LA Radio Waves

LA Radio Waves

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LA Radio Waves episodes

  • Radio Waves Podcast #373

     Radio: March 24, 2023

                It

    is time to admit: executives of the major radio corporations - Audacy, iHeart,
    and Cumulus, primarily - have no faith in the future of the industry they
    control. 

                There

    is no fighting from them against automakers who are removing AM from the dashboard
    of new cars, and the potential future removal of FM. There is no marketing plan
    to attract listeners to their stations, and hasn’t been for years. And they
    don’t even pretend to try to attract younger listeners, the lifeblood of the
    future.

                You

    need proof? Remember KROQ (106.7 FM)? You know, the station that knocked KMET
    (now KTWV, 94.7 FM) totally out of the album rock format by beating it to the
    punch playing new bands and new artists, just as KMET had done years before …
    before they got too successful and, one might argue, lazy.

                KROQ

    became the “Roq of the ‘80s,” and earned a reputation of being the place to go
    for new music. That was a long time ago, though. Now KROQ is basically an
    oldies outlet playing music primarily from decades back.

                Need

    proof? Here are two sample hours taken from the 3-5 p.m. shift on a random day
    about a week ago. Now remember, this is afternoon drive, which is one of the
    dayparts that would in the past have been programmed to young people just
    getting out of high school or college classes for the day, not the mid-day
    hours where more oldies might be found:

                3-4

    p.m.: Toxicity (System of a Down), from 2001; Bad Dreams
    (Cannons), 2001; Basket Case (Green Day), 1994; Somebody Told Me (Killers),
    2004; Time to Pretend (MGMT), 2007; Welcome to the Black Parade (My Chemical
    Romance), 2006; Landslide (Smashing Pumpkins); 2001; Bones (Imagine Dragons),
    2022; Kryptonite (3 Doors Down), 2000; Africa (Weezer), 2018

                4-5

    p.m.: Tighten Up (Black Keys), 2010; Personal Jesus (Depeche
    Mode), 1989; Uprising (Muse), 2009; Clint Eastwood (Gorillaz), 2001; The Boys
    of Summer (The Ataris), 2022; Black Summer (Red Hot Chili Peppers), 2022;
    Friday I’m in Love (The Cure), 1992; Sex, Drugs, Etc. (Beach Weather),
    re-released but originally from 2016; In Bloom (Nirvana ); 1992, Jumper (Third
    Eye Blind), 1997

                There

    was a time that KROQ would not even go back more than a year or two, all music
    being new and current. In fact, most stations popular with young adults did so,
    including KHJ (930 AM) when they played top-40, KIIS-FM (102.7) of the 1980s,
    and even, yes, KMET. That in two hours, KROQ only played five songs released or
    re-released in the past two-three years is, frankly, surprising even to me. But
    there it is.

                There’s

    hope, though, right? LA’s New Alternative (using that slogan for the past
    decade at least) Alt 98.7 must be playing new music, right? Think again.
    Another recent afternoon:

                3-4

    p.m.: Fat Lip (Sum 41), 2001; Dissolve (Absofacto), 2017; Wake
    Me Up When September Ends (Green Day), 2004; Lovefool (The Cardigans), 1996;
    Just Like Heaven (The Cure), 1987; The Kill (Thirty Seconds to Mars), 2005

                4-5

    p.m. Lost (Linkin Park), re-released but originally from 2003;
    Doin’ Time (Lana Del Rey), 2019; Dreams (The Cranberries), 1993; I write Sins
    Not Tragedies (Panic! At the Disco), 2005; Friday I’m in Love (The Cure), 1992;
    Bad Dreams (Cannons), 2021; Come as You Are (Nirvana), 1991.

                That’s

    two songs from the past three years or so. Any wonder why young people use
    Spotify for “radio” and in fact call it “radio?” That’s where they find new
    music.

                Now

    keep in mind that I am most definitely not commenting on the music itself, most
    of which I personally like. That’s not my point. My point is that if you can’t
    rely on KROQ or Alt to play new music, what station can you count on?
    KRTH (101.1 FM)? I didn’t check, but I’d bet they aren’t that much different
    year-wise … and at least they admit it! What to do?

                Legend

    has it that FM progressive rock radio got its start when Tom Donahue made
    telephone calls to local stations. Those that had disconnected phones due to
    non-payment — remember that everyone listened to AM at the time, and few people
    even owned FM radios — got pitched his new format. As the new format caught on
    and spread, people started buying FM radios. Eventually the band took over to
    the point that roughly 75% of radio listening is on FM.

                Which

    brings me back to my broken-record point: if you want to attract young
    listeners back to radio - real radio - you have to play what they want to hear.
    And I argue that it doesn’t matter if it’s on AM or FM, weak signal or
    strong. 

                I

    see kids listening to music on their phones or via cheap bluetooth speakers all
    the time … hardly the epitome of high fidelity. AM stations playing modern
    rock/pop/progressive/whatever would compete just fine. … certainly better than
    with political talk or sports. And they have less to lose … it is likely the
    stations are already losing money, just like the stations contacted by Donahue
    over fifty years ago.

                It

    is long past the time to do this. It can be done. It will take effort, time,
    and marketing, but the rewards will be great … I have faith in radio. But if
    the industry wants to let Spotify take over as the “radio”of choice, it won’t
    happen … unless a small company wants to take a chance.

                What

    are your thoughts?

                Richard

    Wagoner is a San Pedro freelance columnist. Email [email protected] 


    Radio:

    March 17

    KLOS

    (95.5 FM) broke a fundraising record - its own - by raising more than $1.27
    million in just 26 broadcast hours last month during the 6th annual KLOS St.
    Jude Rocks radiothon. That beat the stations previous recored of $1.24 million
    earned in a previous year.


    During

    the event, listeners making donations became eligible to go on adventures with
    station personalities in addition to receiving specially-designed attire …
    mainly t-shirts commemorating the drive: The T-Shirt that Saves Lives.


    KLOS

    programmer Keith Cunningham was ecstatic over the results off the drive,
    telling me how proud he is of both his staff and loyal listeners and humbly
    stating that “it is very rewarding to be able to help.” 


    “For

    many of us, it is the most rewarding two days of the year,” he said.


    The

    money raised benefited St. Jude’s Children’s Research Hospital, and will help
    kids at St. Jude to fight cancer. Also supporting the drive were station
    sponsors and artists. In a press release, KLOS owner Meruelo Media’s Otto
    Padron said “(this) is a fierce reminder that live and local radio compels, and
    deeply connects with the community to make a positive difference.”


    Emmis

    Podcast


    My

    podcast partner Michael Stark and I recently sat down and spoke with Emmis
    Chairman/CEO Jeff Smulyan and President of Radio Programming Rick Cummings for
    an open discussion of Emmis, radio in general, marketing, and more. It was
    supposed to last about a half hour but ended up going almost 60 minutes … and
    in reality, there is so much more to talk about we hope to have them back at a
    future date.


    Emmis

    is the former owner of Power 106, which was known as Magic 106 at the timethey
    bought it; later creating Power and for a time dominating local radio. The
    company is what I consider one of the “good ones” in radio, running their
    stations like they actually like radio. In fact, the love of radio oozes out
    from both Smulyan and Cummings as they speak.


    I

    realized in speaking with them that my own ideas on how to save radio -
    especially AM - evolved form my time interning at Magic and Power. Apparently
    their corporate structure stuck in my head without me realizing it.


    Hear

    the interview and subscribe to the podcast at https://apple.co/3T8g1ny.


    New

    Morning Show 


    Speaking

    of Power 106 - now owned by Meruelo Media and thus a sister to KLOS, by the way
    - the station has a new morning show.


    Called

    the Brown Bag Morning Show, it airs from 6 to 10 a.m. and is a former
    podcast of a similar name hosted by Letty Paniche with co-hosts Rosecrans Vic
    and DoKnow.


    You

    may remember Paniche as “Rikki Martinez” when she worked with Big Boy on Power
    mornings from 2011 to 2014; she left to work at KRRL and returned to Power in
    2021. 


    The

    Brown Bag Podcast also debuted in 2021; the show moved to the Power airwaves on
    February 16. I’ll have a full review in a future column; in the meantime if you
    have heard it, let me know your thoughts

    . 

    Top-10


    In

    the past I covered ratings quarterly, primarily because that is when the full
    “books” were released. But it’s been years since Nielsen (formerly Arbitron)
    moved to a new system allowing monthly results to be released, perhaps it is
    time to update may thinking.


    I’ll

    still do a more in-depth look quarterly, but give the top-10 monthly. This way
    we are all current without getting too predictable. Here’s the first top-10 of
    the year for the month of January, recognizing listeners aged 6 and over tuned
    to a station between 6 a.m. and 12 midnight:


    1.

    KOST (6.8) 2. KRTH (4.9) 3. KTWV (4.7) 4. KBIG (4.6) 5. KLVE (4.3) 6. KFI (4.1)
    7. KIIS-FM (3.6) 8. KCBS Jack-FM (2.9) 9. KLAX, KLOS, KNX, KRRL (2.8)


    I’m

    a little late covering the January ratings, released by Nielsen at the end of
    February; the February ratings will be out in just a couple weeks.

    ///

    11 min
  • Radio Waves Podcast #372

     A VERY SPECIAL "Radio Waves":  Join Richard and Mike for an interview with two of Emmis Communications' top execs - CEO and founder Jeff Smulyan and President of Programming Rick Cummings.  In the full podcast, we discuss a variety of "radio" topics, Jeff's new book titled "Never Ride A Roller Coaster Upside Down:  The Ups, Downs and Reinvention of an Entrepreneur" and they give us their thoughts on the future of the radio business. 

    Radio Waves: March 10, 2023

    Austin’s SXSW Radio Day Concert on The SoCal Sound

    There is a huge music, film and television festival happening March 10 through the 19th in Austin, Texas: SXSW 2023. Festival organizers describe it as “an essential destination for global professionals,” featuring “conference sessions, film and TV festival screenings, music festival showcases … and much more.”

    Music festivals are held with various themes Monday through Saturday; Thursday March 16th is dedicated as Radio Day, and our own “So Cal Sound” (88.5 FM) will carry that day’s concerts live beginning at 10 a.m.

    Each artist will perform for an hour, beginning with Bailen at 10:00, followed by Blondshell, Sunny War, Ron Gallo, Girl Scout, and Katie Toupin. 

    Can’t get the station clearly on your radio? It’s on smart speakers, all the smartphone apps as well as online, at thesocalsound.org.

    Fighting Back

    Radio in the dashboard of cars has become a battle ground between auto manufacturers and radio station owners. Not just for AM, which is being pushed out due supposedly to interference from electric car internal electronics, but potentially FM as well as carmakers look to push subscription services that allow radio apps receiving stations over the internet rather than the traditional airwaves. The thinking is that if AM can easily be pushed out and replaced by apps, then by extension FM can be removed easily as the same apps can receive FM station streams as easily as they receive AM streams.

    The problem for radio stations is two-fold: people may not bother getting the apps, especially if they are difficult to use or the access to use them costs extra, and there are extra costs to stations running streams, including music licensing fees.

    So some station owners are beginning to fight back. A recent article in industry engineering newspaper Radio World highlighted the perspectives of Tom King, of Kintronics Labs — an expert on AM transmission and noise interference, Saul Levine, owner of K-Mozart (1260 AM) and Go Country (105.1 FM), Don Elliot, owner of Schwab Multimedia.

    Essentially the consensus among the three is that interference concerns are overblown, that there are easy fixes including special antenna setups, and that many electric cars do indeed have reliable AM radio reception without issue. Who benefits from the removal of AM from cars, Elliot asks? Certainly not listeners.

    In a related move, broadcaster Neal Ardman has announced an initiative to force electric vehicle manufacturers to stop causing interference to the AM band, a problem I eluded to in a previous column. In a nutshell, if EVs cause enough interference to cause in-car reception problems, they are potentially creating interference outside the car as well … which is illegal.

    Broadcasting stations, including radio and television, is a protected medium in part because of its use in emergency situations. And AM stations in particular are often the hub of the emergency alert system. And that brings up an important issue, as Ardman stated in a press release announcing his initiative: “EVs don’t just cause noise to the radios built into the EV they also cause harmful interference to the cars that are nearby.”

    Adrian told Radio World that he hopes to work out an agreement without going to court, but that if a lawsuit is needed to protect the AM band from this interference, “we will do just that.”

    Mail Bag

    “I liked your article today where you mention ‘The Woody Show.’

    “Another fun morning show is on KRTH 101 with Gary Bryan, Lisa Stanley and

    Brandon. They have listeners call in for various things and is so fun to hear. I’ve even called in a few times and have been on the radio with Gary Bryan! They do such a fun show and crack me up a lot!

    “Always enjoy your column – especially when you talk about old-time radio from the 60s and 70s – my fun era of radio!” — Michele

    Absolutely! There are actually a few who still take advantage of phones when allowed, including those and afternoon drive hosts such as Kevin and Sluggo on KLOS (95.5 FM) and Booker and Stryker on Alt 98.7. It seems that some stations have finally rediscovered that entertainment between the records is often what makes a station win.

    “I look forward to your Friday columns in the Daily Breeze and today’s was a good one. I’m a longtime listener of KPFK and enjoy The Car Show while running errands on Saturdays.

    “If I wake up and don’t want to get out of bed I listen to the radio with headphones and check in to The Woody Show. It’s so much better than the (competition)” —  Richard Graling, Redondo Beach

    Here’s a little trivia regarding The Car Show … did you know that host Mark Vaughn graduated from San Pedro High? Yes, he is a local boy!

    Radio Waves: March 3, 2023

    Car Show celebrates a half century on the air

    My first car — and the car I learned to drive in — was a 1974 Chevrolet Vega GT Hatchback, bought new by my sister’s college roommate, Roxanne. Roxanne taught me to drive it when I was 12, in the back parking lot of Food King in San Pedro. In 1979, she gave it to me, and it became my cherished first car to drive in high school, while my Dad and I worked on rebuilding his 1967 Camaro RS that would eventually be my second car. 

    The Vega got passed over to my Mom, sold to my friend, then another friend. Eventually I saw it in one of one of junkyards where you pull parts off of cars yourself … it still had the back window sticker I had put on it years before. I have to admit, it was a bit sad seeing my old car there… I learned a lot about cars from it and had fond memories of it.

    I use that story for perspective … the Vega would have been 49 years old now, and it long ago bit the dust. (The Camaro was stolen, so keep an eye out for it). On the other hand, a radio program about cars the year before is still on the air: KPFK’s (90.7 FM) The Car Show just celebrated its 50th birthday in February.

    It all started in the Fall of 1972 when John Retsek and Jack Kirkpatrick were asked to talk about cars on KPFK’s Helpful Hints consumer-oriented program. The two had so much fun with their occasional appearances that then-station programmer Ruth Hirschmann proposed that Retsek host a car-oriented show weekly. So, in February of 1973, The Car Show was born.

    Much has changed since then … Hirschmann became Ruth Seymour, moving on to become general manager of KCRW (89.9 FM) in 1978 and creating one of the most prestigious public radio stations in the country. Carburetors became obsolete, replaced by fuel injection of various forms. Steel belted radials replaced bias ply tires. Unleaded gas became the norm. FM radios started showing up more and more, as did in-dash tape players, then CDs, then smart phone connections and bluetooth. Fuel mileage increased. Maintenance needs decreased. Safety and cost went way up.

    But the Car Show has held on, and is now the longest-running automotive program in history, predating National Public Radio’s Car Talk by four years “and obviously outlasting it,” says current co-host Dave Kunz. Now, in addition to hearing it live over the KPFK airwaves Saturdays from 1-2 p.m., you can also find it in podcast form on various apps and sites including Spotify and TuneIn.

    Described as “everything about the automotive world including listener call-ins, event calender, industry news, racing news, new products, vehicle road tests, classic and collector vehicles, in-studio and call-in guests on all automotive and related subjects,” the program is now hosted by Kunz and Autoweek magazine journalist Mark Vaughn.

    Explains Kunz: “The show has been through numerous hosts over the years. Retsek was at the helm until 2010, when he retired. Art Gould took over with me moving from fill-in to regular co-host. When Gould passed away in 2019, I sort of inherited the program, and that is when I was joined by Vaughn.”

    Through the years the program has remained true to its purpose: talking about cars, the technology involved , new and exciting trends in the industry … and fun. That translates to some long time listeners, according to Kunz. “I have heard from listeners who’ve been fans for decades,” he says. “One listener recently called to tell he he’s been listening since the beginning!” That’s dedication.

    So raise a glass to the show that originated on a station that, when the show first debuted, couldn’t even be heard in most of the cars on the road due to the then-dominance of AM radio. Happy birthday, The Car Show!

    Old Tech

    As I was driving into work this week — due to the rain I couldn’t ride my bike — and listening to Alt 98.7’s  The Woody Show as I usually do, it struck me: Here is a show that embraces old technology, at least to an extent. Many of the contests, bits, and listener participation segments on the popular program involved listeners calling in on the telephone.

    Yes, the telephone, something that so many seem to have forgotten exists in the era of text messaging and Instagram posts. Yet that banter with listeners is one of thew things that makes The Woody Show so entertaining.

    It also creates a conduit for personalization, as callers who participate and win contests can be promoted on the air, unlike generic “text this number to win” contests that not only don’t really do anything to drive listenership, they don’t give the rest of us a chance to hear someone else win. 

    Something to think about … maybe Woody proves the past is the future. Perhaps these are the Days of Future Passed. Or like sand through an hourglass, these are the Days of Our Lives. Showing my age again …

    Radio Waves: February 24, 2023

    Riding the Emmis rollercoaster

    Never ride a roller coaster upside down. Good advice, and also the title of a new book by Emmis Broadcasting founder and CEO Jeff Smulyan. The subtitle perhaps better describes the technical content: “the ups, downs and reinvention of an entrepreneur,” but the roller coaster imagery is fitting, as I am sure many entrepreneurs will attest. 

    It’s certainly not always smooth sailing.

    This is not a radio book in the traditional sense, nor is it a book on broadcasting. It definitely stays true to its title and focusses on the trials and tribulations experienced by Smulyan as he built his radio empire, branched into professional athletics team ownership, and in many ways tried to help keep an industry he loves on track and profitable … unfortunately to no avail. 

    In its pages, the book explores all aspects of his multi-faceted career, and at times is brutally honest toward himself and others. He gives accolades when appropriate; derision when necessary. And while it is not a tough read, it is a long read solely due to the details presented and the passion behind his words.

    Not that I always agree fully with him … As you know, I have long held that AM station owners and programmers pushed listeners to FM through bad programming — and other — decisions. Yes, FM can sound better, but doesn’t have to, and had programmers presented something people value, they would have stayed with the band. Smulyan actually proves my point with the initial failure of WFAN — a formerly successful country music station before he changed it to all-sports, which took years to catch on and like conservative talk radio became a popular format to present — if not listen —on the AM band … to the band’s ultimate demise.

    Also demonstrated by Smulyan, the current decline of FM is due to the same type of forces … content not appealing to listeners, and a commercial load approaching 25 minutes per hour on some stations. But I digress.

    In reading the book you get a feeling that you are there. In. My case, in one example, I was there … I was an intern at Magic 106 (now Power 106, 105.9 FM), working with on-air personalities such as Sonny Melendrez, Brian Roberts, Laurie Allen, and the great Robert W. Morgan. Emmis had spent a lot of money on Magic, but it was never the force they had hoped for … mainly due, in my opinion (and something I sensed even as a college intern) … a music mix that was too limiting. Magic never wanted to break songs, and instead relied on KIIS-FM (102.7) to do so … to its ultimate decline.

    Smulyan and his executives including Rick Cummings, who I believe at the time oversaw programming for the entire company, let me listen in and even take part on some of their evening strategy meetings, which was a tremendous opportunity for a radio nut like me. I never forgot the experience, and it helped me not only understand the inner workings of radio, but develop a periphery understanding of Emmis itself. Indeed, my experience with Emmis matches what Smulyan describes as the corporate attitude within the company – a company that values people; they treated me — unpaid intern radio nut —  as a valuable employee. No wonder the same executives I sat with in the mid 1980s are for the most part still with the company.

    So I was there when the decision to drop the adult contemporary music and move to a rhythmic top-40/dance format was announced. At the time I remember thinking that it would be a  tough move; KIIS-FM was firmly entrenched as the top-rated music station in the United States, setting records for listenership and revenues. Emmis executives came up with a format designed to appeal to young, hip listeners cutting across cultural barriers (sound familiar? Chuck Martin did the same at KHJ 930 AM). Ultimately, Power was the only station ever able to knock unstoppable KIIS-FM out of the top spot, at least for a while.

    Smulyan later describes the purchase of the Seattle Mariners … what went right and what went terribly wrong, including a reflective analysis of how he totally misread the market for professional baseball in Seattle. That chapter in the book may change a few opinions on Smulyan being a “terrible owner” of the team, even though that is not the intent. 

    He speaks of his competitors both good and bad, talks about initiatives he was part of that may have indeed helped extend the reach of radio, and discusses the problems — including in particular one short-sighted competitor — that led to Emmis ultimately becoming less of a “radio” company and more of a media company … a move that you correctly sense makes him somewhat sad. Smulyan is, indeed, a radio guy, and it is his first love.

    As I mentioned, one thing I found interesting in reading the book was that the attitude of Smulyan and the corporate culture he claims to have encouraged at Emmis matches that of my limited experience way back in my intern days, which were only a few years after Emmis was founded. Over time I watched the company’s successes and declines, and was impressed when — unlike so many other companies — Emmis actually worked to pay down debt by selling stations, including one that Smulyan loved, Power 106. 

    As I said, it’s not truly a radio book, but well worth the read for both radio fans as well as anyone interested in starting a business. Smulyan imparts knowledge that successful business owners learn by experience; perhaps his experience will help others avoid mistakes … or at least help others understand what entrepreneurs often go through …

    43 min
  • Radio Waves Podcast #371

     Radio: February 17, 2023

    Last October, Adult Album rocker 88-5 … aka The SoCal Sound

    (KCSN/KSBR, 88.5 FM) … ruffled a few feathers by moving specialty programming
    out of “prime” hours, described as Monday through Friday 6 a.m. to 7p.m. and
    Saturday and Sunday 9 a.m. to 5 p.m. 

    General Manager Patrick Osburn stated emphatically at the

    time that all hosts were offered new slots and no shows were outright canceled,
    but that not everyone wanted to make the move and some hosts decoded to hang it
    up.

    This prompted numerous emails and letters at the time, and

    some observers wondered if it made a difference in support and donations to the
    stations, with the thinking being that listeners of specialty programming are
    more likely financially support a public radio station.

    So I reached out to Osburn and asked directly … was there

    any fallout? His response is that it was basically a wash: 

    “For several weeks I got a lot of hate mail and resentful

    notes that missed the Beatles show, and others,” he explained. “I made a big
    effort to explain,  placate them, and even compromise. In the end, I
    generally stuck to the plan for the good of the future of the station.  

    “Over a few weeks, the number of letters decreased. 

    Nothing for a few weeks, then back to notes and donations”

      Osburn insists that the move was needed to help

    ensure the longterm visibility of the station, explaining, “our goal to evolve
    for the next 10 years is working, and the previous donations are being replaced
    by the new.  In short, it’s a push, but we are well set up for the future.”

    The Real Threat

    Radio engineering newspaper Radio World recently ran a story

    on what the writer feels is the real threat to radio longterm: subscriptions.
    Not to the stations or content providers, but to auto manufacturers who want to
    expand monthly payments to include in-dash entertainment services.

    A couple throwaway lines in the story written by InsideMusicMedia.Com’s Jerry Del

    Colianno, namely that electromagnetic fields in electric cars make AM radio virtually
    unlistenable and that manufacturers claim that AM radio drains batteries in
    electric vehicles prompted letter reply from a Radio World reader that
    succinctly states what I have been saying for years: Those companies using
    interference as an excuse for removing AM are basically lazy … or worse, just
    bad.

    Writes Broadcast Engineer Jeremy Burnham (bit.ly/3HSHkgu), “The article states, 'Fact:

    electromagnetic fields generated in non-gasoline engines make AM virtually
    unlistenable.’ Apparently Chrysler found a way around this issue because my
    2021 Pacifica EV has a radio that receives AM just fine. I can even do some
    DXing (long distance listening) with it at night. If Chrysler can build a
    necessary filter, so could other automakers.

    “The article goes on saying that manufacturers claim: ‘AM

    radio drains the batteries of their electric vehicles.’ Really? Quick, get me
    an ammeter; I need to see for myself that the radio draws excessive current
    while tuned to 570 AM but not for 102.7 FM or Willy’s Roadhouse on
    satellite radio.”

    Could they both be right? Yes, absolutely. It would not

    surprise me one bit if automakers wanted to expand a subscription base launched
    with in-car internet services, or going back further, services like On-Star.
    And if the companies can use the excuse that it is “too hard” for regular radio
    reception as a way to remove AM and/or FM from the dash of future models, then
    subscriptions will — perhaps — increase.

    But it is true that with correct shielding and a good

    antenna, reception of both AM and FM in electric vehicles is absolutely
    possible. GM, Toyota, Chrysler and others have proven it. And if the
    electronics and motors produced so much interference that it negatively
    affected reception in the car, it is likely that the cars themselves are
    interfering with others on the road, or even at homes and businesses
    nearby. Which means, basically, the cars themselves are operating illegally. It
    is up to the manufacturer to eliminate the interference of the products they
    build. Has been that way for decades.

    Oh, and the claim about draining the battery? That is just

    bull.

    6 min
  • Radio Waves Podcast #370

     Radio: February 10, 2023

                The

    holiday ratings period - representing roughly the last four weeks of the year -
    were kind once again to KOST (103.5 FM), which dominated the local ratings by
    playing holiday music. Earning a 13.1 share of the audience , KOST earned
    almost three times the rating (2.79 times actually, rounded off) held by second
    place KRTH’s  (101.1 FM) 4.7 share.

                Interestingly,

    though, the rating was a little lower than last year at the same time, when
    KOST earned a 13.4 share, and down even more from 2020’s 13.9. I wouldn’t read
    anything into that … many things are at work, not the least of which is the
    fact that people were allowed to leave their homes more freely, unlike the past
    two years. Still - interesting. 

                Also

    interesting: Go Country’s switch to holiday music didn’t seem to make a dent
    one way or another, with the station earning a 2.5 … about what it earns
    normally. 

                KFI

    (640 AM) was 3rd with a 4.4, followed by KLVE (107.5 FM) at 4.2 and My FM KBIG
    (104.3) at 3.9.

                Moving

    down the list a bit, the competition of Alt 98.7 and KROQ (106.7 FM) 
    found the stations closer together than they have been in a while, which Alt
    earning a 15th place 2.3 share and KROQ tied with KPCC (89.3 FM) for 19th at
    2.0

                KLOS

    (95.5 FM) fell a little, to 2.5 from December’s 2.9 and the 3.0 share it held
    in September, October and November. This gave Jack-FM KCBS (93.1) a chance to
    take back the classic rock lead even though it was flat from December’s 2.8.
    The problem for Jack is that back in August, it had a 3.9 share, and other than
    in November, the trend has been down. It should be interesting to see what
    happens the first half of this year.

                KLOS

    sister station Power 106 (KPWR, 105.9 FM) is still struggling. In spite of an
    excellent signal, it continues to languish far below closest competitor KIIS-FM
    (102.7), with a 23rd place 1.6 share against KIIS’s 7th place 3.0. There was a
    time when Power beat KIIS, and it wasn’t that long after KIIS set records for
    FM ratings — as high as 10.0 — in the mid 1980s. Kind of makes you wonder why
    either station doesn’t try harder.

                And

    from the files of “I Told You So,” KNX (1070 AM, 97.1 FM) earned a 2.5 share of
    the ratings, tying KLOS and Go Country at 11th place. For historical
    comparison, KNX earned a combined AM-FM 2.8 share in Holiday 2021, and an
    AM-only 3.2 share in Holiday 2020. Clearly the simulcast on FM has not helped,
    and owner Audacy lost the approximately 1.5 share it had with the old KNOU
    format it ran on 97.1 before the simulcast, even as bad as that format was. In
    the meantime, KFI has increased its ratings over the same period. Weird. 

                Honestly,

    Audacy should drop the simulcast, move the call letters back to 93.1 FM and
    play mellow rock on the FM. But they won’t.

                Perhaps

    the biggest surprise of the Holiday ratings? KRTH’s online stream earned a 0.7
    share … higher than 15 rated stations on the list and just below KABC’s (790
    AM) 0.8 share of the audience.

                Each

    rating is an estimate of the percentage of listeners, age 6 and over, tuned to
    a station between the hours of 6 a.m. and 12 midnight, as determined by Nielsen.

                1.

    KOST (13.1) 2. KRTH (4.7) 3. KFI (4.4) 4. KLVE (4.2) 5. KBIG (3.9) 6. KTWV The
    Wave (3.4) 7. KIIS-FM (3.0) 8. KCBS-FM (2.8) 9. KRRL (2.7) 10. KLAX, KXOL (2.6)

                12.

    KKGO, KLOS, KNX (2.5) 15. KYSR Alt (2.3) 16. KBUE, KLYY, KRCD (2.1) 19. KPCC,
    KROQ (2.0)

                21.

    KUSC (1.9) 22. KSCA (1.7) 23. KPWR (1.6) 24. KLLI (1.5) 25. KJLH (1.4) 26. KKJZ
    (1.3) 27. KDAY, KFWB (1.2) 29. KCRW, KLAC (0.9)

                31.

    KABC (0.8) 32. KDLD, KRTH Stream (0.7) 34. KCSN, KEIB, KRLA (0.5) 37. KFSH,
    KWIZ (0.4) 39. KKLA, KPFK (0.2)

                40.

    KCBS-FM Stream, KHJ, KIRN, KNX-FM Stream, KROQ Stream, KTNQ, KTWV Stream, KWKW
    (0.1)

                ///

    15 min
  • Radio Waves Podcast #369

     Radio: February 3

                I

    got into a minor disagreement with my podcast partner and friend Michael Stark
    over a recent column in which I was trying to clarify something and perhaps
    ended up making things murkier. It all had to do with the the word “stale” and
    radio station KABC (790 AM).

                Going

    back a couple weeks, I had mentioned that KFI’s (640 AM) recent changes had a
    lot to do with not becoming stale, as KABC had become. What I meant to
    reference was the mid 1980s, when KFI was moving to the talk format, and was
    able to overtake KABC relatively quickly due to sounding young, hip, and modern
    … while KABC was holding on to the old guard and had become somewhat stale in
    comparison. 

                It

    was not a direct judgement of KABC’s programming then or now, and often
    sounding fresh isn’t so much the talk programs themselves, but how they present
    themselves. What music  they use coming out of breaks, and more. A station
    that doesn’t evolve is likely to die due to a lack of new listeners. Done
    right, and a station thrives.

                A

    perfect example of that is KRTH (101.1 FM) … diehard oldies fans lament that
    they no longer play songs from the 1950s and ‘60s, but as KRTH has moved into
    the ‘80s and even the 1990s — still a longer period back than when it launched
    in 1972 and played music from 1955 and up — it has gained new listeners and
    remained one of the areas top-rated stations.

                My

    partner Stark believes I was too easy on the current KABC program lineup. It is
    stale, he says. I’m not sure that is the correct word, but I understand where
    he is coming from. Indeed, if KABC was playing something people wanted to hear,
    they would not be among the lowest-rated full-power stations in town. My choice
    of word to describe KABC: irrelevant.

                I

    think that the real problem with KABC is that it isn’t offering much to attract
    listeners, and they aren’t really even trying. The station is mostly repetitive
    conservative programming, basically preaching to the choir, with no promotion
    at all. Two of the shows are essentially replays of podcasts, and outside of
    midday host John Phillips and (another disagreement with my friend Stark) Ben
    Shapiro, the shows are not even really fun nor all that informative. Just kind
    of a rehash of negative political news.

                So

    what to do? The way I see it there are two choices. Either build around Philips
    and go live/local all day with people who can relate to local audiences and get
    out of the political gutter, or drop talk altogether and play music. Find a
    format for an audience that isn’t served by existing stations … such as oldies
    (new or old) that KRTH or KOLA (99.9 FM) doesn’t play, metal, or progressive
    rock. I guarantee any of those moves would do better than now, and may even
    bring a few younger listeners back to the band.

                You

    Know That …

                It’s

    funny how certain stories get told, and I suppose when they get told often
    enough they become “fact.” But many “facts” about radio are more legend than
    reality. Here are but a few examples:

                You

    always heard that KHJ (930 AM) used a cappella jingles when they launched the
    Boss Radio format in 1965 because there was a musicians strike. Sound
    reasonable, except that it’s not true. Oh, there may have been a strike — I
    didn’t check — but station consultant Bill Drake had already been using similar
    jingles at previous stations he consulted or programmed, including KGB in San
    Diego (now KLSD, 1360 AM) among others.

                Speaking

    of KHJ and KGB, it was actually KGB that launched “the Drake format” roughly
    one year before KHJ. They didn’t call it Boss Radio, but the elements
    were all there - quick jungles, fast moving format elements, and the top-30
    records. The success of KGB helped pave the way for its implementation on KHJ.

                You

    know that Rick Dees came to Los Angeles to work at KIIS-FM (102.7), right? It
    must be true, as I even read it in an LA Times retrospective of Dees’ career
    and how his arrival at KIIS led immediately to the rise of the station to the
    top of the ratings.

                Except

    it wasn’t that way at all. Dees arrived with his “Cast of Idiots” to work at a
    revitalized KHJ (can’t get away from that station today) in 1979; he didn’t
    move to KIIS until 1981. And KIIS didn’t switch to a true top-40 format until a
    while after Dees’ arrival. Had they kept playing the sleepy “adult
    contemporary” format they ran when Dees first arrived, KIIS-FM would never have
    set records for ratings earned in the mid 1980s.

                Of

    course you know that AM radio broadcasts always sound awful and it is due to
    the AM transmission system. The only way to get good sound on the radio to
    listen to FM.

                Wrong

    again. While Edwin Armstrong, a key developer of AM, hated the sound or AM
    broadcasts so much that he invented FM, it wasn’t due to what we consider AM’s
    lack of fidelity. It was the interference. AM radio, due to the frequencies it
    uses, is prone to interference from natural and man-made sources: lightening,
    automotive ignition systems, computers, dimmers, and more. But Amplitude
    Modulation itself is not inherently bad — it was used for the video portion of
    television broadcasts prior to the switch to digital … which is why you could
    sometimes get a picture before the sound on distant stations in the old
    days  — AM travels further than FM.

                Radio

    manufacturers handled interference by reducing the audio bandwidth on AM radio
    broadcasts. Made it easier to listen to, but it cut sound quality dramatically.
    From a technical standpoint, analog AM broadcasts can actually have a greater
    bandwidth — the frequency response spread from the lowest notes to the highest
    — than FM stereo (20 Hz to 20KHz vs 20 Hz - 15KHz). 

                With

    modern circuits, it is relatively easy to design a great-sounding AM receiver;
    Carver, Denon, and a few others made great AM stereo receivers as far back as
    the 1980s. It just costs a little more, and the companies want to keep costs
    down. Too bad, actually … some AM stereo stations sounded better than their FM
    competitors, but few people had the right radios.

                Have

    any similar stories? Send them over - I’d love to hear them.

    10 min
  • Radio Waves Podcast #368

     Radio: January 27, 2023

                I

    have always had a pipe dream of buying a radio station or two … primarily AM —
    because I want to prove you can get listeners when you program and promote a
    station correctly — or maybe an AM-FM combo in a major market. I’d probably run
    top-40 or progressive rock on the AM and something to complement it on the FM …
    such as Big Band.

                But

    as I write this, something dramatic is happening in radio: mega-owner Audacy —
    owner of six stations in Los Angeles, a handful more in the Inland Empire, and
    a total of 235 nationwide — has seen its stock decline by almost 90 percent
    over the past year, closing January 19th at just over 26 cents per share. With
    about 141 million shares outstanding, that puts its total market value at about
    $37 million.

                I

    think it’s time to buy the whole company. Anyone want to invest?

                Here’s

    my plan: offer a premium to buy the entire company at, say, $50 million. Then
    sell off most of the stations to others. You truly don’t have to get much for
    them … the selling price would only need to average a little under $213,000 to
    break even, and even stations in smaller markets would be worth more than that.

                Considering

    that KBLA (1580 AM) sold for $7 million in 2020, KLOS for $43 million in 2019
    and KFWB fetched over $11 million in 2012, as but three examples, I figure I
    could sell just four of the six LA properties (KROQ 106.7 FM, KNX-FM 97.1, KTWV
    94.7 FM, KRTH 101.1 FM, KCBS-FM 93.1, and  KNX 1070 AM) and pay off the
    debt; the rest of the stations nationwide would give me a lot of operating
    income. Keep about 10 stations total and I’m set.

                Why

    ten? That’s about as many as any one company should be allowed to own. More
    than that and you have what you have today — failing companies creating a
    declining industry.

                Of

    course in purchasing the company you’d have to deal with staggering debt, for which
    there may be no way out short of bankruptcy . Something that some observers say
    is inevitable. A search revealed that as of last September, Audacy had over $2
    billion in total debt, with liabilities totaling $2.73 billion. That would
    bring the average station selling price quite a bit higher to break even:
    almost $12 million. But … and this is a big but - it seems do-able, given the
    right management. The trick is, the company cannot remain in its current form:
    it must sell assets in order to get down to the handful of successful stations
    and remain debt-free.

                Any

    financial wizards reading this want to tell me why the plan doesn’t work? Seems
    a no brainer … I haven’t seen a bargain like this since Cumulus stock was
    selling for under $1 a few years ago.

                Stale?

                I

    received a few letters regarding my recent column on KFI’s (640 AM) programming
    changes, one particularly good one from reader Alan Wolfe. 

                “I

    disagree that KABC (790 AM) programing is stale. 

                “Armstrong

    and Getty: I give this show a thumbs down. I don't know what the show is about
    the constant laughing of one of the hosts is totally annoying. New hosts. 

                “Dan

    Bongino: Two thumps up for this excellent show. Great show

                “John

    Phillips: One of the best interviewers on either the radio or TV. Great show

                “Ben

    Shapiro: Also a good show if Ben  did not talk so fast. Ben, slow down

                “Leo

    2.0: During  the 60 minutes Leo covers more information than some of the
    other stations cover in four hours. Great show

                “Frank

    Motek: One of the best financial shows on the air and he is not selling
    anything.

                “Susan

    Shelley with John  Coupal: In one hour you know so much about what the
    city, county and the state are doing to rip you off.”

                That

    is an excellent analysis.

                Which

    made me realize I was unclear. I didn’t mean that KABC was stale; what I meant
    was that KFI changed this month because it didn’t want to become what KABC HAD
    become back in 1984. KABC being old and stale is what KFI — with a young,
    popular Rush Limbaugh and a few others such as Tom Leykis  — used to
    surpass them in the ratings.

                What

    KABC has now is an image problem that they refuse to do anything about. And
    their technical sound is occasionally abysmal: the audio often sounds like high
    school quality … Leo Terrell could not even be heard talking the other night
    coming out of a commercial because the music level was so high. There are also
    too many syndicated programs, and they refuse to promote ANY of them. 

                Which

    is too bad - Shapiro is considered by some as genius and even fun, and Phillips
    is a definitely a wasted talent waiting for someone to notice how good he
    really is. I like Bongino, but you can only say something sucks so many times
    before it gets dull. He needs to listen to early Limbaugh shows to see how it’s
    done. And why is Dr. Kelly Victory still not on the air here? She was a
    highlight of the day on The Doctor Hour of Phillips’ program.

                KABC

    should be a competitor … they invented the format! But they just won’t
    go the extra mile to make it work. There is no reason for a major market
    station, even on AM, to be rated as low as is KABC, shares running between 0.6
    and 0.9 for the past six months. 

                KABC

    is probably a station that purists wouldn’t want me to own: I’d take it to
    top-40.

    Radio Waves: January 20, 2023

    Benny Martinez, the young kid and relative newcomer to

    Los Angeles when he was picked in 1981 for the early evening shift on program
    director Chuck Martin’s top-40 K-WEST 106 (now KPWR, 105.9 FM) has passed away
    on January 3rd from complications related to diabetes. He was 66.

    I remember listening to Martinez on K-WEST, the little station

    that should have dominated radio in Los Angeles, a true version of KHJ (930 AM)
    on FM, launched about six months after KHJ went country. Unfortunately,
    upper  management didn’t give it enough time and dropped the format just
    as KIIS-FM was moving in; KIIS would eventually become the top-rated station in
    America due in part to K-WEST leaving the format to them.

    I asked Martin to talk about Martinez. “I first heard of Benny while

    I was programming KHJ. We would receive a lot of air checks from DJs around the
    country … so many people wanted to work at KHJ. One day my assistant,
    “Hurricane” Heron, came to me and said ‘you want to listen to this one.’ It was
    Benny Martinez, which was working at a little station in El Centro called KXO.”

    “Benny had a decent voice, but there was something more to it.

    He had a vibe, something in his attitude, that stuck out. He had excellent
    delivery, with a great pace and momentum. He was not ready for KHJ yet, but he
    was close to the type of personality I wanted for the station: someone with an
    ethnic feel  … who can talk with Southern California in a general sense,
    but relate to listeners in the inner city as well.

    “One day, he showed up in my office. My secretary said he was in

    the lobby, had sent me a tape and was hoping we could go over it together. So I
    brought him to my office, we sat down and listened; I gave him suggestions,
    such as to start speaking both Spanish and English on the air, moving between
    the two as effortlessly as he could. He was quite talented in this. After the
    meeting, we agreed to stay in touch while I continued to offer suggestions…
    which we did for many months”

    It was the Spanish-English announcing that made Martinez fun to

    listen to for me, even though I am still most definitely not a Spanish speaker.
    Long before it was trendy at some stations, Martinez would through in a few
    Spanish words as he spoke, often culminating with “on K-WEST, uno cero seis.”
    But I am getting ahead of the story.

    Fast forward a bit … KHJ has gone country, Martin is up in San

    Francisco consulting with KHJ sister station KFRC, when he gets the opportunity
    to program K-WEST. “We had most of the staff set … Bobby Ocean, Pat Garrett,
    London and Engelman, and the one holdover from the old format, China Smith. But
    I still needed an evening jock. Hurricane brought up Benny.”

    After thinking about it for a while, “he was at the top of my

    list” for potential candidates, he explained. But Martin had lost track of
    Martinez when the young DJ left KXO. “I had no clue where he was,” said Martin.
    “I finally found him … working at a bank! He had given up radio because he
    needed a more stable job as he started a family.”

    Would he be interested in working the evening shift on K-WEST?

    “Yes,” came the immediate reply from Martinez. And he didn’t let Martinez down.
    “He was exactly what I wanted for the format, for that time slot especially. He
    did really well for me,” he said.

    Unfortunately, as I said, it didn’t last. Just as the format was

    building momentum, and immediately prior to KIIS-FM starting its ascension,
    Martin realized the station was not being supported correctly, and promises
    were being broken. So he reluctantly left the station, the last station he ever
    programmed. Martinez went on to work at other stations in town, including the
    KIIS-AM (now KEIB, 1150 AM) “shadow cast” of KIIS-FM, B-100 (KIBB, now KKLQ,
    100.3 FM), and KRTH (101.1 FM).

    Martinez also worked on Westwood One’s syndicated 70s format but

    ultimately realized what he already knew: radio is not the most stable of
    industries. So he left and sold cars at Ed Butts Ford in La Puente.

    I realize this is a long tribute for Martinez, who certainly

    would not be considered a “legend” in the vein of Charlie Tuna, Robert W.
    Morgan, or “the Real” Don Steele. But he represents the last gasps of
    personality-oriented top-40 radio, and for that matter made his mark in an
    increasingly tough industry. I remember him so well because my radio was glued
    to K-WEST in that era, whether I was driving to Long Beach State or working at
    the Sears Surplus Store warehouse. It was fun; Martinez will be missed.

    15 min
  • Radio Waves Podcast #367

     Radio: January 13, 2023

                To

    borrow a slogan from ABC-television in the 1970s - unfortunately when they
    cancelled my favorite game show, Split Second - It’s a brand new day on
    KFI (640 AM), and it all started January 3rd. Tim Conway made the announcement
    of the change on the last day of his told time slot, January 2nd at 7:00.

                Some

    of the shows remain the same: Wake Up Call with Jennifer Jones Lee still starts
    the day at 5 a.m.; Coast to Coast with George Noory still ends the day
    at 10 p.m. But between the two some shows were shortened and times adjusted in
    order to launch the all new Later with Mo’ Kelly. More on that, um,
    later.

                It

    could be said that the changes reflect a reality: in talk radio, longer shifts
    can be tough. I think even in music radio, four hours can be too long,
    especially if the show is entertainment-based. Perhaps that explains why so
    many morning shows repeat segments or even full hours rather than having new
    content throughout the morning. Three hours in my opinion is a much better
    program length, but I digress.

                Bill

    Handel loses an hour and will be heard from 6-9 a.m. Gary and Shannon keep the
    same length but move up an hour, taking on 9 a.m. to 1 p.m. Next is John and
    Ken 1-4 p.m., followed by Tim Conway 4-7 p.m; both also sans one hour each
    shift. And then … Later, 4-7 p.m.

                I

    had a chance to talk with Mo’Kelly, and he explains his new show this way:
    “Think the Tonight Show with Johnny Carson, but on the radio rather than
    television.” Rather than being issues-oriented like his old weekend show, he
    says this one will be entertaining. “Sure, a guest may want to talk about
    something political, and I’ll let them. But it’s not going to be a political
    show. It will be fun, joyous … hopefully magical.”

                It’s

    definitely a gamble for the station, which just saw it’s ratings high enough to
    be tied for the number two station in the city. But it’s also been a while
    since any real changes have been made … by my count, no major changes have been
    made since 2013, the year Rush Limbaugh moved over to then-new KEIB (1150 AM),
    also in early January.

                I

    have yet to reach KFI programmer Robin Bertolucci, but I can surmise a major
    reason for the changes was making sure the station didn’t get stale, along with
    trying to make sure that its audience didn’t get “too old.” Just as KRTH (101.1
    FM) has remained at the top of the ratings by constantly evolving to
    continually attract new listeners, KFI wants to make sure it doesn’t become
    what KABC (790 AM) had become: old and stale.

                But

    to do it at the almost top of the ratings? There has to be information
    Bertolucci has that I am not privy too. Yet I can guess: Most of the shows have
    not changed in years. John and Ken have been doing essentially the same show
    for about 30 years, for example, and moving earlier in the day may actually
    expose them to a newer audience. Conway seems an odd fit at his new time, but
    again: new audience, new potential. And Kelly? He’s been a wasted talent on the
    station for years; his new show gives him the chance to shine … and bring a
    whole new crop of listeners to talk radio.

                So

    why didn’t KFI promote the heck out of these changes? They never do. KFI has
    always been run as a top-40 station that plays talk instead of music. It’s the
    station experience rather than any one host that has always gotten top-billing.
    As it continues to evolve away from issues and politics and toward general
    entertainment — ironically the format that KABC ran when KFI did it it — I can
    see it helping to keep talk radio viable. Certainly KABC  — and KFI sister
    station KEIB — constantly prove one simple fact: that political talk as a full
    format is dead … both stations are consistently toward the bottom of the
    ratings lists.

                The

    Greatest Ninths

                K-Mozart

    (1260 AM, 105.1 HD2) will present what station owner Saul Levine calls the
    greatest Ninth Symphonies — the Schubert, the Mahler, and the Beethoven —
    beginning at 12 noon on January 22nd.

                Listeners

    have a chance to voice their opinion on the subject matter as well; during the
    presentations, votes will be taken via email for their own thoughts on the best
    of the three.

                And

    as I visited the K-Mozart website - Mozart.com
    - I was reminded of Levine’s dedication to shelter animals … on the top of the
    page, as on all of his station websites, is a link for information on pet
    adoptions. Levine has been a proponent of shelter pet adoptions for many years,
    and that definitely continues into the new year. I like that.

    6 min
  • Radio Waves Podcast #366

    Special Guest:  KFI's Mo Kelly who discusses his new weekday show.

    Radio: January 6, 2022

                Wasn’t

    that you who told me you always wanted to own your own radio-related internet
    domain, so that you could direct your friends and family to your chain of
    online radio stations that you program out of your spare bedroom?

                You’re

    in luck. Audacy, owner of stations nationwide including eight here in Los
    Angeles (seven if you count the failure of the KNX Newsradio simulcast (1070
    AM, 97.1 FM) that earns roughly the same combined ratings as it did as a
    standalone AM signal, but I digress) is auctioning off the radio.com domain it once used for its online
    presence. The company dropped radio.com in favor
    of audacy.com when it changed its corporate
    name from Entercom to Audacy a couple years ago.

                Available

    through GoDaddy.Com, the auction ends March
    28, 2023. Starting bid: $2.5 million. That’s right - $2.5 million. Minimum.

                On

    a serious note and just for reference, Audacy couldn’t really do anything major
    with either radio.com or audacy.com. It is a decent little domain name,
    though … I just can’t see anyone or any company finding it worth that much.
    Generally speaking, online radio doesn’t make a lot (read: none) of money, so
    paying off that $2.5 million may take a while.

                So

    if that’s too rich for your blood, I’ll sell you socalradiowaves.com for much less. Maybe
    half a million. Send me your offer …

                Also

    on a serious note: I’m kidding about selling socalradiowaves..

                The

    Radio.Com domain itself goes back to at least
    1996. It was once owned by CNET networks — which paid $30,000 for both Radio.Com and TV.Com —
    and became part of CBS Radio when CBS bought CNET. In 2010, CBS launched Radio.Com as a clearinghouse of all CBS radio
    station streams. When Entercom bought CBS, the domain became its own. 

                AllAccess.Com, which broke the news of the

    auction, reports that similar domains such as Radio.Cloud, Radio.Co, and Radio.IM
    recently sold for anywhere from $2500 - just over $25,000. 

                American’s

    Samoa’s Best Music

                Ever

    wonder what the legendary KHJ (930 AM) might sound like, musically at least, if
    the station still played top-40? Wonder no more … South Seas Broadcasting has
    you covered.

                Using

    the call-letters KKHJ and broadcasting at 93.1 FM out of  Pago Pago in
    American Samoa, the station brands itself as 93/KHJ in a tribute to the
    original. The music is considered an adult top-40, which is probably what I
    would program on the station if I were running it here in Los Angeles. 

                According

    to the station website at southseasbroadcasting.com/93khj,
    “the idea for KHJ Radio came about in 1994 when Larry Fuss (now President of
    South Seas Broadcasting, Inc., the parent company of 93KHJ) was looking out the
    window of his radio station in Mississippi following a big ice storm. The
    streets were littered with fallen trees, broken branches and tons of ice, and
    the electricity had been out for over a week. Fuss thought to himself,
    ‘wouldn’t it be nice to have a radio station on a tropical island in the South
    Pacific?’ 

                “On

    somewhat of a whim, Fuss immediately began researching the possibility and ran
    across an available frequency for a new FM Radio Station in Pago Pago, American
    Samoa. The FCC application was filed on November 20, 1995, and finally granted
    on February 13, 1998.”

                Regular

    programming began in May of 2000 — almost exactly 35 years after the late
    April, 1965 “sneak preview” of  the “Boss Radio” top-40 launch that helped
    change radio forever. Like the original, the format was an instant hit.

                The

    station features a two-man morning team, a three-person news department, and
    runs public affairs programming benefiting the local community. And modern
    “93/KHJ” jingles … so cool. Hear it yourself on the various smartphone apps or
    online at the website.

                Ratings

                The

    December ratings (which due to the four-week cycles actually includes more of
    November than December) had KOST (103.5 FM) at the top, as usual, with their
    Christmas music format earning a whopping 12.1 share of the audience. You can
    expect that to be even higher when the “holiday” ratings period is released in
    January.

                But

    what caught my eye is the stellar performance of KFI (640 AM), which tied with
    KRTH (101.1 FM) for second place at 4.7. That’s right: an AM station tying for
    second place. It is truly amazing what happens when you program something
    people want to hear on the AM band: you get ratings. Just like so many stations
    did before they sent listeners to FM … such as KLAC (570 AM), XETRA (690 AM),
    KPRZ (now KEIB, 1150 AM), KEZY (now KGBN, 1190 AM) , KABC (790 AM) and even KHJ
    itself, most of which have never had ratings as high as they had when they
    played music (country, top-40, or even adult standards). KABC is a special case
    because they stopped trying to compete in talk in spite of inventing the
    format.

                KFI

    does have an advantage of being a signal blowtorch, covering most of Southern
    California during the day and much of Western America at night. But they
    compete by having a good programming, good promotion, and a local presence that
    is missing from so many stations, both AM and FM. One could learn a lot by
    studying these successes past and present, especially now that so many
    competing stations don’t really try.

    Radio Waves: December 30, 2022Poorman rings in the new
    year with his 3rd annual marathon

    What would the new year be like without family, friends, food,

    fun, and The Poorman?

    You don’t have to wonder, as Jim “Poorman” Trenton is once again

    ringing in the new year with a 30-hour marathon on-air party you can be a part
    of. Just tune into KOCI (101.5 FM) in or near Costa Mesa, or via kociradio.com, poorman.net,
    your favorite smartphone app, or your smart speaker.

    There will even be a live video stream of the event at facebook.com/jim.p.trenton

    It starts at 7 a.m. on New Year’s Eve and runs until 1 p.m. New

    Year’s Day; the idea is to showcase local community members as they take to the
    airwaves with Poorman as the official Master of Ceremonies.

    Each segment features a different host, and can be a station

    sponsor, local business owner, listener, or even a surprise celebrity guest.
    Each hour spotlights a different charity, and Poorman will offer live public
    service announcements directing marathon listeners to the charity web site as a
    part of the festivities.

    The first four hours will be his normal show … as I wrote last

    year, the word “normal” being a strange description for what is one of the most
    unusual shows on the radio. “We – either me or listeners – choose a theme, and
    then listeners call in to suggest songs that match the theme.” It could be any
    theme: food, cars, dance moves, drinks … after the theme is chosen, Poorman
    tries to play as many of the suggested related songs as possible. “It’s an
    all-instant request morning,” he explains.

    For the marathon, at 11 a.m., Poorman turns the program over to

    his guests, who are allowed to do basically anything they want, as long as it
    is FCC-legal. Poorman stays on hand to handle any issues or technical problems
    that crop up. 

    Of course this means he has to start sharp and ready to go if

    the guest hosts run a little too loose … I see lots of coffee being brewed at
    Poorman’s control center during those 30 hours. 

    This is the third year for the event, and it truly is a lot of

    fun.

    Predictions for 2023

    With radio stations possibly being forced to pay new royalties

    to the artists of the music they play, there are many expecting more radio
    stations to shift toward talk. Not necessarily talk formats — though I would
    not be surprised to see a commercial FM talker within the year. I am looking to
    see fewer songs being played on some stations and the ability of those in front
    of the microphone to have a but more personality. Think Booker and Stryker on
    Alt 98.7 or Kevin and Sluggo on KLOS (95.5 FM).

    This stems from the possibility that radio stations may have to

    pay these new royalties if a deal is struck between artists and the various
    organizations working on it. In the past, radio stations were able to avoid
    artist fees due to the argument that they expose listeners to new artists and
    new music, driving sales of records. Since radio became a thing if the past by
    playing mostly oldies and shunning most new music, they can’t hide behind that
    any more.

    Will it actually happen? And will such an agreement actually

    mean more talking on the radio? I don’t think it will be a dramatic shift, but
    I do believe a subtle change will happen in the new year.

    What else? I can see at least one of the major owner groups

    going bankrupt this year, especially if the economy declines at all; my bet
    would be on Audacy but honestly all three of the largest and most of the
    smallest are in trouble due to over leveraging their properties and the lack of
    content development on the part of most. Hopefully this will lead to a
    resurgence of independent owners, but I’ve been saying that for years … and
    remaining disappointed that it never seems to happen.

    Expect a few talk programs to show up on KNX (1070 AM, 97.1 FM).

    Where? Overnights is the rumor. Probably cheap syndicated fare.

    At least one major talk station will have some changes. Will it

    be KABC switching to sports betting? KFI making some adjustments? KEIB (1150
    AM) dropping talk altogether? I’ve heard nothing in particular about any of the
    stations, but KABC and KEIB are still in obvious ratings trouble and KFI seems
    due in spite of quite excellent ratings — the last major change KFI made was
    years ago when they sent Dr. Laura to satellite and Rush Limbaugh to a
    different dial position. I don’t expect wholesale changes, but perhaps a few
    tweaks. 

    Would it surprise me if KFI started simulcasting on FM? Actually

    yes, even though I know programmer Robin Bertolucci would love that chance. KFI
    does so well on AM (and KNX does so poorly on FM) that the move requires a
    low-rated FM to make the risk acceptable. Owner iHeart has no low-rated or
    unsuccessful FMs in town.

    Other than that, I don’t see many changes. Regardless, you’ll

    read it here first. And if you hear anything, or just want to
    know something that I can help with, please drop me a line.

    Happy new year!

    32 min
  • Radio Waves Podcast #365

    Radio Waves: December 23, 2022

    Holiday Treats

    More

    Christmas/holiday programming is on tap for you, if you’re willing to listen
    via apps or online … one of which has not been heard locally in years, if ever.

    In the early 1980s, Drake-Chenault produced a show called Christmas At Our House. 

    It was very well received, since it was quite different from the usual
    repetition of 50 common Christmas songs.  The syndicated show hasn’t been
    aired anywhere for over 20 years, and I don’t recall it ever airing in Los
    Angeles.

    The program

    was hosted by Sonny Melendrez, who I met while he was at Magic 106 (now KPWR,
    105.9 FM) circa 1984. It features lots of holiday music, along with
    interesting vignettes about how Christmas is celebrated in various countries
    around the world. There are also celebrity interviews, holiday stories,
    and some very unique music.

    It will air

    commercial-free on Christmas Eve, Saturday, December 24, from  2 p.m. to
    10 p.m. and repeat on Christmas Day December 25, from 7 a.m. to 10pm

    How do you

    listen? The stream URL is https://la2.indexcom.com/player/6.
    Just copy and paste the link into your web browser and a player will launch. If
    you have the technical know-how you can add it to your favorite phone app, but
    it will also play using the online player on your phone, so you can listen on
    the go or in your car.

    The second

    program is a holiday tradition. Sounds of the Season will air
    as usual beginning at 6 p.m. on Christmas Eve and running through 12 midnight
    on Christmas Day. The 36-hour show includes some excellent jazz instrumental
    and vocal interpretations of holiday music favorites from Ella Fitzgerald, Tony
    Bennett, Marcus Roberts, Ramsey Lewis, Wynton Marsalis, Vince Guaraldi and many
    more.

    LA Jazz DJ

    legend, Chuck Niles, provides a dramatic reading of ‘Twas the Night
    Before Christmas at noon, and 6 p.m. on Christmas Eve and midnight, 6
    a.m., noon and 6  p.m. on
    Christmas Day.

    “I have

    plenty of newer tracks this year, exclaims show producer David Grudt. “About 27
    percent of the music comes from albums released in the last three
    years. Roughly 60 percent of the playlist this year is comprised of music
    in our 1,300 plus track library that are new songs, tracks that I haven’t used
    ever before or tracks that weren’t played in 2021.”

    In the San

    Diego you can hear it over the air on KSDS (88.3 FM); in Longview, Texas you
    can tune to KFRO (1370 AM) — Longview’s oldest radio station owned by Scott
    Rice, former Chief Engineer of KSDS. But you’ll probably find it easier to
    “tune in” online at https://jazzknob.com or https://www.jazz88.org

    Music Comparison

    Sean Ross

    confirmed my own observations: KOST (103.5 FM) and Go Country (105.1 FM) do
    have a lot of overlap, but there are enough differences that might make your
    choice easier.

    In a sample

    hour, Ross reported on RadioInsight.com that
    KOST played holiday music from The Eagles, Michael Bublé, Bing Cosby, Lindsey
    Stirling, Johnny Mathis, Dean Martin, Amy Grant, Meghan Trainor, Frank Sinatra &
    Cyndi Lauper, Daryl Hall & John Oates, Dolly Parton & Michael Bublé,
    and Steve Lawrence & Eydie Gorme.

    Meanwhile,

    Go Country’s sample hour included songs from Bing Crosby, Darlene Love, Taylor
    Swift, Elvis Presley, Faith Hill, Johnny Mathis, Kelly Clarkson, Nat “King’
    Cole, Tim McGraw, Martina McBride, Dolly Parton, Frank Sinatra, Idina Menzel,
    Lady Antebellum (Lady A),  and
    Kenny Loggins.

    I note that

    neither station had any songs from Fred Waring and the Pennsylvanians, among my
    favorite Christmas songs due most likely to my listening constantly to the reel
    to reel tape every season on my parent’s Akai M8 when I was growing up. But I
    digress.

    What the

    Ross sample hours did show is that there is indeed a difference. KOST is
    marginally more contemporary in the pop arena; Go Country is marginally more
    traditional but includes a lot of more recent songs from country artists,
    including a superb version of Baby It’s Cold Outside from Lady
    A.

    But again,

    no Fred Waring. Such a shame.

    Radio pioneer Norm Pattiz
    passes

    You

    may not necessarily know the name Norm Pattiz, but you probably have heard
    programs created or distributed by the company he founded. Indeed, Pattiz is
    considered by many as the father of modern radio syndication via his Westwood
    One company.

    Pattiz

    passed away December 4th at the age of 79. 

    A

    graduate of Hamilton High School in Los Angeles, he worked sales for KCOP-TV
    Channel 13 from 1970 to 1974. He launched Westwood One in 1976, which grew to
    be a dominant player in syndicated radio programming by the 1980s, featuring
    concerts and programming including “Off the Record,” the national edition of
    Dr. Demento’s show.

    Eventually,

    the company acquired other syndicators including Mutual Broadcasting and the
    NBC Radio Network, and even lured Casey Kasem away from Watermark to host a new
    countdown show … then later got the rights to the American Top-40 program name
    under its umbrella.

    In

    the late 1980s, Westwood One started buying its own stations, including the
    former KIQQ (now KKLQ, 100.3 FM) and launched Pirate Radio under the program
    direction of Scott Shannon. Those purchases started to undermine the finances
    of the company, which soon found itself having to deal with an industry in
    decline brought on, ironically, by large companies buying radio stations at
    inflated prices, leading to an over leveraged financial situation.

    Infinity

    Broadcasting purchased Westwood One in 1994; Pattiz stayed on until 2010 when
    Cumulus Media took control. 

    Pattiz

    didn’t retire, though, Instead he launched Launchpad in 2012, changing the name
    to PodcastOne in 2013, once again putting him at the forefront of technology. PodcastOne.Com is a clearinghouse of hundreds
    of professionally-produced podcasts covering all interests, with such shows as
    Cold Case Files, Reasonable Doubt, and one of the company’s first featured
    programs, The Adam Carolla Show. 

    In

    addition to commercial radio projects, Pattiz was on the Board of Regents for
    the University of California; served under two Presidents on the Broadcasting
    Board of Governors, which oversees non-military U. S. Broadcasting services
    such as the Voice of America and Radio Free Europe; and helped fund many radio
    charity events.

    Pattiz

    was inducted into the National Radio Hall of Fame in 2009 and was a recipient
    of the Giants of Broadcasting Award from the Liberty of American
    Broadcasting.  His big claim
    to fame: he was married to former KMET (now KTWV, 94.7 FM) air personality Mary
    Turner,  original host
    of Off the Record and who serves as Chairman of the Board of
    the Betty Ford Center in Rancho Mirage.

    Fraudulent Advertising 101

    Ever

    think some radio testimonials from some of your favorite personalities are, for
    lack of a better word, fake? Your instinct may be right.

    The Federal

    Trade Commission is accusing iHeart radio stations and Google of airing 29,000
    ads on stations across the country that purported to have air personalities
    speak of their use of Pixel 4 mobile phones, including scripted testimonials,
    even though the personalities never used — nor even had — the phones.

    As

    stated on ftc.gov (https://www.ftc.gov/news-events/news/press-releases/2022/11/ftc-states-sue-google-iheartmedia-deceptive-ads-promoting-pixel-4-smartphone
    ) “in 2019, Google hired iHeartMedia and 11 other radio networks in ten major
    markets to have on-air personalities record and broadcast endorsements of the
    Pixel 4 phone. Google provided iHeartMedia with scripts that included lines
    about the Pixel 4 phone like, ‘It’s my favorite phone camera out there,
    especially in low light, thanks to Night Sight Mode,’ ‘I’ve been taking
    studio-like photos of everything,’ and ‘It’s also great at helping me get stuff
    done, thanks to the new voice activated Google Assistant that can handle
    multiple tasks at once.’ However, the on-air personalities were not provided
    with Pixel 4s before recording and airing the majority of the ads and therefore
    did not own or regularly use the phones.”

    This

    all happened in 2019-2020; one of the reasons the phones were not available for
    the endorsements: they were not even available for sale at the time.

    A

    proposed settlement puts iHeart under “probation” for ten years, Google for
    three. Attorneys General from six states including California joined in the
    action. 

    Let’s

    see what the corporate radio apologists say about this … Didn’t RKO lose their
    licenses over something not nearly as serious?

    24 min
  • Radio Waves Podcast #364

    Radio Waves: December 9,

    2022

    Country Christmas

    In keeping with my desire to discuss holiday music in every

    column every week of the year I bring you more holiday music news:  as
    expected, Go Country 105 has temporarily become Your Christmas Destination once
    more.

    A rundown of the music played just prior to my writing this

    includes music from The Ronettes, Steve Lawrence and Eydie Gorme, Andy
    Williams, and Elvis Presley, so its definitely not a country-oriented Christmas
    format. That being said, it did also include Blake Shelton, Thomas Rhett, Jake
    Owen, and Lady A … so there is a nice mix there. Generally speaking, while I
    hate to “lose” the country format, I tend to like the variety of holiday music
    that Go Country plays this time of year.

    I used quotes around the word “lose” because the country music is

    not totally gone; it is still available on the digital radio HD stream (105.1
    HD3), as well as online, through various apps, and via smart speakers. The HD
    stream temporarily replaces the “unforgettable” Sinatra and standards format
    normally found there.

    And don’t worry … I have more holiday music information in the

    wait  …

    Feeding Kids

    The 12th Annual KFI (640 AM) Pastathon has raised over $450,000

    and almost 10,000 pounds of pasta and sauce through press time, though the
    numbers are most certainly higher once the final tallies are in. 

    The PastaThon benefits Caterina’s Club, a charity named after

    Chef Bruno Serato’s mother. In 2005, the charity began serving hot meals to
    children living in low-income motels; since that time the project has expanded
    to 100 locations in 30 cities across Southern California, serving more than
    25,000 meals per week. Since inception, that makes for over eight million meals
    served

    In addition, help is given to get families into stable homes and

    job training in the hospitality industry is provided, all in an attempt to
    break the cycle of poverty, directly benefiting  260 families and 600 teens who have
    graduated from the Hospitality Academy.

    This year, KFI partnered with Smart and Final, Wendy’s, and

    Barilla — yes the pasta company, of course — to help with the 2022 drive. Water
    heater manufacturer Bradford White donated $5000 as well.

    Since KFI got involved in 2010, listeners and partners of the

    station have raised over $4.6 million and 700,000 pounds of pasta and sauce.
    That’s a lotta pasta!

    Streaming Along

    The vast majority of radio listening is still over the regular

    airwaves, of course. But streaming has picked ups over the past few years,
    according to Edison Research. The company recently reported that about 12
    percent of listeners to AM and FM radio listen via online streams, which
    includes web browsers, apps, and smart speakers.

    Modern apps and smart speakers especially make it extremely easy

    to hear your favorite station, and there are some who feel that streaming radio
    is the real future of radio … putting stations on an even playing field with
    good reception and fidelity non matter your location.

    That, of course, will take wifi universal internet access to

    become a reality for all.

    Car Radio

    Massachusetts Senator Ed Markey is hopping on the “Saving AM”

    train. He recently sent a letter to 20 automakers asking them too make sure
    they continue to provide AM radio reception in their vehicles

    As reported by AllAccess.Com,

    in the letter Markey wrote, “Despite innovations such as the smartphone and
    social media, AM/FM broadcast radio remains the most dependable, cost-free, and
    accessible communication mechanism for public officials to communicate with the
    public during times of emergency. As a result, any phase-out of broadcast AM
    radio could pose a significant communication problem during emergencies.
    Although the auto industry’s investments in electric vehicles are critical to
    addressing the climate crisis and reducing greenhouse gas emissions, automakers
    need not sacrifice the benefits of radio in the process.”

    The Senator asked for replies from the companies by December

    22nd to the questions of whether they have decided to drop AM and why, what are
    the future plans for AM reception in their vehicles, and if they currently
    offer digital (HD) radio.

    12 min

About LA Radio Waves

From the publisher's feed

A weekly radio podcast covering radio news, business, history and innovation - hosted LA radio veteran Mike Stark and LA radio columnist Richard Wagoner.