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Title: The Hooligan's Return
Author: Norman Manea, Angela Jianu - translator
Narrator: Victor Bevine
Format: Unabridged
Length: 13 hrs and 34 mins
Language: English
Release date: 06-30-15
Publisher: Audible Studios
Ratings: 5 of 5 out of 1 votes
Genres: Bios & Memoirs, Personal Memoirs
Publisher's Summary:
At the center of The Hooligan's Return is the author himself, always an outcast, on a bleak lifelong journey through Nazism and communism to exile in America. But while Norman Manea's book is in many ways a memoir, it is also a deeply imaginative work, traversing time and place, life and literature, dream and reality, past and present. Autobiographical events merge with historic elements, always connecting the individual with the collective destiny. Manea speaks of the bloodiest time of the 20th century and of the emergence afterward of a global, competitive, and sometimes cynical modern society.
Both a harrowing memoir and an ambitious epic project, The Hooligan's Return achieves a subtle internal harmony as anxiety evolves into a delicate irony and a burlesque fantasy. Beautifully written and brilliantly conceived, this is the work of a writer with an acute understanding of the vast human potential for both evil and kindness, obedience and integrity.
Members Reviews:
Three Stars
Some parts are better than other. Not a consistently good book over all.
A Remarkable Memoir!
Norman Manea: The Hooligan's Return: A Memoir, transl. Angela Jianu, 2003
This memoir presented me with an alternative life of sorts, since it was written by an author two years older than I and born in Suceava, Romania -- birthplace of my father and perhaps his own parents. Norman Manea, the author of several novels in Romanian as well as this memoir, was born in Suceava in 1936 and lived in Romania till he moved to the United States in 1988. He was apparently inspired to write the present book when presented with the prospect of a return visit to Romania in 1997 with the man who had hired him to teach at Bard College, its president, Leon Botstein.
This memoir is a deeply (and often painfully) introspective work with many flashbacks and other displacements of time, as well as dream sequences of dialogue with people not (or no longer) physically present. It makes frequent references to other Romanian authors I will be exploring, most especially to Mihail Sebastian, whose own memoir was titled Journal: 1935-1944, and whose own scandalous literary association with the right-wing Nae Ionescu gave birth to Sebastian's "sparkling" essay titled How I became a Hooligan.
The theme of associations with people of brutally compromised honesty (and bare survivors thereof), and the distrust and air of unreality, and anti-Semitism -- and real danger--engendered thereby, necessarily permeates Manea's memoir. For it has been written by a Jewish Romanian who endured Transnistria, liberation by the Russians, Ceaus'escu's repressive regime, and the gray post-communist era that persisted through the end of the 20th century, where his book ends at May 2, 1997, after a return from the aforementioned visit to his native land, and back "home" in the relative safety (and loneliness) of New York City (where the book began).
Finally, this hauntingly beautiful book is presented as a tribute to the Romanian language, in which Norman Manea writes his works, wherever else he may have to be, and he has been blessed with a graceful translation into English for our benefit. I assume he still teaches at Bard College and lives with his wife in New York City.
A great autobiography
This is a wonderful, if difficult book. It cronicles the author's life.