friendly photographer who stumbles upon Sala during a vulnerable moment—a sweet, humble, and vibrant personality, Chava mostly dismisses him as just another victim of Sala's constantly-inconstant romantic gestures and affiliations.
Grace Williams (Chava's Super-Christian (but very sweet) Aunt)
Billy Williams- Chava's very dorky, southern Baptist uncle who can't help but throw in a (praise-jesus)
Krista DeVaunte- Bride-To-Be—Noah's Fiance
Noah Williams- Chava's Cousin, the groom to be
Naomi Williams- Chava's salty Cousin, and freinemy since birth—Noah's younger sister
Sonny Johnson— Chava's ex-fiance
Dustin Roberts—Sala's ex-boyfriend
Juan Manuel Jose Melendez Gutierrez-Rodriguez—Sala's current boyfriend, with whom she lives & works with.
Running Jokes: Speaking Spanish with a Mandarin-inflenced dialect—speaking/yelling in awful Spanish-soundingMandarin—speaking “Mandarish” or “Spandarin”
Every time Chava mentions Sonny (her ex), Sala interjects with “Fuck Sonny!”
Cop Jokes (due to Chava's occupation)
ACT I- The Wedding Bashers/It's Festival Season
“Save-The-Date”
Inciting Incident—Plans to attend a destination wedding that Chava and her lifelong long distance best friend Sala, have been planning for almost a year are abruptly halted when Chava learns via a very eventful facetime call (‘Meet The Williams') that her +1 invitation had apparently only applied to her now-ex-fiance [whom her stuck-up family adored because of his abhorrent Christianity], and that the bride-to-be would not allow Sala to take his place on the guest list—as her vivid memories of Sala from Chava's engagement party are severly grotesque.
Flashback: Chava + Sonny's engagement party.
Chava: Yeah dude, they got all, mad-butthurt that I was bringing you instead of Sonny.
Sala: Fuck Sonny!
A remote, unnamed city in the Alaskan Arctic Circle. It is severely cold, even visually so.
Ch
ACT II- Sunny California
ACT III- Sunny Florida
Excerpt- Festival Trip I
As chava blasts away, Sala and Johnny laugh hysterically
Sala: Dat ass tho!
Their laughter fades in the distance as she speeds up, other onlookers also commenting about her ass, as she blows past a group of men in black, she turns a man's head as she catches his attention.
Man: Daaaaaamn.
3.31.19
—Later—
The same man from earlier looks out the window of his high rise penthouse suite, across from Chava's hotel—and sees Chava levitating—he pauses, looks around, and raises his eyebrows, drunkenly and assumingly otherwise intoxicated in his appearance.
Man: Daaaaamn.
Chava is freaking out, remaining motionless as she floats above the bed—she looks out the side of her peripheral, afraid to move—looking up at the ceiling, her eyes widen. She blinks, and takes a deep breath.
He questions what he is seeing, as he pours himself a drink.
4.1.2019
As Chava dances through the crowds, she connects and trades Kandi, moving to the beat with intricate motion and flare—people are loving her (a musical dance number)—from backstage, a man pouts and purses his lips, wondering why she is familiar—he is momentarily lost in thought, as he gazes at her and the crowd.
Man: (under his breath) Daaamn...
Lackey: c'mon man, let's get the fuck out of here
Man: But—
Lackey: don't worry, you know there's gon' be hoes at the spot.
Man: ...but look at her viiibe...and that ass tho—damn!
Lackey: eehhhh. You wanna ass, I got a specific folder in my contacts titled “fat ass” with 300 bitches in it—
Man: *women*
Lackey: whatever—look—I could get you an ass twice as fat, on a dime twice as fine—in 10 minutes flat.
Man: (eyes shining, like domo) but look at her aura...
Lackey: —I think I got an Aurora in here
Man: No, like—
Lackey: (pulling at him) let's *go*, the fuck is you trippin..?
His eyes won't move away, but he is led by the lackey by his arm, confusededly pouting as he is dragged along.
Man: Damn.
He feels like he knows her.
Cut back to:
CHAVA'S ENTRY DANCE scene
Under the mask
A superstar DJ and his best friend embark on a series of festivals under cover as non-celebrity citizens
“Rule one 1: never take your mask off”
Excerpt- Festival Trip I
As chava blasts away, Sala and Johnny laugh hysterically
Sala: Dat ass tho!
Their laughter fades in the distance as she speeds up, other onlookers also commenting about her ass, as she blows past a group of men in black, she turns a man's head as she catches his attention.
Man: Daaaaaamn.
3.31.19
—Later—
The same man from earlier looks out the window of his high rise penthouse suite, across from Chava's hotel—and sees Chava levitating—he pauses, looks around, and raises his eyebrows, drunkenly and assumingly otherwise intoxicated in his appearance.
Man: Daaaaamn.
Chava is freaking out, remaining motionless as she floats above the bed—she looks out the side of her peripheral, afraid to move—looking up at the ceiling, her eyes widen. She blinks, and takes a deep breath.
He questions what he is seeing, as he pours himself a drink.
4.1.2019
As Chava dances through the crowds, she connects and trades Kandi, moving to the beat with intricate motion and flare—people are loving her (a musical dance number)—from backstage, a man pouts and purses his lips, wondering why she is familiar—he is momentarily lost in thought, as he gazes at her and the crowd.
Man: (under his breath) Daaamn...
Lackey: c'mon man, let's get the fuck out of here
Man: But—
Lackey: don't worry, you know there's gon' be hoes at the spot.
Man: ...but look at her viiibe...and that ass tho—damn!
Lackey: eehhhh. You wanna ass, I got a specific folder in my contacts titled “fat ass” with 300 bitches in it—
Man: *women*
Lackey: whatever—look—I could get you an ass twice as fat, on a dime twice as fine—in 10 minutes flat.
Man: (eyes shining, like domo) but look at her aura...
Lackey: —I think I got an Aurora in here
Man: No, like—
Lackey: (pulling at him) let's *go*, the fuck is you trippin..?
His eyes won't move away, but he is led by the lackey by his arm, confusededly pouting as he is dragged along.
Man: Damn.
He feels like he knows her.
Cut back to:
CHAVA'S ENTRY DANCE scene
Festival Project
A Film Saga by SupaCree
Inspired by True Events
Festival Trip- Two lifelong friends take a two-week-long trip across the country, to attend two major music festivals—one on the west coast (Among Aliens, in California), and one on the east (Ultimate Music Festival)
The Epic Trip – After breaking up with both her ex-fiance and her best friend, a depressed and anxious Chava decides to take a last-minute trip to another one of her bucket list destinations: The Epic Music Festival in Las Vegas, Nevada.
F*ckFest: The Origins (Prequel) 21-year-old Chava Hoffs, a longtime raver and lover of all things dance culture, finally convinces her bar-scene best friend to accompany her to a regional event in her area, ‘F*ckfest', Sala's first ever festival/rave where—to both her and Chava's surprise, she connects with other longtime friends she had no idea were immersed into the culture. Chava, having been “rave-retired” since entering her first serious relationship, becomes overly-excited and branches off on her own, reconnecting with her true self after spending too long in her own shell—she discovers her love for an up-and-coming new artist (‘Shluggy') who magnetizes her with a newly-created sound (‘PukeRock'—a play on “VomitStep”)
Vibes [Mini Series]- A sequel-in-installments to the shenanigans following F*ckfest, where Chava returns to visit Sala and her friends, to journey back to to ‘one of her favorite venues'—which now hosts V1brati0n—Utah's biggest dance music festival. As all the characters make their way to their favorite sets, separating, grouping-off, and pairing-up along the way—each episode details the story of each one's journey into the festival—and eventually, back to each other as the festival comes to a close.
Festival Trip II- After reconciling, Chava and Sala unite again to journey to uncharted territories—after Chava is invited along as a journalist to cover artists belonging to an up-and-coming record label based in Alaska, she invites Sala as a tag-along, knowing that her “weird hoe-magic” will attract—as always—even more interesting personalities and circumstances than she could dream to on her own. Yin-and-Yang reunite.
Chava Hoffs- A Voluptuous Dark-Skinned Alaska Native-Black Mixed fashionista who (to her disdain) earns a living as a correctional officer in a juvenile detention facility in Arctic Alaska, daydreaming her long nights away and stacking her money, saving up for an escape to someplace warm and sunny. She is bright and quick-witted, but sometimes awkward—truly a ball of energy, whether good or bad. (“Chava like Lava—and when she volcano? BOOM.”) Through trial-and-error, she discovers herself on a path of enlightenment—her strong intuition guiding her through trial and tribulation.
Sala Mae Emilio (Stax) A tall, olive skinned hottie from Utah of Native American and Mexican descent, who works as head chef in a five-star gourmet Chinese food restaurant—a phenomenally functional alcoholic with a free spirit, questionable morals, good values, a loving heart—and a dry sense of humor. Childhood best friends with Chava, she serves as an uncuttable heartstring for Chava throughout the test of time.
Gunther Ross- The more than interesting circus-act of a plug/one of Sala's romantic interests, who just happens to be in the same place at the same time, once Sala and Chava arrive in California.
Solomon Dominguez- Chava's “homie-lover-friend”, a DC native transplanted to LA who hustles and bustles the 3-job life to live the California dream—a surprisingly dedicated and loyal friend to Chava, who considers him the “king of fuckboys”—which, is not entirely untrue, being that his life goal is to “become a real Ninja.”
Johnny McEntire- An eclectic and friendly photographer who stumbles upon Sala during a vulnerable-yet-crucial moment—a sweet, humble, and vibrant personality, Chava mostly dismisses him as just another victim of Sala's constantly-inconstant romantic gestures and affiliations.
Grace Williams (Chava's Super-Christian (but very sweet) Aunt)
Billy Williams- Chava's very dorky, super-quirky, southern Baptist uncle who can't help but throw in a “praise-Jesus” or interject with “halleluiah”
Krista DeVaunte- Bride-To-Be—Noah's Fiance A light-skinned, freckled and green-eyed debutant whose “gingerness is contradictory to her blackness”
Noah Williams- Chava's Cousin, the groom to be
Naomi Williams- Chava's salty Cousin, and freinemy since birth—Noah's younger sister
Sonny Johnson— Chava's ex-fiance
Dustin Roberts—Sala's ex-boyfriend
Juan Manuel Jose Melendez Gutierrez-Rodriguez—Sala's current boyfriend, with whom she lives & works with; A Mexican immigrant with ‘grown-ass kids', Juan is a ‘machismo' who prides himself on working hard, and claiming Sala as his young, hot wanna-be step mom.
Running Jokes: Speaking Spanish with a Mandarin-inflenced dialect—speaking/yelling in awful Spanish-sounding Mandarin—speaking “Mandarish” or “Spandarin”
Every time Chava mentions Sonny (her ex), Sala interjects with “Fuck Sonny!”
Cop Jokes (due to Chava's occupation)
D*ck jokes
ACT I- The Wedding Bashers/It's Festival Season
“Save-The-Date”
Inciting Incident—Plans to attend a destination wedding that Chava and her lifelong long distance best friend Sala, have been planning for almost a year are abruptly halted when Chava learns via a very eventful facetime call (‘Meet The Williams') that her +1 invitation had apparently only applied to her now-ex-fiance [whom her stuck-up family adored because of his abhorrent Christianity], and that the bride-to-be would not allow Sala to take his place on the guest list—as her vivid memories of Sala from Chava's engagement party are severly grotesque.
Flashback: Chava + Sonny's engagement party.
Chava: Yeah dude, they got all, mad-butthurt that I was bringing you instead of Sonny.
Sala: Fuck Sonny!
A remote, unnamed city in the Alaskan Arctic Circle. It is severely cold, even visually so.
Ch
ACT II- Sunny California
ACT III- Sunny Florida
Festival Trip is a Film and Television saga that offers a new perspective on the ever-changing and recently popularized culture of dance music; it touches on the history of the culture as a whole, as well as a variety of other societal issues this generation faces—friendship, connectivity, communication—the dawn of social media, America's education system and justice system, immigration, and emerging mental health and drug crisis—while also taking a look at a history of counter culture as a derivative of the rapidly evolving technology of today's society. Through its characters and storylines, we dive deeply into a conglomerate of generational growth and exponentially educational topics, lightheartedly
Festival Trip Tagline: Two Friends. Two Weeks. Two Festivals—One World.
The Epic Trip Tagline: Girl, Meet World.
First Fest (Prequel) Chava is a teenager in a bit of a pickle, whose unlikely plug Christopher B. Dickenson (and coincidentally, best friend) picks her up at random from her lonely dormitory [where she tends to seclude herself] and takes her on a wild adventure to her first underground warehouse event, where she gets her first taste of the “wubs she lubs”—and her first glance of who is sure to become her favorite artist of all time—and later, the King of Dance modern American dance music, Sun(dot)Moon.
Dave: So...let me get this straight…
[Chava expressionlessly looks to him, with astute confidence.]
Dave: [sighs heavily] You want...all of the vacation time you've accumulated over the last year...at once.
Chava: [stoically] Yes.
[He pauses to think, searching for his response.]
Dave: ...I…[sighs again, more heavenly]...that's a lot of time off.
Chava: [monotonously] It is.
Dave: We're short-staffed as it is.
Chava: Yep.
Dave: ...What if I say ‘no'?
Chava: You can't.
[He purses his lips and squints at her, as if to say “I can't??”, She matches his expression very matter of factly--she is right.]
Chava Cont'd: ...Policy.
Dave: (rolling his eyes, skimming the paperwork and the calendar on his desk) Please. What do you know about ‘company policy'?
Chava: You made me read the employee handbook three times my first week.
Dave: What? And you actually did it???
Chava: I did.
Dave: No you didn't.
Chava: Three times.
Dave: Fuck me.
Chava: Inappropriate.
Dave: I'll show you inappropriate.
[Chava stares at him blankly. Her dryness deflates him, his eyes widen, contemplating-- He sighs again, mumbling just over his breath as he reads her submission aloud to himself.']
Dave: ‘...for the wedding of a close family member...dates specified…'yadayadayyadah --You need two weeks off for a wedding? What kind of wedding is this, anyway?
Chava: A ‘destination' wedding.
Dave: Psh. What's the destination--outer space?
(Chava's thoughts: I wish.)
Chava: ...Mexico.
Dave: [makes a ‘yeesh' face] Outer space might be safer.
Chava: Though, not as cheap.
Dave: Smartass.
Chava: Hardly, sir--I work here.
Dave: Do you?
Chava: As long as you approve my paperwork.
Dave: How do I know that this isn't your clever way of accumulating your PTO for a nice fat paycheck and leaving us all in the dust?
Chava: What dust? It's -55 degrees outside.
[He looks at her flatly.]
Dave: …
Chava: ...
Dave: (whinily)...Two weeks?
[Chava nods.]
Dave (Cont'd): [sighs] ...and you're coming back…?
[Chava squints at him questionably.]
Dave (cont'd):
_______________________________________________________________________
Chava: Yo, it's official--I just got the vacation time approved: We going to mexico.
Sala: !Viva Mexico!
Chava: Correct.
Sala: Ahhh, yesss bro, I'm so excited.
Chava: Same. My boss almost flipped a shit I'm taking so much time off.
Sala: You need some time off dude, you work too much.
Chava: Agreed--I haven't even taken a day off in like, a year.
Sala: Brooo--
[Chava's phone alerts her of an incoming FaceTime.]
Chava: Oh, shit bro! It's my cousin. He's probably calling about the RSVP. Hit you back?
Sala: Word.
[Chava switches to FaceTime; Her Aunt Mildred
1: Wait, do you hate me, or do you hate yourself?
2: I hate the both of us enough
No opacity
Magnanimous aucadity
Filled to capacity,
Emancipated, slated catastrophe,
Actually
Turn a blind golden eye;
“Did I do that?”
True that,
It was you that,
Knew that--
Who would do that?
Threw a shoe at
the phone line
Phone home time
Festival Trip
List of Fictional DJ's/Character List by Name/Concept
Favorites:
Jeff. (Excision)
Ne(r)d (Dillon Francis--Dillon Frances ((alternate dimension () ) [pronounced NED “the ‘r' is silent']
Shluggy (Snails)
Acid Blaster/LSDemon (LSDream)
UNH. (Rusko)
Devil's Lettuce (Ganja White Night)
Kalvin Kaine (Carl Cox)
Tommy Trombone (Timmy Trumpet)
OGs
CorpseRat (Deadmau5)
Asian Jesus (Steve Aoki)
Morty McFlyy (Martin Garrix)
Voltage (Carnage)
Abracadabra! (Tiesto)
Newbies
CoolWhip (Whipped Cream)
“, said This Guy. (Said The Sky)
Groups
Festival Trip excerpt
C- yo. I cannot wait to get down to some Acid Blaster.
S- acid blaster?
c-ahh yeah, you never heard of acid blaster?
S- ♀️ nope
C- fucking lit.
S-do you have to be on acid?
C- not a requirement but implicitly preferable.
S- Hm.
C- have you seen—
-grinlge
-scratch n sniff
-feneglers
-HOWDAREYOU
-coldsauce
-benadryl4breakfast
-That Guy.
-My Name's Not...
-Control + Alt + Delete
-Maybe Later
-LSDemon
-STOP.
-There! Right There.
-Violent Pineapple
-Sabrina The Teenaged Bitch
-SoloHomo
-5tet
-BorGeoIs
-TheNorthHole
-Redd
-Redd's Red
-Poo
-Best Case Scenario
-Worst Case Scenario
- I Dunno, Harry
- Gosh
- Toby
- The Why
- Shoemantics
- Name Me King
- The Artist Formerly Known As Prints
- Crispy Feet
- ¿
- Confucius Say
- Ne(r)d. (Dillon Francis)
-Jeff (Excision)
-Jeffest
-Space Canyon
-Jeff's Wonderdome
-Neckbrace for Nancy
-TrashRat
-Below&Beneath (Above and Beyond)
-Leggolas (Armin Van Buren)
-Tommy Trombone
-Ask Alice (Allison Wonderland)
-BoiToy
-DrippTipp
festival names:
¡Dizzaster!
FlopTop
Todayland
Yesterworld
Shalaham
Epic Music Festival
Ultimate Music Festival
Atomic Jungle
Oz
Never-Everland
UNH.
Conch Shella
Stank.
Drop The Ball
Hot Summer
Life is Decent
Underground Railroad
Fuck Fest
-Get Fucked
-GFY
Garden of Eden
(They go back and forth—the DJ names get more ridiculous)
Get Out My Face, Jace!
“BRICKS”
Chava: ...so…
Sala...so…?
Chava: You remember that guy, I was telling you about, before…?
Sala: You--? Psh. No. Fucking monogamists and your fucking...loyalty...fuckin'...shit.
Chava: No, I mean--when Sonny and I were broken up, and I had that--
Sala: Ohhhhhh----The rebound?
Chava: ...yeah…? (She doesn't know what to call it.)
Sala: Which one? The super-hot model that got you VIP at The Armani?
Chava: ...I almost forgot about that...
Sala: Or the one with the--uhh--
Chava: --Yeah.
Sala: With the--
Chava: --Yeah.
Sala: With the really big--
Chava: YEAH.
They exchange wide-eyed glances at one another.
Sala: …uh, *yeah*. Tell him come thru.
Chava: You'll take that back.
Sala: Somebody finna get DICKED-DOOOOOWNNN!
Chava: Are you crazy? I need companionship, not a vaganal reconstruction.
Sala: Hot DAMN--it's like that?
Chava: Bro, it's like that.
Sala: Big Dick Energy?
Chava: Times infinity.
Sala: I've got to meet this guy.
Chava: ...yeah, I mean um--he's not really a *guy*, more like a...giant penis with legs.
Sala: Ay, carumba, mija. Think you can actually go through with it this time?
*Chava has an intense flashback of Sonny in bed with the woman*
Chava: ...yeah, maybe.
Sala: Do it.
Chava: *texting* Maybe.
Sala:
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
Fuck all ya'll, your whole team is shady.
Shady.
Those are my Fieirce and Shady Tens.
TENS.
Quit it.
TENS.
Knock it off.
TEN
TEN
TEN
TEN
TENS ACROSS THE BOARD.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
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The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science.
The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement and ecological sustenance through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace.
Thank you graciously for your time, consideration, understanding, and support. ^.^
To Donate Please Visit,please visit gofundme.com/thecomplexcolletive
TRIGGER WARNING!
⚠️ VIEWER, LISTENER, and READER DISCRETION IS ADVISED. ⚠️
This series contains adult content not suitable for children or under the legal age of majority.
Listener and reader discretion is advised as this publication and / or broadcast and its selected readings and projected writings may contain explicit language, provocative wordplay, profanity, open expression of suicidal ideation, discussion of evolved/ de-institutionalized theories concerning depression and, psycology mental health, race relations and colorism, socio-economic inequality, political injustice and media politicism/ mass media manipulation, unresearched/undocumented scientific hypothesis , modern philosophical ideals and spiritual explorations, crude/ adult humor and may also include and contain pornographic content, references to fictionalized interpretations of celebrities and/or public figures (fan-fiction), caricatures or references to pop culture, modern art, music, science and other entertainment references which may evoke biased emotion, inspire adverse reactions, contemplative thought, discontentment, or discomfort.
The views and opinions expressed by this series and its subsequent editions, additions, chapters, broadcasts, and publications are solely the writers' interpretations as expressed with artistic and entertainment purposes only.
The artist reserves all rights to intellectual property maintained and produced by any and all publications of this series and is thereby protected under any applicable copyright law and/or trademark.
All fictionalizations of persons living or dead are meant to be perceived as characterized and/or fictional (fan-fiction) are for entertainment purposes only, and are not to be perceived as real re-enactments, dramatizations of events past or present, media dialogues or agendas, or factual exchanges pertaining to and surrounding real-life circumstances.
The dialogues and entires expressed in this project are in no way liable for any action, expression, disagreements, entitlements held by the reader at his or her/ their own discretion.
[The Festival Project ™]
The Complex Collective ©
{Enter The Multiverse}